No less pathological is the guilty coyness with which "King of Jazz" simultaneously acknowledges and effaces jazz's African-American origins.
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Classical realism is sometimes accused of effacing its own literary labor; the cost of Tokarczuk's flâneurial freedom is that it effaces the labor of travel.
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In doing so, she reduces the historical value of her work, effaces the texture of individual character, and eliminates the rhythm on which drama depends.
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And finally, by describing the wilderness as at once spiritually meaningful to its original inhabitants and the crucible of a new, distinctly American society, the ad effaces the meaning of the land for Indigenous peoples.
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Style is to be celebrated for the labor that goes into creating it and for the pleasure that it creates; style that effaces itself in the name of naturalism is dull, more trouble than it's worth.
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Lowry effaces the authoritarian purpose of Orbán's closed-border nationalism, the manner in which Hungary's leader uses it as a cudgel to delegitimize his political opponents and justify increasing state control over every sector of Hungarian society.
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Hawthorne is musing idly in the Concord woods, where "sunshine glimmers through shadow, and shadow effaces sunshine, imaging that pleasant mood of mind where gaiety and pensiveness intermingle," when the bucolic peace is shattered by the whistle of a nearby locomotive, a "long shriek, harsh, above all other harshness" that reminds the writer that civilization's swarming anthill is not far off.
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The flagella have a peritrichous arrangement. It also attaches and effaces to the microvilli of the intestines via an adhesion molecule known as intimin.
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In this piece, Höch effaces the figure of the New Woman and replaces her head with a tribal mask, turning the figure from beautiful to disturbing.
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Throughout pregnancy, the cervix is tightly closed and protected by a plug of mucus. When the cervix effaces, the mucus plug is loosened and passes out of the vagina. The mucus may be tinged with blood and the passage of the mucus plug is called bloody show (or simply "show"). As effacement takes place, the cervix then shortens, or effaces, pulling up into the uterus and becoming part of the lower uterine wall.
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Although his fate was very strange, He lived. He died when he no longer had his angel. The thing came to pass simply, of itself, As the night comes when day is gone."Chapter VI. The Grass Covers and the Rain Effaces".
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The third layer of time still exists in the present, but it does so in a way that breaks free from the simple repetition of time. This level refers to an ultimate event so powerful that it becomes omnipresent. It is a great symbolic event, like the murder to be committed by Oedipus or Hamlet. Upon rising to this level, an actor effaces herself as such and joins the abstract realm of eternal return.
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In the temple near the Flaminian Circus, Pliny admires the Ares and the Aphrodite of Scopas, "which would suffice to give renown to any other spot". He adds: > At Rome indeed the works of art are legion; besides, one effaces another > from the memory and, however beautiful they may be, we are distracted by the > overpowering claims of duty and business; for to admire art we need leisure > and profound stillness (XXXVI:27).
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The fact is that there was a beginning, and that to work > out the history of Marx's particular thoughts their movement must be grasped > at the precise instant when that concrete individual the Young Marx emerged > into the thought world of his own time, to think in it in his turn, and to > enter into the exchange and debate with the thoughts of his time which was > to be his whole life as an ideologue. At this level of the exchanges and > conflicts that are the very substance of the texts in which his living > thoughts have come down to us, it is as if the authors of these thoughts > were themselves absent. The concrete individual who expresses himself in his > thoughts and his writings is absent, so is the actual history expressed in > the existing ideological field. As the author effaces himself in the > presence of his published thoughts, reducing himself to their rigour, so > concrete history effaces itself in the presence of its ideological themes, > reducing itself to their system.
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This piece is a photomontage, part of Höch's Ethnographic Museum Series, that mainly utilizes the photo of a pregnant, working class mother. Höch effaces the woman with a mask from the Kwakwakaʼwakw, or the Kwakuti Indian tribe, on the Northwest Coast. She pastes a woman's mouth over the bottom of the mask, and a single eye over one of the eye holes. The image is part of an ongoing critique by Höch of Paragraph 218, a law outlawing abortion in Germany at the time.
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In between these encounters, Judith surveys the city, and visits the Mostar bridge, where she reads Emmanuel Levinas (Entre Nous). Meanwhile, Olga attends Godard's lecture, ostensibly about the relationship between image and text. In addition to touching on a variety of other topics, Godard explains his opposition to the common cinematic trope of "shot/reverse shot," the cutting back and forth between two characters in a conversation or an exchange. Godard explains that presenting two characters in such a way, framed identically, regressively effaces their differences, and can be used as a tool of propaganda.
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As part of her illustrious social engagements, she would gather around her a large salon of literary and political figures. Among her major acquaintances were the most influential figures of her time including the Prince of Wales (later King George IV); Marie Antoinette of France and her favourite in court, the Duchess of Polignac; Charles Grey (later Earl Grey and British Prime Minister); and Lady Melbourne (lover of the Prince of Wales). Newspapers chronicled her every appearance and activity. She was called a "phenomenon" by Horace Walpole who proclaimed, "[she] effaces all without being a beauty; but her youthful figure, flowing good nature, sense and lively modesty, and modest familiarity make her a phenomenon".
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Film, which supplanted the novel as the most popular narrative form in the 20th century, did not abandon this innovation of the novel. Rather, the marriage plot has enjoyed a continued efflorescence, visible to this day in the popular film form known as the "romantic comedy". At its most formulaic, critics have asserted, the conventions of the marriage plot, with the cathartic closure that its marriage ending delivers to its believers, ultimately renounces politics and engagement in the world in favor of privacy and domestic bliss. We may see this, for instance, in the film You've Got Mail, which resolves the political opposition between mega-bookstore boss Tom Hanks and bookshop- around-the-corner owner, Meg Ryan, by uniting its lead characters in a union that effaces the unequal distribution of capital that originally put them at odds.
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In her books, Laure Gauthier places a particular importance on the place of the voice that allows her to maintain a tension between a poetry without a subject and an embodied poetry. In kaspar de pierre, “any individuality effaces itself, writing I gives way to the blank page. The author decenters kaspar’s voice bringing it closer to our own and within our hearing in order to create a space where living communally, living together, are part of the very act of speaking (…)” (T. U. Comte, La Nouvelle Quinzaine littéraire). Her work on the poetic voice is accompanied by a renewal of poetic imagery whereby the poetic images can be considered a kind of emergence, a meeting point between sensation and idea, or as Johan Faerber terms it, “the image-idea” in Diakritik speaking of je neige (entre les mots de villon).
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