Ms. Bakewell is a wonderful explicator and a highly opinionated one.
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Enter, as a critical guide, Shoshana Zuboff, who has emerged as the leading explicator of surveillance capitalism.
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Roth was at his most animated as an explicator of his own work when discussing the nuances of the autobiographical impulse.
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Lorca was a great explicator of duende, the idea that an artwork should brim with authenticity and death-awareness and skin-prickling and foot-stamping awe and soul.
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There is no small irony, then, in the fact that Madison, the brilliant explicator of separation of powers in the Federalist Papers, later helped justify the rise of the party system that undermined it.
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I was also happy to be the explicator on record for the first use of the term DUMPSTER FIRE in this honorable pantheon, this being the American Dialect Society's word of the year for 2016, joining an (honestly, not ironically) impressive lineup.
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The Explicator: Manuscript Submission Guidelines It began publication in October 1942 and is in print.
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Combellack, C.R.B. "Shakespeare's SONNET 125." Explicator 37.2 (1979): 25. Academic Search Complete. Web. 6 Feb. 2012.
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"A Note on a Title: A Heartbreaking Work of Staggering Genius" in The Explicator, 72:2, 146–150.
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Jensen, Mikkel (2016) "Janus-Headed Postmodernism: The Opening Lines of Slaughterhouse-Five" in The Explicator, 74:1, 8-11.
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Stultifying Master vs. Emancipatory Master The explicator, "having thrown a veil of ignorance over everything that is to be learned, he appoints himself to the task of lifting it" (6-7). Only by concealing knowledge from the student is the explicator able to teach it. This makes the student dependent on the master.
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"Caught In The Act Of Greatness: Jane Austen's Characterization Of Elizabeth And Darcy By Sentence Structure In Pride and Prejudice." Explicator 72.3 (2014): 169–178. Academic Search Complete. Web. 16 February 2016.
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286) According to Robert Arbour, after these initial trochees, Shakespeare ends each of these first two lines with a "calm, iambic meter".(Arbour, Robert. "Shakespeare's Sonnet 60". Explicator 67.3 (Spring 2009): 157-160. EBSCOhost. Web.
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The Explicator is a quarterly journal of literary criticism. Current owner Routledge acquired the journal from Heldref Publications in 2009. It mainly publishes short papers on poetry and prose. It is indexed in the Arts & Humanities Citation Index (A&HCI;).
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He has won the Larry Wall Award three times for CPAN contributions. His involvement in Perl 6 language design has been as an interlocutor and explicator of Larry Wall. He is one of the authors of the Significantly Prettier and Easier C++ Syntax (SPEC).
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Although Sonnet 33 is considered a part of the group of Shakespearean sonnets addressed to a young man, there have been claims that the third quatrain of sonnet 33 may have been co- addressed to Shakespere's only son, Hamnet, who died in 1596 at the age of 11.Schwartzberg, Mark. "Shakespeare's SONNET 33." Explicator 61.1 (2002): 13-14.
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Fontana, E. "Shakespeare's Sonnet 55." The Explicator v. 45 (Spring 1987) p. 6-8. EBSCO Host Database Helen Vendler expands on the idea of "sluttish time" by examining how the speaker bestows grandeur on entities when they are connected to the beloved but mocks them and associates them with dirtiness when they're connected with something the speaker hates.
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Excerpts of the work were performed on the American television program Omnibus on 31 March 1957 in the episode "The Music of J.S. Bach." The presenter and explicator was Leonard Bernstein, who introduced the St Matthew Passion as "that glorious work that started me off on my own private passion for Bach."Bernstein, Leonard. Omnibus: The Historic TV Broadcasts on 4 DVDs.
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The film was shot on location in Zandvoort by Willy and Albert Mullens. Filming was completed in one day, on 22 July 1905 (another source has 21 July). The narrator/explicator of the film was Willy Mullens. The first major problem arose before the shooting even started: the actor hired to play the gentleman was not allowed to do so by his fiancée, who lived in Zandvoort.
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These sonnets are shadowed by the speakers own self-hatred and anger.(Alice F. Moore. Shakespeare's SONNET 138, Explicator, 43:2 (1985:Winter) p.15) However, Joel Fineman believes that the biggest difference between series of the dark lady and the other series of sonnets featuring the young man is that those about the dark lady use a formula of lusty misogyny that is clearly Shakespearean.
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Sonnet 29 follows the same basic structure as Shakespeare's other sonnets, containing fourteen lines and written in iambic pentameter, and composed of three rhyming quatrains with a rhyming couplet at the end. It follows the traditional English rhyme scheme of abab cdcd efef gg — though in this sonnet the b and f rhymes happen to be identical. As noted by Bernhard Frank, Sonnet 29 includes two distinct sections with the Speaker explaining his current depressed state of mind in the first octave and then conjuring what appears to be a happier image in the last sestet.Bernhard Frank, "Shakespeare's 'SONNET 29'", The Explicator Volume 64 No. 3 (2006): p. 136-137. Murdo William McRae notes two characteristics of the internal structure of Sonnet 29 he believes distinguish it from any of Shakespeare's other sonnets.Murdo William McRae, "Shakespeare's Sonnet 29", The Explicator Volume 46 (1987): p.
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Salon's Laura Miller described Panek and his writing style as a "wondrously clear explicator of some thorny concepts". Writing a review for Science News magazine, Ron Cowen commented that Panek "writes eloquently about the mind- bending search for meaning in a universe dominated by stuff no one can see", while he also "weaves together concepts from particle physics, relativity, quantum mechanics and cosmology with personal portraits of astronomers".
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Cathy also takes on the Pandora persona from classic Greek mythology. The story goes that Zeus gave Pandora a box and commanded her not to open it. She ultimately disobeys and when she opens the box, she sets loose evil into the world. In an academic article from The Explicator, Rebecca Barnes analyzes that Cathy is like Pandora in that her “broken box brings disaster” wherever she goes.
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Berkove, Lawrence L. (2000) "Fatal Self- Assertion in Kate Chopin's 'The Story of an Hour.'" American Literary Realism 32 (2): 152–158. Xuding Wang has criticized Berkove's interpretation.Xuding Wang, "Feminine Self-Assertion in 'The Story of an Hour'", English Department, Tamkang University, Taiwan In her article, "Emotions in 'The Story of An Hour'",Jamil, Selina S. "Emotions in 'The Story of an Hour'" Explicator (2009): 215–220. EBSCOhost.
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While exiled in Belgium, the French- speaking Jacotot taught Flemish-speaking students about the Télémaque using a bilingual French-Flemish translation (1-2). His students learned to intelligently read and write about the Télémaque in French, despite having no prior French instruction (2). Later, Jacotot taught other subjects that he didn't know anything about, including painting and the piano (15). The Circle of Power A circle of powerlessness ties the student to the explicator of the old method (15).
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Jerome J. Bylebyl, "The School of Padua: humanistic medicine in the 16th century," in Charles Webster, ed., Health, Medicine and Mortality in the Sixteenth Century (1979) ch10 Since 1595, Padua's famous anatomical theatre drew artists and scientists studying the human body during public dissections. It is the oldest surviving permanent anatomical theatre in Europe. Anatomist Andreas Vesalius held the chair of Surgery and Anatomy (explicator chirurgiae) and in 1543 published his anatomical discoveries in De Humani Corporis Fabrica.
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Shakespeare's Sonnets Edited with Analytic Commentary. Yale University Press, New Haven: 1977.) Alice F. Moore also concurs with the writing of Stephen Booth in her own commentary on Sonnet 138, also proclaiming the relationship between the two lovers as one of mutual dishonesty. For Moore, line 2 highlights an internal division of the speaker because he knows that the lady lies, but he, even knowing this, chooses to believe her.(Moore, Alice F.,Shakespeare's SONNET 138 , Explicator, 43:2 (1985:Winter) p.
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On the day of his graduation he was immediately offered the chair of surgery and anatomy (explicator chirurgiae) at the University of Padua. He also guest-lectured at the University of Bologna and the University of Pisa. Prior to taking up his position in Padua, Vesalius traveled through Italy, and assisted the future Pope Paul IV and Ignatius of Loyola to heal those afflicted by leprosy. In Venice in 1542, he met the illustrator Johan van Calcar, a student of Titian.
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390–1 For his later explicator, Lacan, guilt was the inevitable companion of the signifying subject who acknowledged normality in the form of the Symbolic order.Catherine Belsey, Shakespeare in Theory and Practice (2008) p. 25 Alice Miller claims that "many people suffer all their lives from this oppressive feeling of guilt, the sense of not having lived up to their parents' expectations....no argument can overcome these guilt feelings, for they have their beginnings in life's earliest period, and from that they derive their intensity."Alice Miller, The Drama of Being a Child (1995) pp.
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Westermann, 1963. The red carnation has also been found to be representative of Paul's detachment from society. Sherry Crabtree (2000) Cather's PAUL'S CASE, The Explicator, 58:4, 206-208, DOI: 10.1080/00144940009597047 Embroidered hanging done by Paul's mother: This could represent Paul's yearning for love since both love and his mother are absent from his life. Paul's suicide: Paul's decision to end his life by jumping in front of a train is thought to represent the impact that commercialization and industrialization have on Paul; who would rather lose himself in theater and music.
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Scott Connors has stated that "the use of an archaic dialect in "The Picture in the House"...represents an early example of (the notion of plunging through time), transforming what might otherwise be a mundane tale of cannibalism into a meditation on the paradoxes of time." Scott Connors, "Lovecraft's 'The Picture in the House'", The Explicator 59.3 (Spring 2001):p.140 Peter Cannon has pointed to parallels between "The Picture in the House" and Arthur Conan Doyle's "The Adventure of the Copper Beeches".Peter Cannon, Lovecraft Studies No. 1 (Fall 1979); cited in Joshi and Schultz, p. 207.
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Puleo is recognized as one of the most relevant ecofeminist thinkers today. Roberta Johnson characterizes her as "arguably Spain's most prominent explicator- philosopher of the worldwide movement or theoretical orientation known as ecofeminism." Puleo's proposal of what she has called a critical or enlightened ecofeminism can be considered a new nonessentialist form of environmental ethics in terms of gender. She does not consider that women are in a kind of symbiosis with nature, but is of the conviction that we live in an era of unsustainable growth that makes the link between feminism and ecology inevitable.
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A different interpretation of Paul's smile arises from the detail where Paul's drawing master claimed there was, "something sort of haunted about [his smile]," which is a detail that is often used to support the idea that Paul's smile refers to him having a disability. The Basement: During the story, Paul sneaks into his home through his basement and reflects on his relationship with his father. The condition of the basement has been found to represent the dark, antagonistic bond the two share. Martha Czernicki (2017) Fantasy and Reality in Willa Cather's PAUL'S CASE, The Explicator, 75:4, 242-247, DOI: 10.1080/00144940.2017.
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Yeats' biographer David Pierce notes of Mabel that: :"According to Yeats, in reference to the Rhymers' Club, she was 'practically one of us'; later, she used to attend Yeats's Monday evenings at Woburn Buildings. From 1912, when she was diagnosed as suffering from cancer, until her death in 1916, Yeats was a frequent visitor to her bedside and composed a series of poems on her titled 'Upon a Dying Lady'".David Pierce, Yeats's worlds: Ireland, England and the poetic imagination, Publisher: Yale University Press, 1995, , 9780300063233, 346 pages, page 320 W.B. Yeats' poem "Upon a Dying Lady" is about Mabel.David J. Piwinski, The Explicator, Vol.
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Each word in the corpus is tagged with its part of speech and the subject matter category of its source. Disseminated throughout the world, the Brown Corpus has served as a model for similar projects in other languages and as the basis for numerous scholarly studies, including Francis and Kučera's Frequency Analysis of English Usage, which was published in 1967. ;Magazine and journal contributions Francis wrote articles that were published in American Speech, College Composition and Communication, College English, Computers and the Humanities, Contemporary Psychology, East Anglian Magazine, English Journal, The Explicator, Language, Language in Society, Lingua, Modern Language Notes, PMLA, The Quarterly Journal of Speech, Speculum, Style, and Word.
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Fararo has been both an originator and an explicator of ideas and methods relating to the use of formal methods in sociological theory. In his original work, he has employed theories and methods relating to social networks in combination with a focus on social processes. This combination is illustrated by the theoretical method he has called E-state Structuralism (where E stands for Expectations) with work on this done with former student John Skvoretz. He often employs the axiomatic method in such work, as in the 2003 monograph with his student Kenji Kosaka that sets out a formal theory of how images of stratification are generated.
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Works often described as examples of historiographical metafiction include: William Shakespeare's Pericles, Prince of Tyre (c.1608), John Fowles' The French Lieutenant's Woman (1969), E. L. Doctorow's Ragtime (1975), William Kennedy's Legs (1975), Salman Rushdie's Midnight's Children (1981), Shashi Tharoor's The Great Indian Novel (1989), A. S. Byatt's Possession (1990), Michael Ondaatje's The English Patient (1992), Thomas Pynchon's Mason & Dixon (1997) and many others. By seeking to represent both actual historical events from World War Two while, at the same time, problematizing the very notion of doing exactly that, Kurt Vonnegut's Slaughterhouse-Five (1969) features a metafictional, "Janus-headed" perspective.Jensen, Mikkel (2016) "Janus-Headed Postmodernism: The Opening Lines of Slaughterhouse-Five" in The Explicator, 74:1, 8-11.
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Her first book Keats and the Dramatic Principle (1958) won the Explicator Award for the best book of literary analysis in English or American Literature. Her second book Start with the Sun (1960) with James E. Miller Jr. and Karl Shapiro, won the Chap-Book Award from the Poetry Society of America for an outstanding work in the field of poetry criticism. Her three text-book anthologies, The Dimensions of Poetry (1962), The Dimensions of Short Story (1964), and The Dimensions of Literature, (1967), with James E. Miller Jr. were widely used and well received. She edited Myth and Symbol: Critical Approaches and Applications (1963), and Literature and Society: Nineteen Essays (1964), and wrote numerous articles on literary subjects.
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A distinction is sometimes made between serial verbs and compound verbs (also known as complex predicates). In a compound verb, the first element (verb or noun) generally carries most of the semantic load, while the second element, often called a vector verb (light verb) or explicator verb, provides fine distinctions (such as speaker attitude or grammatical aspect) and carries the inflection (markers of tense, mood and agreement). The first element may be a verb in conjunctive participle form, or as in Hindi and Punjabi, a bare verbstem). For example, Hindi: : In this example, लिया liyā (from the verb लेना lenā, meaning "to take") is a vector verb that indicates a completed action, while खा khā "eat" is the main or primary verb.
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Hirsch has been awarded several fellowships and honors, including the Fulbright Fellowship (1955), the Morse Fellowship (1960), the Guggenheim Fellowship (1964), the Explicator Prize (1965), the NEA Fellowship (1970), the NEH Senior Fellowship (1971–71), the Wesleyan University Center for the Humanities Fellowship (1973), the Princeton University Fellowship in the Humanities (1977), and the Center for Advanced Study in the Behavioral Sciences Fellowship at Stanford University (1980–81). At the University of Virginia he was Linden Kent Memorial Professor of English Emeritus, in addition to Professor of Education and Humanities. He has received honorary degrees from Rhodes College and Williams College. He is a member of the American Academy of Arts and Sciences, and a board member of the Albert Shanker Institute.
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83 nr.2 (April 1999) pages 299-303. - but there is an Anglo-Saxon word, onsund, which means “sound, physically strong, uninjured”, in most transcriptions of the Beowulf text it does not occur, but in the original manuscript, at line 513 on and sund have apparently been rewritten after being scraped from the parchment and seem slightly closer together than two separate words ordinarily are (although Zupitza's transcription treats them as two separate words), and in line 540 the manuscript clearly uses onsund as a single word and Zupitza transcribes it as a single word - although he drew a thin line of separation after on, which may indicate that he did not know that onsund was a word with a meaning of its own.Stephen Marino, “Beowulf”, The Explicator, vol.
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IN: Cheung, Words Matter: Conversations with Asian American Writers. Honolulu: U of Hawaii P, with UCLA Asian American Studies Center; 2000. pp. 270–80 #Necessary Figures: Metaphor, Irony and Parody in the Poetry of Li-Young Lee, Marilyn Chin, and John Yau By: Wang, Dorothy Joan; Dissertation,U of California, Berkeley, 1998. #A Conversation with Li-Young Lee ; Indiana Review, 1999 Fall-Winter; 21 (2): 101-08. #The Cultural Predicaments of Ethnic Writers: Three Chicago Poets By: Bresnahan, Roger J. Jiang; Midwestern Miscellany, 1999 Fall; 27: 36-46. #The City in Which I Love You: Li-Young Lee's Excellent Song By: Hesford, Walter A.; Christianity and Literature, 1996 Autumn; 46 (1): 37-60. #Lee's 'Persimmons' By: Engles, Tim; Explicator, 1996 Spring; 54 (3): 191-92. #Inheritance and Invention in Li-Young Lee's Poetry By: Zhou, Xiaojing; MELUS, 1996 Spring; 21 (1): 113-32.
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Sonnet 153 and 154 are used as a statement to address the conflict within the love triangle. The Dark Lady is the object of desire from sonnet 127 to 152. The sonnets revolve around the love triangle between the poet and the Dark Lady who is in love with the young man. The young man maybe pursued by the poet also. According to Levin, there is a connection between these Dark Lady sonnets to sonnets 153 and 154 by "slight but telling verbal echoes" that are present within both sonnets in addition to sonnet 152 having the "same two rhyme words in the couplet as are found in the couplet 153".Levin, Richard A. "Shakespeare's Sonnets 153 And 154." Explicator 53.1 (1994): 11. These sonnets are confirmed as being part of the Quatro volume which re-enforces Levin's claim. Sonnets 153 and 154 use Greek mythology to portray the roles that the individuals have within the love triangle.
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