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22 Sentences With "film craft"

How to use film craft in a sentence? Find typical usage patterns (collocations)/phrases/context for "film craft" and check conjugation/comparative form for "film craft". Mastering all the usages of "film craft" from sentence examples published by news publications.

Esco viewed it as a chance to talk with a mentor about film craft.
At last year's Cannes Lions festival, it won the Grand Prix in Film Craft.
It's a significant move away from the usual auterist approach, much more focused on the nuts and bolts of film craft.
I learned a lot from each — about film craft, sure, but also about what it's like to be an Oscar nominee and to get thrown into the headlong rush of awards season.
In 2007, Aamir Khan asked Ram to direct the "Bheja kum" song for his film Taare Zameen Par. In 2012, Ram was again approached by Aamir Khan to direct the official theme song video for his TV series Satyamev Jayate. In 2011, an advertisement he directed for Hippo Baked Munchies won a Silver for best Direction in the Film Craft awards at Adfest Bangkok. In 2011 Ram was President of the Jury for Film Craft at Adfest Bangkok.
Ventureland, based in Los Angeles and London, will produce both documentaries and scripted content. In 2020, she serves as president of the "film craft" jury of the Cannes Lions International Festival of Creativity.
The downtown street fair has been a regular Thursday evening event, drawing tourists and locals alike to Palm Canyon Drive to stroll amid the food and craft vendors. Events related to films and film-craft are sponsored by the Desert Film Society.
Pujarin is a 1936 Hindi social film. It was directed by Prafulla Roy for International Film Craft. The film was based on a story by writer Sarat Chandra Chattopadhyay from his story "Dena Paona". The film was the remake of the Bengali film Dena Paona directed by Premankur Atorthy.
Mr. & Mrs. '55 is a model of film craft and has gripping interest for every class of cinegoer. Its satire of characters we know and its incidents taken from life are spiced with humour… the dialogue, well-written, tense and witty, enhances the appeal of this true-to-life and thought-provoking entertainer.
Since its inception, the society has been organizing Film Appreciation Courses with experts from the field, publishing books on film and holding workshops on film craft. It is registered under Societies Registration Act XXI of 1860. The current advisers of the club is Harekrishna Deka and Bhuban Chandra Lahkar and the president is A. K. Absar Hazaika.
In 2011, for pay network Canal+, BETC launched "The Bear", a humorous ad that follows a bearskin rug that is cast as a renowned movie director. Led by creative director Stéphane Xiberras, the ad won one Silver and three Gold Lions, including Film Craft, at the Cannes Lions International Advertising Festival in 2012. In February 2013, the Gunn Report ranked "The Bear" as the most- awarded spot in its history.
As a member of the Jury for D&AD; Creative Advertising Festival 2018, he was in charge, along with other members of the jury, with awarding the prestigious Black Pencil. President of the Jury at the Ibero-American Advertising Festival (FIAP) 2017. President of the jury in the Area of Audiovisual Production Techniques at the FIAP 2015. Invited to the New York Festival 2015 as a Jury in the Grand Jury / Film Craft area.
Gustavo Pizzi's directorial debut film, Craft uses several film stocks and formats, such as 16mm, 8mm, and high definition. Justifying it, Pizzi says that "It is like a voiceover without voice," as the different formats can "communicate" with the audience in each specific scene. The 8mm allows Pizzi to shows Bianca's most personal feelings to the viewers, for example. In another scene, however, there are the use of six cameras to film musical sequence of the in-film film.
The awards encompass all main communication disciplines: TV, Press, Outdoor, Digital, Mobile, Social, Radio, Promotions, Direct & Experiential Marketing, Media, Business-to-business, Public relations, Branded Entertainment, Design, Packaging, Integrated Campaigns, Film Craft, Photography and Print Craft. Complete results of the annual awards are announced in the press and confirmed on the Epica website during the last week of November every year. Category winners (gold, silver and bronze) receive an Epica crystal pyramid. Gold, silver and bronze winners also receive certificates.
As part of the Touareg product launch in China, a 3-part, 15-minute total movie named A Journey Beyond (锐·享征程) was produced. The movie was produced by DDB Guoan, and directed by Lu Chuan. The film itself was nominated as finalist in China Longxi awards under the FILMCraft: Best editing category. As part of National Museum of China sponsorship, Touareg Hybrid vehicles were offered as free shuttle service – named "Museum Hopping" – between the National Museum, the Palace Museum and the National Art Museum.
Henry V was warmly received by critics. The reviewer for The Manchester Guardian wrote that the film combined "new art hand-in-hand with old genius, and both superbly of one mind", in a film that worked "triumphantly". The critic for The Times considered that Olivier "plays Henry on a high, heroic note and never is there danger of a crack", in a film described as "a triumph of film craft". There were Oscar nominations for the film, including Best Picture and Best Actor, but it won none and Olivier was instead presented with a "Special Award".
Hard Core Logo was well received by Canadian film critics. In his review for the Toronto Sun, Bruce Kirkland praised the cast: "They're all so convincing it is impossible to believe they're not all the real thing". John Griffin, in his review for the Montreal Gazette, called it "a masterful exercise in edgy virtuoso film craft, subversive propaganda and exhilarating entertainment". In his review for the Toronto Star, Peter Goddard praised Noel Baker's screenplay for providing "some of the funniest and deftest writing Canadian moviemaking has heard in years but it can't hide the bitter-sweetness just below the surface".
Garga grew up in Lahore and developed an interest in photography as a teenager. He published some of his photographs in the magazine Illustrated Weekly of India. In 1943, he went to Mumbai and worked in the Indian film industry for the director V. Shantaram, where he learned the film craft. There he met the journalist and film critic K. A. Abbas, who encouraged him to write an article on the history of Indian cinema for Abbas' original magazine Sargam. In 1948, Garga shot his first of more than 50 documentaries, which he also wrote and produced.
Blink was named "Production Company of the Year" by Campaign in 2012 for the second consecutive year, having previously held the title in 2011 and 1997. Blink was also chosen in 2011, 2014 and 2015 for the same accolade by Televisual Magazine. In both 2013 and 2015, Blink was named Production Company of The Year at the British Arrow Awards, as well as a winning a total of 18 gold and silver awards for its commercials. Blink won the Grand Prix at Cannes Lions 2016 for Harvey Nichols' "Shoplifters", having won the Film Craft Grand Prix in 2015 for John Lewis "Monty's Christmas".
In his review for Filmindia magazine, Baburao Patel called Malliswari an "inspiring motion picture" which would "save us the blush when compared with the best of motion pictures of the world". Film historian Randor Guy called Malliswari a "poem in celluloid, told with rare artistic finesse, which lingers long in the memory". M. L. Narasimham of The Hindu wrote, "No wonder, the film took two years to complete, but what ultimately mattered was the quality of the product, an all-time classic of which the Telugu film industry is proud. It is a simple story, well told and represented by excellence in all sectors of film -craft [sic]".
Film industry magazine Screen International critic Peter Brunette noted that in spite of minor faults, the film was "an otherwise enjoyable piece of highly competent, commercial filmmaking," which "should perform well in all markets, from theatrical through to ancillary." In a review for The Age, Jake Wilson gave the film 3 stars out of 5, describing it as "a quirky Australian coming-of-age story that gives the genre a good name". He wrote that while it lacked the film "craft or pizazz" of other teen movies, the film broke the conventions of the genre. The Sydney Morning Heralds Sandra Hall awarded Hey, Hey, It's Esther Blueburger 3 out of 5 stars and thought that it was entertaining but "too polished".
The recording of "Yes I Can" was released as a charity single through Universal Music Group, with proceeds benefiting the British Paralympic Association. On 29 July 2016, Tim Worner, CEO of the Seven Network—the new rightsholder of the Paralympics in Australia as of 2016, stated at the Sports Marketing Summit that it would be making a localised version of the campaign to promote its inaugural coverage. Adweek described the ad as being "joyous" and "awesomely over-the-top", stating that "the message is considerably broader in scope and more sweeping than the 2012 spot, and the nonstop positive vibes—driven by imaginative set pieces and inspired editing—are incredibly infectious." At the 2017 Cannes Lions Festival, "We're the Superhumans" finished in second place for Film Craft, and won the Grand Prix for film.

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