You can also choose the exact part of the song you want to play with your story to establish the mood.
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Muslin is often the cloth of choice for theatre sets. It is used to mask the background of sets and to establish the mood or feel of different scenes. It receives paint well and, if treated properly, can be made translucent. It also holds dyes well.
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This event is an interpretation, not an impersonation." Therefore, the purpose of the category is not to give an impersonation of the original speaker; it is to interpret their words in an interesting and convincing manner that fits the individual competitor. The competitor is only required to recreate the general "feel" of the original delivery, not mimic it. :"The introduction must name the work and author, provide necessary background information and establish the mood.
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Vermeer's depiction of a whitewashed wall allowed him to set the stage for a scene that illustrates an individual strumming a guitar composed on the left side of the canvas. The painting's composition is balanced due to the large negative space the wall creates. The unobtrusive wall helps establish the mood of the painting, as well as the lighting scheme and spatial depth. Because of the wall's color, Vermeer was able to establish a warm and welcoming temperature from the incoming light.
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The page layouts are also sparse, sometimes limited to a single, small panel on a page, sometimes up to seven or eight. The layout and repetition of panels affects pacing, slowing or quickening scene. Brown abandoned the grid layout he had used in earlier works for more varied, organic layouts. Backgrounds establish the mood of a scene, harmonizing or contrasting with the action—as when Chet and Connie return from the movies amongst a romantic snow-covered, starry landscape, against an awkward silence accentuated by panel that grow, making the figures appear ever more insignificant.
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Chabad Maamarim, especially the more well-known ones, are also usually named after their opening quotation from Scripture, whereas Sichot are generally referenced by the occasion (i.e. day of week, torah portion, or special event) on which they were delivered. Most Maamorim were delivered orally, with a few noteworthy exceptions (many Maamorim of the Te'erav Hemshech were never delivered publicly. Due to a Maamar's perceived holiness, whenever it was known that a Rebbe would deliver a Maamar, his followers would sing one of the specifically designated preparatory melodies, Nigun Hachana, to establish the mood necessary for the delivery of the Maamar.
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294 Gilbert set to work on the new libretto by the early summer of 1889, and by the mid-summer Sullivan had started composing Act I. Gilbert provided Sullivan with alternative lyrics for many passages, allowing the composer to choose which ones he preferred. The long opening number (more than fifteen minutes of continuous music) was the librettist's idea, and it gave Sullivan the opportunity to establish the mood of the work through music. The costumes were designed by Percy Anderson"A Tonic to the Imagination" (Anderson's costume designs on display at the Harry Ransom Center collection), The University of Texas at Austin, accessed 26 May 2012 and sets were by Hawes Craven,Rollins and Witts, Appendix, p. VIII with choreography by Willie Warde.
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Since Szymanowski would not travel to the East until 1914, these secondary influences were what he channeled to express his fascination with the exotic. The melody of Die brenndenen Tulpen combines the use of semi-tones for color, rather than to embellish a tonal center and whole-tone scales, which avoid a tonal center for their lack of leading tones, to establish the mood of the song, a slow- burning, yet passionate, perpetual fire that continues, even in death. The harmony of the piano line is constantly moving, depicting a constantly burning fire, rather than establishing a linear harmonic structure. The arc of this piece seems to come out of nowhere, on a sudden leap to an A-natural, a half- step higher than the peak of the previous song, on the word ‘Liebesgluten,’ or ‘glowing, fiery love.’Downes, 129–146.
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