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7 Sentences With "economized on"

How to use economized on in a sentence? Find typical usage patterns (collocations)/phrases/context for "economized on" and check conjugation/comparative form for "economized on". Mastering all the usages of "economized on" from sentence examples published by news publications.

I wanted an actress > who was beautiful and had a great figure. Because we economized on the > amount of cloth we used in the costume... I wanted a tall actress. She does > a lot of martial arts. I couldn't have a 5-foot-1 actress beating up all > these big guys.
The Design Note specified a virtual machine, in which the Tiny BASIC interpreter is itself run on a virtual machine interpreter. The designer's idea to use an application virtual machine goes back to Val Schorre (with META II, 1964) and Glennie (Syntax Machine). The choice of a virtual machine approach economized on memory space and implementation effort, although the BASIC programs run thereon were executed somewhat slowly. Dialects that used the virtual machine included Tiny BASIC Extended, Tom Pittman's Tiny BASIC and NIBL.
The film received excellent reviews, prompting Columbia to ask for three more. Porter left Metro-Goldwyn- Mayer, which was downsizing, to sign with Katzman. The three musicals were Little Miss Broadway (1947), Sweet Genevieve (1947) and Two Blondes and a Redhead (1947). Katzman and Dreifuss then made two films with singer Gloria Jean, who had been a star at Universal Pictures. Katzman was so pleased by I Surrender Dear (1948) that he devoted more time to it, and economized on her other picture, Manhattan Angel (1949).
Republic serials are noted for outstanding special effects, such as large-scale explosions and demolitions, and the more fantastic visuals like Captain Marvel and Rocketman flying. Most of the trick scenes were engineered by Howard and Theodore Lydecker. Republic was able to get the rights to the newspaper comic character Dick Tracy, the radio character The Lone Ranger, and the comic book characters Captain America, Captain Marvel, and Spy Smasher. Republic's serial scripts were written by teams, usually from three to seven writers. From 1950 Republic economized on serial production.
Vehicles rolled on a "relay" basis, moving mostly at night to avoid American air power, and the trail was plentifully supplied by jungle-like camouflage at all times. Way stations were generally within one day's travel from each other. Trucks arriving at a station were unloaded, and the cargo shifted to new trucks, which carried out the next segment of the journey. Having plenty of both time and manpower, this "relay" method economized on wear and tear upon the valuable trucks, and maximized hiding opportunities from prowling US aircraft.
Sinn writes in his abstract that: "[Demand reduction strategies] simply depress the world price of carbon and induce the environmental sinners to consume what the Kyoto countries have economized on. Even worse, if suppliers feel threatened by a gradual greening of economic policies in the Kyoto countries that would damage their future prices, they will extract their stocks more rapidly, thus accelerating global warming." Sinn emphasises that a condition for the green paradox is that the resource be scarce in the sense that its price will always be higher than the unit extraction and exploration costs combined. He claims that this condition is likely to be satisfied as backstop technologies will at best offer a perfect substitute for electricity, but not for fossil fuels.
The first cornerstone was laid on 9 November under the direction of Manuel Caetano de Sousa (with a secondary project under the supervision of German Xavier de Magalhães). It was conceived as a Baroque- late Rococo building, but the construction was interrupted shortly after. As of 19 May 1796 the project was supplied by the masons Francisco António and Joaquim Baptista, who brought in stone from Monsanto (Idanha-a-Nova), sand from Alfeite, calcium oxide cooked in Alcântara, tile from the Alhandra, with limestone provided from Pêro Pinheiro, Belas, Vila Chã and Monsanto. The intervention of many architects resulted in a royal decree (9 December 1801) that stated that alterations to the project could only be made in agreement with Manuel Caetano de Sousa, Joaquim de Oliveira, José da Costa e Silva and/or Francisco Xavier Fabri (as long as it economized on the project costs).

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