In the later paintings, crisp edges are markedly crisper and softer transitions are not watercolor-like bleeds, but cinematic, sprayed fade-outs.
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In past seasons' breakups, we've always been relieved from intense heartache by fade-outs and panoramic views of the romantic destination du jour.
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The well-known "Studies for the Libyan Sibyl" (circa 1510–10003) and lesser-known "Study of torso of Dusk in Medici Chapel" (circa 1520–1530) both contain similar pleasures of euphoric fade-outs.
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In terms of mixing, PR Guy is getting warmed up with some stutter effects and fade outs, plus the introduction of Dom Kennedy's "Gold Alpinas / Chromed Out Beemers" hook as a sort of bonus adlib.
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At the performances this weekend Mr. Gilbert will have a special monitor at his podium showing the film with a time clock in the upper left corner, a measure counter in the upper right corner, and visual cues to signal tempo shifts or abrupt fade-outs.
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So he began assembling the missing pieces — getting the Don Rose arrangements Buffalo had used, transcribing solos that the jazz pianist Dick Hyman had played with smaller combos, and figuring out how to notate changes in dynamics and fade-outs that were introduced when the film was edited.
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These fade-outs were found to not just be caused by solar flares, but also by active solar prominence regions, bright surges, and subflares at the edge (or limb) of the Sun.
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A retrospective review at TV Guide praised Lum and Abner's performances but criticized the poor editing (fade-outs and fade-ins for commercial breaks were left in the theatrical prints) and simplistic script, giving the film one out of five stars.
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If however the two regions are on different tracks, fade-ins and fade-outs will be applied. A fade-out can be accomplished without letting the sound's distance increase,Moylan, W. 2002. The Art of Recording. United States of America: Focal Press.
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Most of the video is made up of fade-outs, alternating the scenes inside the studio showing the band with images of the members of the public outside the studio entrance. The clip ends with pictures of Kingsbery and Anna LaCazio leaving the studio together.
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A fade occurs when the picture gradually turns to a single color, usually black, or when a picture gradually appears on screen. Fade ins generally occur at the beginning of a film or act, while fade outs are typically found at the end of a film or act.
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Cacophonous feedback fade-outs ending a song are most often used to generate rather than relieve tension, often cross-faded too after a thematic and musical release. Examples include Modwheelmood's remix of Nine Inch Nail's "The Great Destroyer"; and the Jesus and Mary Chain's "Teenage Lust", "Tumbledown", "Catchfire", "Sundown", and "Frequency".Hodgson (2010), p.123.
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The Sire Records (US) version of On contains only "On", "73-Yips", and "Xepha" with early fade-outs, followed by the Reload Mix of "On", and it is housed in an Ecopak case instead of the standard slimline jewel case in which the Warp (UK) release was packaged. The "D-Scape Mix", in actuality a remix of "D-Scape" from On, features mostly harsh sucking noises.
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Even using fade-out as a segue device does not seem obvious, though we certainly take it for granted today. It is possible that movies were an influence here. Fade-ins and fade-outs are often used as cinematic devices that begin and end scenes; film language that developed at the same time as these early recordings. The term 'fade-out' itself is of cinematic origin, appearing in print around 1918.
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Because the running time was over 5 minutes, several AM radio stations edited "Beach Baby" by fading it out during the second instrumental bridge. The estate of Jean Sibelius filed a lawsuit against the song's writers, for infringing on the Sibelius piece. The case was settled out of court, with the Sibelius estate receiving half of the song's proceeds. The radio-play fade outs then took on some importance, helping to avoid further legal implications.
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Wilson observed that the film has fade-ins and fade-outs in saturated reds. Sitney analysed Cries and Whispers colour scheme, writing that there are moves from red with white to red with black to orange and ochre (in the final, autumnal outdoor scene). Blood, seen when Maria's husband injures himself and Karin cuts her vulva, echoes an earlier view of the mother character holding a red book against her dress. Sitney associates this with menstruation and castration.
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The editing of La Jetée adds to the intensity of the film. With the use of cut-ins and fade-outs, it produces the eerie and unsettling nature adding to the theme of the apocalyptic destruction of World War III. Terry Gilliam, director of 12 Monkeys, describes the editing as "simply poetic" in the combination of editing and soundtrack that is used in the short film. As the film plays out as a photomontage, the only continuous variable is the sound.
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This compilation includes the original 7-inch single mixes of most tracks (House of Fun being an exception). The vinyl and initial CD releases have shortened fade-outs for many tracks, to reduce the running time of each side of the original LP version. The first time the songs appeared in full for this compilation was on the 2003 Virgin CD reissue. The original Australian version of the album, issued some months later than in the UK, replaces In the City with 13th UK single Driving in My Car.
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Of the four songs recorded during the session, the band spent the longest working on "Aneurysm," using fade-ins and fade-outs on the backing vocals during the verses to give the recording an "unusual" vocal effect, as described by author Gillian G. Garr, and overall "lighter" feel than the Music Source version. Despite never being released on a studio album, "Aneurysm" was a regular part of the band's setlist in 1991 and 1992. Its final performance was on August 6, 1993, at the King Cat Theatre in Seattle.
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CBC Olympic host Lloyd Robertson was praised by The Globe and Mail writer Leslie Millin for his cool demeanour in the face of many technical glitches including "strange breaks, noises, lapses and unscheduled fade-outs." Millin applauded Robertson, normally a newscaster, for "working with the grace and agility of a man hired to stamp grapes in a Sicilian winery." The CBC almost cancelled their plans for coverage of the 1980 Summer Olympics after Canada took part in the boycott, but decided not to and was represented by nine accreditation cards.1980 Summer Olympics Official Report from the Organizing Committee , vol.
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The first half of the season was plagued however by inconsistent performances which left the club languishing in last place at the end of 2012, due mainly to second half fade outs. During the January transfer window, Heart lost a further two key players in Michael Marrone and Aziz Behich on transfers, as well as midfielder Vince Grella to retirement. However they did bolster the squad with returning striker Eli Babalj and Dutch midfielder Marcel Meeuwis. The new year saw more consistent results at home with 4 wins in a row, resulting in a gradual climb up the table.
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Solrad 1 was launched on June 22, 1960 aboard a Thor Able from Cape Canaveral at 1:54 a.m. EDT. As the world's first orbiting astronomical observatory, SOLRAD I determined that radio fade-outs were caused by solar X-ray emissions. The first in a series of 8 successfully launched Orbiting Solar Observatories (OSO 1, launched on March 7, 1963) had as its primary mission to measure solar electromagnetic radiation in the UV, X-ray, and gamma-ray regions. The first USA satellite which detected cosmic X-rays was the Third Orbiting Solar Observatory, or OSO-3, launched on March 8, 1967.
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The beginning of the music video shows Bolton performing the selection whilst he is sitting in his living room, and small bits of story about his and his girlfriend's relationship are told through fade-outs. As he is about to leave the apartment, already having packed his suitcases, he thinks of her and the time they spent together and seemingly decides against the decision; he then cuddles with his girlfriend. It is revealed, the next night, that he plans to give her a bracelet, which he quickly hides as he reads a newspaper before she enters the room. She surprises him with breakfast and they cuddle again.
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The film was released on VHS on September 21, 1999, and on DVD as a Disney Movie Club exclusive on July 20, 2012. The DVD used a TV edit when it was aired in Australia on the Seven Network with fade-ins and fade-outs in some parts to make way for the commercial breaks and the closing credits were sped up to fit the time slot. The film, along with Disney’s Doug, was released on Disney+ on November 12, 2019, its first day of release. This version of the film did not use the TV edit found on the DVD release, allowing the end credits to be seen at their intended speed.
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Its plot, part fiction and part history, chronicling the assassination of Abraham Lincoln by John Wilkes Booth and the relationship of two families in the Civil War and Reconstruction eras over the course of several years—the pro-Union (Northern) Stonemans and the pro-Confederacy (Southern) Camerons—was by far the most complex of any movie made up to that date. It was originally shown in two parts separated by another movie innovation, an intermission, and it was the first to have a musical score for an orchestra. It pioneered close-ups, fade-outs, and a carefully staged battle sequence with hundreds of extras (another first) made to look like thousands. It came with a 13-page "Souvenir Program".
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Approximately 20% of SOLRAD's data transmissions contained X-ray measurements, sufficient to establish the Sun's normal X-ray radiation levels (in the 2–8 Å range of detection) during times of inactivity: less than 6x10−11 Joules/cm2/sec. When X-ray output was observed strongly in excess of this baseline, it was usually correlated with solar activity visible from the ground. The data also showed that the X-ray output could change significantly in as little as one minute, underscoring the need for constant observation. When detectable X-ray output exceeded three times the normal rate, radio fade-outs occurred, confirming the link between solar X-ray variability and the strength of the Earth's ionized thermospheric layers.
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In his review of The Birth of a Nation in 1001 Movies You Must See Before You Die, Jonathan Kline writes that "with countless artistic innovations, Griffith essentially created contemporary film language ... virtually every film is beholden to [The Birth of a Nation] in one way, shape or form. Griffith introduced the use of dramatic close-ups, tracking shots, and other expressive camera movements; parallel action sequences, crosscutting, and other editing techniques". He added that "the fact that The Birth of a Nation remains respected and studied to this day-despite its subject matter-reveals its lasting importance." Griffith pioneered such camera techniques as close-ups, fade-outs, and a carefully staged battle sequence with hundreds of extras made to look like thousands.
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SOLRAD (SOLar RADiation) 1 is the public designation for SOLRAD/GRAB 1, a combination science and surveillance satellite launched into orbit on 22 June 1960. It was the first satellite to successfully observe solar X-rays, the first to conduct surveillance from orbit, and the first to be launched with another instrumented satellite (the unrelated navigation satellite, Transit 2A). Developed by the United States Navy's Naval Research Laboratory (NRL), the satellite was in many ways a direct successor to NRL's Project Vanguard, the first American satellite program. The satellite's scientific mission was a success, sending useful data until November 1960 that determined normal solar X-ray output and confirmed the connection between increased solar X-ray activity and radio fade-outs.
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A bookmovie, he explained in Some of the Dharma, is a "prose concentration camera-eye visions of a definite movie of the mind with fade- ins, pans, close-ups, and fade-outs." Kerouac's notes on Lucien Midnight were written while staying in the Lower East Side where he initially heard sounds coming through a tenement window from the wash court below. He then heard voices coming from kitchens of the other occupants in nearby apartment buildings and a man named Paddy arriving home drunk, and even a junky stirring in his bed. Kerouac conceptualized an idea of developing a work based on James Joyce’s experimental novel Finnegans Wake (not Ulysses as indicated by Ann Charters in her introduction to Old Angel Midnight for Grey Fox Press) where the “sounds of the universe” became the chief “plot” with all of its associated “neologisms, mental associations, puns and wordmixes” that stewed a plethora of languages and “nonlanguages.” Kerouac determinedly “scribbled out in a strictly intuitional discipline at breakneck speed” the fledgling prose that would finally comprise the finished book for City Lights's Pocket Poet series eight years later.
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