This is definitely one occasion when fantasises are better off remaining fantasies.
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I'M 58 and have sexual fantasises about my wife who died four years ago.
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In the heat of the Indian sun, she fantasises that she's in a Bollywood feature.
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Tony Lamiche: The hardest thing is repelling Vince Pochon who fantasises about my athletic body.
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For example someone who fantasises about being submissive may want to experience sexual pleasure without responsibility.
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Someone who fantasises about being submissive may really want to experience sexual pleasure without the responsibility.
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It's not just a bit of showroom flim-flam to fleece the Mondeo man who fantasises about getting the red-carpet treatment.
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It's not just a bit of showroom flim-flam to fleece the Mondeo man who fantasises about getting the red carpet treatment.
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At times in his writings, Senca fantasises about the possibility that one could be wealthy, even extremely wealthy, and maintain one's ethical integrity.
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Q IREAD your problem page about the woman who fantasises about Jack Bauer from the series 24 while making love to her husband.
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An American husband, married for seven years, fantasises about his adventurous past, and future, particularly with "the girl" who moves into his apartment block.
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When like Mr Putin they disappear, the fantasises that fill the vacuum say as much about public opinion and political reality as their speeches.
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A further four out of ten fantasise daily about shopping sprees and one in six fantasises 15 or more times each day about going shopping.
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Everybody kind of fantasises about it – flying – and it's an amazing place in history right now that man actually has the ability to pull it off.
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While listening to this music, he fantasises about endless rampages of rape, torture and slaughter. Alex's favourite melee weapon is a "cut-throat britva", or straight razor.
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Once in a Million is a 1936 British comedy film directed by Arthur B. Woods and starring Charles 'Buddy' Rogers, Mary Brian and Jimmy Godden.BFI.org The screenplay concerns a bank clerk who is left to guard a million pounds and fantasises about how he would spend the money.
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But when they arrive it turns out to be a Tibetan meditation retreat. An embarrassed Katya suggests they leave but Max convinces her to stay. They participate in a form of meditation aimed at unveiling hidden desires. Max fantasises about being a football player but Katya's fantasy shocks her.
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The flirtatious youngest sister constantly fantasises about being pregnant, and lives with her brother Hai, for whom she has a deep affection. With the brilliant Vietnamese summer as a setting, Vertical Ray of the Sun is beautiful from beginning to end, a charming, slow-paced, face value, family saga film.
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"Reggie", as he is known, daydreams in Walter Mitty style. Part of the narrative demonstrates what voices in his head are saying. Although he appears to love his wife, he fantasises about his secretary, Joan Greengross. As his behaviour becomes more erratic, Reggie is unable to dictate letters without uttering words like "breast".
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Increasingly, he fantasises about the absent Silvia and about the sex lives of his parents. One night there is a mystery woman in his father's bedroom and in the morning Fausta says it must have been Silvia, because she still has a door key. Then, all of a sudden, Silvia says she wants to come back to the apartment.
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Drama about a 12-year-old boy who fantasises about having enough money to be able to cure his grandmother's serious heart condition. When he finds himself in a haunted house, the mysterious owner 'grants' him one wish - the Midas touch. The boy soon learns that it is more of a curse than a blessing when everything he touches turns into gold.
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Inga is by his side, she fantasises about their marriage and future life together, but suddenly Yan admits he'd rather remain single and devote his life to science. He suggests he should sell the fan to Inga, so he could make some money and have a complete lab. Inga hesitates, but then agrees. They don't see Arkasha walking in behind their backs.
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On Valentine's Day, various Singaporeans face issues in their sex lives that are related to condoms: a man who refuses to wear condoms fantasises about a Japanese pornographic film star, a woman who has been single for several years takes advice from a talking condom who tells her to seduce her younger plumber, and an elderly couple try to save their marriage through.
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He fantasises about raping and murdering her, and fears that she is a member of the Thought Police prepared to denounce him. After an unspecified amount of time (after Winston leaves a store), Winston spots Julia walking past him. Their gazes meet and Winston, thinking that she is spying on him, contemplates murdering her with a cobblestone. His fear keeps him from doing this.
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Her interactions with the children are idyllic, and they sail on Bly's lake and enjoy picnics together. Meanwhile, Ann fantasises about the Master, futilely hoping that he will visit. Ann discovers that her predecessor, Emily Jessel (Lightfoot), is buried in Bly's church, and is told that Jessel killed herself. She also begins to see the figures of a young man and a young woman around Bly.
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He is then shown at the seashore, perched upon the edge of a pier. The narrator describes how Victor fantasises a hand caressing his own. Victor becomes briefly lost in his imagination, believing a hand to touch his own, only to realise that he is daydreaming and is actually alone. Back in the household Victor suspends himself from the ceiling, giving the impression of having hung himself.
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The film stars Saskia Burmeister, as Erica "Yuk" Yurken, an adolescent brunette who fantasises about a better life and stardom; and Delta Goodrem as her school rival Alison Ashley. At school, Erica is not very popular. She sits alone in class, but when Alison arrives, it all changes. Erica at first is desperate to be Alison's friend but soon changes her mind, and they then become rivals.
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The townsfolk are happy to see her as a whore rather than a dangerous widow. When Nazi forces occupy the town and Renato encounters his idol with two German soldiers, he faints. His mother decides it is demonic possession, taking him to a priest for exorcism, but his more practical father takes the lad to the town brothel. There he fantasises that the prostitute initiating him is Malèna.
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Monica and Rachel briefly catch up and promise to have lunch the next time Rachel is in the city. Later while driving back, Rachel fantasises about making out with Chandler in the empty bar. Chandler is looking for a new roommate after his previous one, Kip, gets married and moves out. He has been doing several interviews and has two more candidates – a photographer and an Italian- American actor.
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Billy Fisher (Tom Courtenay) lives in Yorkshire with his parents (Wilfred Pickles and Mona Washbourne) and grandmother (Ethel Griffies). Billy wishes to get away from his stifling job and family life. To escape the boredom of his humdrum existence, he constantly daydreams and fantasises, often picturing himself as the ruler and military hero of an imaginary country called Ambrosia. In his fantasies, he gives speeches to large crowds in a manner resembling Hitler or Mussolini.
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Ioannis Zachos is a psychopath who fantasises about killing beautiful women as a means to validate his manhood and to feel a sense of empowerment. He stalks the empty streets of Athens at night looking for victims. In one of those outings he enters a small sidestreet and at around midnight he sees a young woman, Eleni Chalkia, whom he attacks stabbing her to death. After the murder he disappears into the darkness.
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After finishing his mandatory military service, Kim made his comeback in the 2013 television series Who Are You?, playing the dead boyfriend of So Yi-hyun's character. In 2014, Kim was featured in KBS' period action drama Inspiring Generation as Kim Hyun-joong's rival, but quit after episode 8 due to unavoidable circumstances. In 2015, Kim was cast for the lead role in the fantasy comedy film Plank Constant, playing a script writer with weird sexual fantasises.
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Boris also has sex with an underage teenager, June Furlough, and fantasises about Ines, a Swedish summer guest, the titular "girl in the head". Boris is believed to be modelled on Humbert Humbert in Vladimir Nabokov's Lolita. Like its two predecessors, the book met only middling critical and public reaction. In the 13 July 1967 issue of The Listener, Ian Hamilton wrote that he disliked the novel, and thought it was, at best, an "adroit pastiche" of Samuel Beckett's deadbeats.
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The play is set in a London laundry. One of the workers, Amanda, fantasises about being the sweetheart of a handsome client, Horace, and tells her colleagues tall stories of their supposed romance. Horace arrives to collect his laundry; she confesses her deceit to him. Out of kindness he kisses her, and then goes, leaving Amanda alone, with her fantasies shattered but with the consolation of the kiss and his gold, diamond and ruby tie pin that he has given her.
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Set in rural England in the 1950s Eva (Samantha Morton) fantasises about her handsome, worldly cousin Joseph Lees (Rupert Graves), with whom she fell in love as a girl. However, stuck in a closed community she becomes the object of someone else's fantasy, Harry (Lee Ross). When Harry learns that Eva is planning to leave the village in order to live with and look after the injured Lees, he devises a gruesome scheme in order to force her to stay and look after him.
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Chyi, the counsellor he compulsively requests from the hotline call center, is a young but overweight woman. Jie pleads with her over the line for more satisfying contact, but she is reluctant to accede. Jie fantasises about Chyi, idealising her as beautiful girl in a revealing costume pleasuring herself to the sound of his voice and exhaling the marijuana smoke he breathes onto the telephone handset. When she leaves work for her marital home she finds her husband in a frenzy of activity, preparing an enormous gourmet meal for her.
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Its title and lyrics are a reference to Marvin the Paranoid Android from Douglas Adams's The Hitchhiker's Guide to the Galaxy series. The use of electric keyboards in "Subterranean Homesick Alien" is an example of the band's attempts to emulate the atmosphere of Bitches Brew. Its title references the Bob Dylan song "Subterranean Homesick Blues", and the lyrics describe an isolated narrator who fantasises about being abducted by extraterrestrials. The narrator speculates that, upon returning to Earth, his friends would not believe his story and he would remain a misfit.
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However he ends up throwing Richie around the room, this in turn leads to a fight between the two, until Richie stops it by saying they should take it out on the 'birds' later. Both apply the sex spray liberally and Richie fantasises about finally "doing it". Eddie slowly becomes inebriated on the spray, after spraying it into his mouth. The pair then venture to their local pub, "The Lamb and Flag", where Richie attempts to pick up the wife (Harriet Thorpe) of a large man (Clive Mantle).
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Arnold appeals to Rose to end the marriage, but Rose refuses, even though she knows deep down that her husband is a monster. Rose believes the abuse she suffers at Brown's hands is divine retribution for "living in sin", and fantasises about going to Hell with him. By the novel's conclusion, Brown decides to get rid of Rose. He tells her it is only a matter of time before he is arrested, and entreats her to commit suicide with him in the nearby moors; he plans to dispose of her body after she kills herself.
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In 1978–81, Ward lived on and off in the rugged hills of Te Urewera with an old Tūhoe woman named Puhi and her schizophrenic son Niki. He made a documentary about them called In Spring One Plants Alone, which won the 1982 Grand Prix at Cinéma du RéelLes Palmares depuis 1979 – Cinéma du réel (Paris), and a Silver Hugo at the Chicago Film Festival. His debut feature- length movie, Vigil (1984), follows "a solitary child who imagines, fantasises and dreams". Partly inspired by Ward's partly rural upbringing in the Wairarapa.
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Lang Yuzhu (郎玉柱) is a conscientious scholar, but his scholarly ambitions have prevented him from embarking on romantic endeavours. At the same time, Lang finds himself struggling at the imperial examinations. In his twenties, he is still a loner and bachelor who fantasises about meeting "one of the beauties like those in his books", believing that "(i)n books, you'll find a jade-like beauty". One day, Lang finds a paper cut-out of the mythological character "Weaving Girl", daughter of the Queen Mother of the West and the Jade Emperor.
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Ron is an Adelaide man in his early 20s struggling to find work after he is laid off from his machinist apprenticeship. Though his crass attitude and language have been a hindrance, Ron also blames others around him for blocking his dreams. In particular, he fantasises himself driving along a coastal road in a Porsche 911, with a girl in the passenger seat, following a black sedan driving erratically before driving into a ravine. Ron can sweet-talk into situations favourable to him, including joyriding in a Triumph Stag under the pretence of a dealer test-drive.
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LaSalle's fee for each of his services is the usual ten per cent, but what George doesn't realise is that he'll be selling off pieces of his soul in ever-increasing increments. George's first wish is for a million dollars; he gets it. Then, when he fantasises about having a woman like Rita Marlowe love him, the suddenly love-struck Rita re-enters and Act One ends with George carrying her into the bedroom. In Act Two, the scene shifts to the Hollywood office of Rita Marlowe Productions, where Mike flirts with Rita's pert secretary, Miss Logan.
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The main narrative is periodically interrupted by discussions between the narrator and "the acting executor of the will", who is transcribing the narrator's story. Looking forward to his death, the narrator sings the song, "Happy Days Are Here Again". He fantasises about obtaining revenge on his hated mother by summoning her to attend his death, and in his narrative tries to recreate his earlier "Happy Days" of the latter years of the Second World War. His first reminiscences, however, are of the immediate postwar years, in which he was ostracised by the other children for his poverty and "animal violence".
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Eva Marie Everson wrote that the music video showed the reality "behind the glitz and the glamour". Dominic Fox commented, "Even in its bowdlerised form, the 'Everytime' video presents a moment of existential indecision, a fugue of suicidal ideation in which the singer fantasises about her own death". While reviewing the music video for her 2009 single "If U Seek Amy", James Montgomery of MTV called the music video for "Everytime" "underrated". Rolling Stone in their 2009 article "Britney Spears: The Complete Video Guide", called it "horribly prophetic and depressing" and added that the clip foreshadowed Spears's struggles with fame and mental instability during 2007 and 2008.
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More generally, the corruption and instability of the Roman society Waugh describes is reminiscent of the malaise and pragmatism that prevails over tradition and chivalric ethics at the end of the Sword of Honour trilogy. Helena's saintliness does not allow her to save her son from an imperial destiny she fears and disapproves of (at one point she fantasises about him becoming a provincial colonel); nor is she able to save her innocent grandson Crispus from being murdered on Constantine's orders in a palace struggle. The novel includes the unlikely tradition from Geoffrey of Monmouth that Helena was a British princess, daughter of King Coel. Waugh always described Helena as his best work.
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Parallel experiences often invite the reader to compare characters in pairs: Isabel and Magda have heterosexual relationships which illustrate patriarchal violence (Isabel with Charlie, who fantasises that he is raping her, and Magda with Jeff, who does rape her); Isabel and Ruth respond to patriarchy with violence (Isabel by murdering a man who sexually assaults her and Ruth by tampering with the brakes on her mother's boyfriend's car); Isabel and Ruth have homosexual sex (with each other); and Ruth and Magda manage to navigate their patriarchal environment successfully enough to avoid imprisonment. The novel closes with Isabel detained for murder, Magda contemplating suicide, and Ruth parting from both Magda and Mackie as she establishes a newly independent personality.
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"Wonderland", which fantasises about romance and a relationship's "perfect ending", includes synthesizer arrangements and choir sections; the line "Take me to wonderland" is repeated throughout the song. A track including a bassline, piano, club beats and synths, "Free" samples "Wuthering Heights" by Kate Bush. It was written by Kills when she worked as a waitress, and discusses "bailing on a budget". "Break You Hard" is an industrial pop song with "hypnotic rhythms", which talks about "breaking a lover", while "Zombie" incorporates electronic organs and "mumbling bass" in an electronic R&B; sound. "Love Is a Suicide" follows, detailing the "self-destruction" that comes with love, as Kills sings, "It's so surgical, how you dissect every mistake I make, you’re like an animal, you bite me hard".
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The novel's first chapter begins in London, with Karl Glogauer travelling through Kensington on his way to the Derry and Tom's Roof Gardens. There, on a bench in the Spanish Gardens, he fantasises about the past, trying to put "his mother, his childhood as it actually was, [and] the failure of his ambitions" out of his head with an imagined life in Regency-era London, filled with politics, gambling, women and duelling. His imaginations are interrupted by a "deep, slightly hesitant, husky" voice, a greeting of "Good afternoon", a dark-skinned man who spends the entirety of the novel unnamed. He first asks if he may join Glogauer on the bench, and then goes on to explain that he's merely visiting London, and that he hadn't expected to find such a place in the middle of the city.
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James Joyce's novel Ulysses (1922) is a meticulous depiction of the city on a single day, 16 June 1904. At the base of the Pillar trams from all parts of the city come and go; meanwhile the character Stephen Dedalus fantasises a scene involving two elderly spinsters, who climb the steps to the viewing gallery where they eat plums and spit the stones down on those below, while gazing up at "the one- handled adulterer". Joyce shared Yeats's view that Ireland's association with England was an essential element in a shared history, and asked: "Tell me why you think I ought to change the conditions that gave Ireland and me a shape and a destiny?" Oliver St. John Gogarty, in his literary memoir As I Was Going Down Sackville Street, considers the Pillar "the grandest thing we have in Dublin", where "the statue in whiter stone gazed forever south towards Trafalgar and the Nile".
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He imagines the two women drinking green tea together in the places they have each been with him and comforting each other. He fantasises waking up with both women and then going for a boat trip with the two of them on a summer's afternoon. “At the end of the second part, M is completely aware of the mechanism of the light but not aware of his own narcissism” however.Roof, J. A., ‘A Blink in the Mirror: From Oedipus to Narcissus and Back in the Drama of Samuel Beckett’ in Burkman, K. H., (Ed.) Myth and Ritual in the Plays of Samuel Beckett (London and Toronto: Fairleigh Dickinson University Press, 1987), p 158 “If the play consisted only of the Narration it would be as though the light were obliging them not only to speak, but to speak only of these events, to tell only this story.” Many of Beckett's plays and prose pieces are located “in ‘places’ which may strike us as being most adequately described as ‘Hell’, ‘Limbo’ or ‘Purgatory’– and the parallels with Dante are always tempting” – and indeed the most popular interpretation of Play is that the three are in some place like this.
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