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9 Sentences With "establish a mood"

How to use establish a mood in a sentence? Find typical usage patterns (collocations)/phrases/context for "establish a mood" and check conjugation/comparative form for "establish a mood". Mastering all the usages of "establish a mood" from sentence examples published by news publications.

Mr. Eggers knows how to dress a room beautifully and establish a mood quickly.
With careful framing in a comic, the writer, artist, and letterer all work together to establish a mood.
As it so happens, I never skip the credits — there is an art to the title sequence, and even the mediocre ones these days still establish a mood.
But the director George Tillman Jr. said in an interview at the Toronto International Film Festival that he wanted to move the episode to the beginning of the story to establish a mood and set up the characters.
Most of the company's pieces are accompanied by contemporary music, which helps establish a mood for a given performance. Broken Box won the 2014 New York Innovative Theater Award for Outstanding Ensemble.
In a musical theater or film and television production, underscoring is the playing of music quietly under spoken dialogue or a visual scene. It is usually done to establish a mood or theme, frequently used to recall and/or foreshadow a musical theme important to the character(s) and/or plot point, onstage or onscreen. In a play, sometimes incidental music is used for this purpose.
At Van Swieten's request, he wrote a new recitative. Mozart introduced the clarinet, and he used the wind instruments to establish a mood. In choral movements, he assigned a wind instrument to play colla parte with the soprano, and a choir of three trombones to reinforce alto, tenor, and bass. The trumpet became an instrument among others, and no longer a symbol of secular or divine authority, possibly because the art of playing it had deteriorated.
The American Record Guide's Tom Godell, for example, has applauded the recording efforts of both Volmer and Sakari, in particular praising Madetoja for his "beautiful, swirling rainbows of vivid [orchestral] color" and his "uncanny ability to instantly establish a mood or rapidly sketch vast, ice-covered landscapes". Writing for the same magazine, William Trotter reviews Volmer's "absorbing" five-volume set, pronouncing Madetoja a "first-rate composer, touched sometimes with genius … who had to wait a long, long time before his work could emerge from under the dominating shadow of his teacher's [Sibelius's] seven symphonies". Reviewing the Ondine song collection for Fanfare, Jerry Dubins notes music's nuanced emotional range, as Madetoja achieves "moments of soaring ecstasy and searing pain", but without recourse to "sentimental" or "cloying" ornamentation. "It is, quite simply", Dubins continues, "some of the most gorgeous song-writing I have encountered in a very long time".
The purpose of the music is to establish a mood for the show and to provide an audible cue that a particular show is beginning, which was especially useful in the early days of radio (See also interval signal). In some cases, including The Brady Bunch, Gilligan's Island, The Fresh Prince of Bel-Air, both versions of Land of the Lost (1974 and 1991), The Nanny and The Beverly Hillbillies the lyrics of the theme song provide some necessary exposition for people unfamiliar with the show. In addition, some theme music uses orchestral scores or original music to set the mood for the show, such as the Batman: The Animated Series theme song, which was drawn from the theme for the 1989 Batman film created by Danny Elfman and sets the mood for the cartoon. Another example is Ron Grainer's Doctor Who theme music.

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