128 Sentences With "far from the madding crowd"

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It seemed, again, that living far from the madding crowd leaves you socially maladjusted.
So we looked around for something else and found Far from the Madding Crowd on HBO.
I was far from the madding crowd at Pickett's Lock on that cold, dark night in January.
Patterson, who designed looks for films including Far From the Madding Crowd and The Piano, died in October 27.
Like other young artists who have chosen to live far from the madding crowd, Shear's education takes place in public.
Audrey is figured as a modern-day version of Bathsheba Everdene, the headstrong protagonist of Thomas Hardy's "Far from the Madding Crowd".
Charlotteville is so far from the madding crowd that no one from New York "actually makes a trip here," Mr. Dahms said.
St. Aubyn's books will be adapted by David Nicholls (Far From the Madding Crowd), who will pen all five installments of the series.
Yet Mr. Paxton has spent much of his career far from the madding crowd; a great many dancegoers have never seen his work.
Anyway, I have a lot of thoughts about Far From the Madding Crowd and am kind of bewildered that it's received such a positive response.
Anyway, what I'm saying is, Netflix should get Pride and Prejudice again so that no one ends up watching Far From the Madding Crowd by accident.
Dirks' battle cry that his university is not a "battlefield" disingenuously suggests universities are mere sanctuaries of unperturbed learning far from the madding crowd of exasperating extremists.
Sloane Crosley "Far From the Madding Crowd," Thomas Hardy When I was 9 years old, I went to a book fair behind a church in rural New Hampshire.
Far from the madding crowd If you find yourself in DC this inauguration/protest weekend, here are ways you can beat the crowd and still have a good time.
Wanting an escape, I rent Far from the Madding Crowd on Amazon and watch the first part while I finish tomorrow's slideshow, and then fall asleep by 10:15 p.m.
Besides taking its name from the heroine of Thomas Hardy's "Far from the Madding Crowd," Everdene has a lush, garden party vibe that feels far removed from the crowds below in SoMa.
"Far From the Madding Crowd," Thomas Hardy and "Beyond the Far Side," Gary Larson When I was 9 years old, I went to a book fair behind a church in rural New Hampshire.
The film, released as "Maryland" in France last year, follows ex-special forces soldier Vincent, played by "Far from the Madding Crowd" actor Schoenaerts, whose job is to protect the family of a wealthy Lebanese businessman.
In "Far From the Madding Crowd," the hero, Gabriel Oak, is a stoic with a well-integrated romantic streak; his foil and rival for the heroine's affections, William Boldwood, believes himself a stoic but discovers a romanticism he can't control, with violent consequences.
Far from the Madding Crowd (caption to frontispiece). New York and London: Harper and Brothers Publications, 1912. In The Mayor of Casterbridge, Hardy briefly mentions two characters from Far from the Madding Crowd – Farmer Everdene and Farmer Boldwood, both in happier days.
Far from the Madding Crowd is a 2015 British romantic drama film directed by Thomas Vinterberg and starring Carey Mulligan, Matthias Schoenaerts, Tom Sturridge and Michael Sheen. An adaptation by David Nicholls of the 1874 novel Far from the Madding Crowd by Thomas Hardy, it is the fourth film adaptation of the novel.
Far from the Madding Crowd is a 1998 drama television film adaptation of Thomas Hardy's 1874 novel of the same name.
She has also appeared in films Far from the Madding Crowd and Beginner's Luck. She is married to actor Hywel Simons.
Her adaptations include Sense and Sensibility, Far From the Madding Crowd (Watermill), The Secret Garden and Stig of the Dump (Grosvenor Park, Chester).
In Far from the Madding Crowd, Hardy first introduced the idea of calling the region in the west of England, where his novels are set, Wessex. Wessex had been the name of an early Saxon kingdom, in approximately the same part of England. Far from the Madding Crowd was successful enough for Hardy to give up architectural work and pursue a literary career. Over the next 25 years, Hardy produced 10 more novels.
Yeats' "Long-Legged Fly" or Coleridge's ode "Dejection". Furthermore the fate of Martha Browne - Thomas Hardy: "Far from the madding crowd" causes Kirsten to use Martha Browne as her alias.
Thomas Hardy described Milborne St Andrew as "Millpond St Jude's" in his novel Far From the Madding Crowd. Weatherby Castle is the 'tower' of Hardy's novel Two on a Tower.
Weatherbury Church (Puddletown) Thomas Hardy's Wessex was first mentioned in Far from the Madding Crowd; describing the "partly real, partly dream-country" that unifies his novels of southwest England. Far from the Madding Crowd offers in ample measure the details of English rural life that Hardy so relished. He found the word in the pages of early English history as a designation for an extinct, pre-Norman conquest kingdom, the Wessex from which Alfred the Great established England.Hardy, Thomas.
In his book Dorset Villages Roland Gant posits the theory that Thomas Hardy used this tale as inspiration for the scene where Joseph Poorgrass gets lost in Yalbury Wood in Far from the Madding Crowd.
ETT was one of the organisations which collaborated in the launch of Digital Theatre, a project of recording and distributing theatre performance digitally. The first performance filmed and released was Far From the Madding Crowd.
Her cinematography, shot on Arri Alexa, won her a Vulcan Award and the Bodil Award for Best Cinematographer. Chistensen and Vinterberg teamed up a third time for the 2015 film Far from the Madding Crowd.
Jonathan Stephen Firth (born 6 April 1967) is an English actor best known for his roles in such noted British television productions as Middlemarch, Far from the Madding Crowd, and Victoria & Albert. He lives in Islington, North London.
Her last name comes from Bathsheba Everdene, the central female character in the 1874 novel Far from the Madding Crowd by Thomas Hardy. According to Collins, "The two are very different, but both struggle with knowing their hearts".
Hardy was born in Bournemouth, Dorset, and grew up in Sherborne. He attended Sherborne Abbey Primary School and the Gryphon School. As a student at Gryphon, Hardy starred as Sergeant Francis Troy in a school film adaptation of Far from the Madding Crowd.
The manor house was used in the filming of the 1996 film Emma, in which it became Randalls, the home of Mrs Weston; the 1997 BBC version of The History of Tom Jones; and the 2015 version of Thomas Hardy's Far from the Madding Crowd.
Far From the Madding Crowd: Preface, 1895–1902. In the first edition, the word "Wessex" is used only once, in chapter 50; Hardy extended the reference for the 1895 edition.Oxford Reader's Companion to Hardy, ibid., p. 131. Hardy himself wrote: “I am reminded that it was in the chapters of Far from the Madding Crowd… that I first ventured to adopt the word ‘Wessex’ from the pages of early English history… – a modern Wessex of railways, the penny post, mowing and reaping machines, union workhouses, lucifer matches, labourers who could read and write, and National school children.” Puddletown's parish church has significant architectural interest, particularly its furnishings and monuments.
Thomas Hardy took an interest in the church, and the village provided the inspiration for the fictional settlement of Weatherbury in his novel Far from the Madding Crowd; Weatherbury Farm, the home of principal character Bathsheba Everdene, is based on a manor house within the parish.
Waterston Manor, Puddletown, Dorset is a manor house with 17th century origins, that was extensively rebuilt after a fire in 1863 and remodelled in 1911. The manor was the inspiration for Weatherbury Farm in Thomas Hardy's novel, Far from the Madding Crowd. It is a Grade I listed building.
The house was Hardy's inspiration for Weatherbury Farm in his novel Far From the Madding Crowd. It is now owned by Katharine Butler, who, along with her siblings, was involved in a lengthy court case regarding the Chinese porcelain collection assembled by their father, diplomat Sir Michael Butler.
Tamara Drewe is a weekly comic strip serial by Posy Simmonds, which had a 13 month run in The Guardians Review section. The strip is based upon a modern reworking of Thomas Hardy's 1874 novel Far from the Madding Crowd. The story was adapted into a feature film starring Gemma Arterton.
McDonagh has written films and television. Her first work was the film adaptation of Chrystal Clear in 1988, which she had appeared in five years previously. Her next work was ten years later, the film adaptation of the novel Far from the Madding Crowd. In the same year, she wrote the film King's Girl.
For Red Handed :The Busy Body, The Rivals, Someone Who'll Watch Over Me (Southwark Playhouse); The School for Scandal (Park Theatre) and Palace of the End (Arcola). Other credits include Fallen Angels (Salisbury Playhouse), Bedlam (Shakespeare's Globe), Winter (Theatre Newfoundland, Canada) and Sleuth, Sense and Sensibility and Far from the Madding Crowd (Watermill Theatre).
Thomas Vinterberg (; born 19 May 1969) is a Danish film director who, along with Lars von Trier, co-founded the Dogme 95 movement in filmmaking, which established rules for simplifying movie production. He is best known for the films The Celebration (1998), Submarino (2010), The Hunt (2012) and Far from the Madding Crowd (2015).
Now an established actress, Terry continued to play leading roles in contemporary plays. She was Bathsheba in the stage adaptation of Far from the Madding Crowd by Thomas Hardy and J. Comyns Carr (1882). The same year, she starred with Lottie Venne and Johnston Forbes- Robertson in G. W. Godfrey's comedy The Parvenu at the Court Theatre.Culme, John.
He was also a fencer and a stage and film fight arranger. He fenced with Terence Stamp in the film Far from the Madding Crowd. He was a founder member of the Society of British Fight Directors and he arranged the Get Carter fight with Caine. He also endowed a fencing award at the Royal Academy of Dramatic Art.
In old age, Tinsley recounted that he never had the offer of Far from the Madding Crowd (1874);Tinsley (1900) I, 128. but his assistant Edmund Downey remembered Tinsley telling him that Hardy had come to him detailing the rival offer:Downey (1905), 20–1. > I thanked him very much and said,' Take the offer, my boy. I couldn't spring > so much.
Over the last 100 years the house fell into ruins, was vandalized and then restored. The house was used as the Bathsheba Everdene's house in the acclaimed 1967 film adaptation of Far from the Madding Crowd. It was considerably and sympathetically restored in the 1970s. The present owner, horticulturalist Martin Lane Fox, acquired the house in 1997 and has considerably remodelled the garden.
His strongest criticism is that the film missed the point of the small society of rural life: > Thomas Hardy's novel told of a 19th century rural England in which class > distinctions and unyielding social codes surrounded his characters. They > were far from the madding crowd whether they liked it or not, and got > tangled in each other's problems because there was nowhere else to turn. > It's not simply that Bathsheba (Julie Christie) was courted by the three men > in her life, but that she was courted by ALL three men in her life. The film performed well at the box office in the UK but was a commercial failure in the US. Far from the Madding Crowd received mixed to positive reviews from critics, as the film holds a 64% rating on Rotten Tomatoes based on 28 reviews.
Roeg's cinematic work was showcased at the Riverside Studios, London, from 12–14 September 2008. He introduced the retrospective with Miranda Richardson, who starred in Puffball. The programme included Bad Timing, Far from the Madding Crowd, The Man Who Fell to Earth, The Witches, Eureka, Don't Look Now, and Insignificance. The London Film Academy organised this event for Roeg in honour of his patronage of the school.
It was not until 16 October 1967 that the new Odeon played its first 70mm roadshow presentation with the Royal World Premiere of Far from the Madding Crowd in the presence of Princess Margaret. This was followed by the Royal World Premiere in the presence of HM Queen Elizabeth II on 12 December of Doctor Dolittle, also a 70mm roadshow presentation which ran until 9 October 1968.
She was a leading lady with the Birmingham Repertory Company and the Old Vic Company. Her television work included Choir Practice (1949) and Pride and Prejudice (1938). In the 1954 film John Wesley, she portrayed Susanna Wesley, the mother of John and Charles Wesley. In 1949, she played the leading role of Bathsheba Everdene in a BBC radio dramatisation of Far From the Madding Crowd.
The Madding Crowd is the debut studio album by the American rock band Nine Days, released on May 16, 2000 on Epic Records. It spawned the major hit "Absolutely (Story of a Girl)" and other single "If I Am". The Madding Crowd peaked at #67 on the Billboard Top 200. The album's title is a reference to Thomas Hardy's 1874 novel Far from the Madding Crowd.
' I seem to be very unlucky, Downey, about fourth novels, for the > one I declined was ' Far From the Madding Crowd.' Of course, I hadn't seen > it but even if I had it wouldn't have made any difference. Shortly after his brother's death, Tinsley added a new venture to the firm, Tinsleys' Magazine. Shilling magazines were then very popular; and after failing to buy Temple Bar Magazine, Tinsley founded his own in 1867.
Hough was born in Newton, Iowa on June 28, 1857.Wylder, 11 He was in Newton High School's first graduating class of three in 1875.Newton High School: "Our History" He graduated from the University of Iowa with a bachelor's degree in philosophy in 1880 and later studied law and was admitted to the bar in 1882.Wylder, 18 His first article, "Far From The Madding Crowd," was published in Forest and Stream in 1882.
While perhaps not as overtly pagan in outlook as other artists, the forces of Nature are the backbone of Ravn´s poetry. The band does not reference 19th-century literature in their lyrics to any real extent, despite the fact the band takes its name from the novel Wuthering Heights by Emily Brontë, and despite the allusion in the name of their 2004 album Far From the Madding Crowd to Thomas Hardy.
Hardy selected the words and music for the Christmas carols used in the play. Again, this showed first in Dorchester, followed by a performance in London on 1 December. The Trumpet-Major (along with Far From the Madding Crowd) was revived for a performance in 1910 at Weymouth Pavillion. This time Hardy was able to attend (having missed the 1908 performances due to illness), travelling there by train with Albert Evans and his family.
In the early 1950s Voelcker was a member of Team 10, dominated by Peter and Alison Smithson, but later split with the group. In 1954 he moved to Kent where he developed a country practice creating designs for farm improvements, school and office buildings.Joshua Mardell, ‘Far From the Madding Crowd: John Voelcker and the Ruralism of Architecture’, AA Files, 66 (2013). He also worked on houses and housing schemes for local authorities and businesses.
He has also adapted Great Expectations; the screenplay has been listed on the 2009 Brit List, an annual industry poll of the best unmade scripts outside the United States. He wrote The 7.39, which was broadcast on BBC One in January 2014. In 2015, he wrote the screenplay of Far from the Madding Crowd for BBC Films of Thomas Hardy's 1874 novel of the same name. It is the fourth film adaptation of the novel.
Far from the Madding Crowd (1874) is Thomas Hardy's fourth novel and his first major literary success. It originally appeared anonymously as a monthly serial in Cornhill Magazine, where it gained a wide readership. The novel is the first to be set in Thomas Hardy's Wessex in rural southwest England. It deals in themes of love, honour and betrayal, against a backdrop of the seemingly idyllic, but often harsh, realities of a farming community in Victorian England.
Like the Brontës she published under a masculine pseudonym. In the later decades of the Victorian era Thomas Hardy was an important novelist. His works include Under the Greenwood Tree (1872), Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). Other significant novelists of this era were Elizabeth Gaskell (1810–1865), Anthony Trollope (1815–1882), George Meredith (1828–1909), and George Gissing (1857–1903).
The word originates from the French word caponnière. It is a type of fortification structure which allows firing along the bottom of a dry moat that surrounds the main fortress. The Dymchurch Redoubt In 1908, Walter Jerrold described the village as "a quiet scattered village and a delightful place far from the madding crowd". It is typical of this part of the coast, having originally been a very small village which became a much larger settlement during the 1930s.
Far from the Madding Crowd is a 1967 British epic drama film adapted from Thomas Hardy's 1874 book of the same name. The film, starring Julie Christie, Alan Bates, Terence Stamp and Peter Finch, and directed by John Schlesinger, was Schlesinger's fourth film (and his third collaboration with Christie). It marked a stylistic shift away from his earlier works exploring contemporary urban mores. The cinematography was by Nicolas Roeg and the soundtrack was by Richard Rodney Bennett.
His son, Sir Edmund Verney, 6th Baronet, a former High Sheriff of Buckinghamshire, lives in the house today.. Annually (usually the last weekend in July) at Claydon House, there is a hovercraft race meeting organised by the Chilterns Branch as part of the HCGB (UK) National Hovercraft Racing Series., UK. In 2013, Claydon House was used for interior and exterior shots for filming Far from the Madding Crowd, a British film version of Thomas Hardy's novel.
Bates returned to TV doing episodes of Wednesday Theatre and starred in Philippe de Broca's King of Hearts (1966). Bates was reunited with Schlesinger in Far From the Madding Crowd (1967), starring Julie Christie then did the Bernard Malamud film The Fixer (1968), which earned him an Academy Award nomination for Best Actor. In 1969 he starred in Women in Love directed by Ken Russell with Oliver Reed and Glenda Jackson, in which Bates and Reed wrestled fully nude.
Philomena McDonagh (also known as Phylomena McDonagh) is an English actress and writer best known for her roles as art teacher June Summers in Grange Hill and Carol Nelson in ITV soap opera Emmerdale. McDonagh acted in Phil Young's play, "Crystal Clear" at the Wyndham's Theatre in London, England with Anthony Allen and Diana Barrett in the cast. Phil Young was also director. She has also written films and for television, notably the film adaptation of Far from the Madding Crowd.
She began taking acting classes and appeared very early in the London theatres and British television productions. She studied English and Performing Arts at the University of Bristol. Baeza has acted in a number of films and television programmes, including the 1998 film Far from the Madding Crowd playing the leading role of Bathsheba Everdene, and the 2008 BBC production The Passion as Mary Magdalene. She has also performed on stage, including Navy Pier in 2000 and The Flight Into Egypt in 1996.
On New Year's Eve 1964 Lucas boarded the Greek ship, , and relocated to the United Kingdom with Cheryl. In London he worked as a solo artist and accompanist at various folk clubs including The Troubadour. He performed at the International Folk Fest at Royal Albert Hall. Lucas released his second solo album, Overlander (1966), on Reality Records, and performed "Tinkers Song" and "I Sowed the Seeds of Love" on the soundtrack album of the 1967 film Far from the Madding Crowd.
He began his career, which spanned more than 40 years in film and television, at the BBC. Smith a set designer for the production of Monty Python and the Holy Grail. His numerous British and American film credits as a production designer included work on Far from the Madding Crowd (1967), Jabberwocky (1977), Mrs. Soffel (1984), Bill & Ted's Excellent Adventure (1989), Robin Hood: Men in Tights (1993), Dracula: Dead and Loving It (1995), and the Teenage Mutant Ninja Turtles film trilogy during the early 1990s.
Like Charles Dickens he was also highly critical of much in Victorian society, though Hardy focussed more on a declining rural society. While Hardy wrote poetry throughout his life, and regarded himself primarily as a poet, his first collection was not published until 1898, so that initially he gained fame as the author of such novels as, Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). He ceased writing novels following adverse criticism of this last novel.
Pat Truman arrived as the Artistic Director of the Worcester Repertory Company from the Oldham Coliseum. She had also directed extensively for BBC Drama and the BBC World Service. During her tenure as the Artistic Director the Swan Theatre was nominated for the TMA Most Welcoming Theatre in England and Wales Award as well as an Award for Best Show for Young People. Productions staged during this time included Othello, The Glass Menagerie, The Recruiting Officer, Our Country's Good, A Midsummer Night's Dream, Far From the Madding Crowd and The Lusty Comedy of Tom Jones.
Don't Look Now was Roeg's third film as director, following Performance (1970) and Walkabout (1971). Although real-life couple Natalie Wood and Robert Wagner were suggested for the parts of Laura and John Baxter, Roeg was eager to cast Julie Christie and Donald Sutherland from the very start. Initially engaged by other projects, both actors unexpectedly became available. Christie liked the script and was keen to work with Roeg, who had served as cinematographer on Fahrenheit 451, Far from the Madding Crowd and Petulia in which she had starred.
There are four State Wildlife and Fishery Areas and also State Natural Areas that allow free public access. Besides county,Interactive map of State and County Parks town, and community parks,Parks (list)Far From the Madding Crowd: Liberty Grove Town Parks there is a boy scout camp, a Christian camp,Camp Zion listing in the CCCA campgrounds directory, accessed December 10th, 2019 and a public site operated by The Archaeological Conservancy.Ice Age Trail Guidebook 2014, Points of interest: Cardy Paleo-Indian Camp Archaeological Site, p. 353 (p.
Margaret Lacey was magician Jasper Maskelyne's assistant in London, as a young woman in the 1930s. Lacey appeared in over 30 films between 1957 and 1985, mostly playing a sweet old lady or motherly figure in minor roles. Some of her film credits include Bomb in the High Street (1963), Seance on a Wet Afternoon (1964), Island of Terror (1966), and Far from the Madding Crowd (1967), Black Beauty (1971), and Richard's Things (1980). She was a favorite face of film directors Roy Boulting and John Schlesinger, the latter of whom called her his "mascot".
Christie's breakthrough film role was in Billy Liar (1963). She came to international attention for her performances in Darling (1965), for which she won the Academy Award for Best Actress, and Doctor Zhivago (also 1965), the eighth highest-grossing film of all time after adjustment for inflation. In the following years, she starred in Fahrenheit 451 (1966), Far from the Madding Crowd (1967), Petulia (1968), The Go-Between (1971), McCabe & Mrs. Miller (1971), for which she received her second Oscar nomination, Don't Look Now (1973), Shampoo (1975), and Heaven Can Wait (1978).
Evans was born at 28 Icen Way (where there is now a memorial plaque, unveiled in 2013 by Tegen Evans, his great-great niece) in Dorchester, Dorset. He was the son of Laura (Turner) and Alfred Herbert Evans, a Welsh dispensing chemist and keen amateur actor who made adaptations of novels by Thomas Hardy for the local amateur company. Hardy lived in Dorchester and thought highly of Evans's adaptations and productions. Young Maurice made his first stage appearance as a small boy in Far from the Madding Crowd.
Her first major film credit was as Aunt Sylvia in This Happy Breed (1944), Noël Coward's homage to the British working class. She was known for playing a variety of disapproving in-laws, motherly landladies, nosy neighbours and helpful housekeepers. She played opposite Petula Clark three times, in Here Come the Huggetts (1948), The Card (1952) and Goodbye, Mr. Chips (1969). In the John Schlesinger film version of Far from the Madding Crowd (1967) she played Mrs Hurst; her final screen appearance was in the Sherlock Holmes film The Seven-Per-Cent Solution (1976).
He had an uncredited cameo in First Men in the Moon (1964), then had a good role in tough adventure film for Robert Aldrich, The Flight of the Phoenix (1965). Finch's next three films saw him support high-profile female stars: Sophia Loren in Judith (1966), Melina Mercouri in 10:30 P.M. Summer (1966) and Julie Christie in Far from the Madding Crowd (1967). He was reunited with Aldrich for The Legend of Lylah Clare (1968). The Red Tent (1970) was an expensive international adventure film, with Finch as Umberto Nobile.
Following the success of The Trumpet-Major, Evans turned his attention to Far from the Madding Crowd. Hardy proclaimed that it was a “neater adaptation” than his and Comyns Carr’s. The play was staged at the Corn Exchange on 17 & 18 November 1909 and, a week later, under the auspices of the Society of Dorset Men in London, it transferred for one night to the Cricklewood Institute in North London. This was followed in 1910 by an adaptation of Under the Greenwood Tree, under the title The Mellstock Quire.
He then appeared opposite Laurence Olivier in Term of Trial (1962). Stamp with actress Monica Vitti in 1965 during filming Modesty Blaise Stamp collaborated with some of the most revered filmmakers. He starred in William Wyler's adaptation of John Fowles' The Collector (1965), opposite Samantha Eggar, and in Modesty Blaise (1966), for director Joseph Losey and producer Joe Janni. Stamp reunited with producer Janni for two more projects: John Schlesinger's adaptation of Thomas Hardy's Far from the Madding Crowd (1967) starring Julie Christie, and Ken Loach's first feature film Poor Cow (1967).
He followed it appearing as Col. Vershinin in the National Theatre's film of Three Sisters, directed by and co-starring Laurence Olivier. Bates was handpicked by director John Schlesinger (with whom he had previously worked on A Kind of Loving and Far From The Madding Crowd) to play the starring role of Dr. Daniel Hirsh in the film Sunday Bloody Sunday (1971). Bates was held up filming The Go-Between (1971) for director Joseph Losey alongside Christie, and had also become a father around that time, and so he had to refuse the role.
Thomas Hardy's Cottage, in Higher Bockhampton, Dorset, is a small cob and thatch building that is the birthplace of the English author Thomas Hardy. He was born there in 1840 and lived in the cottage until he was aged 34—during which time he wrote the novels Under the Greenwood Tree (1872) and Far from the Madding Crowd (1874)—when he left home to be married to Emma Gifford. The cottage was built by Hardy's great-grandfather in 1800. It is now a National Trust property, and a popular tourist attraction.
Ryan made his acting debut in 1983 in G.B.H. and soon landed a small role in the hit British soap opera Emmerdale (then known as Emmerdale Farm) as Jameson. Ryan appeared in theatre productions of Far from the Madding Crowd and A Streetcar Named Desire, and in supporting roles in films and television series including Coronation Street (as Charlie Whelan), Buffy the Vampire Slayer, General Hospital, Murder, She Wrote, Cybill, and the made-for-TV movie The Heidi Chronicles. Ryan also played the main antagonist Cyborg in American Cyborg: Steel Warrior. Ryan moved to California in the early 1990s.
Sam Phillips (born 31 May 1984) is an English actor and writer. Phillips is the son of television director Nic Phillips and graduate of the Guildhall School of Music and Drama. Phillips is perhaps best known for his roles in children's comedy Hotel Trubble as Jamie and as Spencer Cavendish in the third series of Kay Mellor's The Syndicate starring alongside Anthony Andrews, Alice Krige, Lenny Henry and Richard Rankin. Phillips has also had roles in Far From The Madding Crowd, In The Flesh, Pete versus Life, Micro Men, My Family, Eastenders: E20, and The Crown.
The film premiered at the Cannes Film Festival to rave reviews. In 2015, Mulligan was praised for her roles in two acclaimed films released that year. She starred in Thomas Vinterberg's film adaptation of Thomas Hardy's novel Far from the Madding Crowd with Matthias Schoenaerts, Tom Sturridge, and Michael Sheen, as well as Sarah Gavron's Suffragette with Helena Bonham Carter, Ben Whishaw, Brendan Gleeson and Meryl Streep. In 2014, she starred in the London revival of the play Skylight with Bill Nighy and Matthew Beard, directed by Stephen Daldry, at Wyndham's Theatre in London's West End.
Florence Emily Hardy, his second wife, recorded that in 1874 Hardy "put aside a woodland story", which ten years later evolved into The Woodlanders. It was intended to be the successor to his 1874 Far from the Madding Crowd, but he laid the novel aside to work on other things. Hardy eventually decided to return to his "woodland story" after the editor of Macmillan's Magazine asked for a new serial in October 1884. It was published as a serial in this magazine and in the American Harper's Bazaar in 1887, followed by a three-volume first edition in March of the same year.
They drew on their personal experiences of country life for much of their material. Some of the songs they sang recalled what life was like when they were kids helping the farmers at harvest time, scrumping when the farmers weren't looking, raiding the countryside for food and eating rabbit for practically every meal. Dorset is the birthplace of musicians John Eliot Gardiner, Greg Lake and Robert Fripp. Dorset's dramatic coastline, countryside, manor houses and gardens have featured in a number films and television productions including, perhaps unsurprisingly, adaptations of The Mayor of Casterbridge, Tess of the D'Urbervilles and Far from the Madding Crowd.
The novel is set in Weymouth during the Napoleonic wars; the town was then anxious about the possibility of invasion by Napoleon. Of the two brothers, John fights with Wellington in the Peninsular War, and Bob serves with Nelson at Trafalgar. The Napoleonic Wars was a setting that Hardy would use again in his play, The Dynasts, and it borrows from the same source material.Taylor xxi-xxii Edward Neill has called the novel an attempt to repeat the success of his earlier work Far from the Madding Crowd (1874), after the limited success of his intervening works.
The route is named for the writer Thomas Hardy and runs through Thomas Hardy's Wessex, his version of Wessex, the region of the West Country of England portrayed in his books, such as Tess of the d'Urbervilles, The Mayor of Casterbridge, Far From the Madding Crowd, Jude the Obscure and others. It starts at Higher Bockhampton, where Hardy was born, and finishes at Stinsford churchyard, where Hardy's heart lies buried. It passes through Dorset and takes in along the route such villages and towns as Bere Regis, Lulworth Cove, Corfe Castle, Shaftesbury, Evershot and the county town, Dorchester.
On 17 August 2015, it was announced that EuropaCorp was developing a film based on the 2000 K-141 Kursk submarine disaster, and that Martin Zandvliet had been hired to direct the film from a script by Robert Rodat, based on Robert Moore's 2002 book A Time to Die. Kursk would have been Zandvliet's first English-language film. On 21 January 2016, it was reported that Zandvliet was no longer attached and that EuropaCorp had hired Thomas Vinterberg to direct the film. On 2 March 2016, Matthias Schoenaerts was announced in the cast, reteaming with Vinterberg after Far from the Madding Crowd (2015).
There are many variations within the WBR series. The most common variations include cloth boards versus smooth boards, patterned end papers with ribbon bookmarks versus plain colored end papers without ribbon bookmarks, different colored covers but retaining the same embossed cover image, and books that have completely different cover art than other editions. One example of cloth boards versus plain boards is Far From The Madding Crowd. Both the cloth and the plain editions are the same color with the same artwork, only the material of the boards is different. Other examples include Moby Dick, Treasure Island, O Pioneers, The Sea Wolf, and Uncle Tom’s Cabin.
Arriving back in London in 1881, Cartwright joined William Creswick's company at the Surrey Theatre for a Shakespearean revival season, before joining Edwin Booth’s 1882 tour in the north of England. In Liverpool, he appeared as Troy in J Commyns Carr’s adaptation of Far From the Madding Crowd. The popular adaptation, in which Thomas Hardy was personally involved, premiered on 27 February 1882, before going on a provincial tour and then transferring to London. He established himself in London and, in 1883, appeared with Kyrle Bellew and Marie Litton in a hugely successful production of Moths, an adaptation by Henry Hamilton of a novel by Ouida.
He wrote music for films and television; among his scores were the Doctor Who story The Aztecs (1964) for television, and the feature films Billion Dollar Brain (1967), Lady Caroline Lamb (1972) and Equus (1977). His scores for Far from the Madding Crowd (1967), Nicholas and Alexandra (1971), and Murder on the Orient Express (1974), each earned him Academy Award nominations, with Murder on the Orient Express gaining a BAFTA award. Later works include Enchanted April (1992), Four Weddings and a Funeral (1994), and The Tale of Sweeney Todd (1998). He was also a prolific composer of orchestral works, piano solos, choral works and operas.
She did several seasons with the Young Vic Company, including Molière's Les Fourberies de Scapin on Broadway and a tour of Mexico. She has subsequently worked in many regional theatres, including the Theatre Royal, Lincoln, the Theatre Royal, Brighton, the Theatre Royal, York, the Derby Playhouse and the Belgrade Theatre, Coventry. On the fringe she played Phaedre on the Edinburgh Fringe in 2007 and Rosa Parks, Josephine Baker and Wangari Maathai in Alison Mead's A Century of Women at Leicester Square Theatre (2011). She appeared with Antony Sher in his play ID (2003) at the Almeida Theatre, toured with English Touring Theatre in Far from the Madding Crowd (2008) and with Northern Broadsides in its 2010 production of Medea.
He performed his own one–man musical play We Could Be Heroes at the Bridewell Theatre in 2004. His repertory theatre work at Stoke-on-Trent and Basingstoke included Master Harold & The Boys, the title role in Hamlet, As You Like It, King Lear, A Trip To Scarborough, Amadeus, Juno and the Paycock, Far From The Madding Crowd and Having A Ball. He played Roche in Rat in the Skull at Theater Exchange, Minneapolis, and John Thorpe in Northanger Abbey at Greenwich. At the Almeida Theatre, London, in February 2016 he was Cartwright (Telegin) in Chekhov's Uncle Vanya for director Robert Icke, providing on-stage musical accompaniment to the action on mouth-organ and guitar.
In addition to his roles in the theatre, Firth has acted in cinematic films and radio dramas, narrated audiobooks, and has also made notable television appearances, such as Linton Heathcliff in Emily Brontë's Wuthering Heights (1992); Fred Vincy in Middlemarch (1994); Sergeant Troy in Far from the Madding Crowd, for which he received a nomination for best actor; Lord Arthur Goring in An Ideal Husband (2000); and Prince Albert in Victoria & Albert (2001). He portrayed Joshua in the 2000 biblical film, In the Beginning. In 2003, he acted in the BBC's dramatised documentary Pompeii: The Last Day. That same year, Firth appeared in the film Luther, portraying Cardinal Aleander, the papal adviser who sought Luther's excommunication.
Looking ENE from Combe Hill across the Sydling valley towards Eastfield Hill and Cowdown Hill. Thomas Hardy names the village as Sidlinch or Broad Sidlinch in his story 'The Grave by the Handpost' (1897) published in The Changed Man and Other Tales (1913). These names are reminiscent of previous forms of the village's name, such as 'Broadsidlynch' in 1333 and 'Brodesedelyng', in a legal record, in Latin, dated 1440, where John Tidde was a clerk. The parish church was used as a location in the 1967 film adaptation of Hardy's Far From the Madding Crowd, in a scene that involved water pouring from one of the church's gargoyles onto the grave of Fanny Robin.
She supplied the singing-voice of Anna in the Warner Bros. animated feature The King and I (1999). Some of her numerous recordings are Jekyll & Hyde (1997), The King & I (1999, Sony Classics), Little by Little (1999), A Christmas Survival Guide (2000), What's a Nice Girl Like You..., Z: The Masked Musical (2000), Bravo Broadway 2, The Three Broadway Divas (with two fellow Divas - Jan Horvath and Debbie Gravitte), Far from the Madding Crowd (2000), The New Moon (2003), Neo: A Celebration of Emerging Talent in Musical Theatre, Benefiting the York Theatre Company (2005), and albums of the music of Stephen Sondheim, Burt Bacharach, Paul Simon, Scott Alan and Stephen Schwartz, among others.
Long Street, Sherborne (The location for the "Sherton Abbas" of the "Wessex" novels of Thomas Hardy) The Tithe Barn, Abbotsbury (scene of the sheep-shearing in Thomas Hardy's "Far from the madding crowd") A "Takhtabosh" (or loggia) in Cairo Tyndale was born and brought up in the medieval town of Bruges in Belgium, and trained initially at the "Bruges Academy of Art". When he was 16, his family returned to England, settling in Bath in Somerset for several years. At the age of 18, he returned to Belgium, studying art first at the Academy in Antwerp, then moving to Paris where he studied under Léon Bonnat and Jan van Beers.Hamilton, J.M., Men I Have Painted, [A biographical portrait of Walter Tyndale], 1921, p.
Thomas Hardy (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth.. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England. While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, he gained fame as the author of novels such as Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895).
During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin. Many of his novels concern tragic characters struggling against their passions and social circumstances, and they are often set in the semi-fictional region of Wessex; initially based on the medieval Anglo-Saxon kingdom, Hardy's Wessex eventually came to include the counties of Dorset, Wiltshire, Somerset, Devon, Hampshire and much of Berkshire, in southwest and south central England. Two of his novels, Tess of the d'Urbervilles and Far from the Madding Crowd, were listed in the top 50 on the BBC's survey The Big Read.
In 1984 O’Hare graduated into Sadler’s Wells Royal Ballet, joining his brother Michael (who is now Ballet Master of the company). He made his first major role debut as Albrecht in his third year with the company and was promoted to principal in 1988, staying with the company as it relocated to Birmingham in 1997 and became Birmingham Royal Ballet in 1990. His repertoire included classical roles, such as Prince Siegfried (Swan Lake), Prince Florimund (The Sleeping Beauty), Albrecht (Giselle) and Romeo (in BRB's first performance of Kenneth MacMillan's Romeo and Juliet). After David Bintley became Artistic Director of the company in 1995, O'Hare created roles in Bintley's ballets Edward II, Far from the Madding Crowd, Carmina Burana and Sylvia.
In 1997, Harris was asked to look at a script for a British movie with a view to choreographing the dance sequences. Following a single conversation with the director, he realised that combining his two backgrounds of dancing and acting was the direction in which he should take his career. Since then, Paul Harris has become one of the UK's most prolific choreographers and dance instructors in film and television. He has also been responsible for the choreography on several big budget movies, including Entrapment, Inkheart, The Other Boleyn Girl, Far From The Madding Crowd, Crooked House and he created the physical language and choreography for the wand-to-wand combat sequences in Harry Potter and the Order of the Phoenix.
The source gives the Glasgow College of Drama, but the names appear to be interchangeable. she began a career in repertory at the Gateway Theatre in Edinburgh, then moved to the Palladium Theatre there. She later worked for the BBC as a radio interviewer before appearing in London's West End. In the 1970s she was a member of director Frank Dunlop's repertory company in London's Young Vic Theatre, appearing in several productions including Scapino (1974) and beginning her career as a playwright with some children's shows. Coffey has had a few supporting film roles: Sidonia in Waltz of the Toreadors (1962), Peg in Georgy Girl (1966), Soberness in Far from the Madding Crowd (1967), and Mrs E. in Vivian Stanshall's Sir Henry at Rawlinson End (1980).
A review in the Examiner of Far from the Madding Crowd retrospectively referred to it as "not so exclusively pictoral [as Under the Greenwood Tree]; it was study of a more tragic kind, with more complex characters and a more stirring plot...Both Under the Greenwood Tree and A Pair of Blue Eyes are very remarkable novels, which no one could read without admiring the close and penetrating observation, and pictoral and narrative power of the writer." Late in his life, Hardy met composer Sir Edward Elgar and discussed the possibility of Elgar basing an opera on the novel. Hardy's death put an end to the project. BBC Radio 4 recorded the book as a serial, with Jeremy Irons as Harry Knight.
She is considered by John Fowles an "important figure in both his emotional and imaginative life" and author Nicholas Hillyard considers that the affair is important in relation to Hardy's start as a novelist and poet. Sparks was the inspiration for Hardy's poem Thoughts of Phena at News of Her DeathMillgate, Michael Thomas Hardy: A Biography Revisited (2004) Oxford University Press, in which Hardy describes her as his "lost prize". She may also have inspired Hardy's story that later became Far from the Madding Crowd. Other Hardy poems have been connected to Sparks, including In A Eweleaze Near Weatherbury, At Rushy Pond, A Spot, The Wind's Prophecy, To an Orphan Child, and To a Motherless Child, which is addressed to Tryphena's daughter whom he had met when visiting Topsham.
As an actor, Roberts has appeared in Robin of Sherwood for HTV, Boon for Central TV, and Reasonable Force and Casualty, for BBC TV. Alan has also featured in minor acting roles in several other UK Television series e.g. 'Crossroads' 'Zero Option' 'Jamaica Inn' 'Return to Treasure Island' 'The Puppet Man' and films 'Far from the Madding Crowd' 'Husbands' and 'Those Magnificent Men'. He has directed a concert and documentary television programme on Claudia Hirshfeld for German TV. He moved to Torquay in 2000 and set up Quay Productions, a small-scale production company making local history, art and travel programmes for digital television networks and occasional documentaries for BBC networks and local radio. Since 2005 he has been mainly engaged in painting but makes occasional programmes for BBC local radio.
In this time Woodward had been active with a plan to move the College to a place with surroundings more conductive to its healthy growth. D. F. de Silva of Minuwangoda with the assistance of the members of the Weerasiri family, purchased and donated a land called “Devatagawatta” far from the madding crowd, in a salubrious and elevated plot of land. It was a magical charming hillock with enlivening beauty of the central highlands painted on its eastern sky. It had attracted the attention Woodward who had a high sense of aesthetic beauty. The panoramic view of the Sripada (Adam’s peak) also said that it is the most suitable place to a Buddhist school. On 15 January 1908 at 2:14pm Woodward had laid the foundation stone of the Olcott hall.
She played the ill- fated Stella Mawson in Anglia's first P. D. James adaptation, Death of an Expert Witness (1983), also directed by Wise. Other television appearances have included All Creatures Great and Small (1978), Pope John Paul II (1984), Bleak House (1985), The Woman in Black (1989), Agatha Christie's Poirot (1993), and two Doctor Who serials, 24 years apart, playing villainesses Kala in The Keys of Marinus in 1964, and Lady Peinforte in Silver Nemesis in 1988, as well as a definitive Ruth in Alan Ayckbourn's trilogy The Norman Conquests – Thames Television (1977). Her film roles included Liddy in Far from the Madding Crowd (1967), the cult horror film The Asphyx (1972), and Century (1993), starring Charles Dance and Clive Owen. Walker married Herbert Wise in 1988.
Saxon directed Phil Daniels in David Edgar's "Jekyll and Hyde" in 2018 and was director of the successful 2015 production of Alan Bennett's The History Boys for Sell A Door Theatre Company national UK tour. The Times gave 4 stars, stating: "Saxon definitely handles the shifts from the intimate and intellectual to the riotous." Saxon's productions include Tom Stoppard's The Real Thing which toured nationally in 2012 and The Years Between in 2011, for which her leading actress, Marianne Oldham, was nominated for Best Performer at the British Theatre Awards. Also the premiere of Mark Healy's adaptation of Thomas Hardy's Far From the Madding Crowd (UK 2008), for English Touring Theatre and of John Fowles' The French Lieutenant's Woman for its world premiere in the USA and later British premiere.
Ransome made her West End debut in a 1959 musical production of Jane Eyre with further West End appearances in Do Re Mi and Oliver!. She later spent five months singing at a cabaret in Athens and upon returning to the UK worked delivering cars for a London automobile dealership prior to being cast in 1965 in the musical stage play The Match Girls. Following that play's 1966 West End transfer, Ransome's performance drew the attention of a producer of the 1967 film Far from the Madding Crowd, with a screen test leading to her playing that film's second female lead and her performance earning her a Golden Globe Award nomination. Ransome progressed in her film career playing the female lead in the 1969 film Alfred the Great.
Ornithologist T. A. Coward wrote around 1900: "What a country this is, wooded hills, none of them high, lanes bordered with luxuriant vegetation that tempts one to potter and smell the honeysuckle or pick the wild roses; meres or pools in almost every hollow." Almost 50 years later, little had changed; local author Beatrice Tunstall described the village in 1948 as "far from the madding crowd", and praised the "ancient lanes, deep trodden by the feet of endless generation, flower fringed amid the woodlands, with great hedges where honeysuckle and wild roses riot."Local History Group & Latham (ed.), p. 10 The canal shifted to recreational usage in the late 20th century A total of 86 men from Marbury served in the First World War; Belgian refugees supplied some of the resulting deficit in agricultural labour.
For example, Hardy's home town of Dorchester is called Casterbridge in his books, notably in The Mayor of Casterbridge. In an 1895 preface to the 1874 novel Far From the Madding Crowd he described Wessex as "a merely realistic dream country". The actual definition of "Hardy's Wessex" varied widely throughout Hardy's career, and was not definitively settled until after he retired from writing novels. When he created the concept of a fictional Wessex, it consisted merely of the small area of Dorset in which Hardy grew up; by the time he wrote Jude the Obscure, the boundaries had extended to include all of Dorset, Wiltshire, Somerset, Devon, Hampshire, much of Berkshire, and some of Oxfordshire, with its most north-easterly point being Oxford (renamed "Christminster" in the novel).
After the War Lavrin illustrated books on Slovene literature such as Vladimir Levstik, An Adder’s Nest (1931, 1943), Ivan Cankar’s The Bailiff Yerney and his Rights (London 1946), and The Ward of Our Lady of Mercy (Slovenia 1976), and Matej Bor’s A Wanderer in the Atomic Age (1967 and 1970). She also illustrated translations of several English classics into Slovene such as Villete by Charlotte Brontë (Ljubljana 1965), The Tenant of Wildfell Hall by Anne Brontë, and The Return of the Native, Far from the Madding Crowd and The Mayor of Casterbridge by Thomas Hardy. Among her publications is a personal memoir of the relationship between D. H. Lawrence, Jessica Chambers, a friend of his youth portrayed in Sons and Lovers, and Frieda Weekley (née von Richthofen), his mistress and wife. It was published posthumously in 1987 as D. H. Lawrence.
Retrieved 7 October 2019. Other television credits include The Bill (1998); Big Women (1998); Becky Sharp in Vanity Fair (1998); Cadfael (1998); The Nearly Complete and Utter History of Everything (1999); Man and Boy; Far from the Madding Crowd; Murder in Mind (2003); playing Vicki Westbrook in the spy drama, Spooks (2003); The Crooked Man (2003); Angell's Hell (2005) and playing Lady Hamilton in the Ricky Gervais comedy Extras (2005). Film credits include The Clandestine Marriage (1999); The Criminal (1999); Kevin & Perry Go Large (2000); Greenfingers (2000); Another Life (2001); Byron (2003); Vanity Fair (2004), where she played Lady Jane Sheepshanks Crawley; The Queen of Sheba's Pearls (2004) and A Congregation of Ghosts 2009) among others. Theatre roles include Voyage Round My Father; The Vagina Monologues; Les Mains; The Alchemist and the Richard Eyre play The Novice.
2 (on the Serious Entertainment label). In 1997, the band recorded their first album for German label Prophecy Productions, but the deal fell through and this version of the album has never been officially released. The band re-recorded the entire album in 1998 for their new American label The Laser’s Edge/Sensory and as the debut album Within it was finally released in 1999. The band began a long-lasting relationship with producer Tommy Hansen and his Jailhouse Studios for their follow-up album To Travel For Evermore in 2002. The band discovered then- unknown singer Nils Patrik Johansson whose huge voice (somewhat reminiscent of Ronnie James Dio) boosted the band’s sound, and they released Far From the Madding Crowd in 2004, which has received some critical acclaim amid the underground power metal and folk metal communities.
She began performances on 16 December 2013 at the Oriental Theatre in Chicago, IL. her return was the first international transfer to join an American production for an actress playing Glinda. On 14 July 2014, it was announced that she would be leaving the First National Tour on 27 July 2014. She was replaced by Chandra Lee Schwartz. In November 2014 she performed in an Off-West End 5-week run of Jacques Brel is Alive and Well and Living in Paris at the Charing Cross Theatre In April and May 2015 she played the role of Bathsheba Everdene in The Watermill Theatre's production of Far From the Madding Crowd In 2015 Gina Beck played the leading role of Magnolia Hawks in Daniel Evans' acclaimed production of Kern and Hammerstein's classic and ground-breaking musical Show Boat at the Crucible Theatre in Sheffield.
In 1752 England finally followed western Europe in switching to the Gregorian calendar from the Julian calendar. The Julian lagged 11 days behind the Gregorian, and hence 25 March in the Old Style calendar became 5 (after 1800, 6) April ("Old Lady Day"), which assumed the role of fiscal and contractual year-beginning. (The date is significant in some of the works of Thomas Hardy, such as Tess of the d'Urbervilles and Far from the Madding Crowd, and is discussed in his 1884 essay "The Dorset Farm Labourer"). The logic of using Lady Day as the start of the year is that it roughly coincides with Equinox (when the length of day and night is equal); many ancient cultures still use this time as the start of the new year, for example, the Iranian new year and the ecclesiastical Hebrew new year.
Hardy’s interest in the theatre dated from the 1860s. He corresponded with various would-be adapters over the years, including Robert Louis Stephenson in 1886 and Jack Grein and Charles Jarvis in the same decade. Neither adaptation came to fruition, but Hardy showed he was potentially enthusiastic about such a project. One play that was performed, however, caused him a certain amount of pain. His experience of the controversy and lukewarm critical reception that had surrounded his and Comyns Carr’s adaptation of Far From the Madding Crowd in 1882 left him wary of that damage that adaptations could do to his literary reputation. So it is notable both that he so readily and enthusiastically became involved with the Hardy Players’ project, and also that he was at some pains initially to disguise his involvement in the play.
Nicholas Wright was born in Cape Town, attended Rondebosch Boys' School and from the age of six was a child actor on radio and on the stage. He came to London in 1958 to train as an actor at the London Academy of Music and Dramatic Art (LAMDA) and subsequently worked as a floor- assistant in BBC Television and as a runner in film, notably John Schlesinger's Far From the Madding Crowd. He started work at the Royal Court Theatre in 1965 as Casting Director and became, first, an Assistant Director there and then the first Director of the Royal Court's Theatre Upstairs, where for several years he presented an innovatory programme of new writing. From 1975 to 1977 he was joint artistic director of the Royal Court and he was subsequently a member of the Royal Court Theatre's Board.
Carr was also the author of dramatic works, beginning with several light comedies in the early 1880s for the German Reed Entertainments at St George's Hall. He also wrote numerous plays and adapted a number of French plays, such as Frou- Frou, produced at the Princess's Theatre, London (1881); a stage adaptation of Far From the Madding Crowd co-authored with Thomas Hardy (1881); Hugh Conway's Called Back (1884), which was very successful for the actor–manager Herbert Beerbohm Tree; Dark Days; Boys Together; In the Days of the Duke; A Fireside Hamlet; The United Pair; The Naturalist (1887, an operetta with music by Charles King Hall); The Friar; and Forgiveness. At the Haymarket Theatre from 1887 to 1893, Carr acted as Tree's literary adviser and partner. Scene from King Arthur Carr leased the Comedy Theatre from 1893 to 1896.
In 2014, Schoenaerts appeared alongside Clive Owen, Billy Crudup and again Marion Cotillard in the thriller Blood Ties, in which he played Anthony Scarfo. The film premiered at the 2013 Cannes Film Festival. He also played Eric Deeds in The Drop, his second film with Michael R. Roskam, starring opposite Tom Hardy, Noomi Rapace and James Gandolfini. In 2015, the actor appeared in 7 films: The Loft, the American remake of the Belgian film Loft, in which he played the same character and was also his first English-language film; in Saul Dibb's Suite Française, playing the German officer Bruno von Falk opposite Michelle Williams and Kristin Scott Thomas; in Thomas Vinterberg's Far from the Madding Crowd as Gabriel Oak, one of Carey Mulligan's three love interests; in Alan Rickman's period drama A Little Chaos, as French landscape architect André Le Nôtre, opposite Kate Winslet.
Keane's first television commission was for the highly acclaimed serial A Very British Coup for director Mick Jackson. The serial received many awards, including an International Emmy for Best Drama, 5 BAFTA Awards and a BAFTA Nomination for Best Music, Best Drama Series from Broadcasting Press Guild, and at the Banff Festival, Toronto. Since then Keane has written the music for a host of high-profile television drama, including Selling Hitler, Tales From The City, A Pinch of Snuff, Faith, Hearts and Minds, Kavanagh QC, Plotlands, Far from the Madding Crowd, Wives and Daughters, The Last of the Blonde Bombshells, Monsignor Renard, Anna Karenina, The Russian Bride, Gunpowder, Treason & Plot, Mansfield Park starring Billie Piper, the Emmy Award-winning Hornblower and Heroes and Villains: "Shogun and Cortes". Keane has written music for a number of award-winning documentary series, including Molly Dineen's BBC The Ark, winner of a BAFTA Award, and The House, about London's Royal Opera House.
Matthias Schoenaerts (; ; born 8 December 1977) is a Belgian actor, film producer, and graffiti artist.Matthias Schoenarts on IMDB He made his film debut at the age of 13 in Daens (1992), which was nominated for the Academy Award for Best Foreign Language Film. He is best known for his roles as Filip in Loft (2008), Jacky Vanmarsenille in the Oscar-nominated Bullhead (2011), Ali in the BAFTA and Golden Globe-nominee Rust and Bone (2012), for which he won the César Award for Most Promising Actor, Eric Deeds in The Drop (2014), Bruno von Falk in Suite Française (2015), Gabriel Oak in Far from the Madding Crowd (2015), Hans Axgil in The Danish Girl (2015) and Uncle Vanya in Red Sparrow (2018). Schoenaerts also received critical acclaim for his portrayal of an ex-soldier suffering from PTSD in Disorder (2015), and for his performance as an inmate training a wild horse in The Mustang (2019).
Sir Alan Arthur Bates, (17 February 1934 – 27 December 2003) was an English actor who came to prominence in the 1960s, when he appeared in films ranging from the popular children's story Whistle Down the Wind to the "kitchen sink" drama A Kind of Loving. He is also known for his performance with Anthony Quinn in Zorba the Greek, as well as his roles in King of Hearts, Georgy Girl, Far From the Madding Crowd and The Fixer, for which he received an Academy Award nomination for Best Actor. In 1969, he starred in the Ken Russell film Women in Love with Oliver Reed and Glenda Jackson. Bates went on to star in The Go-Between, An Unmarried Woman, Nijinsky and in The Rose with Bette Midler, as well as many television dramas, including The Mayor of Casterbridge, Harold Pinter's The Collection, A Voyage Round My Father, An Englishman Abroad (as Guy Burgess) and Pack of Lies.
Born in Lancaster, Lancashire, on 25 December 1927, the son of a British Army officer, Bob Kellett was educated at Bedford School, where he was captain of boats. He became a writer with the advertising agencies Foote, Cone & Belding and Notley, and in 1950 he moved to Wessex Films, working as script editor for the film producer Ian Dalrymple on Thomas Hardy adaptations such as Far from the Madding Crowd. He joined the ITV franchise holder Associated-Rediffusion in 1956 and contributed scripts to the first series of the detective drama Shadow Squad and to Jim's Inn, starring Jimmy Hanley. In 1960 he established his own company, Gannet Films, producing and directing short documentaries for the Central Office of Information. Kellett's first feature film as producer, in 1964, was A Home of Your Own, starring Ronnie Barker as a worker on a building site where a couple, the husband played by Richard Briers, buy a home.
In 1947, after completing National Service, Roeg entered the film business as a tea boy moving up to clapper-loader, the bottom rung of the camera department, at Marylebone Studios in London. For a time, he worked as a camera operator on a number of film productions, including The Sundowners and The Trials of Oscar Wilde. He was a second-unit cinematographer on David Lean's Lawrence of Arabia (1962) and this led to Lean's hiring Roeg as cinematographer on his followup Doctor Zhivago; however, Roeg's creative vision clashed with that of Lean and eventually he was fired from the production and replaced by Freddie Young who received sole credit for cinematography when the film was released in 1965. He was credited as cinematographer on Roger Corman's The Masque of the Red Death and François Truffaut's Fahrenheit 451, as well as John Schlesinger's Far from the Madding Crowd and Richard Lester's Petulia; the latter is the last film on which Roeg was solely credited for cinematography and also shares many characteristics and similarities with Roeg's work as a director.
Associated with the Swinging London scene of the 1960s – during which time he was in high-profile relationships with actress Julie Christie and supermodel Jean Shrimpton – Stamp was among the subjects photographed by David Bailey for a set titled Box of Pin-Ups. Stamp played butterfly collector Freddie Clegg in The Collector (1965), and in 1967 appeared in Far from the Madding Crowd, starring opposite Christie. His other major roles include playing archvillain General Zod in Superman and Superman II, tough guy Wilson in The Limey, Supreme Chancellor Valorum in Star Wars: Episode I – The Phantom Menace, transgender woman Bernadette Bassinger in The Adventures of Priscilla, Queen of the Desert, ghost antagonist Ramsley in The Haunted Mansion, Stick in Elektra, Pekwarsky in Wanted, Siegfried in Get Smart, Terrence Bundley in Yes Man, the Prophet of Truth in Halo 3, Mankar Camoran in The Elder Scrolls IV: Oblivion, and General Ludwig Beck in Valkyrie. He has appeared in two Tim Burton films, Big Eyes (2014) and Miss Peregrine's Home for Peculiar Children (2016).
She has created roles for ballets, including: Bintley's Titania in The Shakespeare Suite, Annunciation in The Protecting Veil, Wild Girl in the Beauty and the Beast, Kim Brandstrup's Pimpinella in Pulcinella, Lila York's Sanctum, Stanton Welch's Powder and Luciano Cannito's Te voglio bene assaje. Her principal repertory: Giselle (title role), Romeo and Juliet (Juliet), the Sleeping Beauty (Aurora), Swan Lake (Odette/Odile), the Nutcracker (Sugar Plum Fairy), Coppélia (Swanilda), Don Quixote (Kitri), la Fille mal gardée (Lise), Cinderella (title role), Bournonville's Napoli (title role), le Corsaire, Diana and Actaeon pas de deux, Paquita, la Bayadère, Études (leading role), Graduation Ball, Elite Syncopations ('Calliope Rag'), Solitaire (Polka Girl), The Two Pigeons (Young Girl), Voices of Spring, The Walk to the Paradise Garden, Enigma Variations (Dorabella), Apollo (Polyhymnia), Symphonic Variations, Serenade, Symphony in Three Movements, The Four Temperaments (Sanguine Variation), Concerto barocco, Square Dance, Tchaikovsky pas de deux, Tarantella, Western Symphony, Bintley's Far from the Madding Crowd (Bathsheba), Edward II (Isabella), Arthur (Guinevere), Beauty and the Beast (Belle), Hobson's Choice (Vickey Hobson, Salvation Army), Carmina burana (Lover Girl), Choros, Dance House, The Seasons ('Spring'), Twyla Tharp's In the Upper Room and van Manen's Five Tangos.

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