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91 Sentences With "feast for the eyes"

How to use feast for the eyes in a sentence? Find typical usage patterns (collocations)/phrases/context for "feast for the eyes" and check conjugation/comparative form for "feast for the eyes". Mastering all the usages of "feast for the eyes" from sentence examples published by news publications.

Most of my phones cases are a feast for the eyes.
ROSLYN HARBOR "A Feast for the Eyes," how food inspires artists.
ROSLYN HARBOR "A Feast for the Eyes," how food has inspired artists.
ROSLYN HARBOR "A Feast for the Eyes," on how food inspires artists.
Except this, uh, feast for the eyes has absolutely no taste at all.
It was gorgeous; the whole thing was just a feast for the eyes.
The resort was styled by Dorothy Draper and is a feast for the eyes.
Feast for the Eyes runs through February 9 at the Photographer's Gallery in London.
This, juxtaposed by the grittiness of abandoned environments, makes his work a feast for the eyes.
A coffee shop in India is selling glitter cappuccinos, which a truly a feast for the eyes.
Organizers describe it as a "feast for the eyes and the senses, mmm!" according to the BBC .
"A Feast for the Eyes: Edible Art From Apples to Zucchini" by Carolyn Tillie (Reaktion Books, $19.95).
It was an absolute feast for the eyes — and probably the stomach, if one could afford it.
In comparison to this turn-of-the-century feast for the eyes, ABC's Grand Hotel is unabashedly modern.
First up, a feast for the eyes from one of the masters of the space: Bruce Sterling. Enjoy.
There's a freedom in its boundless aimlessness now more than ever, and it's a feast for the eyes.
The structure, the interior design, and panoramic views of downtown make the hotel a feast for the eyes.
Each one is painstakingly added to a shoe, creating an end result that is a feast for the eyes.
The animation uses different textures, styles, and motifs to tell this story, and it is a feast for the eyes.
Front Burner "A Feast for the Eyes" gives readers a glimpse of how artists have used food as a medium.
Visually, the game was a feast for the eyes in its day, despite the relatively low-resolution graphics and lack of realistic shading.
And the results are not disappointing — every page, with its beautifully reproduced artworks and curling Dada fonts, is a feast for the eyes.
It's hard not to read the scene as a feast for the eyes that's a step or two below what it's paying homage to.
The city is a feast for the eyes: Visitors can walk past medieval architecture in the Barri Gòtic and Gaudi's unique creations at Güell Park.
"Between the lush green of the landscape, the earth tones and the way people are dressed, it is a feast for the eyes," she said.
A feast for the eyes, the exhibition featured canvases hung from the walls, rafters, and even draped across the floor in Suter's trademark installation style.
Related: 'Moana' is Disney's latest animated feast for the eyes and ears Talent runs in the family The teen credits her mom with her singing chops.
Indeed, many of the works on display are a colorful feast for the eyes, and this is part of Potter's own intention in mounting the exhibit.
This annual feature is a feast for the eyes and brain, both for serious travelers and for those who like to daydream about seeing the world.
From the start of the 1900s to the mid-2010s, Feast for the Eyes takes a careful approach to highlighting the best food art captured by cameras.
If it has won awards for visual effects, costume, or set design, however, that's usually a good indicator the movie will be a satisfying feast for the eyes.
The 70-plus images ahead from the streets of Milan aren't just a feast for the eyes — they'll also have you reconsidering your all-black wardrobe just yet.
"While many on our team were at home enjoying turkey, Curiosity produced this feast for the eyes," said Ashwin Vasavada, Curiosity's project scientist at NASA's Jet Propulsion Laboratory.
But for people who do love those movies, and the unselfconsciously joyous romantic ideals they represent, La La Land is a glorious feast for the eyes and the soul.
They're all arranged according to color in seven chapters: "Edible Ensembles: A Fashion Feast for the Eyes From Banana Peel Jumpsuits to Kale Frocks" by Gretchen Röehrs (Rizzoli, $24.95).
Miu Miu campaigns are always a sumptuous, colorful feast for the eyes, but the just-released images for fall/winter 2017, titled "Preservation Hall and Other Stories," are particularly special.
Winding Refn also pushes for hyper-colored ethereal effects, mixing in glitchy, surrealist scenes that are a trippy feast for the eyes, paired with a brilliant score by Cliff Martinez.
The rooms and suites feature three different views: garden, garden/water, and waterfront, and every glance brings a feast for the eyes, especially if you're facing the Gulf of Mexico.
The perpetual champion of hand-drawn animation's style is like cutting-edge anime mashed up with French surrealist art cartoons, so expect Ballmastrz: 9009 to be a feast for the eyes.
I've always wanted a book like "Feast for the Eyes," which charts the chronological history of the ways in which food has been photographed, recorded and shared for over a century.
Museums usually aim to offer a feast for the eyes, but this Detroit museum had much more in mind for "Bitter|Sweet: Coffee, Tea & Chocolate," which just closed at the institute.
You gotta see this The prestigious Wildlife Photographer of the Year awards were given out this week by London's Natural History Museum, and the winning photos are a feast for the eyes.
The magic of the medium is in its power to transport, and slowly spinning in circles while this fantastical tale unfolds in 360 degrees is a feast for the eyes and emotions.
So even if "Moana" is occasionally guilty of treading water, Disney's latest animated voyage goes far enough as a feast for the eyes and ears to give fans plenty for which to be thankful.
With a super view of skyscrapers all around in a riot of different architectural styles and a few palm trees that sway whenever there's a pleasant sea breeze, it's a feast for the eyes.
Author and arts writer behind Feast for the Eyes, Susan Bright, engages the reader at the beginning of the food photography movement, offering a visual briefing on certain themes in the industry and particularly exquisite photos.
Small plates $1816 to $2116, family-style plates $2139 to $21927 I've been here Read More 2117 Old Lee Highway, Fairfax 2128 Sparkling design and luscious flavors add up to a feast for the eyes — and stomach.
Feast for the Eyes: The Story of Food in Photography, based on their 2017 book, is currently at the Photographer's Gallery in London and spans more than 160 years, from today's greasy sliders to yesteryear's Spam and beyond.
Russell Carpenter's richly saturated and vibrantly-colored cinematography, on the other hand, remains a stylish feast for the eyes: Barrymore's red hair glows, Diaz's red lipstick pops, Liu's freckles aren't covered up, and the California ocean looks bluer than ever.
And that might at least in part explain why Luv Aj has seen such a spike in popularity in the past few months — frankly, its Instagram is a feast for the eyes for any lover of stacked-up, mixed-and-matched bling.
Pink: The History of a Punk, Pretty, Powerful Color, in collaboration with an exhibit at the Museum at the Fashion Institute of Technology in New York (opening September 7), is a feast for the eyes and the mind, with photos, ads, and artworks.
But these delectable scenes said as much about gender, race, and economics as they did about cakes and curries—as Bright first noticed in 2007, while looking through the copy of Good Housekeeping that sparked the initial idea that became Feast for the Eyes.
The music video is a true feast for the eyes as beautiful people take over a beautiful place in ways we've never seen — because people of color rarely have the opportunity to claim such spaces, a fact that adds to the extraordinariness of the couple's feat.
The film is laugh-out-loud funny, an astute blend of humanity and absurdity, thrilling until its final depraved moments, a pristinely shot modern architectural feast for the eyes, a razor-sharp socio-economic critique, and a cryptic operatic drama...Everything is quickly and sharply edited, teeming with impressive, geometric cinematography.
All together, this kit and caboodle is really something else entirely, a kind of conceptual art installation that aims to encapsulate today's fashion system (if not today's galloping consumption of all kinds) through a distillation of our experience with shopping and clothes into a three-chambered feast for the eyes.
Director and co-writer Ryan Coogler has assembled a feast for the eyes, featuring visionary imagery of a kingdom that is a century ahead of our own time, thanks to their ingenuity and stores of Vibranium, the rare element that comprises Captain America's shield and fuels the research and wonders of Wakanda.
Ougenweide was a German progressive rock band. They are notable for being pioneers of the medieval folk rock subgenre. (In German) The name comes from Middle High German ougenweide (Augenweide - feast for the eyes).
"Arcimboldo's Feast for the Eyes". The New York Times, October 10, 2007. Retrieved May 27, 2008 Giuseppe Arcimboldo, Winter, 1573. The concept of the "Tree-man", the hybrid organism, as well the engorged fruit, all bear hallmarks of Bosch's Garden.
It was made into a study; its window styles use relatively simple and tasteful styles. In the front courtyard flower pots are arranged, in which are placed rare and exotic flora, livening up the ancient feeling of Lin Family Garden with a feast for the eyes.
The following day, AEK was pitted against Red Star, and lost 54–75. The final was a real feast for the eyes, as it finished with both teams tied at 87 points; it was a great game, in which Barcelona ended up beating PAOK, in overtime, by a score of 102–101.
With Nan Shunxun, Foit-Albert wrote the 2007 book China's Sacred Sites, which examines differences between Chinese and Western religious architecture. Publishers Weekly called the book's photography "a feast for the eyes, not just the soul", while Library Journal summarized the book as "an excellent introduction, description, and explanation of traditional Eastern religious architecture".
Yoko Hani, "A Feast for the Eyes", Japan Times, November 24, 2002. A single restaurant may order a complete menu of plastic items costing over a million yen. The plastic replicas are much more expensive than the food they imitate, but can last indefinitely. For this reason, many companies that manufacture fake food have stagnant or declining profits.
The surfing scenes in particular are majestically powerful, even awe-inspiring. Bigelow's picture is a feast for the eyes, but we watch movies with more than our eyes. She seduces us, then asks us to be bimbos." Rolling Stone magazine's Peter Travers wrote, "Bigelow can't keep the film from drowning in a sea of surf-speak.
Dennis, Suzanne. "A Feast for the Eyes," South China Morning Post, December 28, 2003.Fyfe, Joe, "Judy Ledgerwood at Tracy Williams," Art in America, October 2007, p. 216. Michelle Grabner suggested this new work laid "bare Ledgerwood's distrust of elegance and finesse" with its contemporary, doodle-like drawing, loose Pop and quilt-like patterns, Matissean flatness, and funky interior-design palettes.
One, cats are funny. Two, vain Spanish cats in high-heeled musketeer boots are even funnier. Lastly, booted, vain Spanish cats voiced by a breathy Antonio Banderas are flat-out hilarious." Tasha Robinson of The A.V. Club gave the film a C+, saying "Puss In Boots makes a great theme-park ride, a thrill-a-minute feast for the eyes and the semicircular canals.
The album's lead single, "World Soul", premiered on April 29 on Stereogum, and was described as a "clinic on layering synths and electro atmospheric sounds". On June 15, the video for "World Soul" was premiered by Clash, which described it as "a feast for the eyes - flickering colour, hypnotic shapes and more". Vinyl Williams released his third album, Brunei, on August 26, 2016 on Company. It included the singles "Riddles of the Sphinx" and "L'Quasar".
Oestreicher echoed Edward's sentiments, calling the sprite graphics "a fresh take on an already slick style". McGee was highly positive about the sprite animations and art design, though found the visual novel segments dragged down the narrative despite their strong visual presentation. Sullivan called the sprite graphics "a feast for the eyes". Ingenito positively cited the graphics, and praised the soundtrack for combining elements from both Persona and previous Arc System Works games.
The club's Albert Sperisen Library holds approximately 8,300 volumes, searchable via an online catalog, and is open to the public. The club presents three themed exhibitions per year and numerous author talks, book signings and other events. A centennial symposium, "Way Out West: Fine Printing and the Cultural History of the Book in California" was held in October 2012. Another symposium, "A Feast for the Eyes: Gastronomy and Fine Print," was held in October 2014.
" Bilge Ebiri of Vulture wrote that "It doesn't always seem to know what it wants to be. But it's still full of marvels." Sara Stewart of the New York Post wrote that "Chastain and Wasikowska take center stage while Hiddleston flutters around like one of Allerdale's huge black moths. Watching the women square off within del Toro's eye-popping, painterly palette is a feast for the eyes, if not particularly substantial fare for the mind.
The film received positive reviews from critics, particularly for the work of its technical crew. In 2006, W. Chandrakanth of The Hindu wrote: > The greatness of the director lies here – he successfully reduces all > characters to ordinary mortals displaying all the follies of human beings > except Ghatothkacha or Krishna. And then he injects into the Yadava > household a Telugu atmosphere, full with its simile, imagery, adage, sarcasm > and wit. The result – a feast for the eyes and soul.
Charles Champlin of the Los Angeles Times was generally positive, writing: "Whatever else it is, 'Wizards' is a feast for the eyes, a nonstop succession of imaginings and imageries that are beautiful, startling funny, powerfully ominous, classically cartoonish, visions of heaven and hellfire ... It is hypnotically interesting for those who are addicted to animation but hardly less so to those who are plenty satisfied with Tom and Jerry."Champlin, Charles (March 2, 1977). "Bakshi's PG Feast for Eyes".
Ethir Neechal was released on 12 December 1968. The following week, The Indian Express wrote, "The film, which has a few touching scenes and some interesting twists, is on the whole satisfying." T. M. Ramachandran of Sport and Pastime wrote on 30 April 1968, "[Ethir Neechal], in short, is a feast for the eyes and ears but not for the soul". Ananda Vikatan, in a review dated 29 December 1968, praised the performances of the cast, particularly Nagesh, Sreekanth and Janaki.
Popular belief associates the village with the Swayamwar (marriage) of Draupadi after Arjun performed the Mastsyavedh, an unparalleled feat of archery. Villagers from all over the state, dressed in their brilliant traditional costumes and exquisite jewellery, flock to Tarnetar. A veritable feast for the eyes is the Rasada, a captivating folk dance performed by hundreds of women moving gracefully in a single circle, dancing gaily to the accompaniment of four drums and jodja pava (double flutes). It is in district Surendranagar.
Then followed three titles in the Painters & Food series for Pomegranate Books: Renaissance Recipes, Impressionist Picnics, and The Dutch Table. A 'Feast for the Eyes, the National Gallery Cookbook, involved the lateral thinking needed to use art to illuminate the story of food, and food to shed light on hitherto ignored aspects of painting. Food in Art, Reaktion Books 2015, covers earliest times to the Renaissance. The Oxford Companion to Italian Food, OUP 2007 describes contemporary Italian food in its historic background.
The Color of Pomegranates (, Nřan guynə; , Tsvet granata; Georgian: ბროწეულის ფერი, Brotseulis peri) is a 1969 Soviet Armenian art film written and directed by Sergei Parajanov.The Criterion Collection-The Current-10 Things I Learned: The Color of Pomegranates The film is a poetic treatment of the life of 18th- century Armenian poet and troubadour Sayat-Nova.The Criterion Collection-The Current-A Feast for the Eyes in Los Angeles It has appeared in some polls as one of the greatest films ever made.
Melissa Wolfe of Frederator called the film "beautiful", naming it as a highlight of the 2005 Ottawa International Animation Festival. The film was also singled out for praise by David Fellerath and Zack Smith, both of Indy Week, during the 2006 and 2007 Hi Mom! Film Festivals. Smith called it a "macabre feast for the eyes" that evokes the works of Lemony Snicket, while Fellerath likened the film's "interplay of music, images, and the imagination" to Corpse Bride and The Triplets of Belleville.
Her prints and paintings were sold in frames she had designed and painted. During the 1950s–1970s, Loeffler worked in tapestry, weaving the fabric and embroidering and appliquéing her designs to produce wallhangings. She won awards for her tapestries at the Santa Fe Museum of International Folk Art's 'Craftsmen of New Mexico' show in 1959 and 'Southwestern Craftsmen's Exhibition' in 1967. They were also exhibited around the US in states including Illinois (where a reviewer found them "a joyous feast for the eyes"), California and Texas.
Gary Goldstein of the Los Angeles Times called the film "a feast for the eyes and ears," while film critic Richard Roeper of the Chicago Sun-Times said Score was "a celebration of the artists who create the musical heartbeat of the movies we love." Critic and historian Leonard Maltin (who appears in the film) said Schrader produced "a cohesive and fascinating film", adding the film "doesn’t miss a beat." The New York Times selected the film as a Critics Pick in June 2017.
" Peter Travers of Rolling Stone said, "Besides being a feast for the eyes and ears, Les Misérables overflows with humor, heartbreak, rousing action and ravishing romance. Damn the imperfections, it's perfectly marvelous." Todd McCarthy of The Hollywood Reporter said, "As the enduring success of this property has shown, there are large, emotionally susceptible segments of the population ready to swallow this sort of thing, but that doesn't mean it's good." Manohla Dargis of The New York Times wrote: "[Director Tom] Hooper can be very good with actors.
Later, the video sees Lopez wearing a variety of outfits before encountering British model David Gandy. The music video was received with positive response from most critics. Mike Wass of Idolator called it her "sexiest visual since 2011's breathtaking 'I'm Into You', also noting that "it's a fairly simple set-up but, in director Anthony Mandler's capable hands, it turns out to be an absolute feast for the eyes. The black-and-white photography is gorgeous, J.Lo has never looked better and her co-star isn't exactly hard on the eyes either.
In 1997, when the channel FX ran an all-day marathon of the most popular X-Files episodes, "Home" was the number one choice. Upon its first broadcast, "Home" received several positive reviews from critics, although some were critical of its violence. Entertainment Weekly gave the episode an "A", describing it as "one of TV's most disturbing hours" and as "a cinematic feast for the eyes, packed with audacious wit". Sarah Stegall awarded the episode three stars out of five, comparing it positively to the more gruesome work of directors David Lynch and Tobe Hooper.
She studied at Middlesex Polytechnic, Saint Martin's School of Art and finally at the Royal College of Art in London, where she graduated in 1984 with an MA in textile design. Her work shows some influence from her family background of the Bloomsbury Group but she has developed her own very individual style which is more meticulous and less painterly. Bell also decorates cakes to commission, having published a book Cressida Bell’s Cake Design in 2013."Cressida Bell’s cake designs are a feast for the eyes – and the stomach", The Metro, 5 June 2013.
A Feast for the Eyes, Huntington, NY: Heckscher Museum, 1981. Conceptually, Behnke's work of this time confronted the incompatibility between the sculpturally solid and dynamic natures of reality, reconciling change and stability, as well as art historical strategies for capturing experience (Renaissance, cubist and futurist). For example, the triptych Time Sequences/Value Changes (1979) investigates compositional and color effects as light and shadow exchange roles in a windowed interior; other works enact a similar strategies with exteriors, or still lifes (Three Spectral Pairs, 1978). Leigh Behnke, Brooklyn Bridge Compositional Study (2nd Version), watercolor on paper, 53" x 40", 1983.
Rumy Doo of The Korea Herald called the film "meticulously made- up" and pointed to its painstaking recreation of 1940s Seoul (then called Gyeongseong). Doo said Han Hyo-joo's acting is "somewhat strained" in the beginning of the film, but her portrayal of a jealous, wronged woman is more convincing and "painfully human". Jin Eun-soo of the Korea JoongAng Daily called the film a "feast for the eyes and ears", praising the actors' musical talent, the costume design, and the reconstruction of 1940s Seoul. Yun Suh- young of The Korea Times also praised the actors' musical performance.
Jumanji did well at the box office, opening at #1 and earning $100.5 million in the United States and Canada and an additional $162.3 million overseas, bringing the worldwide gross to $262.8 million. On Rotten Tomatoes, the film has an approval rating of 55% from 38 reviews, with an average rating of 5.78/10. The site's consensus reads: "A feast for the eyes with a somewhat shaky plot, Jumanji is a good adventure that still offers a decent amount of fun for the whole family". On Metacritic the film has a weighted average score of 39 out of 100, based on 18 critics, indicating "generally unfavorable reviews".
On Rotten Tomatoes the film has an approval rating of 93% based on 240 reviews and an average rating of 7.92/10. The site's consensus states: "Fantastic Mr. Fox is a delightfully funny feast for the eyes with multi- generational appeal – and it shows Wes Anderson has a knack for animation." The film also became the second highest-rated animated film in 2009 on the site, behind Up. On Metacritic it has a weighted average score of 83% based on reviews from 34 critics, indicating "universal acclaim". Audiences surveyed by CinemaScore gave the film a grade B+ on scale of A to F. Roger Ebert gave the film 3.5 out of 4 stars.
There is a lot of the same activity being performed over and over again. Still, the game is a fun play and younger gamers will definitely have a good time with it." MacMagazin rated the game a 6/6 Mac score, saying "We are sure: Bugdom will be the summer hit this year among the Mac games." iMacSidian rated the game a 5/5, saying "Bugdom really fills the huge gap of platform games for the Mac... The graphics are absolutely top notch - you have to see it to believe it." Mac Gamer's Ledge rated the game a 4.5 out of 5 score, calling it "a feast for the eyes and ears.
Ever since the old maestro died, the cartoon features have shown distressing signs of a drop in quality, both in art work and in voice characterization. But the blending of appealing cartoon animals with perfect voices for the part makes Robin Hood an excellent evening out for the whole family." Also writing in the New York magazine, Ruth Gilbert called it "a sweet, funny, slam-bang, good- hearted Walt Disney feature cartoon with a fine cast" and wrote it was "a feast for the eyes for kiddies and Disney nostalgics." Charles Champlin of the Los Angeles Times wrote that the Disney "hallmarks are there as they ever were: the incomparably rich, full animation, the humanized animal characters perky, individual and enchanting, and the wild, inventive slapstick action.
The film was created as a vehicle for showcasing of the beautiful Cuban-Mexican rumbera Rosa Carmina. Very neat formally, En carne viva has his best times during the first hour of the film, where the native beauty of Rosa Carmina stands with own light among the foliage of a Veracruz recreated in a studio where Rosa Carmina seems her princess blue. Above all, the film is a feast for the eyes to recreate again and again in the beauty of the Cuban- Mexican actress, who runs very well her character: not only her oblique and distrustful look is enormously seductive, also it is very believable as she very going from the tenderness to the sensuality and from anguish to the wise resignation.Fantoscopía Mexicana: En carne viva The producer, Alfonso Rosas Priego had a particularly fond of the argument.
HitFix's Alan Sepinwall wrote that while it was too early to say if Game of Thrones belonged to the HBO pantheon with shows like The Sopranos or The Wire, it had many things in common with those shows. IGN's Matt Fowler wrote that the pilot "effortlessly takes us along, faithfully, through the book, but it also manages to capture the majestically morbid spirit of Martin's pages and turn them into thrilling television". Much praise was given to the production values and the acting: Scott Meslow from The Atlantic states that "the show's immense cast is almost universally strong, and the fantasy land of Westeros feels lived-in, and looks terrific". Alan Sepinwall also qualifies the casting as "really exceptional", and states that the show is "feast for the eyes", with all the different locations having their own memorable looks.
" Jim Hemphill, from Reel Films Reviews, gave the film 4 out of 5 stars and wrote a positive review: "Jackie Chan's The Myth is enjoyable but second-rate Jackie Chan, an action film that's completely satisfying on every level except when compared to the star's own best work. Chan has, in some ways, become a victim of his own excellence: the astonishing stunt work and action choreography of his peak years (the 1980s period of the Police Story and Project A films) have set up expectations that no performer could continue to live up to, certainly not after moving into middle age. Viewers weaned on Chan's classics will undoubtedly find The Myth to be Jackie-lite, a slightly slowed-down version of his usual acrobatics. Yet the film does contain a few superb set pieces reminiscent of vintage Chan, and director Stanley Tong's opulent visual style makes it a feast for the eyes—and the bottom line is that half-speed Jackie Chan is still more dynamic than just about any other action hero.

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