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"fainéant" Definitions
  1. an irresponsible idler
  2. idle and ineffectual : INDOLENT

16 Sentences With "fainéant"

How to use fainéant in a sentence? Find typical usage patterns (collocations)/phrases/context for "fainéant" and check conjugation/comparative form for "fainéant". Mastering all the usages of "fainéant" from sentence examples published by news publications.

Reuter, 55. His success is usually considered an indicator of the roi fainéant phenomenon and of undoing of the Merovingians' accomplishments. His sons, Theotbald and Heden I, succeeded him.
He is often regarded as an early roi fainéant. Medieval monks deemed him insane and attribute "the stupidity of his descendants" to that cause. Noted Belgian historian Henri Pirenne stated that Clovis "died insane." Clovis II was buried in Saint Denis Basilica, Paris.
In 629, he inherited Neustria and Burgundy. Austrasia was again neglected until, in 633, the people demanded the king's son as their own king again. Dagobert complied and sent his elder son Sigebert III to Austrasia. Historians often categorise Sigebert as the first roi fainéant or do-nothing king of the Merovingian dynasty.
118, where Liszt complained about the Princess who treated him like a naughty child, called him "fainéant", always trying to force him to compose large scale masterworks. Also see the letter of the Princess to Ramann of August 12, 1881, p. 174, where the Princess complained about Liszt who wasted his time, still making piano arrangements, "that equivalent of knitting", instead of composing original works. But, nevertheless, Liszt invested a particular kind of creativity.
While he actually composed such works, his symphonies after Dante and Faust as well as his Piano Sonata are examples for it, he kept making fantasies and transcriptions until the end of his life. There is no doubt that it was an easier task for Liszt to make fantasies and transcriptions than composing large scale original works. It was this reason for which Princess Wittgenstein frequently called him "fainéant" ("lazy-bones").For example, see: Ramann: Lisztiana, p.
"A startling number of American restaurateurs have turned to caviar chic as a sure way of winning customers," Tony Allen Mills, Style, September 15, 1996. ; Rive Gauche: the left (southern) bank (of the River Seine in Paris). A particular mindset attributed to inhabitants of that area, which includes the Sorbonne ; roi fainéant: lit. "do-nothing king": an expression first used about the kings of France from 670 to 752 (Thierry III to Childeric III), who were puppets of their ministers.
Theuderic III (or Theuderich, Theoderic, or Theodoric; in French, Thierry) (c.651–691) was the king of Neustria (including Burgundy) on two occasions (673 and 675–691) and king of Austrasia from 679 to his death in 691. Thus, he was the king of all the Franks from 679. The son of Clovis II and Balthild, he has been described as a puppet – a roi fainéant – of Ebroin, the Mayor of the Palace, who may have even appointed him without the support of the nobles.
Roi fainéant (), literally "do-nothing king", is a French term primarily used to refer to the later kings of the Merovingian dynasty after they seemed to have lost their initial powers of dominion. It is usually applied to those Frankish rulers approximately from the death of Dagobert I in 639 AD (or alternatively, from the accession of Theuderic III in 673) until the deposition of Childeric III in favour of Pepin the Short in 751. The appellation goes back to Einhard, who is most notably the author of Vita Karoli Magni, the biographer of Charlemagne; he described the later Merovingian kings as kings "in nothing but in name": During the century of the rois fainéants, the Merovingian kings were increasingly dominated by their mayors of the palace, in the 6th century the office of the manager of the royal household, but in the 7th increasingly the real "power behind the throne" who limited the role of the king to an essentially ceremonial office. The last Carolingian ruler, Louis V of France, was also in his turn nicknamed le Fainéant ("the Do-Nothing"), because his effective rule was limited to the region around Laon.
The spirit of the heroic epic pervades Daniel, in contrast to other courtly Arthurian romances: Daniel's prestige comes from his abilities as a fighter, rather than his exemplification of courtly ideals, the pre-courtly focus on the importance of vassal-monarch relations prevails throughout the story, and Arthur takes part in the hostilities, contrary to his depiction as a roi fainéant in other romances. Der Pleier's romance Garel was written as a reaction to Daniel; Der Pleier found Daniel too brutal and cunning to make a proper hero, and wrote his romance in the spirit of contemporary courtly attitudes.Tax, Petrus W. (1991). "Der Pleier".
It was the first time in more than a century that a Swedish king had addressed a Swedish Riksdag in its native tongue. He stressed the need for all parties to sacrifice their animosities for the common good, and volunteered, as "the first citizen of a free people," to be the mediator between the contending factions. A composition committee was actually formed, but it proved illusory from the first: the patriotism of neither faction was sufficient for the smallest act of self-denial. The subsequent attempts of the dominant Caps to reduce him to a roi fainéant (a powerless king), encouraged him to consider a coup d'état.
After Dagobert's death in 639, the duke of Thuringia, Radulf, rebelled and tried to make himself king. He defeated Sigebert in what was a serious reversal for the ruling dynasty (640). The king lost the support of many magnates while on campaign and the weakness of the monarchic institutions by that time are evident in his inability to effectively make war without the support of the magnates; in fact, he could not even provide his own bodyguard without the loyal aid of Grimoald and Adalgisel. He is often regarded as the first roi fainéant: "do- nothing king", not insofar as he "did nothing", but insofar as he accomplished little.
Catherine "Kitty" Bennet is Mr. and Mrs. Bennet's fourth daughter, at 17 years old (18 years old later in the story); she is one of the novel's more lightweight characters. Her role in the Bennet family is little more than as the pliable, easily downtrodden, easily hurt, and easily teased flirt, whose substance is largely borrowed from Lydia. Kitty is described as "weak-spirited", "irritable", and (along with Lydia) "ignorant, idle and vain", she is also fainéant, easily intimidated, easily moved aside, dismissed and ignored (something she actually has in common with her sister, Mary (but while Mary seems to have been left to survive this alone, Kitty has attached herself to Lydia)), and is easily led.
Having constantly illuminated the source of revealed life, it is right and proper that life should now illuminate him with its sweet and true light.” In 1954, Les Poèmes du fainéant et les poèmes alchimiques, tristes, zen, d'avant, de la résonance, de la connaissance by Louis Cattiaux were published by Le Cercle du Livre. Also in 1954, excerpts from his essay on the Physics and Metaphysics of Painting were published in a Swiss journal, Les Cahiers Trimestriels Inconnues n° 96, as well as an article by Emmanuel d’Hooghvorst entitled “Le Message Prophétique de Louis Cattiaux.” In 1956, the Message Rediscovered was published in its entirety for the first time by Éditions Denoël. Currently, Louis Cattiaux’s literary works total more than twenty editions (with many reprints and translations of The Message Rediscovered).
At the time of King Gustav III accession, the Swedish Riksdag held more power than the monarchy; however, the Swedish Riksdag was divided between the two rival parties: the Hats and Caps. The subsequent attempts of the dominant Caps to reduce him to a roi fainéant (a powerless king) encouraged him to consider a coup d'état. In 1772, King Gustav III seized power through a coup d’état. Two years later, the Act was largely rolled back when he presented an alternative Freedom of the Press Act, leaving it effectively to the king's discretion to decide what could be legally printed by inversing the basic premise; rather than promoting the liberty of anything not explicitly deemed illegal, the Act only protected that which was not prescribed verbatim as legal, in effect undercutting its protections.
He found himself caught between the Russians, who wanted him to be a do-nothing king (a roi fainéant), and the Bulgarian politicians, who actively pursued their own quarrels with a violence that threatened the stability of Bulgaria. In 1881, a marriage was suggested between Alexander and Princess Viktoria of Prussia, the daughter of the then Crown Princess of Germany and granddaughter of England's Queen Victoria. While the would-be bride's mother and grandmother supported the marriage, her grandfather, Kaiser Wilhelm I, her brother, later Kaiser Wilhelm II (Kaiser Wilhelm I's grandson), and German Chancellor Otto von Bismarck were against the marriage fearing that it would offend the Russians, most notably, Prince Alexander's cousin, Tsar Alexander III, who recently ascended the throne, and who, unlike his father, was far from kindly disposed to the prince. After attempting to govern under these conditions for nearly two years, the prince, with the consent of the Russian tsar, Alexander assumed absolute power, having suspended the Constitution (9 May 1881).
Instead he had put Sigebert under the tutelage of Adalgisel as mayor of the palace and the Bishop of Cologne Saint Cunibert as regent, while keeping Pepin in Neustria as hostage. In 634 Dagobert's second son, Clovis II, was born, and the king forced the nobles to accept him as the next king of Neustria and Burgundy, setting up a new division of the empire.Emile de Bonnechose, History of France, translated by William Robson, G. Routledge & Co, London, 1853, page 38 On the death of Dagobert in 639, the two Frankish kingdoms became independent once again under Sigebert III and Clovis II. Both kingdoms were under child-kings – Sigebert was around eleven years old and Clovis was five – and were ruled by the respective regents. It was under Seigbert's reign that the mayor of the palace began to play the most important role in the political life of Austrasia, and he has been described as the first roi fainéant—do-nothing king—of the Merovingian dynasty.

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