26 Sentences With "evening the score" | Random Sentence Generator

Willie Harvey picked Dunne off and returned it 12 yards with 2593:04 left in the first, evening the score.

Alex Bregman took Clayton Kershaw's third pitch of the inning over the wall in left-center for a home run, evening the score at 1-1.

The ball went off Lendl's racket strings and off the court, evening the score at 30-all and causing the normally reserved Chang to pump his arms twice.

It should not always be about winning or evening the score (as the Democrats are now trying to do, since Republicans refused to hold hearings on President Obama's last nominee to the Supreme Court).

Given time and space to maneuver the puck into the slot after Brock Boeser's pass, Sedin fired a wrister that hit Viktor Arvidsson's stick and caromed off both of Pekka Rinne's pads before trickling over the goal line and evening the score at 3.

"Evening the Score" Jerry Goldsmith interview . Barnes & Noble. Retrieved 2011-06-06. Apart from the score, professionally released music did not play a major part in the film.

Greene contributed an assist in his team's playoff run. Greene scored his first NHL goal on December 15, 2006, against Minnesota Wild netminder Manny Fernandez. The goal was scored in the third period of the game, evening the score at 1–1. The Oilers would eventually score two more goals, winning 3–1.

After some exchanges, the Hot Dogs score a touchdown, thanks to a stretchy dachshund player. As the game resumes, more trades with the ball ensue until this time the feline team scores a touchdown, thus evening the score. When the match still goes on, only a minute left remains. Pooch's teammates, however, morph into a steamroller which flattens most of the feline team.

Steaming under cover of darkness, the Confederate ships took the Union squadron by surprise. Richmond was taking on coal from the schooner, Joseph N. Toone, when Manassas rammed Richmond tearing a hole in the sloop's side. Passing aft, the ram tried but failed to hit Richmond again before disappearing astern. Richmonds gunners got away one complete broadside from the port battery though, somewhat evening the score.

He was also intent on evening the score with Everett whose losses turned out to be considerable. Two weeks later, Moondyne Joe was recaptured and sent directly to Fremantle Gaol, where a specially prepared and secure cell awaited him. Everett made other such enemies and spent quite some time debating issues in the courts of Perth. Everett continued to live at the Queen's Head where he cultivated his own vineyard.

In addition to leading the Orchestrette, from 1935 to 1940, with the help of her husband, Frédérique Petrides edited and published the Women in Music newsletters,Jan Bell Groh (1936– ) Evening the Score: Women in Music and the Legacy of Frederique Petrides, p. 5 and pp. 25–126 University of Arkansas Press, Fayetteville (1991) under the auspices of the Orchestrette. The only music periodical of its kind, it chronicled and championed the activities of women musicians from ancient Egyptian times to the then present.

Exactly two minutes later, Brendon Cook scored, evening the score at 3 and forcing overtime. With 39.3 seconds left in the second overtime, a shot by Les Reaney deflected off the Allen goaltender Chris Whitley and the Rush's Scott Wray, rolling into the goal, sealing the win for the Rush and their first President's Cup. During the 2010–11 season, the Rush were the host to the 2011 Central Hockey League All- Star Game. The Rush ended up losing to the All-Stars 11-6.

Women in Music was an American newsletter founded in July 1935 by its publisher and editor, Frédérique Petrides, then the conductor of the Orchestrette Classique - an orchestra based in New York made-up of female musicians. The publication ran until December 1940. The thirty-seven extant issues were reprinted in the 1991 book by Jan Bell Groh, Evening the Score: Women in Music and the Legacy of Frédérique Petrides. The newsletter title Women in Music was coined in 1935 by Petrides's husband, journalist, Peter Petrides to encapsulate the gist of its contents.

The fall ended with Atlantis forcing Blue Panther to submit to a Boston Crab while Dragón Rojo Jr. used the same move to force Místico to submit, evening the score between the two teams. The third and deciding fall only lasted 2:25 before Strong Man pinned Atlantis and Místico forced Rey Bucanero to submit. The match order of Block B of the 2010 Gran Alternativa was decided by a Battle Royal between the eight Novatos (rookies) in the tournament. The order of elimination dictated who wrestled who.

In the 64th minute, the Danes recorded their first lead in the match when scoring 33–32, but within the next minute the French scored two goals overturning the result. The first half of the overtime ended with a French lead of 34–33. The second half of overtime began with veteran Lars Christiansen scoring a penalty and evening the score at 34–34. The French took the lead from there, though, and secured the win at 36–34 when Thierry Omeyer saved a Mikkel Hansen 9m shot with just over one minute to go.

In the second fall, Mr. Mexico pinned Sicodélico Jr. to win the fall, evening the score. In the third fall all three rudos pinned their opponents at the same time to win the match two falls to one. For the second match of the night the técnico side (Atlantis, Brazo de Plata and El Felino) won the first fall when they pinned all three of their opponents (Black Warrior, Apolo Dantés and Shocker). The rudo team fought back and won the second fall, and then the third and deciding fall as Shocker pinned El Felino and Apolo Dantés pinned Brazo de Plata.

The Wildcats then forced a three- and-out by the Ducks and scored again, on a 34-yard pass from Solomon to Wilson, extending their lead to 24-14. The Ducks maintained possession going into the fourth quarter with a ten-point deficit to make up. They would finish their drive with a 21-yard field goal by Matt Wogan, putting the score at 24-17 in favor of Arizona. The Oregon defense then forced a turnover on downs, giving the ball back to their offense, which scored a touchdown on a 9-yard pass from Mariota to Keanon Lowe, evening the score at 24.

A fictional take on a factual pair, Bonnie and Clyde Dorman are a brother-sister pair of hired guns: Bonnie operates in Chicago, while Clyde runs with an outfit in Mexico. Bonnie's first encounter with Rally costs both of her legs and her right thumb; after Clyde facilitates her escape from jail, Bonnie takes to wearing specially-designed prosthetic limbs with weapons inside them, and becomes obsessed with evening the score. Together Bonnie and Clyde hatch a scheme to steal from the local drug cartels, get revenge on Rally, then sneak out of town and retire. They are nearly successful, but are slain in a brief and chaotic firefight.

Frédérique Petrides in the 1930s On September 26, 1903, Frédérique Jeanne Elisabeth Petronella Mayer was born into a privileged life in Antwerp, Belgium. Her mother, Seraphine Sebrechts, an artist of many talents, was a well-known composer and pianist, as well as an accomplished painter and photographer.Art Institute of Chicago, Photography Collection, where Sebrechts photographs are housedJan Bell Groh (1936– ) Evening the Score: Women in Music and the Legacy of Frédérique Petrides, University of Arkansas Press, Fayetteville (1991) It was she who taught Frédérique theory and composition.Women in Music, An Anthology of Source Readings from the Middle Ages to the Present, Edited by Carol-Neuls Bates (1939– ) p.

Peter Petrides in 1940 For more than forty years, Frédérique Petrides' conducting career was abetted by her husband, journalist, Peter Petrides (1896–1978), who acted as manager and publicist for the concerts.Jan Bell Groh (1936- ) Evening the Score: Women in Music and the Legacy of Frédérique Petrides, pps. 10-11 University of Arkansas Press, Fayetteville (1991) He was born Petros Agathangelos Petrides into a Greek family in Caratepeh, Turkey and grew up in Constantinople. After emigrating to the United States, as a young man, he became a writer for and Managing Editor of the Greek-American newspaper, The National Herald (not to be mistaken for the newspaper of the same name that was established in 1997).

In the main event Los Hijos del Averno ("The Sons of Hell"; Averno and Mephisto) teamed up with one of CMLL's top rudos Volador Jr. to fight some of CMLL's top young tecnico prospects as Diamante Azul, La Mascara and La Sombra teamed up for the night. The rudo team won the first fall in short order, followed by La Sombra evening the score for his team. Throughout the match Averno targeted La Mascara, the man that unmasked Averno at the 2011 Juicio Final event while Volador Jr. focused on former tag team partner La Sombra. The third fall was the longest of the match and only ended when Volador Jr. pinned his longtime rival La Sombra after executing his Volador Spiral move.

In 1931, she married journalist, Peter Petrides (Petros Agathangelos Petrides; 1896–1978),Agathangelos was the given name of Petros's father, as shown on the marriage certificate of Petros and Frédérique: Connecticut Department of Health, Bureau of Vital Statistics, Marriage License, September 5, 1931 who wholeheartedly supported her career, and encouraged her to found the Orchestrette Classique, of which he became the manager and publicist.Jan Bell Groh (1936– ) Evening the Score: Women in Music and the Legacy of Frederique Petrides, University of Arkansas Press pp. 10–11, Fayetteville (1991) Frédérique Petrides had learned that, in the 1930s, the only avenue open to women conductors was to establish their own orchestras.Jane Weiner LePage (1931–2008 ), Women composers, conductors, and musicians of the twentieth century, Volume ii, p.

194 Scarecrow Press, Metuchen, New Jersey and London (1983) And in 1933,Jan Bell Groh (1936– ) Evening the Score: Women in Music and the Legacy of Frederique Petrides, Fayetteville (1991), University of Arkansas Press, p. 11 she introduced the Orchestrette, an all-women chamber orchestra, which had, based on what was being played,Women in Music, An Anthology of Source Readings from the Middle Ages to the Present, Edited by Carol Neuls-Bates (1939– ) p. 260, Harper & Row Publishers (1982 thirty to forty players in the ensemble; and which gave five to six concerts annually in Carnegie Chamber Music Hall, now Weill Recital Hall.Women in Music, An Anthology of Source Readings from the Middle Ages to the Present, Edited by Carol Neuls-Bates (1939– ) p.

Because the Orchestrette of New York was an ensemble of outstanding women musicians, with the advent of the Second World War and the draft, many of its instrumentalists were, for the first time, offered positions in the major symphony orchestras, as replacements for their masculine counterparts who were joining the front lines.Jan Bell Groh (1936– ) Evening the Score: Women in Music and the Legacy of Frederique Petrides, University of Arkansas Press, Fayetteville, p. 4 (1991) Petrides, not wanting to stand in the way of her players' advancement, elected to disband the Orchestrette, which gave its last performance in 1943.Women in Music, An Anthology of Source Readings from the Middle Ages to the Present, Edited by Carol Neuls-Bates (1939– ) p.

Guerrero turned the tide in the second fall as the crowd began to rally behind him, chanting for Guerrero as he applied his Pulpo Guerrero ("The Guerrero Octopus"; an Over-the-shoulder single leg Boston crab with neckscissors) and forced Rey Escorpión to submit, evening the score between the two. The third and final fall saw Guerrero win after executing the "Guerrero Special", Inverted superplex Rey Escorpión which led to the pinfall and Guerrero's first hair win in his career. After his loss in the main event Rey Escorpión tried to get out of having his hair shaved off by running backstage to hide, but moments later he was brought back to the ring by a number of officials and restrained while he had his long hair shaved off as a result of his loss to Guerrero.

Prior to founding the West Side Community Concerts/ West Side Orchestral Concerts, Frédérique Petrides, a pioneer in her field, had founded the Orchestrette Classique, an all-women's chamber orchestra, which existed from 1932 to 1943, premiered works by new American composers, such as Paul Creston, Samuel Barber and David Diamond; and gave five to six concerts annually in Carnegie chamber Music Hall, now Weill Recital Hall, founded the Carl Schurz Park concert series on Manhattan's Upper East Side in 1958, founded the Hudson Valley Symphony Orchestra in Tarrytown, New York in the 1930s, and founded the Student Symphony Society in New York City in 1950. Ms. Petrides was also editor and publisher of the Women in Music newsletters, that, in the 1930s, were published in New York and circulated internationally.Jan Bell Groh (1936- ) Evening the Score: Women in Music and the Legacy of Frédérique Petrides University of Arkansas Press, Fayetteville (1991)Jane Weiner LePage (1931–2008) Women composers, conductors, musicians of the twentieth century, volume ii pps.191-220 Scarecrow Press, Inc.