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19 Sentences With "fictionalising"

How to use fictionalising in a sentence? Find typical usage patterns (collocations)/phrases/context for "fictionalising" and check conjugation/comparative form for "fictionalising". Mastering all the usages of "fictionalising" from sentence examples published by news publications.

LIONEL SHRIVER has built a literary career on fictionalising her fears.
Brien cited the film as an example of why sensitivity and care must be taken when fictionalising an actual crime.
The fictionalising medieval poem The Wallace ( 1477) celebrated William Wallace (died 1305) as one of the founder-heroes of Scotland's struggle to preserve/re-establish independence from Plantagenet England.
Michael Morpurgo wrote a children's book fictionalising the hotel's mascot, Kaspar, as an adventurer: Kaspar: Prince of Cats (2008), which was released in the US as Kaspar: The Titanic Cat (2012).
Artistic license is, however, not related to the aforementioned license. It is a euphemism that denotes freedom of expression, the ability to make the subject appear more engaging or attractive, by fictionalising part of the subject.
In the 1991 TV movie The Treaty, Boland was portrayed by Malcolm Douglas. In the 1996 film Michael Collins, Boland was portrayed by Irish-American actor Aidan Quinn. The film was criticised for fictionalising both Boland's death and Collins' life.
Twice Brightly is a 1974 comic novel by Harry Secombe, fictionalising his experiences as a recently demobbed Welsh serviceman and army comic returning from the battlefields of North Africa and Italy and struggling to make a living in the British Variety Theatres after the Second World War. The lead character is a Welsh comic called Larry Gower, Secombe's alter ego. The title is a pun on the phrase "twice nightly".
Gustavo primo, re di Svezia (Gustavus the First, King of Sweden) is a three act opera seria by Baldassare Galuppi, with a libretto by Carlo Goldoni, fictionalising events in the life of Gustav I of Sweden. Composed in honour of the Genoese nobleman marchese Giovanni Giacomo Grimaldi, it premiered on 25 May 1740 at Venice's Teatro San Samuele. It was first recorded in 2003 by Karoly, Gonzalez, Cecchetti and the Capella Savaria Baroque Orchestra, conducted by Fabio Pirona.Selfridge-Field, Eleanor (2007).
Li was born in 1965, moving with his parents from Hong Kong to England, first to Sheffield and then to Manchester. Weekly school trips to the Whitworth Art Gallery in Manchester, sparked his interest in historical paintings, especially Vermeer and influences his work to this day. His interest in photography dates back to childhood hours spent re- arranging and fictionalising family photographs on his mother's dressing table. In his twenties he was inspired by Exiles by Josef Koudelka and In Flagrante by Chris Killip.
This film recounts the love story between Gusti Putri Retno Dumilah, a Majapahit princess, and Hang Tuah, a Malaccan admiral. # Gajah Mada, a pentalogy written by Langit Kresna Hariadi depicting a fictionalised detail of Gajah Mada's life from the Kuti rebellion up to the Bubat War. # Dyah Pitaloka (2007), a novel written by Hermawan Aksan, fictionalising the detailed life story of Sundanese princess Dyah Pitaloka Citraresmi set around the Bubat War. The novel virtually takes the same context and was inspired by the Kidung Sundayana.
Hysteria: Or Fragments of an Analysis of an Obsessional Neurosis is a two-hour comedy play, by British dramatist Terry Johnson, fictionalising a real-life 1938 meeting between Salvador Dalí and Sigmund Freud a year before the latter's death. It is named after the Freudian psychological term "hysteria". Freud and Dali meet for tea at Freud's house in Hampstead one summer's afternoon in 1938. The play combines that meeting with the arrival of the mysterious Jessica, who brings serious charges against Freud relating to his treatment of her mother and his theory of presexual shock.
Conversely, the limited number of such opportunities, says Vern Bullough, meant that male-to-female transvestism was effectively non-existent in public society. But beneath the surface, suggests Ruth Evans, London was "a place of unrivalled sexual and economic opportunities". Hermaphroditism too had a legally recognised status; the thirteenth-century jurist Henry de Bracton, for example, had discussed it in his Laws and Customs of England, and there was a strong tradition of fictionalising it. The best-known, a story told by at least four separate German chroniclers in the 1380s, was from Lübeck.
Winter Kills is a 1979 satirical black comedy thriller film written and directed by William Richert, based on the novel of the same name by Richard Condon. A black comedy fictionalising the assassination conspiracy of President John F. Kennedy, its all-star cast includes Jeff Bridges, John Huston, Anthony Perkins, Eli Wallach, Richard Boone, Toshirō Mifune, Sterling Hayden, Dorothy Malone, Belinda Bauer, Ralph Meeker, Elizabeth Taylor, Berry Berenson and Susan Walden. The film simplifies the plot of the book somewhat, emphasizing humor. It follows the events surrounding the assassination of the fictional President Kegan (patterned after John F. Kennedy).
The club did have a brief spell in the top flight between 1988 and 1990, in which they achieved their highest ever league finish of tenth place in the First Division in 1988–89. Millwall reached the 2004 FA Cup final and qualified for Europe for the first time in their history, playing in the UEFA Cup. The club have also won two League One play-off finals in 2010 and 2017, the Football League Group Cup in 1983, and were Football League Trophy finalists in 1999. In the media, Millwall's supporters have often been associated with hooliganism, with numerous films having been made fictionalising their notoriety.
On 14 August 1880, an account of the events of the late 1840s on the Eyre Peninsula, written by the adventurer, journalist and preacher Henry John Congreve, was published in the Adelaide Observer, a weekly newspaper, as "A Reminiscence of Port Lincoln". The authors Robert Foster, Rick Hosking and Amanda Nettelbeck describe this as a "fanciful and sometimes wildly inaccurate fictionalising" of what occurred. It ascribed four murders to one Aboriginal male, stated that Easton's infant had also been murdered, said that many Aboriginal people were shot and survivors driven over a cliff, and mixed up several of the recorded details. In a letter to the editor, a correspondent noted several errors in the account, and Congreve was asked to respond.
Encouraged by Sir Hugh Walpole, whose own Lakeland historical novels were very popular at the time, in 1932 Size tackled another local Norse story, the supposed origin of the elegant cross at Gosforth. This had first appeared in the novella The Story of Shelagh, Olaf Cuaran's Daughter, by local historian C.A. Parker, but Size's book Shelagh of Eskdale expanded on what Parker had written, to produce a short novel uniform with the second edition of Secret Valley, again published by Warne. Finally, about a year later, Warne published Ola the Russian, a longer novel in which the setting was broadened to include the whole Norse world, fictionalising the life of Olaf Trygvesson. Size did write one other book, The Haunted Moor, which recounted the legendary stories of the various strange features on Ilkley Moor near Bradford.
Upon its release the film proved controversial for some historical inaccuracies and for fictionalising parts of the story and Jim Sheridan was forced to defend his choices. In 2003, Sheridan stated: "I was accused of lying in In the Name of the Father, but the real lie was saying it was a film about the Guildford Four when really it was about a non-violent parent." In the film we see Gerry and his father Giuseppe (in the closing credits, the name is misspelled 'Guiseppe') sharing the same cell, but this never took place and they were usually kept in separate prisons. The courtroom scenes featuring Gareth Peirce were also heavily criticised as clearly straying from recorded events and established British legal practices since, as a solicitor and not a barrister, she would not have been able to appear in court as shown in the film.
In Oz (1998) series Deacon incorporates Koori kitsch dolls and shows the construction of identity is an old game that she can play too. Using The Wizard of Oz as a starting point for her re-presentation of Aboriginal culture and identity, she recognises the fictionalising of history, identity and nationhood in Australia’s past – a reminder that things are not always as they appear, nor what we have been made to believe; that history is written much similar to a story. Deacon is said to have coined the term "Blak" as a reference to Indigenous Australian culture in 1991, in her exhibition entitled Blak lik mi. Using a term possibly appropriated from American hip hop or rap, the intention behind it is that it "reclaim[s] historical, representational, symbolical, stereotypical and romanticised notions of Black or Blackness", and expresses taking back power and control within a society that does not give its Indigenous peoples much opportunity for self-determination as individuals and communities.
This settlement offer was later abandoned by Thompson, Greg Wise and their partner Donald Rosenfeld, when their company Sovereign Films took over production of the film and instigated the suit, creating the independent entity Effie Film, LLC, spearheaded by Rosenfeld, to litigate it. In March 2013, District Court Judge Thomas P. Griesa, after allowing Thompson to submit a second revised screenplay into evidence from which Murphy claimed "some of the most troubling material" had been removed, ruled that while there were similarities, the screenplays were "quite dissimilar in their two approaches to fictionalising the same historical events". In response to Murphy's attorney's concerns that the completed film Effie Gray would not adhere to Thompson's second revised screenplay, Judge Griesa concluded his ruling by saying that Thompson's film would not infringe Murphy's play or screenplay "only to the extent that it does not substantially deviate from the November 29, 2011 screenplay," the date of Thompson's second revised screenplay. In May 2013, Effie Gray's Cannes Film Festival premiere was cancelled.

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