Icicles may hang from the EAVE, and it's worth knowing.
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She used words that he didn't know she knew. Cornice. Eave. Gable.
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The crowd dispersed, leaving one man lurking under the eave of the shelter.
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It also launched title and escrow services and last July acquired Eave, a mortgage lender.
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Murt gathered the folds of his coat collar and set off from under the eave.
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Most were sucking on filthy icicles that had fallen from the eave of a greenhouse.
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Earlier in the week, she found that a favorite under-an-eave perch had been snagged.
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Eave, a London-based firm that designs hearing-protection gear, recently collected data on noise across the entire network.
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The wood above the counter has been painted to look like the carved eave of a traditional Tibetan house.
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The living space was intended to be bright yet cool, featuring windows that stretch from floor to ceiling and a cantilevered eave that faces south.
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The company bought the home-lending startup Eave this summer and has been rolling out an iBuyer comparison tool, as well as title and escrow services.
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On the other hand, morning exercisers were found to spend more time in that important low eave deep sleep stage, and also to have more efficient sleep cycles.
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"Mansard overhang" sounds like the name of a soap opera character ("I'm sorry, Mr. Overhang; we did everything we could to save her …"), but in today's puzzle is actually an EAVE.
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EAVE is not the most lively word to have in a crossword puzzle, and most homeowners don't think about EAVEs on a daily basis (unless a wasp nest has been built under it — don't ask me how I know that).
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Hidden in their roost, the Ronens have observed deer, rabbits, coyotes and black bears walking undisturbed below them; so integrated does the building feel that, beneath the eave of the rearmost window, a family of yellow jackets built a papery summer home of their own, not unlike one of Gibbon's designs.
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At home my mother was making thin cabbage soup and scrounging together used cooking oil to light the lamp for the third night of our own celebration, coughing as she worked: another deep chill had rolled in from the woods, and it crept through every crack and eave of our run-down little house.
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Quote:"A eave is a projecting roof overhanging a wall", Foekema (1996), p93 The first eave is located where the superstructure meets the temple outer wall and the second eave runs around the temple and about a metre below the first eave. In between the two eaves are decorative miniature towers on pilasters (called Aedicule), with sculptured wall images of Hindu deities and their attendants below the second eave. Being a Vaishnava temple (a Hindu sect), most of the images represent some form of Hindu god Vishnu, his consort and his attendants. There are a hundred and twenty such images.
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The roof and turret are covered with asphalt shingles. The turret eaves are decorated with brackets on the three exposed sides. A narrower eave is found below the brackets. A bay window is under the narrow eave.
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Unlike similar houses, conventional eave brackets were never applied to the house.
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Exterior roof panels are usually a single continuous length from eave to ridge line for gable style buildings or from low eave to high eave on single slope or shed style buildings. Many manufacturers provide minimum 24 gauge (nominal: 0.0239 inch; 0.61 mm) thick sheet steel in self- framing roof designs. Exterior wall panels are usually a single continuous length from the base channel to the eave of the building except where interrupted by wall openings. Many manufacturers provide minimum 24 gauge (nominal: 0.0239 inch; 0.61 mm) thick sheet steel in self-framing wall designs.
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Glazed tubular tiles used at the eave edge have an outer end made into a round shape top, often moulded with the pattern of dragon. Eave-edge plate tiles have their outer edges decorated with triangles, to facilitate rain-shedding.
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Eave would only pitch 2 innings of this game and the team would go on to lose 3-8. Gary pitched a total of 5 games and only 5 innings in his first MLB season. In 1990, Eave was traded to the Seattle Mariners.
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The structure has been vastly altered over the years, but still has its decorative eave brackets.
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The Four Heavenly Kings Hall is high and wide with double-eave gable and hip roofs.
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Eave then bounced around between AA and AAA teams before being cut from the team before the 1992 season.
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The Mahavira Hall is deep and wide with double-eave gable and hip roofs. The roof is supported by stone columns.
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Gary Louis Eave (born July 22, 1963) is a former Major League Baseball pitcher for the Atlanta Braves (-) and Seattle Mariners ().
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Nuno Bernardo is an EAVE (European Audiovisual Entrepreneurs) alumni and member of the European Film Academy and the Portuguese Film Academy.
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The Four Heavenly Kings Hall has a double-eave gable and hip roof (). Statues of Four Heavenly Kings are housed in the hall.
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The exterior walls are eave-less. There is a flat roof.National Park Service, U.S. Department of the Interior. , Retrieved on 14 May 2013.
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At the roofline a denticulated cornice is below the overhanging eave. A small vestibule connects the church to its rectory on the north.
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Thomas has published nearly 200 peer reviewed articles on the ecology and evolution of host-pathogen interactions and effects of climate, especially temperature variability, which have been collectively cited over 13,000 times. Thomas developed the novel malaria control tool the "eave tube", with a $10.2 million dollar Bill & Melinda Gates Foundation grant. Eave tubes are being installed in homes in 40 villages in the Ivory Coast (Boake in Cote d'Ivoire) for the purpose of testing whether they are effective in preventing malaria by killing mosquitoes when mosquito try to enter homes and come into contact with treated netting in the eave tubes.
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The Wendell Bancroft House stands in a suburban residential neighborhood west of central Reading, at the northeastern corner of Washington and Woburn Streets. It is a 2-1/2 story wood frame house, with a hip roof and clapboarded exterior. The roof has cross-gable dormers with steeply pitched roofs and decorative bargeboard trim, and the south facade has Gothic lancet windows. Windows are topped by small shedroof hoods supported by decorative brackets; the latter also appear on the main roof eave, the porch roof eave, and the eave of a bay window on the south side.
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The carvings above the eave overhangs are decorated roof forms in miniature size, which are seen in rows all round each of the structure.
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The Mahavira Hall is with double-eave gable and hip roof. A gilded copper statue of Sakyamuni are enshrined in the middle of the hall.
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The house exhibits other Queen Anne features such as bay windows, corbeled chimneys, porch and fascia spindlework, eave brackets, and an asymmetrically massing and roofline.
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Missing historical documents that would have saved the building by proving landmark status were said to only have been discovered in an eave during actual demolition.
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Second story windows are butted up to the eave, a common Georgian feature. The house was listed on the National Register of Historic Places in 1983.
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A boxed return is one type of eave return, or a synonym. Another term is boxed gable return. A full gable return is another variation, or another synonym.
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It is built with a knee-walled second story, with short windows set below the eave. The farmstead was listed on the National Register of Historic Places in 1996.
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The Main Hall is the most important hall in the temple, it has a double-eave gable and hip roofs. The statue of Sakyamuni is enshrined in the hall.
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An eave return is an element in Neoclassical domestic architecture in the United States, and likely more broadly. It is where the line of roof eave on a gable end comes down to a point, then doubles back a short way. There is a classical version and poorer substitutes. Contrast to a full pediment, which is in effect where the return goes back the whole way to the other side of the gable.
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The west stone chamber has a double-eaved roof with Amitabha Buddha statues in it while the east one has a single eave roof with Maitreya Buddha statues in it.
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The extant Shanmen was built in the Ming dynasty with a two story single eave gable and hip roof (). On both sides of the shanmen there are two Chinese guardian lions.
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Gary Eave was drafted in the 12th round of the 1985 MLB draft to the Atlanta Braves . After being drafted, he was placed on the Braves rookie team, the Gulf Coast Braves, where he played 3 games before being moved up to the Sumter Braves, a A team in 1986. In 1988, Eave played his first MLB season with the Braves. His first game was against the Houston Astros, who had Nolan Ryan on the mound.
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The First National Bank of White Bear is a fairly small building with a façade squeezed between adjacent commercial buildings. Its style is generally Neoclassical, but with an unusual Spanish tile eave.
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Ice dam forming on slate roof. An ice dam is an ice build-up on the eaves of sloped roofs of heated buildings that results from melting snow under a snow pack reaching the eave and freezing there. Freezing at the eave impedes the drainage of meltwater, which adds to the ice dam and causes backup of the meltwater, which may cause water leakage into the roof and consequent damage to the building and its contents if the water leaks through the roof.
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Bands of cut stone provide horizontal emphasis. The main entrance is in a deep recess under a round-arch opening. Roof lines of the main roof and tower feature corbelled brickwork at the eave.
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He has been in development as writer/director with the Irish Film Board on the feature projects - "Love Eternal", "Savage" and "Soul Broke". He participated in EAVE '08 as writer/director with the project "Love Eternal".
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Olena Fetisova is the European Documentary Network and Ukrainian Filmmakers Union Member, 2009 Ukrainian State Film Award Winner, 2009 EAVE Graduate. Olena was born in Kiev, Ukraine to a family of filmmakers, 1964. Still lives in Kiev.
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Kamath (2001), p 134 This is a ekakuta plan (single shrine with a tower) with the temple raised on a platform called jagati.Foekema (1996), p 21, p 25Kamath (2001), p 135 The decorative plan of the walls of the shrine and the mantapa (hall) is of the "new kind", a plan in which the temple has two eaves. The first heavy eave runs below the superstructure and all around the temple with a projection of about half a meter. The second eave runs around the temple about a meter below the first.
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The William McGilvery House stands on the north side of East Main Street (United States Route 1), just north of the house of his brother John. It is a roughly cubic 2-1/2 story wood frame structure, topped by a mansard roof and clad in flushboarding treated to resemble ashlar stone. The roof has elaborately decorated dormers projecting from the steep roof section, which is flared at the eave, and has a dentillated cornice line at the break between the roof sections. The main eave is also dentillated, with paired brackets at intervals.
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In the early temples built prior to the 13th century, there is one eave and below this are decorative miniature towers. A panel of Hindu deities and their attendants are below these towers, followed by a set of five different mouldings forming the base of the wall. In the later temples there is a second eave running about a metre below the upper eaves with decorative miniature towers placed between them. The wall images of gods are below the lower eaves, followed by six different mouldings of equal size.
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The front facade features a large projecting gabled wing extending out from the principle hip roof portion of the home. Directly beneath the projecting gable's eave is decorative shingle work, a common element in Queen Anne style architecture.
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Occupying an area of , the Buddhist Texts Library has a double-eave gable and hip roof. The hall started to build in 2005 and completed in October 2014. Five gilded copper statues of Buddha are enshrined in the hall.
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Glen Hope Covered Bridge is a historic wooden covered bridge located in Elk Township, Chester County, Pennsylvania. It is a Burr truss bridge, constructed in 1889. It has vertical planking and eave-level window openings. It crosses Little Elk Creek.
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The Dimmsville Covered Bridge was a historic covered bridge located near Dimmsville, Greenwood Township, Juniata County, Pennsylvania. It was a Burr Truss bridge. It measures and had vertical siding, windows at eave level, and a gable roof. It crossed Cocolamus Creek.
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This was two storied, possibly with a stucco rendered exterior (resprayed in 1968 with a sprayed concrete finish). The roof is hipped, evidently timber-framed, and is clad with corrugated colorbond, and supported on a broad eave with planking soffits.
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The clapboard sidings vary between in width. At the base of the church's north side, concrete blocks are visible under the foundation. On the church's south side, a small strip of the roof's eave confirms the original location of the chimney.
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Appearing single storey on its south side, with two ground-to-eave wooden barn doors and a stable door, the north side is two storey, with two ground-to-eave window and floor pier insets. Today the barn is converted to residential use.Barn at Dunsden Farm (south side), off Todenham Main Street, Todenham, Google Street View (image date July 2009). Retrieved 7 October 2019Barn at Dunsden Farm (north side), off Todenham Main Street, Todenham, Google Street View (image date July 2009). Retrieved 7 October 2019 Listed outside the village in Todenham parish are a further farmhouse and a bridge.
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The entrance has double timber panelled doors with fanlight surrounded by a sandstone moulding and keystone. A deep string course crosses above the entrance between the pilasters at eave height, with a metal coat of arms positioned centrally above. The clock tower is square in plan with a clock face, surrounded by sandstone mouldings and framed by pilasters with a deep cornice above, to each side and a convex hipped sheet metal roof. The lower wings either side of the tower have parapet walls and continue the eave height string course and top ledge of the sandstone base.
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The Woodbury Graded School is located on the western fringe of Woodbury's small village center, on the south side of Valley Lake Road. It is a two-story wood frame building, with a hip roof and exterior of wooden shingles and clapboards. The roof has an eave with exposed rafter ends, two large chimneys rising from the long ends, and a hip roofed dormer at the center of the long side. The main entrance, centered on the long side, is sheltered by a broad gable-roofed hood, supported by plain triangular brackets; its gable and eave have similar exposed rafter ends.
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A pair of Pottery Pagoda of Thousand Buddha are placed in the temple. They were made in 1082 in the Song dynasty (960-1279). The pagodas was octagonal with nine stories. It is composed of a pagoda base and a dense-eave body.
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The Dacheng Hall faces the south. The hall in it has double- eave gable and hip roofs covered with yellow glazed tiles, which symbolize a high level in architecture. It is 5 rooms wide, 5 rooms deep and covers an area of .
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Behind it are a double-hung one-over-one sash window and plain wooden door. The upper story has a double one-over-one sash. A wide overhanging eave at the roofline sets off its projecting nested gable, decorated with half-timbers.See photo.
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In 1988 he left the Spanish institution to work internationally as an independent producer/consultor promoting public broadcasting service within institutions such as INPUT-TV, collaborating as professional film trainer at EAVE the European Audiovisual workshop and producing for international TV channels.
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The Mahavira Hall is three rooms wide with single-eave gable and hip roof. A stone inscription named "On the Reconstruction of Bell Tower in Chongfa Temple" () which was made in 1827 are embedded in the west wall. Now it is used as a teahouse.
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The Mahavira Hall was built in 1320 during the Yuan dynasty (1271-1368). The hall is wide and deep with 16 wood pillars supporting the single eave gable and hip roof (). A high and jade statue of Sakyamuni sits in the center of the hall.
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The Manjushri Hall is wide and deep with a single eave gable and hip roof (). Five statues of Manjushri with different appearance enshrined in the hall. In the spring of 1750, Qianlong Emperor visited Mount Wutai and wrote a poem to eulogize the hall.
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The golden peak of the temple with the Han-style upturned eave can be seen from any direction in Lhasa city. The temple is an interesting example of the combination of Han and Tibetan architectural styles. Today it is an important repository of Tibetan artifacts.
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They are supported by stone columns with a small balustrade at the base. At the top, brick corbels on stone bases support the broad overhanging eave of the pyramidal roof, clad in green tile. It is crowned by an Angel of Judgment blowing a trumpet.
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Rudolph and Arthur Covered Bridge is a historic wooden covered bridge located in Elk Township and New London Township, Chester County, Pennsylvania. It is an Burr truss bridge, constructed in 1880. It has vertical planking and eave- level window openings. It crosses Big Elk Creek.
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In addition to the house, there is a 1 ½ - story three- bay eave-entry bank barn. The ridge line of the barn runs north-south while its south gable-end faces Leetes Island Road that runs at an angle from the southwest to the northeast. The three-bay west eave-side of the barn is the main façade with the main entrance in the first bay from the north through a hinged pass-through door. The original entrance to the barn appears to be through a double-height wagon door entrance spanning the entire length of the first bay from the north as evident from the markings on the siding.
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The grade level along the west eave-façade of the barn gradually declines towards the south revealing the un-coursed mortared field stone masonry of the bank level. The low grade level along the main façade wraps the barn around the south gable-end to form the bank level which has two open bays. The gable attic lined by fascia board is separated from the rest of the gable-end by a distinct dropped girt siding divide line. The grade level along the three-bay east eave-side of the barn gradually rises towards the north along the un- coursed un-mortared field stone masonry of the bank.
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Immediately above the doorway is carved "Lincoln Branch Library". The entrance is flanked by original, square lanterns. The ground level features two series of five 10/15 double-hung windows. The first level has two bands of seven windows flanking the entrance just below the eave.
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The roofline has an overhanging eave with a continuation of the denticulation on the pediment. Smooth round pilasters frame the recessed main entrance, topped by a rounded fanlight. It opens into a central hall. There is one room on the east and two on the west.
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Joliet Stone is used for the voussoirs and keystone. The Joliet Stone has been rusticated at third points along each side of a window or door. Rusticated stone is also used in the quoins and foundation walls. The brackets and eave moldings are of pressed tin.
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The house's architecture differs from others in the area from the same period, in that its front eave is deeper than typical, and because its clapboarding is nailed directly to the studs. Its chimney is also not as massive as most period chimneys, and is taller.
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Its size was about wide by about deep. It was high to the roof peak. It had boxed eave/fascia with heavy timber brace framing with earlier nails found embedded in sill beam in inverted position. There were two doors offset from centered chimney, flanked by double-hung sash.
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The Stupa of Kumārajīva was made of marble in the Later Qin (384-417). The octahedral-based stupa has twelve stories and is high. It is composed of a base, a sumeru throne and a dense- eave body. The base has three layers with engraved patterns of clouds.
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In some iconography, Garuda carries Lord Vishnu and his two consorts by his side: Lakshmi(Thirumagal) and Bhūmi (Bhuma-Devi).Bhūmi Garuda iconography is found in early temples of India, such as on the underside of the eave at Cave 3 entrance of the Badami cave temples (6th- century).
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Tanzhe Temple has a large scale of tomb pagodas built near it. Now near 70 pagodas built in different dynasties are entirely preserved. They are of various types, such as stone column pagodas (), monolayer square pagodas (), dense-eave brick pagodas () and overturned-bowl shaped pagodas with Tibetan style ().
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Several piles of loose stones help support the wooden deck. In turn, two smooth round wooden Doric columns support the shingled roof. Below the roofline's overhanging eave is a wide plain frieze. A single wood-paneled door leads into the church's interior, with a wood floor and coved ceiling.
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The elven story, tall, dodecagon-based Haibao Pagoda () is made of brick and stone, also known as the Northern Pagoda (). It is built on a square brick base, each side measuring meters long and meters high. It is composed of a pagoda base, a dense-eave body and a thatsa.
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The Beamless Halls () was also built in 1605. They situated at both sides of the Copper Hall. The left Beamless Hall enshrining the statue of Manjushri and the right Beamless Hall enshrining the statue of Samantabhadra. Each of them are wide and deep with single-eave gable and hip roof.
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A single-story porch extends across the entire width of the facade. The third floor of the house functions as a raised attic, with narrow windows below the eave. The interior includes a mix of stylistic elements, ranging from the Federal to the Late Victorian. The house was built c.
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Two additional bedrooms and a full bathroom are located on the north side of this floor. All of the windows on this level contain art glass panels. Dresser drawers are built into the walls of the bedrooms underneath the windows, and project into the eave spaces. The entire building is approximately .
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It is a 2-1/2 story wood frame structure, with a mansard roof. Dormers piercing the roof are topped either by shallow gables or segmented-arch roofs. Modillions line the main roof eave, and windows are topped by over-length projecting lintels. The house has also retained its elaborately decorated porch.
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Now the temple has more than 40 halls and rooms. The entire complex faces the west and has an exquisite layout in the order of the Shanmen, Mahavira Hall, Hall of Guanyin (Buddhist Texts Library), and Huayan Hall (). The Mahavira Hall is three rooms wide with single-eave gable and hip roof.
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The Yuantong Hall () is the main hall in the temple. It was first built in the Sui dynasty (589-618) and rebuilt in the late Qing dynasty (1644-1911). The hall is high, five rooms wide, three rooms deep and covers an area of . The hall has double-eave gable and hip roof.
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The Louis Sturm House is an L-shaped two-story frame house with Gothic Revival detailing, including a steeply pitched roof and dormer, peaked window trim and pointed-arch eave- line trim. It has a one-story rear garage addition and front and side porches with brackets and trim at the eaves.
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Gillespie House is a historic home located at Guilderland in Albany County, New York. It was built about 1840 and is a small, -story Greek Revival–style farmhouse with a center entrance and small rear ell. It features five small eyebrow windows in the eave. Also on the property is a garage.
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It has wholly cast cruciform columns and the eaves beams have been constructed out of simple available riveted sections. The cast iron used in the eave beams is stamped 'Rhymney' so it is assumed manufacture was in the Rhymney Ironworks. The roof truss design includes a bent bottom member and cast iron stays.
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The courthouse is a two-story structure that is composed of red brick with limestone trim. Surrounding the main entrance is a single-story stone portico. The building exhibits an eclectic mix of Gothic Revival and Italianate design elements. with A wide cornice with a denticular frieze runs below the projecting bracketed eave.
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The picturesque style Diamond Cottage was built in 1812. It is faced with random rubble. The hipped roof is tiled in stone, and has two diagonally-set brick chimney stacks to the rear. On two sides there is a pent roof over a deep coved eave, with a leaded lattice casement in each wall.
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Four frigates, 1650 fully equipped French soldiers and 250 Indian sepoys were promised in return for Pulo Condore and harbour access at Tourane (Da Nang). De Fresne was supposed to be the leader of the expedition.Mantienne, p.97 The French government, on the eave of the French Revolution, was in tremendous financial trouble,Mantienne, p.
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Above these, and extending into the gable, is a three-part Palladian window, each section with a round-arch top. The front gable eave is adorned with brick dentil work. The west side wall is topped by a small gabled wall dormer. The station was built about 1882 on land donated by H. Sidney Hayden.
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The gable facing the front has scalloped barge boards and finials. The facade is divided into three bays by fluted timber pilasters supporting a scalloped entablature below the eave. It has a central entrance sheltered by a pediment porch and flanked by sash windows. The upper storey has high round arched windows to each bay.
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Snap table. From left to right: Notching station, slitter and eave/valley hemmer. A snap table is a device used to shear concealed-fastener metal roofing panels including snap-lock and mechanically-seamed profiles. It is a tool employed by metal roofing contractors in the field or by metal companies in a shop setting.
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The entrance surround includes sidelight windows and a half-round fan. The porch is supported by fluted columns and pilasters rising to an entablature on the sides, and has a modillioned eave. The porch is likely a later 19th century addition. The house was built about 1804 for Ephraim Cutter, owner of Arlington's largest mill.
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46 sq 沈府君阙 From 2014 to 2018, the Han dynasty site of Chengba (城坝遗址) near Tuxi in Qu county was excavated. A number of eave tiles with Chinese characters "dangqu" (宕渠) have been found, leading archaeologists to believe that this was the site of the Han dynasty city of Dangqu.
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Thus, curved roofs are very commonly used in Chinese and Japanese architecture. The sag in both the eave roof and the actual roof is a trait reminiscent of Chinese architecture. Yet, the upward turned corners of the roof are a distinctly Japanese trait that was not seen in Japanese architecture before the Heian period.Suzuki, K. (1980).
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The building itself is an L-shaped one-story structure on a stone foundation sided in wood shingles. Four narrow wood moldings run around the eave, lintel, sill and water table levels. The high hipped roofs are shingled in asbestos with broad overhanging eaves supported by brackets. Stone chimneys rise from the west side and the east rear.
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AFAC and Abu Dhabi Film Festival Partner to Support Arab DocumentariesThrough the SANAD FilmLab In conjunction with the European Audiovisual Entrepreneurs (EAVE) professional training, networking and project development organization, the Dubai International Film Festival also offers to Somali filmmakers the Interchange group of development and co-production workshops earmarked for directors, screenwriters and producers from the larger Arab region.
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The Mahavira Hall in it has single-eave gable and hip roof and is high. A sitting statue of Sakyamuni is placed in the middle of the hall. Statues of Ananda and Kassapa Buddha stand on the left and right sides of Sakyamuni's statue. The statues were cast in 1829 in the Daoguang era of the Qing dynasty.
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Hammond Block (Budnick's Trading Mart) is a historic commercial building located at Indianapolis, Indiana. It was built in 1874, and is a three-story, trapezoidal Italianate style red brick building on a limestone faced raised basement. It has a low hipped roof with a broad eave with a panelled frieze and bracketed cornice. It features cast iron decorative elements.
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The Chengling Stupa () also known as "Green Stupa" (), was built in 867 and has been rebuilt numerous times since then. the stupa is multi-eaves style brick stupa with 9 stories. It has an octahedral shaped hollow tiers and is high. It is composed of a stupa base, a sumeru throne and a dense-eave body.
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The extant building only the Hall of Dacheng (). The Hall of Dacheng in it has double- eave gable and hip roofs covered with yellow glazed tiles, which symbolize a high level in architecture. Rebuilt and renovated in many dynasties, now it is wide, deep and high and preserves the largest, grandest and most magnificent hall in Jiangxi.
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The upper level windows butt against the eave in a typical Federal style. The interior retains original finishes, including beaded door mouldings, simple fireplace mantels, a beehive oven in the chimney, and a corner dining room cupboard. The house's exact construction date is not known. During restoration, a penny dated 1800 was found inside one of its walls.
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Perched at the ends of the ridge line and the corners of the eaves are decorative tiles (mangwa) identical to the crescent-shaped eave tiles. The ones at the bottom of the gables, though dating to 1938, were modeled after the original tiles from 1700 and include the names of financial contributors to the roof work.
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The flanking windows on the second story have small wrought iron balconies. In the center of the first floor is the main entrance, located in a projecting vestibule with a similar round-arched entrance and tiled hipped roof supported by brackets. Different brackets also support the overhanging eave. The tower also has a gabled roof with brackets.
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The porches of the first two floors have plain square posts and simple modern. When surveyed for the National Register in the 1980s, the porch had square posts with simple capitals, and balustrades with turned balusters. Its main roof eave was modillioned, and it had a third-floor porch set recessed in an arch. The house was built c.
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A description of the church can be found at www.sfxmissoula.com When the church was built in 1892, it became the largest church in Montana. It is a cruciform church in the Romanesque Revival style. The arches over the windows and doors are semicircular, and there are smaller arches along the eave line, small buttresses, and a bell tower.
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Different bonds of brick (including American bond and English bond) were used throughout to add textural interest. Fanlike terra cotta motifs were inserted above second floor windows. Cartouches of terra cotta were placed between the top-floor windows, and decorative terra cotta eave brackets were beneath the roof. Three-sided multi-paned bay windows projected into the courtyard.
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The 1-1/2 story house displays many of the distinctive characteristics of the Dutch Colonial Revival style, with its rectilinear form, bilateral symmetry, gambrel roof with eave returns, paired quarter-circle windows on the gable ends and continuous front and rear shed dormers. It was listed on the National Register of Historic Places on October 25, 1990..
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A rake is an architectural term for an eave or cornice which runs along the gable of the roof of a modern residential structure. It may also be called a sloping cornice, a raking cornice. The trim and rafters at this edge are called rake-, verge-, or barge-board or verge- or barge-rafter.Christy, Wyvill James (1879).
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It is two stories high and has clapboard siding. The gas pump house has an extended eave to protect the gas pumps, and is also a standard military design. The ranger's residence is a -story gable-roofed house with a small addition on one end. It was-sided with aluminum siding at some point after the CCC built it.
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Three round-arched windows mark the second story. Their lower sections have one-over-one double-hung sash windows and black wooden sills. Projecting bricks form another modillioned cornice which serves as a springline for the arches, and goes around them. At the roofline is another modillioned and dentilled cornice with ornate brackets supporting a broad overhanging eave.
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The left side is a row of porches with turned balusters and posts, and the right consists of a bay that projects the full depth of the porch. The roof is a shallow hip roof, with an extended eave that has curved support brackets. The building was listed on the National Register of Historic Places in 1990.
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The corners of the building contain octagonal bays topped by a pointed spire. Between the octagonal bays and the central tower are two wall dormers which project above the eave line. Round-arch windows are located on each story. Behind the Administration Building, a corridor leads to the Rotunda, a semi-octagonal three-story structure topped with a cupola.
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The Lehman's, Port Royal Covered Bridge is a historic covered bridge located near Port Royal in Turbett Township, Juniata County, Pennsylvania. It is a Double Burr Arch truss bridge and was built in 1888. It measures and has vertical siding, windows at eave level, and a gable roof. It was damaged during Hurricane Agnes in 1972, and subsequently rebuilt.
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The crowns are finished with a two-brick drop or pendant with sandstone sills. The cornice is most apparent on the south facade, but is complete all around the house. Eave brackets are in pairs, and applied to a tall paneled trim band. The house has been placed on the National Register of Historic Structures for the Italianate architecture.
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Abutting the casement doors on either side is a louvred opening, extending half-way down the front facade from the front eave. A casement window is located either side of the central entry. The side walls of the enclosed verandah contain louvred openings. The side elevations of the cottage feature two, two-paned sash windows, surmounted by metal shades.
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The front gable has a deep eave, also with paired brackets and modillions. A round window is at the center of the gable, sheltered by a bracketed hood. The main entrance is on the right side, near the crook of the L, sheltered by a porch. The interior of the house features high quality period woodwork.
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Unpainted wooden railings are on each side of the entryway. The clapboard siding on the church's east side is horizontal, and varies between in width. The overhanging eave of the church's roof is accentuated by a single wooden drop pendant at the top of the gable. The modern electricity meter is located to the right of the main entrance.
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AREP collaborated with China Railway Engineering Consulting Group designed this station in 2016. The overall design philosophy is to blend the ancient and the modern, and the sea refuses no rivers. The curved roof and overhang eave represent the ancient style. The angled bents supporting frame and the simple and powerful geometric shape are full of modern technology.
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The facade is bisected horizontally by a deeply moulded stringcourse and a bracketed cornice carries the projecting eave. The treatment of the return elevation is less imposing. A two-storey, twentieth-century addition on the south side is not included in the heritage-listing. The physical condition of the building was reported as good as at 23 November 1999.
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The Heavenly Kings Hall has double-eave gable and hip roofs covered with grey tiles. It is deep, wide and high. Maitreya is enshrined in the Hall of Four Heavenly Kings and at the back of his statue is a statue of Skanda. Statues of Four Heavenly Kings are enshrined in the left and right side of the hall.
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The house's main entrance is bordered by sidelights and a transom and framed by pilasters supporting a plain pediment. The front of the house has five six-over-six wood sash windows with wooden shutters. The wing has a front porch with a sloping overhang supported by columns. The house's main eave features ornamental Italianate brackets.
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On the first floor, the central section is flanked by projecting bay windows with decorative surrounds and modillioned cornices. The front facade is in a flush-boarded wood finished designed to simulate stone. The roof line below the mansard roof has an extended eave with single and paired brackets on the sides. The house was constructed c.
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The Bell Hill School is a single-story brick structure, measuring about by , resting on a granite foundation. It has a front-facing gable roof with low pitch, covered in asphalt shingles. The cornices are simple wooden boxes, with a piece of ogee moulding on the eave wall. The main (southern) facade has three bays, with a centered doorway flanked by sash windows.
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A round-arch window is set in the gable. The entry is sheltered by a hip-roofed scrolled hood with paired Italianate brackets, details also found on the bay window. Paired brackets are also found in the eave lines of the front and side elevations. There is a porch on the right elevation, running back to an ell extending to the rear.
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21-25Brown in Kamath (2001), pp.134-136 The porches are located in front of the second and third shrines. The decoration (articulation) on the outer walls of the shrines (vimana) is modest and comprises miniature decorative towers (aedicula) on pilasters. The wall panel of images between the eave and the base moldings (adhisthana) include some depictions from the Hindu epics.
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The Sandown Old Meetinghouse is located on a hill above the modern village center of the town, on the east side of Fremont Road. It is a two-story wood frame structure, with a gabled roof and clapboarded exterior. Its clapboards are original, fastened to the structure by wrought iron nails. The roof eave is modillioned, with returns on the gabled ends.
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Bank of Western Carolina, also known as Lexington State Bank (after 1966), is a historic bank building located at Lexington, Lexington County, South Carolina. It was built about 1912, and is a one-story, rectangular, brick building. It has a tiled hipped roof and features eave brackets and an arched entry. It is one of five commercial buildings that survived the 1916 fire.
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Yuantong Hall () is the main hall to enshrine Guanyin. It was built in 1214 during the Southern Song dynasty and rebuilt in 1693 during the reign of Kangxi Emperor of the Qing dynasty. The hall is high, wide and deep. It is single-layer and double-eave wooden structure and covered with yellow glazed tiles on the roof with solemn and elegant cornices.
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The House at 919 2nd in Las Vegas, New Mexico was built around 1885. It was listed on the National Register of Historic Places in 1985. It is a wood frame house with stucco over original clapboard or other exterior surfaces. It has a hipped roof and small enclosed eaves with some modillion brackets, though some eave brackets have been removed.
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MEDIA provides international professional training opportunities by co-financing over 60 courses in script and project development, management, legal and finance issues, marketing and distribution, new media and new technology, animation and documentaries. The courses share a common goal: the collaboration and competitiveness of the European film industry. ACE/ Focal/ Erich Pommer Institute/ EAVE/ Berlinale Talent Campus/ Cartoon Masterclasses/ Power to the Pixel.
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The unpainted timber ceiling over the sanctuary follows the polygonal plan and reveals rafters and diagonal boarding. Two metal tie rods restrain the sanctuary walls at eave level. The pointed arch chancel arch, somewhat awkwardly integrated with a square opening to the sanctuary, is surmounted by a louvred gable vent. The sanctuary walls have been clad in clear finished, horizontal pine boards.
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Roann-Paw Paw Township Public Library is a historic Carnegie library building located at Roann, Wabash County, Indiana. It was built in 1916, and is a one- story, rectangular, American Craftsman style brick building over a semi- recessed basement. It has a hipped roof of clay tile and wooden eave brackets. The building feature two enclosed entries and limestone detailing.
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The cupola is octagonal, with windows and paneling in alternating faces. Some of the windows of the main block are framed by gabled wooden lintels and sills with peaked gables at the center. Both the window and main gables have applied Stick style woodwork. The front facade has a projecting bay, in which the eave is adorned by decorative woodwork.
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That entrance has a Beaux Arts style surround, with rosettes decorating the trim elements, and a gabled pediment above. The second floor has four paired sash windows set in rectangular openings. The roof eave is studded with heavy brackets. The building was designed by Earle & Fisher and was built in 1899 to serve what was then a rapidly developing neighborhood.
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The hipped roof is low-pitched and covered with asphalt shingles, interrupted by two front-facing dormers. Each dormer has white clapboard walls and two windows, with three small glass panes over one larger pane. The wide eave overhang is enclosed with a wooden fascia and a tongue-in- groove wooden soffit. There are three brick chimneys penetrating through the roof.
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Instead of creating a parapet, the roof shifts to two sides and it creates an overhang or eave to the north. With the combination of the dark coloured ceiling and the roof of the house, it visually camouflages itself with the bush landscape. The pocket windows installed on the wall are carved out to provide port holes to isolate and frame the views.
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The vestibule has four Doric columns supporting an entablature and shallow-pitch hip roof, with a double-door entrance at the center. A three-stage square tower rises above the ridge line. The first two stages are quite short, the upper one topped by a broad eave. The belfry rises above, with broad corner boards and round-arch openings with balustrades.
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The roof above is a jerkin-headed design, slightly off centre by an eave projection on the left (northeast) end. At each end, the balcony roof is closed with a weatherboard half-gable. The balcony ceiling is of painted timber boards. Internally the ground floor loggia has overpainted brick walls, and the positioning of now bricked up former doorways and windows is evident.
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The haiden is also 3 ken deep and 7 ken wide. Its roof is like that of the honden of the hip-and-gable type. On the front it has an attached triangular dormer with a decorative bargeboard of strongly concave shape, a . The entrance is covered by a 5 ken wide step canopy with an undulating karahafu gable at eave ends (nokikarahafu).
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On June 17, 1898, it was named in honor of Fisher Ames. It is a large H-shaped building, with a central section flanked by symmetrical projecting bays on either side. It has a hip roof with a deep dentillated eave, and pilastered corners. The main entrance is set under broad arch at the center, with a Palladian window above.
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American Cigar Factory, also known as Stone Manufacturing Company, is a historic factory building located at Greenville, South Carolina. It was built about 1902, and is a four-story, rectangular brick building with segmental arch openings. It has a low-pitched gable roof with a projecting eave and floors supported by wooden posts. It was added to the National Register of Historic Places in 1982.
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The Mahavira Hall was rebuilt in 1922. It is five rooms wide with double-eave gable and hip roofs. The temple has two Buddhist stone pillars, which were built in 874, in the Tang dynasty (618-907). In May 2013, they were added to the seventh batch of "List of Major National Historical and Cultural Sites in Zhejiang" by the State Council of China.
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The entrance is relatively unadorned, with simple moulding framing the door. Upper level windows butt against the eave, and the building corners have narrow trim. The right facade has five windows: two on each of the main floors, and one in the attic level. With The house was probably built sometime between 1809, when John Hoadley purchased the land, and 1812, when he sold it.
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Church interior at Christmas St. Anthony's Church follows a Latin Cross plan. The exterior of the front part of the church, which is the oldest section, is composed of quarry-faced, coursed, ashlar limestone. It reflects a period when highly skilled stonemasons and finely worked materials were not readily available in Davenport. The structure features a gable front, deep eave returns and a modillion frieze.
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The temple covers a building area of and the total area including temple lands, forests and mountains is over . Now the existing main buildings include the Gate, Pond (), Dacheng Hall (), and Zhaobi (). The Dacheng Hall in it has double-eave gable and hip roofs covered with yellow glazed tiles, which symbolize a high level in architecture. It is 7 rooms wide and 4 rooms deep.
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An interesting feature of the main facade is the one-story porch which displays brick piers and hollow core concrete blocks. Beneath the eave of the porch are frame spindles and horizontal pendants. Windows on the structure are both two-over- two and one-over-one sash with stone ashlar lintels and rusticated stone sills. The roof has pressed metal shingles and beneath the eaves are brackets.
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On each of the protruding side, a 13 bays-long building with a single eave, connects the two pyramidal-roofed pavilions that represented the que towers. Its superstructure is also called the "Five Phoenix Turrets" because it is composed of five buildings. Imperial proclamations and almanacs were issued from the gate house. After successful campaigns, the Emperor received prisoners of war here, sometimes followed by mass decapitations.
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The ground at the north (front) elevation slopes westward, exposing the cellar on that side. A shed-roofed porch supported by six pillars shelters the main entrance on the north (front) facade. Two small windows flank it; the remaining first-story windows have paneled shutters; eave windows echo them on the second story. In the wing on the west side, a door provides access to the cellar.
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Mowbray House was built in 1906 and is a two-storey tuck pointed face brick building with a hipped tile roof and cream cement render on the upper level. It is in the Federation Arts and Crafts style, with regular multi-paned windows and a symmetrical form. The building has timber eave brackets and unusual corner chimneys. It originally contained a dormitory accommodating twenty-five boarding students.
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The main roof eave is lined with brackets, with gabled wall dormers on the two street-facing facades. There are two primary entrances on the Union Street facade, each sheltered by Stick style gabled hoods supported by large triangular brackets. Windows on the upper level of the theater section have rounded tops. The building was designed by Howard & Austin of Brockton, Massachusetts, and was completed in 1895.
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All are flanked by louvered wooden shutters. At the east gable apex, split by the chimney, are two louvered lunettes; opposite there are just two more smaller six-over-six windows, with the middle bay on that facade left blind. The roofline is marked by a plain frieze and overhanging eave on the east and west sides. Inside, the house follows a sidehall plan.
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Paired roundhead windows trimmed with sandstone are on each story, and a pediment above the second floor windows breaks the eave line. The shallow hip roof is supported with massive brackets. On the interior, the first floor contains a central hall extending the length of the house to the rear kitchen. The main public rooms, two front parlors, are off the hall and reached through sliding doors.
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The Ozias Goodwin House is a historic house at 7 Jackson Avenue in the North End of Boston, Massachusetts. It is a two-story brick rowhouse, three bays wide, with brownstone window sills and lintels. The second floor windows are set just below the eave, a typical Federal period detail. The house was built in 1795, and is one of Boston's rare surviving Federal period houses.
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The overhanging roof eave is supported by six square wooden pillars. The main entrance, a paneled and glazed wooden door, is located the center. It has wrought iron hardware and a glazed transom above. All the windows on the first story front and sides are 12-over-8 double-hung sash flanked by wooden shutters; those on the west facade are original to the house.
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The James T. Pardee House is a broad T shaped dwelling with horizontal lines, constructed of unit block. It has large windows with vertical wooden mullions, above which are copper awnings. Other elevations have a course of glass block and a narrow course of windows. The house is divided into sections, with the entryway at the intersection of two of the sections, sheltered by an overhanging eave.
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Motifs such as chhajja (A sunshade or eave laid on cantilever brackets fixed into and projecting from the walls), corbel brackets with richly carved pendentive decorations (described as stalactite pendentives), balconies, kiosks or chhatris and minars (tall towers) were characteristic of the Indian imitated Mughal architecture style, which was to become a lasting legacy of the nearly four hundred years of the Mughal presence in these areas.
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The cabins at the other parks reflect the "rustic" style of cabin layout promoted by the National Park Service. Cabins 1 - 6 are single room log cabins with saddle corners and white cement chinking. They have gable entries and an exterior stone fireplace on the end opposite the entry. Cabins 7 - 12 are two-room log cabins with eave entries and stone fireplaces along the rear walls.
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A segmented-arch window is set in the gable. A two-story sections extends to the left at a recess, and is fronted by a single-story porch with paneled square posts and brackets at the eave. A 20th-century garage stands at the rear of the property. Avon Street was laid out in 1848 on the former estate of Lemuel Sweetser, a local shoe manufacturer.
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Exterior: A stone, second class station building in rectangular symmetrical form. The Bowenfels Station building is constructed of coursed, random stone. Quoins are emphasised by large blocks of stone and reveals are stuccoed, while there are smooth cornice and eave mouldings. The central section of the station building is flanked at either end by wings with parapets concealing low pitched corrugated iron roofs behind.
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Arches and barrel roofs are completely absent. Gable and eave curves are gentler than in China and columnar entasis (convexity at the center) limited. The roof is the most visually impressive component, often constituting half the size of the whole edifice. The slightly curved eaves extend far beyond the walls, covering verandas, and their weight must therefore be supported by complex bracket systems called tokyō.
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It was particularly important to local women's organizations. The clubhouse is a wood frame building covered with asbestos shingles, on a concrete foundation. The one story building has a hip roof with a gable roof addition. The central entry vestibule extends beyond the eave level and is covered by a projecting hipped dormer-like roof to mark the main entrance, replacing the original belfry.
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There is a horizontal box cornice that runs along the roof eave. It serves as the top frame for the building's large windows. The windows are symmetrically places in sets of five in two main banks on the north and south sides of the building. There are also three sets of two windows on the south side below the gable where the original entrance was once located.
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The roof is thatched to complete the dwelling. These intermediary houses are also often distinguished by the presence of shortened Highlands-style wooden columns on the western face to support the elongated eave of the peaked roof, much as they support the verandas of the larger homes of Imerina. The floor is typically packed dirt and may be covered with woven mats of grasses or raffia.
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The house is a modified Dutch Colonial Revival Bungalow with an American Craftsman aesthetic in its use of materials and the self-contained efficiency of its plan. The 1½-story, frame house, follows a rectangular plan. It features a narrow, molded cornice; side-gambrel roof; and two dormers on the front. The main entrance into the house is flanked by sidelights and covered by a flared eave.
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The building corners have narrow trim pieces, with a broad entablature below the eave. A 1-1/2 story ell extends to the rear of the house, and may be older than the main block. The house was built about 1840 by Amos Lawrence, who purchased of farmland here in 1826. This house was built about 1840; the ell may be Lawrence's first house.
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The front-facing gable has a deep eave decorated with Stick style applied woodwork and large brackets. The rear ell of the house is its original portion. It is a 2-1/2 story five-bay wood frame structure, one room deep, oriented facing north (the current main block faces east). Its construction date is uncertain, but based on architectural evidence was probably built in the 1810s.
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The wooden front entry doors are original, and also surmounted by a semi-circular transom window (UK = fanlight). Brick pilasters are located at the corners of the building, and serve to accentuate the eave returns above. The building contains several brick chimneys with corbelling at the top. Character-defining elements include a wood-trimmed alcove containing coat hooks, cubby holes, and a storage closet.
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The eave above is dentillated, and has paired brackets above the corner boards. A weathervane rises above the low-pitch pyramidal roof. The church congregation was established in 1817, and initially met in the Hampden Academy building under the auspices of the Maine Charity School. Land for a building was donated in 1834, and the present building was constructed in 1835; its designer is unknown.
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Glen Haven District No. 4 School and Public Library is a historic school and library building located at Fair Haven in Cortland County, New York. It is a one-story irregularly shaped structure constructed in 1901 in the Shingle Style. It contains the classroom on the south end and the library on the north end. It features a hipped roof with boxed eave overhangs.
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The square flying rafters that extend just to the edge of the underside of the eave roofs and actual roof are an excellent touch that both accentuates the curvature of the roofs and adds a natural element of simple decoration. As apparent, the roof is indeed curved, a trait carried over from Chinese architecture. However, Chinese curved roofs were curved much shallower than their Japanese successors. As seen in fig.
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Longquan Temple is located on the south side of Mount Longquan, facing the Yao River, the grand temple complex is located in the north and faces the south with brief layout, it includes the Shanmen, Front Hall, Mahavira Hall, and the Guanyin Pavilion and east and west side hall. The Mahavira Hall is long, wide with single-eave gable and hip roof (). The Guanyin Pavilion is long, wide with gable roof.
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The Croxson House is a historic house at 1901 Gaines Street in Little Rock, Arkansas. It is a two-story frame structure, with a side gambrel roof that has wide shed-roof dormers, and clapboard siding. A porch extends across the front, supported by heavy Tuscan columns, with brackets lining its eave. The house was built in 1908 to a design by the noted Arkansas architect Charles L. Thompson.
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The jail is a two-story, T-shaped, red brick structure with Italianate details. It features a parapet roof with a bracketed eave, simulating a mansard roof. Quoins on the building corners, dentils between the brackets, and decorative green and white tile panels provide ornamentation to the building. The main entry, facing the rear of the courthouse, is on a porch treated similarly to the rest of the building.
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It is a two-and-half-story post-and-beam frame gabled church on a slightly exposed fieldstone foundation. There is no decoration or steeple, but a small brick chimney rises from the north end. The roof is shingled in asphalt and has an overhanging eave, complemented by plain frieze and cornerboard. All three bays on both stories on the east and west have 12-over-12 double-hung sash windows.
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It is a 1-1/2 story, wood-framed structure, four bays wide, with a side gable roof that has a front-facing gable with bracketed eave. The house was built in about 1858 and added to the National Register of Historic Places in 1983. It is considered a particularly fine example of a mid-19th century Victorian Gothic cottage. It features a "pine tree" Palladian window above the entrance.
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The Baxter–King House is a historic house at 36 Heritage Road in Quincy, Massachusetts. The 2-1/2 story wood frame house was built in the 1860s, and is one of the city's finest Italianate houses. The L-shaped house dominated by a three-story square tower with a shallow hip roof that has a bracketed and modillioned eave. An elaborately decorated entry projects from the tower.
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The entrance is simply trimmed, with a modest entablature and cornice above. Windows on the second floor are smaller than those on the first, and butt against the eave. A series of additions extend from the rear of the house. The interior retains a number of period features, including a builtin cabinet in one of the parlors, wide floorboards, and a winding paneled staircase in the entry vestibule.
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The building's front corners are pilasters, and the dentillated eave is continued around its sides. Windows (some bricked over) are set in openings with granite lintels and sills. The house was built circa 1832 for Bella Tiffany, a business partner of mill owner Samuel Slater who cofounded the first cotton mill in nearby Webster. He also served as president of the local bank, and in the state legislature.
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The niches created in the walls are of rectangular shape and have carved sculptures of gods, demi-gods and the kings. The skirting around the images are of wild aquatic animals with "foliated tails and open jaws." The wall pilasters have curved brackets, and columns on the porch provide support to an overhanging eave; arch windows occasionally carved with images are located above them. The mouldings culminate in parapets.
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The finished surface below the fascia and rafters is called the soffit or eave. In classical architecture, the fascia is the plain, wide band (or bands) that make up the architrave section of the entablature, directly above the columns. The guttae or drip edge was mounted on the fascia in the Doric order, below the triglyph. The term fascia can also refer to the flat strip below the cymatium.
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After being traded to the Mariners, Eave spent some time playing for the Calgary Cannons, a AAA team owned by the Mariners. During his time with the Cannons, he had a 3-3 win-loss record and a 7.82 ERA. Gary wore number 37 in his only season with the Seattle Mariners. During this time, he had a 0-3 win- loss record and an ERA of 4.20.
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Jesse and Ira Tuthill House is a historic home located at Mattituck in Suffolk County, New York. It was built in two stages, 1799 and 1841. The original two- room house was incorporated as a -story wing for the larger 2-story, nine-room house. The final 1841 house is a -story residence with a modestly pitched gable roof with a wide frieze running beneath the roof eave.
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Existing and new walls, alike, were covered in uniform, lightly textured, pale stucco from the ground up to – and including – the eave soffit. A continuous canted ledge of painted redwood stretched around the house below the second floor windows. Additional redwood trim was employed in rectangles to wrap around each corner on the second floor. All windows and doors in the home were fashioned in leaded glass with nickel caming.
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The main entry is flanked by sidelight windows and pilasters, and is topped by an entablature. The building's corners are also pilastered, rising to an entablature that extends across the front at the eave. A 1-1/2 story ell extends to the right, set back from the main block. It also has a central chimney, and a recessed porch in its left side, supported by a square column.
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Its windows are set close the eave, and are, like the entrance, simply framed. The interior retains a substantial amount of original detail, including plaster and woodwork, and an original beehive oven in the kitchen fireplace. The land on which the house was built in 1778 by Thomas Chubbuck Jr., a farmer and American Revolutionary War soldier who was descended from Thomas Chubbuck (d. 1676), one of Hingham's first settlers.
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On top is a concave mansard roof shingled in patterned slate, pierced by round-arched dormers with decorative trim. At the roofline is an ornate overhanging eave. See also: A front porch, rounded at the two southern bays, in the Classical Revival style covers all three bays of the main block and two in the north wing at the first story. Its posts are supported on stone piers.
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The Johnson House is a historic house at 518 East 8th Street in Little Rock, Arkansas. It is a 2-1/2 story American Foursquare style house, with a flared hip roof and weatherboard siding. Its front facade is covered by a single- story porch, supported by Tuscan columns, and the main roof eave features decorative brackets. A two-story polygonal bay projects on the right side of the front facade.
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The James Leonard House is a historic house at 3 Warren Street in Taunton, Massachusetts. It is a 2-1/2 story wood frame house, five bays wide, with a side gable roof, large central chimney, and wood shingle siding. The doors and windows have simple trim, those on the second floor abutting the eave. The house was built circa 1752 for James Leonard, muster master for Bristol County.
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At the opposite end to the chimney, a wide skillion has been added to house the post office. It is clad with splayed weatherboards, narrower than those of the main cottage. The roof has a broad eave to provide some shelter to the counter opening at the end of the office. The counter is sealed with a boarded timber flap which is folded down when the office is open.
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All the architectural elements—the deep cornice, decorative top, eave brackets—add to this strength that the ROM possessed, as it was purely a structure with the function of collecting, but not of exhibiting. During the mid-2010s, the original entrance was used as a café. Since late 2017, the original entrance is undergoing renovation to become an alternate entrance, complete with the addition of ramps to the original entrance.
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The main facade, facing the street, is symmetrical, with a double-door entrance at the center, with flanking pilasters and a triangular transom window that has a cornice above. The flanking bays have sash windows, also topped by triangular cornices. In the attic level above the entrance are a pair of pointed-arch windows, again beneath a single triangular cornice. The eave of the roofline is decorated with jigsawn bargeboard trim.
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Small round windows appear below the corner line; three large round windows occur below the corner on the tower. The tower's base has heavy brackets above the corner of the main structure and narrow rectangular windows on the tower body. A group of three arched windows are at the top on each side. A row of small round windows circles the tower between the arched windows and the eave line.
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The roof extends to the top of the first floor and has a flared eave which is shingled below the gable ends. Upper level windows are set in openings framed by shutters, with a bracketed shelf at their bases. Most windows are sash, with the upper sashes featuring diamond panes. The entry is set under a recessed porch, with shingled posts flaring at the top to support the overhang.
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It is covered by a metal gabled roof, and its exterior is sheathed in vertical board siding. The siding extends around a short way inside the portals to shelter the ends of the trusses, and extends upward only partway to the roof eave, leaving an open strip between them. The bridge rests on stone abutments faced in concrete. with The bridge was built in 1872; its designed is unknown.
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The porch is supported by round Tuscan columns and has dentil moulding at the eave. The mansard roof dormers are topped by segmented arches and have scrollwork framing around their windows. Stylistically sympathetic ells extend to the side and rear of the main block, which exhibits high quality craftsmanship both outside and inside. The house was built about 1865, and is one a few well preserved Second Empire residence in Stoneham.
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The Moses Taft House is an historic house at 50 South Main Street in Uxbridge, Massachusetts. It is a two-story wood frame structure, five bays wide, with a side gable roof, central chimney, clapboard siding, and granite foundation. Built c. 1850–55, it is a fine local example of Italianate architecture, with paneled pilasters at the corners, paired brackets under the eave, and molded caps above the windows.
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The eave is plain concrete, except for a course of modillions just below the roof line. The building was designed under Louis A. Simon of the Office of the Supervising Architect and was completed in 1935. It served as a post office until 1977, and then served as the facilities of the local Times Dispatch newspaper. The building was listed on the National Register of Historic Places in 1994.
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This stage of the tower has a rounded gable with modillioned eave, the latter detail also extended to the main roof. A plainly-pilastered square section tops this, with an eight-sided belfry above that has four round-arch openings. The tower is capped by an octagonal steeple. Windows on either side of the projecting section are two-port narrow windows, the upper section with a rounded arch top.
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The building corners are pilastered, and the projecting eave has banded modillions. The interior is richly decorated, and is little altered from the building's construction. The principal alterations have been the provision of electricity for lighting, and the installation of an organ behind the altar in 1892. The church was built in 1870-71, and was the second for the congregation, replacing a now-demolished structure that stood across the street.
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The second floor has bands of three windows set above each bay, with stone sills and segmented-arch headers. The main roof eave is lined with modillion blocks. When it was built in 1897, the building had a number of innovative features. It used a distinctive suspension system to support the building's second story without the need for columns, using steel rods attached to the load bearing outside walls.
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The George P. MacNichol House is a two-and-one-half-story wood-framed rectangular-plan gabled Queen Anne house. It has 32 rooms and 6600 feet of interior space, with 6 fireplaces, 65 windows, and 53 doors. The roof and gables are steeply pitched. The front facade features a one-story wraparound porch with Tuscan columns and under-eave latticework, and a corner turret with conical roof.
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A larger undercut gallery with plain square wood posts spanning four-fifths of the façade and featuring a wooden deck and box columns replaced the original. Two exterior boards on either side of the front door have the mortise holes for the top and bottom porch rail of the original porch. Exterior Finishing - The entire house was covered with cedar weatherboard. At the front eave an intricate molding was installed.
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Ira Klein, "Population growth and mortality in British India: Part II: The demographic revolution," Indian Economic Social History Review (1990) 27#1 pp 33-63 doi: 10.1177/001946469002700102 Online Severe overcrowding in the cities caused major public health problems, as noted in an official report from 1938:Klein, "Population growth and mortality in British India: Part II: The demographic revolution," p 42 :In the urban and industrial areas ... cramped sites, the high values of land and the necessity for the worker to live in the vicinity of his work ... all tend to intensify congestion and overcrowding. In the busiest centres houses are built close together, eave touching eave, and frequently back to back .... Indeed space is so valuable that, in place of streets and roads, winding lanes provide the only approach to the houses. Neglect of sanitation is often evidenced by heaps of rotting garbage and pools of sewage, whilst the absence of latrines enhance the general pollution of air and soil.
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Frederick W. and Mary Karau Pott House is a historic home located at Cape Girardeau, Missouri. It was built about 1885, and is a 2 1/2-story, Italianate style brick dwelling. It has a side-gabled roof, a projecting pedimented front gable and parapet chimneys. It features an overhanging eave with curvilinear brackets and modillions, tall narrow windows with round and segmental arches, and an ornate central portico supported by groups of chamfered columns.
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The cupola has a wide eave overhang and is adorned with leaf-and- scroll decorative brackets and a string of dentils. Each side is embellished with a recessed diamond panel with a five-pointed star in the center. The exterior of the three bay facade features four Ionic engaged columns that correspond with the fluted columns of the portico. These engaged columns continue to encircle all but the east wing of the house.
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Wright's Ferry Mansion is a historic home located in Columbia, Lancaster County, Pennsylvania. It was built in 1738, and is a 2 1/2-story, rectangular limestone dwelling with a gable roof and pent eave. It was built for Susanna Wright, an English Quaker poet and businesswoman, and its architecture reflects a mix of English and Germanic elements. Note: This includes It was listed on the National Register of Historic Places in 1979.
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The Maintenance Historic District includes four CCC-built structures. The storage building is a wood-frame structure with a gable roof, similar to military storage buildings built in the 1930s and 1940s. A three-bay garage of standard military design is included in this historic district, as was the gas pump house with an extended eave to protect the gas pumps. The Park Ranger's residence is a -story gable-roofed house, with modern vinyl siding.
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The Mahavira Hall is the main and third hall in the temple. It has a double-eave gable and hip roof () covered with yellow glazed tiles, which symbolize a high level in architecture because yellow was the symbol of the royal family. The hall houses three gilded copper statues of Three-Life Buddha, namely Sakyamuni, Amitabha and Bhaisajyaguru. They have an average height of about , which is the highest statues on Mount Jiuhua.
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Gable and eave curves are gentler than in China and columnar entasis (convexity at the center) limited. The roof is the most visually impressive component, often constituting half the size of the whole edifice. The slightly curved eaves extend far beyond the walls, covering verandas, and their weight must therefore be supported by complex bracket systems called tokyō. These oversize eaves give the interior a characteristic dimness, which contributes to the temple's atmosphere.
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Roberto Calia: I Palazzi dell'aristocrazia e della borghesia alcamese; Alcamo, Carrubba, 1997 Above the ground floor is a mezzanine floor with six small balconies having marble corbels and a wrought iron railing. On the first floor there are two balconies with stone galleries and corbels. On the second floor there is a long balcony, with stone galleries and corbels, and a wrought iron railing. Finally, the façade is surmounted by a denticulated eave.
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There are one-bay wings on either side of the main block, which house offices. The roofline has an extended overhanging eave, above which is a parapet and a smaller gabled section topped by an octagonal cupola. The interior lobby areas retain original multicolored marble terrazzo flooring as well as period woodwork. The post office was begun in 1910 and opened in 1912, to a design by Treasury architect James Knox Taylor.
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The two-story wood-framed house was built in 1923 for Alfred Richards, a bank executive. It is one of the last house built in the Wollaston Heights area, which had been mostly built out in the earlier decades of the 20th century. Designed by William Chapman, it has a five-bay main facade with three gabled dormers above, each with a round-arch window. The eave is decorated with dentil moulding and modillions.
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B. W. Canady House is a historic home located at Kinston, Lenoir County, North Carolina. It was built about 1883, and is a two-story, "L"-shaped, Italianate style frame dwelling. It has a gable roof, gabled two-story projecting central entrance bay, and one-story rear wing. It features a wraparound front porch, pendant eave brackets, a paneled frieze, and tall brick interior chimneys with elaborate panelled stacks and corbelled caps.
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The Springfield Steam Power Company Block is located on the south side of Taylor street in downtown Springfield, opposite its junction with Kaynor Street. It is a utilitarian three-story brick building with a flat roof. Its upper-floor bays consist of recessed segmented-arch sections two stories in height, with windows on each level separate by a brick panel. There is some decorative brick corbelling in the eave below the main roof.
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The Buddhist Texts Library was established in 1038, under the Liao dynasty (907-1125). It is five rooms wide, four rooms deep with single eave gable and hip roofs. A total of 29 Statues of Buddhist deities are enshrined in the hall, including Sakyamuni, Dīpankara Buddha, Maitreya, Guanyin, Manjushri, Samantabhadra, and Ksitigarbha. A set of Chinese Buddhist canon which were printed in the Qing dynasty (1644-1911) are preserved in the hall.
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The present building was built in 1905 and follows an Italian Romanesque style, with some influences of Craftsman architecture as well. It is by , with a tall campanile tower on the left rear of the church. The entry has a round rose window with an eave above it, giving the appearance of a canopy. Besides the church building, the parish has a school building built in 1916 and a convent and rectory built in 1926.
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Among these are the gambrel roof with full-width overhanging eave, restrained decor and center hall floor plan. Less common are the Dutch door with original hardware and single-hung sash window. The house is also one of the few surviving frame houses from that era; most of its contemporaries that remain are built of dressed sandstone. Salyer later acquired an additional from John Suffern, founder of the nearby village that bears his name.
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In 1854, Neil Shaw purchased and platted of land in present-day Anoka County, Minnesota, with his three sons. They built the family home out of simple wood and clapboard siding while using elements of Greek Revival architecture in the formal design. Crowned with a slightly pitched roof, the eaves feature a detailed classical cornice. The eave returns, shuttered front windows, and entrance also embody the symmetry and grace of this style.
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Ashburton House stands on the north side of H Street, facing Lafayette Square to the south, just east of St. John's Episcopal Church, to which it is now connected by a narrow hyphen. It is a -story brick structure, with a mansard roof. The roof has a broad eave supported by decorative brackets, and is pierced by dormers with deeply pedimented gables. Its main facade is five bays wide, with each outer pair projecting slightly.
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They built the Planters Mercantile first and then in 1892 constructed a semi-detached double residence next door. The paired houses were mirror images with highly decorative eave and porch ornamentation of the late Victorian age. This style while rare in other parts of the county is very prevalent in the south, though The Patz Brothers House is only one of two of its kind in Bluffton. The houses share a central wall.
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The west elevation, facing the road, features paired metal-framed casement windows lighting the internal stair. The main entrance to the building is on this side of the building and is via a simple timber door. The door is at the east end of a covered walkway formed by the overhanging eave of the radio equipment room, whose east elevation abuts the tower base. There is no internal connection between the two.
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The library is located on Worcester north side, and is set on the east side of West Boylston Street (Massachusetts Route 12), on the corner of Kendrick Avenue. It is a single story masonry structure, finished in brick with limestone trim. It has a tile hipped roof with modillioned eave. Its main facade has a projecting central pavilion in which the main entrance is set, flanked by Corinthian pilasters and topped by a semicircular pediment.
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Tomb of Salim Chishti, Fatehpur Sikri, India In architecture, an overhang is a protruding structure that may provide protection for lower levels. Overhangs on two sides of Pennsylvania Dutch barns protect doors, windows, and other lower level structure. Overhangs on all four sides of barns is common in Swiss architecture. An overhanging eave is the edge of a roof, protruding outwards, beyond the side of the building generally to provide weather protection.
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It is a two-and-a-half-story frame building with a two-story rear wing on a stone and brick foundation on the east side of Fair Street. Nearby on that side of the street are the Chichester and William Kenyon houses, both also listed on the Register. It is topped with a mansard roof shingled in patterned slate with an overhanging, bracketed eave. The roof is pierced by round-arched decorated dormer windows.
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Partridge-Sheldon House is a historic home located at Jamestown in Chautauqua County, New York. It is a three-story Second Empire style residence built between about 1850 and 1867, and substantially renovated and enlarged in about 1880. The structure features a Mansard roof with patterned and polychromed slate, decorative eave brackets, and an imposing Mansard-roofed front porch with ornamental iron cresting. It was the home of Porter Sheldon (1831–1908).
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The Ichabod Bradley House stands in a rural-residential area of northeastern Southington, on the north side of Shuttle Meadow Road just west of the Plainville Reservoir. It is a 2-1/2 story wood frame structure, with a side gable roof, center chimney, and clapboarded exterior. Its main facade faces south, and is five bays wide. The ground-floor windows are topped by shallow cornices, while the second-floor windows butt against the eave.
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Other notable features include elements of Prairie School architecture such as a low-pitched gable roof, an offset main entrance, exaggerated eave overhangs, and a strong emphasis on horizontal lines. Farrer was the original owner. Born in 1867 in Minnesota, he moved in infancy to Damascus, Oregon, with his parents. In 1902, he began work for the United States Post Office Department in Portland, for which he delivered mail for 30 years.
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The first floor windows are set in openings with slightly arched lintels, and the second-floor windows are set near the eave in the Federal style. The facade details are repeated on the south (ocean-facing) facade, and there are single-story extensions to the sides. The stone for the veneer was all locally gathered. The barn, built in 1954, is a story wood frame structure with a hip roof and a cupola on top.
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The Samuel Hirst Three-Decker is a historic triple decker at 90 Lovell Street in Worcester, Massachusetts. It is a well-preserved example of a Colonial Revival house built late in Worcester's westward expansion of triple-decker construction. It follows a typical side hall plan, with a distinctive front porch supported by paired square pillars through all three levels. The roof has an extended eave that is decorated with brackets and dentil molding.
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Alderson co-founded Ipso Facto Films with Jacqui Lawrence in Newcastle in 1993. Ipso Facto Films ceased to exist in 2013 and Alderson now runs Ipso Facto Productions as sole director. Among Alderson's more than 20 films as producer, co-producer or executive producer are The Banksy Job, This Beautiful Fantastic, Snow in Paradise, Valhalla Rising, Soulboy, Irina Palm, School for Seduction and Nasty Neighbours. Alderson is a graduate of EAVE, ACE and Inside Pictures.
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It is supported by posts with simple Tuscan styling, round on the first two floors and square on the third. Its main roof eave was originally studded with modillion blocks, and its porch railings were once more elaborate; these details have been lost (see photo). It was built c. 1912, when the Lincoln Street/Brittan Square area was developed as a streetcar suburb, and is a well-preserved example of Colonial Revival styling.
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The House at 118 Greenwood Street in Wakefield, Massachusetts is a rare well- preserved example of a Stick-style house. The -story house was built c. 1875, and features Stick-style bracing elements in its roof gables, hooded windows, with bracketing along those hoods and along the porch eave. Sawtooth edging to sections of board-and-batten siding give interest to the base of the gables, and on a projecting window bay.
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Windows are topped by shouldered surrounds with slightly projecting caps, and the main eave has dentil moulding encircling the building. The interior retains many high-quality examples of Federal period woodwork, including an extremely rare in situ bust of the poet John Milton. The second-floor southwest bedchamber contains one of the city's most complete expressions of high-style Federal woodwork. The house was built about 1799 or 1800 for Joseph Haven, a prosperous merchant.
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The Dr. George Ashley House is a historic house located at 40 W. 2nd North in Paris, Idaho. The house was built in the early 1890s for Dr. George Ashley, Jr., a local physician who established the Bear Lake Valley's first hospital. The house's Queen Anne design was likely inspired by Paris' J. R. Shepherd House. The front porch features an Eastlake-inspired spindlework balustrade and eave, pierced brackets, and ring-and-ball supporting columns.
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Rafter and tie-beam joints (Carpentry and Joinery, 1925) Coyau or sprocket. Labeled A A rafter is one of a series of sloped structural members such as wooden beams that extend from the ridge or hip to the wall plate, downslope perimeter or eave, and that are designed to support the roof deck and its associated loads. A pair of rafters is called a couple. In home construction, rafters are normally made of wood.
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The second- floor windows are butted against the roof eave, a common Georgian feature. The main entrance is sheltered by a projecting gable-roofed vestibule. The building's interior follows a typical central-chimney plan, with the entry vestibule that has a narrow winding stair in front of the chimney. Most of the building's styling is Federal, but construction features such as gunstock posts indicate an earlier (17th or early 18th century) construction date.
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The main block is three bays deep, with the main entrance in the rightmost bay on the north side, slightly askew from a symmetrical placement. It is topped by a half-round transom window with a granite keystone at the top. Ground-floor windows are set in rectangular openings with stone lintels, while the upper-floor windows are butted against the roof eave at the top. The structure was built in 1816 by Ira Goodall.
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The Ruggles House is located in the village center of Columbia Falls, north of the junction of Main Street and Addison Road. It is a wood frame structure, two stories in height, with a hip roof and clapboard siding. The main facade is five bays wide, with a central entrance sheltered by a hip-roof portico supported by round columns. The eave of the porch and main roof both have dentil molding.
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The Pearson–Robinson House is a historic house at 1900 Marshall Street in Little Rock, Arkansas. It is a 2-1/2 story brick building, with a dormered hip roof, and a broad porch extending across the front. The porch is supported by brick piers, and has a bracketed eave. It was built in 1900 by Raleigh Pearson, and was purchased in 1903 by future United States Senator and Governor of Arkansas Joseph Taylor Robinson.
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The Stancliff house's porch is a 20th-century replacement. The main roof eave on each house is adorned with carved wooden brackets. When evaluated for National Register listing in the 1970s, the building interiors appeared to be relatively little-altered, despite conversion of one of the buildings to apartments. and The southern house The two houses were built for Gilbert Stancliff and his brother-in-law, Joseph Williams, and his wife Laura.
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In appearance fiber cement siding most often consists of overlapping horizontal boards, imitating wooden siding, clapboard and imitation shingles. Fiber cement siding is also manufactured in a sheet form and is used as cladding, it's also commonly used as a soffit / eave lining and as a tile underlays on decks and in bathrooms. Fiber cement siding can also be utilized as a substitute for timber fascias and bargeboards in high fire areas.
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Magnolia Manor is a historic house on Apple Blossom Drive in Arkadelphia, Arkansas. The two story wood frame house was built in 1854–57, and is a fine local example of Greek Revival and some Italianate styling. The house features corner pilasters, a broad eave with brackets, and a main entry on its eastern facade sheltered by a single-story porch with deck above. A secondary entry on the south side is similarly styled.
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The Addington Gardner House stands in a rural residential area of southwestern Sherborn, at the northeast corner of Hollis Street and Western Avenue. It is a 2-12 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. The main facade is five bays wide, with a center entrance flanked by pilasters and topped by a corniced entablature. Windows are simply framed, with the second-floor windows butting against the eave.
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The Wales and Hamblen Building stands on the north side of Main Street (United States Route 302) in the village center of Bridgton, between Depot Street and Portland Road. It is a 2-1/2 story wood frame structure, with a gabled roof and clapboard siding. The front-facing gable is a fully pent gable with a paneled and bracketed cornice, styles repeated on the eave below the gable. The front facade corners are pilastered.
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It has carved wooden dragons coiled around the eight pillars that support its upward-curving double-eave roof. The complex includes a classical garden with a 3,000-year-old cypress dating from the Zhou Dynasty. To the west of Hall of the Holy Mother is a temple dedicated to the deity Shuimu. Next to Jinci is the Wang Family Hall, a private villa built in 1532 for Wang Qiong, a high-ranking official during the Ming Dynasty.
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The term is also used for tracery on glazed windows and doors. Fretwork is also used to adorn/decorate architecture, where specific elements of decor are named according to their use such as eave bracket, gable fretwork or baluster fretwork, which may be of metal, especially cast iron or aluminum. Fretwork patterns originally were ornamental designs used to decorate objects with a grid or a lattice. Designs have developed from the rectangular wave Greek fret to intricate intertwined patterns.
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In the middle, on the projecting section, is a large oculus with plaster surround. The roofline is marked by a bracketed overhanging eave with exposed rafter tails. Above it, the bell tower rises, with a single narrow window on the north above the roof topped by three similar windows on each face at the top. Each corner is topped with pyramid- shaped pinnacles; the tower itself has a conical roof in red tile with a weathervane on top.
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Its Greek Revival features include corner pilasters and an entablature below the eave. The center entrance is sheltered by a single-story hip-roofed porch, with square posts supporting an entablature and hip roof with balustrade. This house appears to have been built in the 1840s, and was first located on Washington Street, where it is described as being owned by the Pool family. By 1850, it is owned by the family of Henry F. Bigelow.
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The Wyman Tavern is located south of downtown Keene, on the west side of Main Street nearly adjacent to the campus of Keene State College. It is a 2-1/2 story wood frame structure, with a gabled roof, clapboarded exterior, and central brick chimney. Its main facade is five bays wide, with sash windows arranged symmetrically around the center entrance. Second-story windows butt against the eave, while those on the ground floor are topped by peaked lintels.
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Ground floor windows and doorways are topped by splayed brownstone lintels, while the second-floor windows are set close to the eave. The brick is laid mainly in Flemish bond, with a belt course projecting slightly between the floors. The interior has been repeatedly altered over time and little original finish survives. and The academy was built in 1803 by Abraham Jaggars, and is one of only a few surviving early 19th-century school buildings in Connecticut.
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The interior follows a typical Georgian center chimney plan, with parlors on either side of a narrow vestibule with winding staircase. The interior retains significant original finish, including horsehair plaster, carved wooden wainscoting, and paneled fireplace surrounds. Second-floor windows are butted against the eave in Georgian fashion, and there are simple corner boards. The house was built in 1756 by Nathan Wood, a native of Concord, who arrived here not long after the Worcester Road was laid out.
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The south-facing front facade features a projecting central pavilion with white quatrefoil- pireced vergeboards at the overhanging eave. Dormer windows on either side are similarly appointed, as is the curving balustrade on an upper balcony. To the west of the doubled-doored entrance is a porch supported by chamfered posts and curved braces; to the east is a bay window. The east side has a similar porch but with a latticework frieze and arrows pointing to the entrance.
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The South Canaan Congregational Church is located in central western Canaan, at the southwest corner of Barnes Road and CT 63. It is a two-story wood frame structure, with a gabled roof, clapboarded exterior, and stone foundation. A two-stage square tower rises from the roof ridge, including a belfry stage and octagonal spire. The main roof eave and first tower stage cornice are decorated with modillion blocks, and the building corners have wooden quoin blocks.
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In addition to the house there is a small carriage barn to the south. The house itself is a two-and-a-half-story, five-by-two-bay frame building on a brick foundation with a concave mansard roof covered in slate with an overhanging bracketed eave. A one-and-a-half-story side wing wraps around the south and west sides of the building. On the east (front) facade, the main entrance is centrally located.
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The David Chapman Farmstead is located in a rural setting, on the north side of Stoddard Wharf Road just west of its crossing of Stoddard Brook. It is a 1-1/2 story wood frame structure, with a gambrel roof, central chimney, and clapboarded exterior. Its main facade is five bays wide, the bays set somewhat regularly but not symmetrical. The entrance is near the center, and both door and windows butt against the roof eave.
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The porch on the west wing has a wooden guardrail, and on the south side of the wing's second story is a small wooden shed-roofed addition. Just below the roofline are short eyebrow windows; the broad overhanging eave is supported by simple wooden brackets. The main entrance and the window above it on the tower have wooden hoods. The tower itself is topped by a slate-shingled mansard roof pierced on all sides by round-arched dormers.
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Windows are rectangular sash, set in unadorned openings that butt against the eave. The structure was probably built about 1760 by Nathaniel Hayden. Local historians have speculated that it served as a residence of the Hayden family prior to the construction of the larger house next door, but it is more likely that this was built as a shoemaking shop that the family is known to have run. It is an unusual surviving element of the town's colonial heritage.
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Windows on the side elevations are similarly decorated, where there are paired brackets in the eave. The entrances lead into small vestibules, which provide access to the classroom that occupies most of the rest of the building. The walls are finished in wainscoting below, and plaster above, except for one area that has been reconstructed with wallboard. Local tradition assigns a construction date of 1852 to this building, about the time the town was divided into thirteen school districts.
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Modern carports are typically made of metal (steel, tin, or aluminum) and are modular in style in the US, while remaining flat-roofed permanent structures in much of the rest of the world. The carport is considered to be an economical method of protecting cars from the weather and sun damage. The metal carports in USA can be divided into Regular, Boxed-Eave, and Vertical roof styles. They differ in the sturdiness and how the roof panels are oriented.
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Upper floor windows are butted against the eave, with a narrow band of dentil moulding, while ground floor windows and the entrance are topped by slightly projecting and splayed lintels. The entrance flanked by narrow moulding and has a transom window with five panes in the shape of a tombstone. Above the entrance is a three-part window with narrow side windows. The interior is architecturally distinguished, and there is a later ell extending to the rear.
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The John Gilman House is located north of Exeter's commercial and civic downtown area, at the southest corner of Cass and Park streets. It is a -story wood frame structure, with a gambrel roof and clapboarded exterior. Its main facade is five bays wide, with a central entrance flanked by pilasters and topped by a transom and gabled pediment. Windows are topped by shallow projecting cornices on the ground floor, and butt against the eave on the second floor.
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This proportionality explains, as in other Decapod Crustaceans, that spine size decreases as specimens grow older. As mentioned in the taxonomic section, this genus contains the family's primitive feature of a movable antenna at the basal segment. However, "the development of a spine at the posterior angle of the supraocular eave, and the presence of intercalated spine and antennulary septum seem to attribute a rather high position to this genus." Lastly, there are differences between the sexes.
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The Griffin House is located in a residential area just north of Portland's downtown area, at the northwest corner of High Street and Cumberland Avenue. It is a large 2-1/2 story wood frame structure, with a mansard roof providing a full third floor, clapboard siding, and a brick foundation. The roof eave is modillioned, and the dormers projecting from it have segmented-arch tops and decorative surrounds. The main facade faces east, and is three bays wide.
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Its main facade is five bays wide, with a center entrance framed by Federal period pilasters and corniced entablature. Second story windows are set butted against the eave, a typical early-to-mid 18th century placement. The interior retains many 18th-century features, including wide floor boards of oak, pine, and chestnut, a large fireplace hearth in the kitchen, and several doors with original handwrought strap hinges. The house is accompanied by a modern garage and shed.
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The bays are demarcated by pilasters, and a single-story porch extends across the width of the front. The porch has a flat roof with bracketed eave, and is extensively decorated with stickwork. A similar porch extends along the side of the rear ell, facing Walnut Street. The house was built in 1869 for Samuel Colby, a manufacturer and retailer of men's and boy's clothing who operated a store in the Union Block in downtown Taunton.
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The main house is located at the driveway's eastern turn. It is a two-story frame clapboard-sided structure with a low pitched metal hipped roof, pierced by a chimney at the southwest, arranged in a rough C shape with the interior angle to the northwest. A wide overhanging eave at the roofline is supported by scroll brackets. A hip-roofed porch runs the entire width of the five-bay tripartite main facade, on the interior angle.
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The Dement-Zinser House is a historic house located at 105 Zinser Place in Washington, Illinois. The house was built in 1858 for Richard C. Dement, a businessman and riverboat owner. Its Greek Revival design features a transom and sidelights around the front door, a cornice with a frieze board, and a gable roof with eave returns. The house is the only standing Greek Revival house in Washington and may be the oldest house in the city.
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It was named in honor of American Revolution-era politician Fisher Ames. It is a large H-shaped building, with a central section flanked by symmetrical projecting bays on either side. It has a hip roof with a deep dentillated eave, and pilastered corners. The main entrance is set under broad arch at the center, with a Palladian window above. Above the front door is the following inscription: > 1644 AMES SCHOOL 1897 > Named in honor of Fisher Ames.
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St. James Church is located on a wooded lot on the west side of Snake Road, between the Goose Creek Primary School and Goose Creek Road. It is a single story masonry structure, built out of stuccoed brick and covered with a clipped-gable slate roof. The building corners are quoined, and there is a line of simple brickwork at the eave. There are entrances at the centers of three sides, with flanking round-arch windows.
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All are 1-1/2 stories in height, with wood framing and clapboard siding. All have a front-facing gable roof, and three of them have a Greek temple portico supported by three Doric columns. The two westernmost houses are virtually identical, with a detailed Doric entablature encircling the eave and an ornamented Greek Revival entrance surround. The house at the eastern end is similar to these, but has less detailing on the entablature and entrance surround.
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The main hall, wide and deep, is a circuit gallery-style () hall with a double eave pavilion () which is in front of the temple and forms the hall. The pillars before the door are engraved with two vivid wooden Chinese dragons in sore straits. The doors and windows of the main hall are carved with openwork patterns, which show proficient skills. Inner walls are painted with 10 frescos, mostly of which are colored after outlined by ink.
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The southern classroom wall has four large banks of casement windows (1937, 2-light; 1951, 3-light) with fanlights, sheltered by a wide eave supported by timber brackets. The remaining verandah windows are double-hung sashes, with fanlights. The 1937 teachers room has casement windows, with fanlights on the eastern side, and double-hung sashes to the west. The classroom understorey is enclosed with face brick walls, set back from the perimeter posts, and contains workshop and storage areas.
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The raking cornice of the gable forms an overhanging eave and a broken horizontal cornice is supported on either side by a pier giving the impression of a pediment. The latter is emphasised by prominent modillions, which are also used below the projecting cornice of the porch. Within the tympanum is a Diocletian window, common in Palladian architecture, with a moulded architrave and keystone. The piers are astylar and though prominent are decorated in low relief.
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The roof eave is adorned with modillion blocks. The main facade is three bays wide, with sash windows arranged around the center entrance. The ground floor windows are flanked by slender pilasters and have bracketed sills and a gabled and bracketed lintel; the second floor windows are more simply framed, with a projecting sill and projecting bracketed cornice. The entrance is sheltered by a portico with round-arch openings and a roof with modillioned cornice and balustrade.
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The window above the entrance is a double window, while the windows flanking the entrance have segmented-arch tops, and have bracketed hoods above. The second- floor windows have elaborate Italianate surrounds, and there are paired brackets in the roof eave. A porch extends along part of the left side. The house was designed by Harvey Graves and built in 1857 for Joseph Low, a wealthy man of unknown business who moved to California after the American Civil War.
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A porch, sympathetic in style to the rest of the house, has been built around the base of the tower. Eave lines are decorated with dentil moulding and decorative brackets. A single-story ell extends the main block to the rear, where it is joined to a small carriage barn. The house, built in 1875, was designed by Cherryfield resident Charles A. Allen, who designed three other high-style houses in Cherryfield, contributing to the town's rich architectural heritage.
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On the south facade there is a horizontal double-hung sliding sash window with six square panes on the west and four on the east set in a plain wooden surround. On the opposite side is a single six-pane casement window with the same wooden surround and wooden paneling covering the logs below. The west (rear) facade also has a single window. A narrow plain frieze at the end of the eave sets off the roofline.
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Flatter roofed cabins might have had only 2 or 3 gable-wall logs while steeply pitched roofs might have had as many gable-wall logs as a full story. Issues related to eave overhang and a porch also influenced the layout of the cabin. The decision about roof type often was based on the material for roofing like bark. Milled lumber was usually the most popular choice for rafter roofs in areas where it was available.
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The Guanyin Hall is wide and deep with single eave gable and hip roof (). In the center of the eaves of the hall is a plaque, on which there are the words "Guangren Temple", written by Zhao Puchu, the former Venerable Master of the Buddhist Association of China. In the middle of the hall placed the statue of Thousand Handed and Eyed Guanyin, with statues of Maitreya Buddha, Skanda and Four Heavenly Kings on the left and right sides.
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Unlike both Western and some Chinese architecture, the use of stone is avoided except for certain specific uses, for example temple podia and pagoda foundations. The general structure is almost always the same: posts and lintels support a large and gently curved roof, while the walls are paper-thin, often movable and never load-bearing. Arches and barrel roofs are completely absent. Gable and eave curves are gentler than in China and columnar entasis (convexity at the center) limited.
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To its left a recessed porch, its corner supported by a sloping square post with shingled exterior. The gable above the main window group has a deep eave supported by Craftsman brackets, and shows a band of three equal-sized sash windows. The house was apparently built not long before its purchase in 1908 by Burton K. Wheeler. Wheeler lived here until 1923, when his rise in national politics brought him to Washington, DC as a United States Senator.
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It has sash windows on either side of a center entrance, which is flanked by sidelight windows. The door and windows both butt against the roof eave, a clear echo of how these types of houses were built in the 18th century. The interior is little altered since its construction, and includes a fireplace with paneled surround. The house was built in 1932, and is a rare local example of a well- preserved Colonial Revival cottage.
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The Rudolph H. Sitz Building is a historic building located in the West End of Davenport, Iowa, United States. Rudolph Sitz has this building built in 1913 to house his grocery store, which had been previously located at 2747 West Third Street. with The building has subsequently been turned into a tavern. The two-story Mission Revival style structure features a curved, broken pediment, bracketed eaves on projecting eave sections, and an arch over the storefront.
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The Vaughn House is a historic house at 104 Rosetta Street in Little Rock, Arkansas. It is a 1-1/2 story wood frame structure, with a gabled roof and an exterior of clapboard and stuccoed half-timbering. The roof eave is lined with large Craftsman brackets, and the roof extends over the front porch, showing rafter ends, and supported by stone piers. Built in 1914, it is a well- preserved local example of Craftsman architecture.
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The most recent meeting, she chaired from a wheelchair with indomitable style. She was chair of the Boilerhouse Theatre Company, a contributor to the List magazine and to BBC Scotland and was a board member and UK representative on the European producers' programme, EAVE. Terminally ill with breast cancer Penny Thomson and Allan Ross celebrated their 29th wedding anniversary in St Columba's Hospice, Edinburgh, with champagne and chocolate cake. She died 5 days later, aged 56.
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The house originally stood on Massachusetts Avenue (its construction date is not known), and was moved to its present site as that road developed more commercially in the 1930s. It has a mansard roof typical of the style, and its windows are topped by eared surrounds. The mansard roof is flared at the base, with a bracketed eave, and is pierced by gabled dormers. The house was listed on the National Register of Historic Places on April 18, 1985.
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The Parker House is a historic house at 180 Mystic Valley Parkway in Winchester, Massachusetts. This two story wood frame house was probably built in the 1850s by Kenelum Baker, a local builder, and is an elaborately styled Italianate house. It has wide eaves studded with paired brackets, and the porch, eave, and cupola all have a simple scalloped molding. The square cupola has round-arch windows, and the porch wraps around three sides of the house.
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Windows are set in segmented-arch openings on the first two floors, and round-arch openings on the third, with stone keystones and sills. The eave features decorative brick corbelling. with St. Albans, located just from the Canada–United States border, has a long history of immigration from adjacent Quebec. By the 1850s its French-speaking population had grown to the point where the local Roman Catholic diocese established the Holy Angels Convent a few blocks north of the present site.
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On his usual Sunday afternoon stroll, the narrator, a French literature professor at a women's college, watches icicles dripping from a nearby eave with intense meditation. He walks on, and is distracted by the reddish shadows cast by a parking meter and restaurant sign. He runs into D., a former colleague who casually informs him that Cynthia Vane, with whom the narrator had formerly had a short relationship, has died. The narrator recounts his memories of Cynthia and her younger sister Sybil.
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The lacrimal bone in front of the eye had a prominent, rugose crest (or horn) that pointed up at a backwards angle. The crest was ridge-like, and had deep grooves. The postorbital bone behind the eye had a down and backwards directed jugal process that projected into the orbit (eye opening), as seen in Tyrannosaurus, Abelisaurus, and Carnotaurus. The supraorbital bone above the eye that contacted between the lacrimal and postorbital bones was eave-like, and similar to that of Abelisaurus.
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Banks of sash windows line the main wall on either side, a feature repeated on the north side, where there is a brick chimney opposite the entrance. The building is topped by a square belfry with segmented-arch louvered openings, and a flared- eave pyramidal roof. Hulls Cove was one of thirteen districts established by the town of Eden (later renamed Bar Harbor). The first school in the Hulls Cove district was built in 1863, funded by a native son.
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1962, Leninsky Prospekt station, was a collaboration by Aleshina with lead architect and , Valentina Polikarpova (), and Anna Marova (). The design was simple, featuring an above ground pavilion made completely of glass, shaded by a wide eave above which was a decorative concrete lattice. Descending into the deep covered escalator, the design used an overlapping step technique rather than a curved cylindrical vault keeping with the step design of the platform area. Pillars, which widened as they ascended, flanked the hallway.
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By 2017, the company had raised a total of $15.5 million from investors. In August 2017, HomeLight raised $40 million in Series B funding in a round led by Menlo Ventures with participation from Citi Ventures, as well as previous investors Zeev Ventures, Group 11, Crosslink Capital, and Innovation Endeavors. In January 2018, HomeLight announced a partnership with Yelp to add data from HomeLight's algorithm to Yelp's Home Services listings. In July 2019 HomeLight acquired Eave, a digital mortgage startup.
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The Dodge House is located southeast of downtown Council Bluffs, on the east side of 3rd Street, between 5th and Fairview Avenues. It is a large and rambling three-story brick building, designed by W.W. Boyington of Chicago and built in 1869 at a cost of $35,000. It has a mansard roof with a modillioned eave, pierced by dormers with eared and rounded tops. Most windows are tall and narrow, with segmented- arch tops, some of which have decorative stone hoods.
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All of these repairs made possible the installation of a period-correct slate roof in 2016. The cornice below the slightly projecting eave is plain and unadorned with painted wood molding. As the brick gutters run on the ground, roof gutters are unnecessary and copper gutters span the entrances only. On each side of the roof are three small and evenly-spaced pedimented gable-roofed dormers, sided with beaded clapboards, and containing a double hung-wooden sash window with four-over-four panes.
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Lloyd Presbyterian Church is a historic African-American Presbyterian church located at 748 Chestnut Street in Winston-Salem, Forsyth County, North Carolina. It was built between 1900 and 1907, and is a gable-front, rectangular frame church in the Carpenter Gothic style. It is sheathed in weatherboard and features lancet windows and a small frame steeple, with a bellcast spire and ornamental sawn eave brackets along the top of the tower. It was listed on the National Register of Historic Places in 1998.
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The Foster House is a historic house at 303 North Hervey Street in Hope, Arkansas. The two-story wood frame house was designed by Charles L. Thompson and built c. 1912. It is a fine local example of Bungalow/Craftsman style, with flared eaves and a full-length front porch supported by box columns, which are, in a Thompson signature, clustered in threes at the corners. The porch roof, dormer, and eave have classic Craftsman features, including exposed rafters and brackets.
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There are unique pen works left in the pendants and dome of the library. It is located at the corner of the courtyard wall to the south of the mosque; It was built in 1816 according to the inscription on it. The structure, which is handled with cut stone material, is covered with a wide eave flat onion dome and has three sections. The entrance hall, which is passed by the low arched door, is connected to the main room.
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The Nash House is a historic house at 409 East 6th Street in Little Rock, Arkansas. It is a two-story wood-frame structure, with a hip roof and weatherboard siding. The main facade is divided in two, the right half recessed to create a porch on the right side, supported by a pair of two-story Ionic column. The roof has an extended eave with modillions, and a hip-roof dormer projects to the front, with an elaborate three-part window.
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The Barnes House is a historic house at 183 Pine Street, Quincy, Massachusetts. The 2-1/2 story house was built in the 1870s, and is a fine local example of Italianate styling. It is three bays wide, with the first floor left bays taken up by a large projecting bay with four sash windows and a bracketed eave. The windows on the second floor have bracketed cornices, and the front entry is sheltered by a decorated porch with turned posts.
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The entablature has a wide cornice formed by a projecting eave which aligns with the remainder of the building, and the pediment has the name CAIRNS CITY COUNCIL and is surmounted by an acroteria at the apex. The pronaos has three doorways opening to the foyer. Each doorway has expressed architraves, the lintel of which projects from the wall face and is supported by scrolled brackets. The original doors have been replaced with aluminium framed glazed doors, however the leadlight fanlights survive intact.
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The Mahavira Hall has double-eave hip roofs () covered with yellow glazed titles, which symbolize a high level in Chinese architecture. Under the eaves is a plaque with the words "Fuhai Zhulun" (; Fuhai means the western paradise and Zhulun means a big ship.) written by Qianlong Emperor (1736-1795) in the Qing dynasty (1644-1911). On each end of the main ridge is a giant glazed Chiwen with colorful glaze and vivid style. It was made in the Yuan dynasty (1279-1368).
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Manjusri Hall, built in 1137 On the north side of the temple courtyard is the Manjusri Hall (文殊殿). It was constructed in 1137 during the Jin dynasty and is roughly the same size as the East Hall, also measuring seven bays by four. It is located on an 83 cm (2.7 ft) high platform, has three front doors and one central back door, and features a single-eave hip gable roof. The interior of the hall has only four support pillars.
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The Old Farm Schoolhouse is located in southeastern Bloomfield, at the northwest corner of Park Avenue and School Street. It is a two-story brick structure with a hip roof and an open octagonal belfry topped by a cupola. Its main facade is five bays wide, with the main entrance in the rightmost bay. The upper floor windows butt against the plain eave, while those on the first floor are topped by headers made of soldier bricks set at an angle.
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Historically, windows are designed with surfaces parallel to vertical building walls. Such a design allows considerable solar light and heat penetration due to the most commonly occurring incidence of sun angles. In passive solar building design, an extended eave is typically used to control the amount of solar light and heat entering the window(s). An alternative method is to calculate an optimum window mounting angle that accounts for summer sun load minimization, with consideration of actual latitude of the building.
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The House at 23–25 Prout Street in Quincy, Massachusetts, is a well-preserved local example of worker housing for people employed in the local granite industry. A fine example of a "Quincy Cottage", it is a 1-1/2 story wood frame structure with clapboard siding and a side gable roof. It has a projecting gabled entrance vestibule, and twin shed-roof wall dormers, both of which are detailed with decorative wooden shingles. The front roof eave has Italianate brackets.
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The Howell-Garner-Monfee House is a historic house at 300 West Fourth Street in North Little Rock, Arkansas. It is a 2-1/2 story brick structure, with a wide gable roof pierced by gabled dormers. A single-story porch wraps around the east and north sides, with brick posts and a dentil course in the eave. The main entrance is flanked by pilasters and sidelights, with a distinctive transom window that has semi-circular sections joined by a straight section.
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A flat semicircular roof covers the main entrance portico on Franklin. Its wide overhanging eave, with another red cornice at the roofline, is supported by several dual steel flat-plate brackets extending to the ground. The entrance doors are aluminum and glass, set in a wall of square glass panels. The rear entrance is a smaller portico faced in rusticated stone with a red cornice, flat roof, and single door in a similar glass treatment with light fixtures flanking its upper corners.
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The Bradford Peck House stands on the west side of Main Street, roughly north of downtown Lewiston, an area that was historically a fashionable residential area. It is a 2-1/2 story clapboarded wood frame structure, with a hip roof topped by a flat balustraded widow's walk. Its asymmetrical massing and projecting elements are reminiscent of the Queen Anne style, but the details are essentially Colonial Revival in character. The roof line has a modillioned eave, and the building corners are pilastered.
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The Woodruff House stands east of downtown Southington, on the south side of Berlin Street (Connecticut Route 364) between Pleasant Street and Butternut Lane. It is a 1-1/2 story wood frame structure, with a gable roof, central brick chimney, and clapboarded exterior. Its front facade is five bays wide, with corner pilasters rising to an entablature that runs beneath the eave. The centered entrance is flanked by sidelight windows and pilasters, and is topped by a corniced entablature.
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The 1914 Italianate-Neo-Romanesque original building in 1922 Designed by Toronto architects Frank Darling and John A. Pearson, the architectural style of the original building (now the western wing) is a synthesis of Italianate and Neo- Romanesque. The structure is heavily massed and punctuated by rounded and segmented arched windows with heavy surrounds and hood mouldings. Other features include applied decorative eave brackets, quoins and cornices. The eastern wing facing Queen's Park was designed by Alfred H. Chapman and James Oxley.
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Starting with the second edition in 2010, the PriFilmFest launched a co-production group called PriFilm Forum. It consisted of seminars, workshops, and discussions designed to connect Kosovar filmmakers with those in neighboring countries. The two-day workshop in 2010 brought together filmmakers from Kosovo, Albania, Macedonia, Montenegro and Serbia; they listened to presentations from co-production professionals, including EAVE (European Audio-Visual Entrepreneurs), Medienboard (German Film Fund), and Robert Bosch Stiftung. Producers and filmmakers from Bosnia, Croatia and Bulgaria shared their experiences.
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The roof eave extends eight feet (2.2 m) over the elevated platform to shelter handlers while loading and unloading freight. It is supported by brackets and has decorative vergeboards at the north and south gable ends. The brick itself has segmented pilasters between the bays and some corbeling. Before its conversion into a museum, the interior of the building retained much of its original trim, including the cement floor, wainscoting, exposed trusswork ceiling and reed molding and bullseye corner blocks around the doors.
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Lake Waccamaw Depot is a historic train station located at Lake Waccamaw, Columbus County, North Carolina It was built about 1900 by the Atlantic Coast Line Railroad, and is a one-story, Stick Style frame building with board-and- batten siding. It features shaped eave brackets, gable braces, and a long low slate covered gabled roof. The building was moved to its present location in 1974. Also on the property is the contributing a rectangular board-and-batten covered Section House.
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The main block of the house is a two-story, five-bay structure of hand-hewn heavy timber frame on a foundation of concrete and stone. It is sided in weatherboard and topped with an asphalt side-gabled roof with slightly overhanging eave pierced by two brick chimneys. There is a projecting rear wing with extensions. A wraparound porch with wooden guardrail and a flat roof supported by round wooden columns runs the length of the west and south elevations.
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There were originally jigsawn brackets in the main roof eave, but these have been apparently been lost (see photo). The house was built about 1908, when the lower western portion of Vernon Hill was being densely developed with triple deckers as a working-class residential area. Patrick McGuiness, its first owner, was an absentee landlord, who rented the units to Irish and Scandinavian immigrants. By the 1920s, the area had become more mixed, with tenants of Polish and Lithuanian extraction.
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An extension of a gable roof wherein the ridgeline is extended at the peak of the gable creating an angled eave elongated at the ridge is known as a prow or "winged" gable. This roof detail could occur on a forward facing prow but is most commonly found on the end gables of ranch houses and other mid-20th century designs. It added additional shading and rain screening at the gable, but was used mostly for the "modern" styling it evoked.
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The porches have turned posts with brackets at the top, and square balusters. The main roof has an extended eave adorned with simple scroll-sawn brackets. The building houses three units, each of which retains original woodwork and other features. with The Elm Street area was already developed by 1875, but became progressively more densely built in the early 20th century, as single-family houses and their outbuildings were either converted into tenements or demolished to make way for them.
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The S.A. Hall House is an historic house located at 147 North Main Street in Uxbridge, Massachusetts. It is a story wood frame structure, with a cross- gable roof, clapboard and wood shingle siding, and a granite foundation. A three-story square tower stands in a crook at the front of the house, topper by a pyramidal roof with a flared edge and bracketed eave. It has decorative cut shingle work in the gables and in bands between the levels.
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The Kent Street Building is a two- storeyed cement rendered brick building with a hipped corrugated iron roof. The symmetrical south facade, to Kent Street, has corner pilasters, a protruding central bay and mouldings including window surrounds, eave brackets and a heavy cornice between floors. The first floor has a central sash window with an arched sash window to either side. The ground floor has a metal street awning with a skillion roof and timber trim, and timber framed glazing and doors.
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According to the Oxford English Dictionary, eaves is derived from the Old English (singular), meaning edge, and consequently forms both the singular and plural of the word. Eaves. def. 1a. Oxford English Dictionary Second Edition on CD-ROM (v. 4.0) © Oxford University Press 2009 This Old English word is itself of Germanic origin, related to the German dialect Obsen, and also probably to over. The Merriam-Webster dictionary lists the word as eave but notes that it is "usually used in plural"..
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The First Minister's House stands in a residential area east of downtown Gardner, on the east side of Elm Street at its junction with Bond Street. It is a 2-1/2 story wood frame structure, with a hip roof, two interior chimneys, and a clapboarded exterior. The main facade is five bays wide, with windows arranged symmetrically about the center entrance. The building corners are finished in wooden trim that resembles quoining, and the main eave is lined with modillion blocks.
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It is simply trimmed, and is connected via a wooden ell to the 1903 jail. That building is a basically cubical masonry structure, two stories in height, finished in brick with granite trim. It has a hip roof with an elaborate corbelled eave. The county complex was built in 1886, following a decision by the state legislature to move the seat of Orleans County from Irasburg, centrally located but isolated and agrarian, to the bustling lakefront and railroad-supported town of Newport.
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On top of the wooden vertical columns in the front of the temple are typical Japanese 3-on-1 bracket complexes. These bracket complexes are what support the horizontal beams above them. The three part eave on the front of the temple is a stylistic trait of the Amida Halls. The middle section of the temple's exterior makes the temple look as if it is more than one story; however, due to the style of Amida Halls it is most likely just a mokoshi.
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The building was added to the National Register of Historic Places in 1975. Its significance is due to three reasons: its excellent architecture and engineering design, as an expression of Baroque influence in church architecture; an example of the history of religious movements in Minnesota; and its place as the first basilica in the United States. The foundation of the church is of Rockville granite. The walls are built of white Vermont granite, with a height of from the floor to the eave-line.
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The George Thorndike House stands on the east side of SR 73, north of the village center of South Thomaston, part of a row of late 19th-century houses. It is a 2-1/2 story wood frame structure, with a hip roof topped by a large square belvedere. The walls are sheathed in flushboard that has been scored to resemble stone, and was originally painted with sand-impregnated paint to reinforce the illusion. The building has quoined corners, and a deep eave studded with paired brackets.
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The New Bedford Fire Museum is located south of downtown New Bedford, at the northwest corner of South 6th and Bedford Streets. The former fire station it is located in is a two-story brick building, constructed in 1867 and enlarged in the 1880s. Its most prominent feature is the hose tower, which has bricked-over rounded-arch openings and a hip roof with a flared eave and corbelled brick cornice. The original portion of the station has two equipment bays, with paneled doors and granite frame.
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Most doors and windows are set in segmented-arch openings, and there is a round window at the center of the front gable. The building corners are adorner with brick pilasters, and a line of brick corbelling is set under the roof eave. The station was built in 1894, and was the second permanent home for the Globe Village Fire Company, which had been founded in 1832. The first building for this company was built in 1860, and stood on the north side of Main Street.
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The Barker Octagon House is set on Worcester's east side, on the east side of Plantation Street a short way south of Massachusetts Route 9. The house is two stories in height, with a low-pitch octagonal hip roof with a deep eave supported by paired decorative brackets. The walls are finished in stucco, and it has simple pilasters at the corners, giving the wall faces a paneled appearance. A Colonial Revival porch shelters the front entry, its four Tuscan columns supporting a shed roof.
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The frieze it sets off features a large semi-circular cross-gable set with a round-arched single-pane casement window in paneled stone trim. At the top of every bay except those on the pavilion and bay window is a recessed elongated oval oculus set in stone trim. The roofline is marked by a wide overhanging eave with another molded cornice. The main entrance has two sets of double doors set in a segmental-arched entryway topped with a drip mold, similar to the windows.
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The building's hip roof features overhanging eaves, an element common to Prairie style architecture. The entire structure rests upon a stepped, limestone water table. The main feature of the front facade, besides the octagonal towers, is the 20 ft (6.10 m) X 20 ft, one-story sun porch projecting from the building. The sun porch has a low-pitched hip roof with an eave that projects over the front door, which is centered on the porch and flanked by two pairs of casement windows.
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The main roof eave is adorned with brackets and a band of jigsawn picket fence woodwork. The main facade is three bays wide, with the entrance at the center, were a gable is set above the porch stairs. An early 20th-century garage is located at the back of the property. The house was built in the late 1870s for George Barker, the son of Henry Barker, owner of some of the largest of Quincy's granite quarries, whose own house also stands on Greenleaf Street.
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The building corners feature wide pilasters, and the roof eave is studded by regularly spaced decorative brackets. A single-story addition extends to the left side, with a porch across its front. The house was built in about 1843 by Eber Sherman, son of William Sherman (whose farm lay adjacent, and has a similar house), around the time he purchased his father's farm, then over . It lay in a part of Williamstown that was transferred to North Adams as part of a municipal boundary adjustment in 1900.
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The Hapgood House is set on the east side of Treaty Elm Lane, a rural residential dead-end street in central Stow, near a stream that descends to the Assabet River. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, large central chimney, and clapboard siding. A leanto section was added to the rear, giving the house a saltbox profile, and an ell extends to the right. The front eave is deeper than is typical for the period.
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The Plimpton–Winter House is a historic house in Wrentham, Massachusetts. This two-story wood frame house, built in 1868, is Wrentham's finest Italianate house. It has the boxy shape and low hip roof with bracketed eave, elements that are typical of the style, along with a front entry porch with bracketed cornice and balustrade above. Its first owner, Francis Plimpton, was president of the First National Bank of Wrentham for forty years, and its second owner, Murray Winter, was co-owner of a local factory.
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The two-story stone building housed a co-op store on the ground floor and a meeting hall on the upper level. In 1888 the Sanpete Stake Academy was established, using the meeting hall for classes; it became Snow College in 1917. The front of the building is clad in white oolitic Sanpete limestone on the front with coarser building stone on the other elevations. A steeply-pitched roof runs from front to back with bracketed eaves and eave returns over the three-bay front elevation.
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The central block is five bays wide, with a centered entrance framed by a Classical surround with a broken gabled pediment above. The building's corners are quoined, and there are bands of stone trim at the water table and the eave. The interior is divided into a front lobby, which extends across most of the front, a postmaster's office (occupying the rest of the front), with a large work area and loading dock behind. The lobby area has terrazzo marble flooring and marble wainscoting.
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The building had a romantic brick facade with double-height rooms on the second and third floors, step-out balconies, and a projecting pent-eave roof. While the building no longer exists, it did represent an intriguing collaboration between the preeminent architecture firm and one of the leading sculptors of wildlife of the day. From this studio in 1922 Proctor completed a model of an equestrian statue of Theodore Roosevelt. The sculpture was commissioned by Henry Waldo Coe, a long-time friend of both Roosevelt and Proctor.
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The Mission Chapel is an historic church at 205 Summer Street in Worcester, Massachusetts. A rare example of the early Victorian Norman (or "Romanesque in panel") styling, it was built by Ichabod Washburn in 1854, and is one of the city's oldest church buildings. The exterior side walls are divided into bays separated by piers which rise to a layer of corbelling, with a second layer of corbelling just below the eave. The main facade is divided into three bays, with arched windows in the gable.
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On the roof are five chimneys, one at each corner and one in the back ell with a slightly flared edge of corbels at the top, and a recessed panel in the center face. The front, or south elevation, has a center hipped wooden porch with steps. The porch has a spindled handrail, wooden posts and deck, and small brackets under the eave. The main entrance is centered with a single transom and has a Greek Revival feature of a wide trim piece over the doorway.
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A central projecting section with a hip roof has an extended eave with modillions, and windows with diamond lights. The left side of the main facade has a roof line that descends to the first floor, with a bell-shaped gable dormer. A Colonial Revival entry porch projects from a left- of-center position; it is enclosed in paned glass, but has square corner pillars. The land on which the house stands was in the early 19th century part of the Bright family estate.
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The east eave-side of the barn has an entrance off-centered towards the north through a hinged pass- through door and appears to have originally at least two window openings towards the south as suggested by the markings on the siding. The north gable- end of the barn has two six-pane windows with trim at the first floor level. The gable attic lined by fascia board is separated from the rest of the gable- end by a distinct dropped girt siding divide line.
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The Colonel Joshua Huntington House is located in Norwichtown, one of the early settlement areas of Norwich, on the east side of Huntington Lane. It is a 2-1/2 story wood frame structure, five bays wide, with a gambrel roof, twin brick chimneys, and clapboard siding. Its main entrance is flanked by pilasters and topped by a transom window and gabled pediment. Windows on the ground floor are topped by a corniced lintels, while those on the upper floor butt against the eave.
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The Norfolk Grange Hall is set on the east side of Rockwood Road (Massachusetts Route 115), a short way north of Norfolk's village center. It is a single-story wood-frame structure, with a front-facing gable roof, clapboard siding, and a granite foundation. The center section of the front (west-facing) facade projects slightly, and supports a two-stage tower topped by a flared roof. The building's corners are quoined, and the front gable is fully pedimented, with modillions at the rake and eave edges.
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The Norton House is located in a residential area in southeastern Branford, on the northeast side of Pine Orchard Road south of Birch Road. It is a 2-1/2 story wood frame structure, with a side gable roof covered in wooden shingles, central chimney, and clapboarded exterior. The main facade is three bays wide, with sash windows placed symmetrically around the center entrance. The window and door openings, as well as the building corners, are simply trimmed, with the second story windows butted against the eave.
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The Charles Miles House is located in Worcester's northeastern Brittan Square neighborhood, on the east side of Lincoln Street (Massachusetts Route 70) at its corner with Forestdale Road. It is a two-story wood frame house, three bays wide, with a hip roof and modern siding. A single-story hip-roofed porch extends across its front facade, with square posts rising to arched openings. The porch roof eave is lined with dentil moulding, a detail repeated in a projecting polygonal window bay on the right side.
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The western elevation has a central projecting gable, to which the verandah is terminated, with the kitchen wing projecting to the north. The rear of the building has enclosed verandahs, and a large single-storeyed addition on the northeast. The roof has timber eave brackets and a central ventilator, and the projecting gables have timber finials and diagonal boarding over pressed sheeting. The verandahs have timber posts with timber capitals, timber handrails and cast iron balustrades to the projecting bay sections and entry, and cast iron brackets.
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Built sometime between 1850 and 1860, the 1½-story vernacular stone house features a symmetrical, three-bay- wide, facade on the eave side, and a single-story wing in the back. While one of the very few stone buildings in Sabula, it is an example of the common type of stone house found in Jackson County. with John S. Dominy, who is associated with this house, built the first blacksmith shop in town. The person who designed and built this house is not known.
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Will's artistry brought refinement to every level of planning, engineering and detail of the Cape Cod model. They were low to the ground, with eaves just above the windows, and surmounted by an outsized central chimney (a Wills hallmark). The roof pitch ranged from , vertically, in a run. The sash was made up from 24 to 36 individual lights, and clapboards graduated from a 2-inch exposure at the foundation, to a typical 4-inch exposure from the top of the window sill to the eave.
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The entrance is a pair of paneled doors, each with frosted windows framed by a bracketed cornice. The exterior of the house was originally more elaborate: the main roof eave was bracketed, the porch balustrade had turned balusters, and the window bay had bands of decorative cut shingles between the floors. These features have been lost or obscured by the application of modern siding. The house was built about 1890, serving as worker housing for people employed either in the nearby railroad yards or factories.
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The Evarts- McWilliams House is located in a rural area of northwestern Georgia, on the east side of Georgia Shore Road a short way north of its junction with Mill River Road. It is a 2-1/2 story wood frame structure, with a side gable roof and clapboarded exterior. The main facade is five bays wide and symmetrical, with the centered entrance framed by engaged Tuscan columns supporting an entablature and cornice. The main eave line is decorated with a band of modillions.
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The former Jonesville Academy building stands south of the now-rural village of Jonesville, on the south side of the Winooski River at the junction of Cochran and Duxbury Roads. Oriented facing west to Cochran Road, it is a two-story wood frame structure, with a gabled roof and clapboarded exterior. A square tower projects slightly from the front facade, rising to a pyramidal roof with a broad eave. The main entrance is at the base of the tower, sheltered by a heavy Italianate hood.
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The houses at 364 and 390 Van Duzer Street are two historic homes located in the Stapleton neighborhood of Staten Island in New York City, located about a block apart from one another. 364 Van Duzer Street is a -story, clapboard- covered frame house with a gable roof. It features a tetrastyle portico with 2-story, Doric order columns rising to an overhanging spring-eave, unusual on a Greek Revival house and more characteristic of Dutch Colonial architecture. This hybrid style is indigenous to Staten Island.
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The John Hollister House stands on the west side of the village of South Glastonbury, on the north side of Tryon Street (Connecticut Route 160) just west of Roaring Brook. It is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. Its front facade is five bays wide, with a center entrance and a slightly overhanging second floor. The roof has a shallow pitch, and has a deeper than normal eave over a simple box cornice.
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The Benjamin Adams House is located north of the center of Uxbridge, on the east side of North Main Street just beyond its junction with Seagrave Street. It is a 2-1/2 story wood frame structure, with a side gable roof and symmetrically placed interior brick chimneys. The exterior is finished in aluminum siding, but retains its five- bay front facade. The main entrance is sheltered by a shallow hip-roof portico, supported by paired paneled square columns, which rise to an entablature and modillioned eave.
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The St. Hyachinth School and Convent are located on Westbrook's north side, on the west side of Walker Street between Pike and Brown Streets. The school is the southerly of the two; it is a 3-1/2 story red brick building with a mansard roof, granite trim and foundation, and projecting gabled pavilions. The roof is studded with gabled dormers, and its eave is lined with large wooden brackets. It is topped by an open octagonal cupola with a slightly curved pyramidal roof.
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The house has very simplified Queen > Anne-style detailing in its milled porch columns and railing which extends > around three facades of the projecting wing. The house has a gable roof of > original metal standing seam, interior brick chimneys, a concrete block and > poured concrete foundation, and exterior of weatherboard siding. On the main > (W), south, and east facades is a two-story wraparound porch. The porch has > a concrete floor, original chamfered wood columns, cut out eave brackets, > and an original milled railing with square balusters.
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The Nathaniel Batchelder House stands in a residential area of northern Reading, on the north side of Franklin Street just east of its junction with Pearl Street. It is a 2-1/2 story timber frame structure, with a side gable roof, two interior chimneys, clapboarded exterior, and stone foundation. Its main facade is five bays wide, with a center entrance framed by sidelight windows, pilasters, and a tall corniced entablature. Its upper-floor windows are set butting against the eave, a typical Georgian feature.
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The tower is capped by a pyramidal roof with flared modillioned eave. left Congregational church activity began in the Winter Hill area as a Sunday School in 1863, and was formally organized as a congregation two year later. The congregation split over doctrinal issues in 1881, with the Winter Hill Congregational Society building this structure in 1890-91, having used an older Carpenter Gothic church before then. It was designed by Hartwell and Richardson, and is one of only a few institutional Shingle style buildings in the city.
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Canal boat building was also an important industry with several dry docks in this inland port. Although the canal is not watered through the village now, one of the system's locks is still extant and several Greek Revival frame buildings date from the early 19th century. The Upwright and Wing house type reflects the extended New England settlement culture. This style is exemplified by the main gable-front two-story section containing a parlor and bedchambers, while the kitchen is located in a perpendicular one- story eave oriented section.
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The Sargent-Roberts House is located on the north side of State Street (United States Route 2), a short way east of Bangor's downtown business district, between Grove Street and Forest Avenue. It is a 2-1/2 story wood frame structure, five bays wide, with a flared mansard roof and matchboard siding. The roof has a wide eave supported by decorative brackets, and has a central bell-shaped gable flanked by segmented-arch dormers. The centered entrance is sheltered by an elaborately decorated portico supported by pillars and pilasters joined by arches.
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The Zeta Psi Fraternity House at Lafayette College is a historic fraternity house located on the campus of Lafayette College in Easton, Northampton County, Pennsylvania. The house was built by the Tau Chapter, Zeta Psi fraternity associated with Lafayette College between 1909 and 1910, and is a 2 1/2 story, nine bay wide, rock-faced granite building with a dormered hipped roof. It features a heavy eave cornice, prominent chimney stacks, and projecting facade pavilions. The interior reflects both Colonial Revival and Arts and Crafts influenced in its design and detailing.
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Attendant's House The attendant's house is a 2-1/2 story wood frame building with a front gable. It was built around 1909 to provide onsite accommodations for plant operators, due to the isolated nature of the site at the turn of the century. Access to the plant at that time was either by an 18-mile wagon road or by a 160-mile, narrow gauge logging railroad. The house has a pedimented front porch and dormers and eave returns on the main gable which suggest a Classical Revival style.
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Cozad–Bates House, is the oldest and only surviving pre-Civil War structure in University Circle, Cleveland, Ohio, located at the Mayfield Road and East 115th Street intersection. It is historically known for its involvement in the Underground Railroad. Abolitionist Andrew Cozad built the house in 1853 for his son Justus L. Cozad, who in 1872 added an Italianate front to the structure. Architecturally, it is a rare surviving example of Italianate- influenced residential architecture in America at that time, which includes a hipped roof, curved bay windows, paired eave brackets, and prominent belvedere.
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The Port Royal House is a historic house at in Chatham, Massachusetts. The two story wood frame house was built in 1863 by Seth Eldredge, a ship's captain. The Italianate villa was reportedly based on a house in Port Royal, Jamaica seen by Captain Eldredge, who acquired its plans and had it copied. It has a low-pitch hip roof whose eave is decorated with paired brackets, the corners have paneled piasters, and a single-story porch extends across the front, supported by fluted columns mounted on paneled piers.
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It is surrounded on the south and west sides by an ornamented parapet incorporating finials and arches, and on the north and east sides by a plain parapet. Below the ornamented parapet runs an eave supported by closely spaced corbels. Projecting from the roof is a centrally located elevator house comprising a square-based tower and projecting wing, and a tower for the freight elevator shaft on the northeast corner. Internally the building consists of series of shops of various sizes on the ground floor and business offices on the first floor.
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The Westfield Whip Manufacturing Company plant is located in an industrial area just north of downtown Westfield, on the west side of Elm Street just south of the Westfield River. The complex is dominated by a 2-1/2 story brick building with modest ornamentation that is ten window bays long and three wide. Windows are set in segmented-arch openings with headers formed out of soldier bricks. The roof eave is adorned with brick corbelling, and the main entrance is sheltered by a Victorian-era porch with turned posts.
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The roof eave is adorned in places with brackets, and in the front-facing gable with bargeboard. A single-story porch shelters the left section of the main facade; it has paneled square posts, a low balustrade, and open-spandrel arches. Windows on the projecting right-side section are separated from each other by decorative wooden paneling. The house was built in 1868 as a wedding gift from Jedidah Marcy to his granddaughter, and was one of the first houses of the early Victorian style to be built in Southbridge.
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The windows and entrance transom butt against an overhang marking the start of the second story, which is separated from the eave by several rows of siding. The interior retains many original features, including fireplaces and fireplace surrounds, cabinetry, wide board flooring, and portions of original (or very old) plaster. It is presumed, based on available documentary evidence and architectural analysis, that this house was built about 1690 by Jonathan Murray, a Scottish settler who arrived in the New Haven Colony in 1685. It is one of the state's small number of 17th-century houses.
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The Nash House is a historic house at 601 Rock Street in Little Rock, Arkansas. It is a two-story wood-frame structure, with a side-gable roof and clapboard siding. A two-story gabled section projects on the right side of the main facade, and the left side has a two-story flat-roof porch, with large fluted Ionic columns supporting an entablature and dentillated and modillioned eave. Designed by Charles L. Thompson and built in 1907, it is a fine example of a modestly scaled Colonial Revival property.
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A band of Vermont marble runs below the eave, incised with the building identification. The former post office lobby space is adorned with murals painted by artist Philip von Saltza. The building was constructed for the federal government in 1938 as part of a New Deal-era jobs program. It was designed by Lorimer Rich, a private architect, working in conjunction with Louis Simon, the supervising architect of the United States Department of the Treasury, and was located along United States Route 7, long a major north-south route to Canada.
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A wooden staircase with a slatted balustrade climbs to the main entrance, in the center of the facade. It is flanked by two six-over- six double-hung sash windows on either side with paneled wooden shutters. The roof's overhanging eave runs the length of the facade. The symmetry of the front is in contrast with the asymmetrical fenestration on the side elevations, with the first floor's two windows on the east facade occupying the middle and northern bays and the upper story windows in the bays not used below them.
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There are three halls and two courtyards at King Law Ka Shuk, which is a traditional Chinese building with a functional design and elegant ornamental features. Geometric plaster mouldings can be found on the roof ridges and wall friezes while for the internal eave boards, patterns of leafy and motifs are used. To support the roof, there are two drum terraces, each having two granite columns, in the front of the study hall. An altar with six levels, which is intricately carved, can be found in the main chamber of the study hall.
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The frame -story building is placed on a low brick foundation of piers with a gabled roof and interior chimneys. A one-story veranda with a shed roof and chamfered posts, runs the width of the house on the riverside and the central dormer has glass doors cut into the eave of the roof and veranda. It is believed the house was built around 1795 and enlarged in the 1820s. The owner in 1863 was Colonel Ephraim Mikell Seabrook who had acquired the property from Dr. William Lowndes Hamilton in 1855.
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The rear of the central section has a skillion roofed verandah, enclosed with multi-paned timber windows above sill height, either side of a central portico. The portico has a parapet with corner pilasters, and an entablature with a wide cornice formed by a projecting eave which aligns with the adjoining verandahs. The pilasters frame a rectangular opening which is flanked by small Tuscan columns. The main roof has bracketed eaves, and narrow leadlight windows are located above the verandah roof, lighting the interior of the Council Chamber behind.
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The Allyn House stands on the west side of Deerfield Road, historically the main road along the west bank of the Connecticut River, in southern Windsor. It is 2-1/2 stories in height, with a side gable roof. Its walls are built out of brick laid in common bond, with differing shapes indicating different periods of construction. Ground-floor openings in the five-bay facade have segmented-arch headers, with the entrance at the center, while second-floor windows are in rectangular openings butting against the eave.
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Above the front door is a wood sign with the name of the church and year of construction. The corner boards on the main building, in keeping with the Greek-Revival style however, terminate at the horizontal entablature wrapping around from the east and west facades, with decorative trim making the appearance of a pilaster cap. The frieze board of the gable then extends up the face of the gable from this horizontal detail. A cove trim piece is located at the juncture of the frieze board and wood soffit of the eave.
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He is a member of the European Producer's Club and, recently was a participant in RISE, (Recontres Internationales Des Scenaristes Europeens). He is also currently a participant in the prestigious Eave programmes for European producers. Deepak won an award for Achievement for his contribution to the Arts, at the House of Commons presented by Keith Vaz MP in 1997. Verma continues to act on mainstream television in the UK. Other notable credits include Holby City (2001); White Teeth (2002); River City (2003); Doctors (2003) and All About Me (2003).
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The Potter Place Railroad Station is located in what is now a relatively rural setting, between Depot Street and the former railroad right-of-way of the Boston and Maine Railroad, now used for the Northern Rail Trail. Depot Street is in part a historical alignment of the main east-west road through Andover, now bypassed by U.S. Route 4. The building is a single-story wood-frame structure, with a hip roof. The roof has long eaves, which are supported by large decoratively carved brackets and feature ornamental carving at the eave.
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The tower has narrow windows (arched in the Gothic style on the second level), with an open belfry topped by a pyramidal roof with flared eave. The belfry openings have arched woodwork and low balustrades. A shed-roof shelter extends across the front of the main facade between the tower and a projecting gabled secondary entrance; the main entrance is in the base of the tower under a bracketed hood. Berlin's Congregationalist congregation first organized in 1836, when a Sunday School was established, and the first settled minister was hired the following year.
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The 2-1/2 story wood frame house was built in 1856, and is a well-preserved local example of high-style Italianate design. It has a low-pitch gable roof, with dentil moulding in the gable eave, and a round-arch window near the apex of the gable. The roof cornice has paired brackets, and the front porch, which extends across the three-bay front of the main block, is supported by square posts with brackets. The house was listed on the National Register of Historic Places on October 17, 1985.
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The White-Baucum House is a historic house at 201 South Izard Street in Little Rock, Arkansas. It is an L-shaped two story wood frame house, with a hip roof extending over two stories of balconies in the crook of the L, giving the building an overall rectangular footprint. It has Italianate styling, with a bracketed and dentillated eave, spindled porch balustrades, and an elaborate front entry in a round-arch surround. Built in 1869–70, it is one of Arkansas's earliest and finest examples of high style Italianate architecture.
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The Abial Cushman Store is located in the rural village center of Lee, just east of Maine State Route 168 on the north side of Lee Road (Maine State Route 6). It is a rectangular wood frame structure, two stories in height, with a side gable roof, clapboard siding, and a full-width single-story porch across the front. The front corners of the building have pilasters, which rise support an entablature across the front below the eave. The front facade has windows in the second level, and a two- part ground level.
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The Benjamin Colton House is located in central West Hartford, south of the town center, on the south side of Sedgwick Road at its junction with Ridgebrook Drive. It is a 2-1/2 story wood frame structure on a brownstone foundation, with five bays and a large central chimney. The main entrance and the windows are simply trimmed, and the second story hangs slightly over both the front and rear, a feature not found on the town's other 18th-century houses. Upper level windows are set close to the eave.
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Buderim House, located on a northern slope of Buderim Mountain, sits amongst established gardens which include a section of the original scrub, to the west of the building, which covered the mountain. The building is a high set timber residence with corrugated iron roof and verandahs to three sides. The corrugated iron roof has a central square belvedere and projecting gables with timber batten panels. The verandah roofs are at a lesser pitch and the belvedere has a ribbed metal, hipped concave roof with finial, curved timber eave brackets and casement windows.
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Above the entrance is a Palladian window with a rounded center that breaks the moulding at the roof eave. The front gable is fully pedimented, with dentil moulding around the edges and a Federal style semi-oval fan at the center. The building is believed to have been built about 1809-10 for Giles Griswold, a merchant; its design has been speculatively attributed to New Haven architect David Hoadley. It has passed through a succession of owners, some of whom operated a tavern on the premises in the 19th century.
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The Garland Grange Hall stands on the west side of Oliver Hill Road, in the rural community's dispersed village center, a short way north of its junction with Maine State Route 94. It is a 2-1/2 story wood frame building, with a front-facing gable roof, clapboard siding, and granite stone foundation. The building's corners are finished with Greek Revival paneled pilasters, with paired Italianate brackets at the top, supporting a broad eave. The front (east-facing) facade is symmetrical, with a central entrance sheltered by a hood with Italianate brackets.
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810 curved alumininum eave cassettes connect the roof to the wall. The pitch is lit by 324 LED floodlights, arranged in 54 groups of six and attached to the columns of the roofing system. There are four large LED screens inside the stadium, the two on the south side are the largest of any stadium in Western Europe. There are also two facade video displays on the outside of the stadium, three tiers of LED ribbon displays inside, and nearly 1,800 video screens in and around the stadium.
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The Wilton Public Library is located near the north end of Wilton's principal downtown thoroughfare, on the east side of Forest Street just beyond the junction of Main Street and Island Street. It is a 2-1/2 story masonry structure, built out of red brick with limestone trim. It is covered by a hip roof whose eave is studded with heavy modillion blocks. The main facade is three bays wide, with a projecting center bay topped by a fully pedimented gable and fronted by four large Corinthian columns.
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"Bargeboard" in A universal dictionary for architects, civil engineers, surveyors, sculptors ... London: Griffith and Farren. It is a sloped timber on the outside facing edge of a roof running between the ridge and the eave. On a typical house, any gable will have two rakes, one on each sloped side. The rakes are supported by a series of lookouts (sometimes also called strong arms) and may be enclosed with a rake fascia board (which is not a fascia) on the outside facing edge and a rake soffit along the bottom.
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A wide box cornice with lookouts Box cornices enclose the cornice of the building with what is essentially a long narrow box. A box cornice may further be divided into either the narrow box cornice or the wide box cornice type. A narrow box cornice is one in which "the projection of the rafter serves as a nailing surface for the soffit board as well as the fascia trim." This is possible if the slope of the roof is fairly steep and the width of the eave relatively narrow.
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The second-story fenestration is simpler, with rectangular windows and terra-cotta sills. Above the portico, the third-story windows are each framed with low-relief pilasters with stylized motifs and a terra-cotta- tiled stringcourse. The attic windows are capped by an additional tiled cornice and painted wood panels below a bracketed eave to the low-hipped roof clad with terra-cotta tiles. Framing the portico are two square, five-story Spanish towers that are simply treated at the lower stories, with curved corners and colossal low-relief pilasters.
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In between the two eaves are decorative miniature towers on pilasters (called Aedicule), with sculptured wall images of Hindu deities and their attendants below the second eave. Being a Vaishnava temple (a Hindu sect), most of the images represent some form of Hindu god Vishnu, his consort and his attendants. There are a hundred and twenty such images. In all there are twenty four sculptures of Vishnu standing upright holding in his four arms the four attributes, a conch, a wheel, a lotus and a mace in all possible permutations.
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The Old First Church occupies a prominent position facing the green in the center of Old Bennington, at the junction of Monument Avenue and Church Lane near the southern end of the green. It is a two-story rectangular wood frame structure, with a projecting entry vestibule and multi-stage tower. The gabled roof has a modillioned eave, and the exterior is finished in wooden clapboards with quoined corners. The entry vestibule is also gabled, with two round-arch entrances flanking a larger central entrance, which is topped by a rounded transom and gable.
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The porches are covered by a truncated hip roof with a deep pediment, and the main roof gable has a square window with original tracery. Features lost due to the application of modern siding include shingle bands between the floors of the projecting window bay, and modillion blocks in the porch's eave. The house was built about 1916, during a major real-estate development phase in the city's southeast. Edna Stoliker, the first owner, was also resident here; early tenants included a teamster, hosemaker, policeman, and railroad conductor.
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Perry Avenue, a predominantly residential street, is located in southeastern Worcester, running parallel to and east of Interstate 290, roughly between Massachusetts Route 122A and Massachusetts Route 146. The four buildings that make up this district are located on the east side of the street, about midway between Seymour and Stone Streets. All four buildings are wood frame structures, three stories in height, and have gable roofs and a combination of clapboard and wooden shingle siding. All have an overhanging front gable that is fully pedimented, with modillions in the eave and raking edges.
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The Marion Battelle Three-Decker is a historic triple decker residence at 13 Preston Street in Worcester, Massachusetts. It is a well-preserved and detailed example of a triple decker with Queen Anne styling. It is built with typical side hall plan, with a hip roof punctured by a gable dormer on the front facade. At the time of its listing on the National Register of Historic Places in 1990, it included detailing such as decoratively bracketed eave, and its turret-like front bay window was decorated with alternating bands of patterned shingles.
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Its entrance on the north side repeats details found in the main entrance, and the second- floor windows are also set in round-arch openings, not as elaborate as those of the original building. Brick pilasters and corbelling at the eave are also features repeated in the addition from the main block. Somerset County was incorporated in 1809 from parts of Kennebec County, with its original county seat at Norridgewock. In 1872 the county seat was formally relocated to Skowhegan, provided that town could provide adequate space for county functions in a timely manner.
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The John S. Vest House is a historic house at 21 North West Street in Fayetteville, Arkansas. It is a two-story brick structure with modest vernacular Italianate and Gothic Revival details, built in 1870 by John S. Vest, a transplanted New Yorker who owned a brickmaking operation. It has a side-gable roof with a front-facing centered cross gable, with an extended eave that has paired Italianate brackets. A single-story porch extends across most of the front supported by Doric columns, some of which are mounted on brick piers.
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The Burpee Farm farmhouse was located in a remote rural setting of southern Dublin, on the north side of Burpee Road, a dead-end lane extending up the eastern slope of Mount Monadnock to the Eveleth Farm. It was a modest 1-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. Its main facade was four bays wide, with an asymmetrical arrangement of three windows around an entrance that is slightly off-center. The door and windows were all set with their tops butting against the roof eave.
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Rollinsford Town Hall is located on the south side of Main Street, at its junction with 4th Street, a few blocks west of the heart of the town's business district. It is a 2-1/2 story wood frame structure, set on a high brick foundation. A four-story tower projects slightly from the northeast corner, capped by a pyramidal roof. Although the building has been clad in vinyl siding, some of its original Victorian trim is still in place, along the main roof eave and that of the tower.
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The word is pronounced with the "long-a" sound, /ˈfeɪʃə/, rhyming with the Japanese word geisha. Specifically, used to describe the horizontal "fascia board" which caps the end of rafters outside a building, which can be used to hold the rain gutter. The finished surface below the fascia and rafters is called the soffit or eave. A soffit is also often installed between the ceiling and the top of wall cabinets in a kitchen, set at a 90 degree angle to the horizontal soffit which projects out from the wall.
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The Robert P. Carr House stands on the north side of Main Street (Maine State Route 125), a short way east of its junction with Center Street and Back Hill Road. It is an L-shaped 2-1/2 story wood frame structure, with a cross-gable roof, clapboard siding, and granite foundation. Its street-facing front facade is two bays wide, with polygonal bays on the first floor topped by bracketed hip roofs. The building corners have paneled pilasters, rising to an eave studded with paired brackets.
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The former Congregational Church of Medway is located in a residential part of the town's main village, on the northeast side of Church Street a short way north of its junction with Main Street. It is set on a level lot adjacent to a cemetery. It is a 2-1/2 story wood frame structure, with a gabled roof, clapboard siding, and granite foundation. The roof has a deep eave studded with paired decorative brackets, and is topped by a three- stage square tower with a steep pyramidal roof.
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Below the roofline is a tall entablature, and an eave decorated with drop pendants. A single-story brick ell, reproducing one destroyed by fire, extends to the south, joining the house to a 20th-century garage. with William Hayden is said to have built the first frame house in what is now Albany, and it is where he raised a son, William, Jr., who went on to become a railroad construction magnate. In 1854 he had this house built by a local contractor, William Steele, using locally sourced bricks.
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The eaves and gable edges are adorned with dentil moulding, and windows in the upper level of the projecting section are set in recessed round-arch openings, a detail echoed by blind arches in the first stage of the tower. Entrances are also set in large round-arch openings on the ground floor. Bands of brick corbelling set off the floors from each other, with another below the eave. with The 1886 jailer's house is a two-story wood frame structure with a gabled roof, and is three bays wide and two deep.
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The Jonathan Dickerman II House is located in northern Hamden, oriented facing west on the south side of Mt. Carmel Avenue just west of the Quinnipiac College campus. It is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. Unusual for a two-story house of this period, the front roof face extends to just above the first floor, and flares outward at the eave. The main facade is five bays wide, with windows arranged symmetrically around the center entrance.
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The Farwell Mill is located in central Lisbon, at the junction of Village and Lisbon Streets and on the western bank of the Sabattus River. It is a large and sprawling L-shaped brick three-story structure. The building is minimally decorated, with corbelling at the cornice below the gable roof, and a four-story tower at the southwestern end whose top level has paired round-arch Italianate windows and a shallow- pitch hip roof with a broad eave. The complex was originally larger, with four-story additions to the south and west, but these have been demolished.
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An original manual semaphore control tower rises through the eave near the center of that facade. with The station's exact construction date is not known, and is assumed to be in the decade following the 1849 introduction of railroad service to the area by the Rutland and Burlington Railroad. The station was first listed as a stop in that railroad's timetables in 1854, suggesting construction of the depot took place in 1852 or 1853. The railroad was in the second half of the 19th century an important transportation artery for both the Burlington area's lumber industry, and the Rutland area's marble quarries.
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Teaching block A (infants school), located fronting Kent Street to the southwest, consists mostly of a series rooms opening off an articulated northeastern verandah. The central section contains the altered original building, and additions have occurred to the northern end with a later school building being added to the eastern corner. The building, a single-storeyed weatherboard and chamferboard structure, has masonry and concrete stumps and corrugated iron gable roofs with large dormer windows and a spire to the central section. Gables have decorative timber eave brackets and fretwork panels, and verandahs have timber brackets and posts with rail balustrades.
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The first Taunton station was constructed in 1866 when the Dighton and Somerset Railroad (owned by the Old Colony & Newport Railway) was opened. Originally to be called Taunton, it was renamed as Dean Street in 1865 (before the station even opened) because of the completion of Taunton Central station across town. The MBTA platform is proposed to be built north of the historic station building The 1876 building, a distinctive brick Italianate structure, is the only surviving railroad station in the city. It has a main hip roof with modillioned eave and corbelled cornice, and a steeply pitched central gable section.
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According to Dalton the Queensland University School of Architecture at his time of study was not engineering nor international style based, instead its approach to design was based on Queensland vernacular architecture. Dalton's senior lecturers at university were Robert Percy Cummings and Bruce Lucas who practised as Lucas and Cummings during the inter- war period. Their houses featured wide-eave hipped roofs, sun hoods over lower storey windows, tightly placed verandahs and room layouts that regarded solar orientation and cross ventilation. Further their houses eschewed traditional vernacular timber ornamentation instead utilising the structural forms as the architectural expression.
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Arben Zharku (born 2 February 1982 in Kaçanik, Kosovo) is an actor and producer from Kosovo. Director of Kosovo Cinematography Center, He is one of the founders and he was the director of SKENA UP International Students Film and Theatre Festival in Pristina. He graduated from the Faculty of Arts of the University of Pristina in 2004, in Acting, and in 2009 he graduated at EAVE (European Audiovisual Entrepreneurs). From 2003-2014 Arben has also been working as a Manager at the Multimedia Centre in Pristina which has the aim to develop contemporary and children's theatre.
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The Wentworth House is located on the west side of Wentworth Street (Maine State Route 103) in the village of Kittery Foreside, shortly after the road makes a sharp turn to the north. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, single off-center chimney, clapboard siding, and a brick foundation. The building corners are pilasters, and the eave has a wide frieze board with paired decorative brackets. The main facade, facing east, is symmetrical, with the center entrance flanked by sidelight windows and narrow pilasters.
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The Joseph Hardy House stands in a rural residential area of eastern Groveland, on the west side of King Street south of its junction with Outlook Drive. It is a 2-1/2 story timber frame structure, with a side gable roof, central chimney, and clapboarded exterior, set back from the road and facing south. The rear roofline descends to the first floor, giving the house a classic New England saltbox profile. Its main facade is five bays wide, with small second-floor windows set close to the eave, and taller 20th-century windows on the ground floor, flanking the central entrance.
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The Hyde-St. John House is located in Hartford's Sheldon-Charter Oak neighborhood, on the south side of Charter Oak Avenue, between the former Temple Beth Israel (now the Charter Oak Cultural Center), and the location of the historic Charter Oak tree. It is a three-story brick structure, basically square in shape, with a flat roof that has a prominent projecting eave supported by brackets placed on either side of the three window bays. Windows on the first two floors are set in rectangular openings with brownstone sills and lintels, while the shorter third-floor windows have rounded tops.
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Tianning Si (Mansion Temple) was established during the Zhou dynasty, and has recently been restored by the Protection and Research Institute of Ancient Architecture of Anyang City, and opened to the public. The main structures within the temple compound include: the gate house, the three-room (8.4 m x 14 m) Hall of the Heavenly King with hanging-eaves over the gables rebuilt in 2002, the slightly larger Precious Hall of the Great Hero (17.8 m x 11.65 m) with single-eave gabled roof originally from the Qing dynasty and rebuilt in 2001, and the Wenfeng Pagoda.
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Tsikhistavi () was a military-administrative official; the governor of castles (military administrative building) or small fortified cities and associated suburbs in feudal Georgia Tsikhistavi in Mtskheta-Mtianeti were governing since the 6th century. On the eave of the 7th century there were two Tsikhistavis, of Ateni and Mukhrani in Tbilisi. At the same time there were two Tsikhistavis in the village of Khada (Mtiuleti). In the document: "List of donations of King Bagrat III of Imereti to the Gelati Monastery" (dated by 1545), the Tsikhistavt-tsikhistavni of Kutaisi and Tsikhistavis of Likht-ameri and Likht-imeri are mentioned.
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The barn swallow (Hirundo rustica ristica) is the national bird of Estonia The barn swallow, the national bird, is a characteristic guest of Estonian homes. Its call can be heard from practically every eave or barn rafter in the country. If the bird finds a suitable opening, under the ridge of a roof or a broken window, it will build its cup- shaped nest; it will even build it inside a house. The choice of the barn swallow as a national bird was mainly the result of a campaign conducted by ornithologists at the beginning of the sixties.
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Swift sits on a unicorn-shaped eave as the dress turns into a waterfall. The word "Lover" in the background was an example of Easter eggs that Swift placed in the video, as it was later revealed to be the album title. The setting of the video seems to be set within a chrysalis. The music video opens with a snake slithering on a floor which then explodes into a group of colourful butterflies, a probable benchmark to note the end of her previous era, Reputation, where snakes were a motif, and welcoming the inception of the upcoming one.
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His latest performance in Dominion-'Seed of Evil', a US television series, aired in September 2015. Deepak has appeared in various theatre shows in the UK as well as training with EAVE in Europe, the film producers' training organisation. Deepak regularly teaches at the actors' centre in London and has a huge amount of experience in leading workshops, including at the Theatre Royal Stratford East and the Tom Allen Centre in London. His company Pukkanasha Films is producing a film version of 'Wuthering Heights', set in India (Rajasthan), originally produced by Tamasha Theatre company in 2009–2010.
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Once used extensively in office buildings, the manually adjustable light reflector is seldom in use today having been supplanted by a combination of other methods in concert with artificial illumination. The reflector had found favor where the choices of artificial light provided poor illumination compared to modern electric lighting. Light shelves are an effective way to enhance the lighting from windows on the equator-facing side of a structure, this effect being obtained by placing a white or reflective metal light shelf outside the window. Usually the window will be protected from direct summer season sun by a projecting eave.
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The light shelf projects beyond the shadow created by the eave and reflects sunlight upward to illuminate the ceiling. This reflected light can contain little heat content and the reflective illumination from the ceiling will typically reduce deep shadows, reducing the need for general illumination. In the cold winter, a natural light shelf is created when there is snow on the ground which makes it reflective. Low winter sun (see Sun path) reflects off the snow and increases solar gain through equator-facing glass by one- to two-thirds which brightly lights the ceiling of these rooms.
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The founding stage begins in the spring when a solitary female (the "foundress") (or a small group of related females) initiates the construction of a nest. The wasps begin by fashioning a petiole, a short stalk which will connect the new nest to a substrate (often the eave of a house or outbuilding), and building a single brood cell at the end of it. Further cells are added laterally in a hexagonal pattern, each cell surrounded by six others. Although nests can achieve impressive sizes, they almost always maintain a basic shape: petiolated (stellocyttarous), single- combed, unprotected, and open (gymnodomous).
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The former Village School is located in Unity's central village, on the north side of School Street, west of its junction with United States Route 202. It is a single story wood frame structure, with a roughly cruciform shape set on a foundation that is built from a combination of stone, brick, and concrete block. Its main block is oriented east-west, with a hipped roof and a gabled front projection that houses the entry and the building's restrooms. The front-facing gable is fully pedimented, and it and the main eave are studded with decorative brackets.
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The Charles Baker House is located one block east of the former Waltham Watch Company factory, at the northwest corner of Adams and Cherry Streets. It is a 2-1/2 story wood frame structure with a cross- gable roof and clapboarded exterior. A gable end faces Adams Street, two bays wide, with a projecting single-story bay window in the left bay, its roof eave with small wooden brackets. The main roof has brackets at the corners, and Stick style woodwork in not just the main gable, but in the gables of smaller roof dormers and the projecting side gables.
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The front entrance is sheltered by a porch whose sections have a similar segmented-arch valances, supported by chamfered square posts. Windows on the second floor have elaborate surrounds with a bracketed sill and gabled hood. The frontmost section of the main block has a first-floor polygonal bay, topped by a turret-like roof with modillioned eave. The house was built for W.W. Fairbanks in 1852 and is the only documented residence in the city to be designed by architect Richard Upjohn, who designed several public buildings and churches in the area during the mid-1800s.
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The arches are finished in brown brick, with a brick stringcourse separating the arches from the porch eave. The school was built in 1897 to a design by Wilson Potter, a well-known New York City architect who had already executed several commissions for Connecticut school districts. The building's relatively high-style architecture is probably due in part to its placement in what was at the time Norwich's elite residential neighborhood. The school exemplified state-of-the-art thinking about school buildings, providing high ceilings with well-lit classrooms, facilities segregated by grade and sex, and indoor plumbing.
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The Free Baptist Church is set on the east side of Great Pond Road, on the northern corner of its junction with Alligator Road. It is the centerpiece of the small community (population 43 in 2011), whose village center stretches for about along Great Pond Road. It is a single-story wood frame structure, with a front-gable roof, clapboard and flushboard siding, and a foundation made partially of cut granite and partially of rubblestone. A gable-roof vestibule projects from the front, with a two-stage tower rising above the vestibule and through the main block's eave.
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The Hamilton House is set at the northeast corner of South and Manning Streets, near the eastern edge of Calais' developed residential area. It is a two-story wood frame structure, roughly square in shape, with a hip roof that is topped at its center by a full-height monitor section. The walls are finished with clapboards and quoining at the corners, and the eave has Italianate brackets. The main facade, facing southeast, has a single-story porch extending across its width, supported by square posts with elaborate bracketing at their tops, and in the cornice of its hip roof.
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The Playmakers Theatre building is located in the northern portion of the UNC campus, on the south side of East Cameron Avenue next to the College of Arts and Sciences, and across Cameron from Old East, also a National Historic Landmark. The building has the form of a Greek temple, built out brick with a stuccoed exterior. At its eastern end is a gabled portico, supported by fluted columns that have Corinthian capitals modified to include ears of corn and leaves of tobacco, two important North Carolina crops. The gable is fully pedimented, with modillioned eave and rake edge.
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Kara Kidman is an Australian writer and broadcaster, specialised in political satire, radio and music. For TV, she wrote for the award-winning series The Chaser's War Against Everything broadcast on the Australian Broadcasting Corporation, the Andrew Denton-produced David Tench Tonight (Network Ten), and the top rating Sunrise programme (Channel Seven). In film, she is currently writing the feature-length fiction screenplay Radio Caroline, which was selected for the European Producers' EAVE workshops in 2008 and graduated with multiple special mentions. Since 1995, Kidman has had articles published in the Sydney Morning Herald, Sunday Telegraph, the Chaser newspaper and jmag .
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The Sesser Opera House is a historic theater located at 106 W. Franklin St. in Sesser, Illinois. The theater was built in 1914 to replace a previous theater, which had been built in 1904 and burned down ten years later. The theater was designed in the Mission Revival style and features a stucco interior, a large arch around the entrance designed to resemble an arcade, and a projecting eave topped with Spanish tiles. The theater was used for plays and vaudeville entertainment, traveling musicians, and showing films; its predecessor was the first theater in Sesser to be built with a projection room.
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Oakfield Station is located adjacent to the railroad tracks formerly of the Bangor and Aroostook Railroad, at the end of Station Street, south of the town's rural village center. It is a single-story wood frame structure, nine bays in length and a single room deep, set on a modern concrete foundation. It has a gable-on-hip roof, where there are half- round windows and exposed rafters in the gable ends. The main facade faces southeast toward the track, with an off-center projecting bay topped by a gable with bracketed eave and lunette window.
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The Old Saco High School stands on the northwest side of Spring Street, on a parcel that extends between Dyer and Bradley Streets, north of Saco's central business district. It is a 2-1/2 story brick structure, basically rectangular in shape, with a side-facing slate gabled roof that has brackets and dentil moulding at the eave. Its main facade, facing Spring Street, is symmetrical, with a central pavilion that rises to a concave mansard roof. The main entrance is set in the base of this pavilion, in a tall round-arch opening articulated by rustic granite quoining.
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She studied literature and philosophy at the University of Padua in Italy, from where she graduated summa cum laude and with an honorary distinction in 1983, supporting a doctoral thesis on indirect free speech in the works of Alexandros Papadiamantis. At the same time she graduated from the in Greece, where she studied film directing. She continued her studies in film directing in Italy at Ermanno Olmi’s Ipotesi Cinema film school with a scholarship from the Italian government, while participating in European Community seminars on scriptwriting, film directing and film production: EAVE (1993), Frank Daniel’s Workshop (1994), Sources (1995), Arista (1999).
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The Seha Sorghum Mill stands on a farm about east of Elysian, Minnesota. It was built onto a low hill, allowing gravity to move the liquid through the various processing stages without the need for pumps. The oldest portion of the building is in the northwest corner, and includes the west-facing main door, three small windows on a south-facing eave, and the evaporator ventilator monitor along the roofline. Various lean-tos and additions have expanded the building, most notably an enclosure for the steam engine and boiler that is topped with a tall pipe chimney.
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The entrance is flanked by narrow pilasters and topped by a transom window and simple corniced entablature. Windows are replacement rectangular sash; those on the second floor are placed in openings that butt against the eave, a typical Georgian placement. The construction date of this house is unknown with certainty; by stylistic analysis it appears to have been built in the mid- to late-18th century, and its chimney is marked with the date that is either 1786 or 1756. Its owner in 1855 was listed as W. Aldrich, who owned a nearby sawmill and gristmill for many years.
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Enrique Nicanor (born 5 December 1944) is a film and TV producer/director, writer and designer best known for his works for public service broadcasting as Director of TVE-2, the Spanish Public TV and the creation of Caponata and Perezgil, the Spanish muppets of Sesame Street (Barrio Sésamo). He began as a designer and film animation Director in Cuba (1959). Based in Paris (1965) and Spain (1967) he was Board member and President of INPUT-TV, The International Public TV Conference and Film trainer at EAVE, The European Producers' workshop and the European Commission Learning Network. Independent producer since 1988.
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In conjunction with the European Audiovisual Entrepreneurs (EAVE) professional training, networking and project development organization, the Dubai International Film Festival in 2010 also began offering to filmmakers the Interchange group of development and co-production workshops earmarked for directors, screenwriters and producers from the larger Arab region. In 2011, the Abu Dhabi Film Festival launched the SANAD development and post-production fund for cineastes from the Arab world. With the goal of encouraging independent and auteur-based cinema, eligible filmmakers now have access to financial grants, screenwriting and pitch workshops, and personal meetings with industry mentors and experts.
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Saint Anthony Hall is located on Gallows Hill, topographically the highest elevation Hartford, just north of the Trinity College campus, on the corner of Summit Avenue and Allen Place. It is a two-story French Gothic Revival building finished with a facade made of quarried New Hampshire granite laid in random courses. Externally, it appears to be rectangular structure with a rounded apse at one end and a steeply pitched hip roof. Prominent features include round towers, one tall and the other short, at two corners of the building, each topped by a conical roof with flared eave.
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Kirtimukha decoration at Kasivisvesvara Temple at Lakkundi The Jain Temple, Lakkundi marked an important step in the development of Western Chalukya outer wall ornamentation, and in the Muktesvara Temple at Chavudayyadanapura the artisans introduced a double curved projecting eave (chhajja), used centuries later in Vijayanagara temples. The Kasivisvesvara Temple at Lakkundi embodies a more mature development of the Chalukyan architecture in which the tower has a fully expressed ascending line of niches. The artisans used northern style spires and expressed it in a modified dravida outline. Miniature towers of both dravida and nagara types are used as ornamentation on the walls.
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The Stephen Hall House is a historic house at 64 Minot Street in Reading, Massachusetts. The 1-1/2 story wood frame house was built in the 1850s, and is one of Reading's best examples of Gothic Victorian residential architecture. It has board-and-batten siding, long and narrow windows, and a central projecting gabled overhang with Gothic arched windows and a deep eave with brackets. Although it appears to be a near copy of a design published by Andrew Jackson Downing, its plan was apparently copied from a house in Wakefield, and is lacking some of Downing's proportions.
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This is one of three houses in the Bellevue area that feature elements of the Gothic Revival style; Spring Side and the House at 505 Court Street being the other two. with The 2½-story house features coursed cut stone block with dressed stone lintels, a three bay facade on the eave side, and a projecting front gable. Another element that differentiates it from the other stone house's in the county are the long windows in the formal rooms. It appears like it may have originally had a wraparound porch on the south and east sides of the structure, however there are no records showing the existence of a porch.
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The base stones, uniquely carved with lotus petals, of the kondō reveal a 3x2 bay central core or moya and unusually narrow side bays. The base stones of the 8x4 bay lecture hall include holes bored for swing doors. The precinct itself extended 22 bays east to west, some eighty-four metres between the outer walls. In the 1982 phase, at a depth of 2.2 m, a large number of tiles were discovered from the site of the east corridor, including circular eave-end tiles of the "Yamada-dera type", deeply moulded, with eight double lotus petals and a ring of six seeds around the centre.
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Rooftop, 2015 Entrance, 2015 Oakwal, a single- storeyed sandstone residence on the crest of a hill just north of Breakfast Creek at Windsor, is encircled by Bush Street. The building exhibits a Georgian influence in its design, such as the symmetrical east elevation with portico, hammered stone walls, paired square timber verandah posts and louvred shutters to French doors. The building has a slate U-shaped gabled roof with four sandstone chimneys, western gabled parapets, a central box gutter and lower skillion roof verandahs to the south, east and north with paired timber eave brackets. The entrance portico has a timber pediment with sandstone steps and base.
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69 Farmington Avenue was located on the south side of Farmington Avenue, between Flower Street and the main building of Aetna's corporate campus, an area now occupied by parking lots that are part of that campus. The house was two stories in height, built of brick and covered by a flat roof with an extended eave in the Italianate style. Second-floor windows were framed by Italianate hoods with drip moulding brackets supporting gabled pediments, an echo of decorations that probably also originally adorned other windows. A modern single-story porch extended across the front facade, sheltering ground-floor windows that were elongated in the Greek Revival style.
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Swift is then seen walking to the lobby accompanied with several thunderclouds, one of which is in the form of a snake that tries to swallow her up but turns to dust upon doing so. The video cuts to a scene where a suit-clad Swift dances with her backup dancers, who are holding office bags. Urie looks out onto the street from the apartment and jumps down the balcony on an umbrella Mary Poppins-style wearing a floral print suit. He lands on the roof of a building with a unicorn-shaped eave, where Swift is seen sitting at the edge with a pink dress that turns to a waterfall.
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The northernmost bay reflects the front corner, as both edges of the bay have limestone quoins, and above this bay is the elevator penthouse. The Franklin Street (side) facade on the west is nearly identical to the east facade except that the rear six bays of the third floor extend up above the pitched roof to allow for the additional height of the courtroom. The cornice at the eave line extends across this facade, and at the top of this section is a parapet. The Catherine Street (rear) facade reflects the complexities of the building's plan in that the ends of the U-shaped third floor face the rear.
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The three main chimneys are irregularly placed in the upper roof hips, and are given a strongly arts and crafts flavour, the stacks being tapered and clad in roughcast stucco, then topped with long, tapering terra cotta pots. There is a fascia and boxed eaves to conceal rafters at the roof edges, and the eave soffits are boarded and raked at the same angle as the roof above. To the west elevation a projecting bay with tall sash windows to the angled faces are of face brick with contrasting, terracotta coloured brick quoins. Immediately behind there is a side access door to the stairhall and thus to the former quarters.
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A section of the wharf in front of the office building is recessed, with stairs down to a lower deck for smaller craft to berth. The Sheds (Nos 2, 3, 4 and 5) The sheds are single storeyed timber framed structures with corrugated steel gable roofs with deep eave overhangs on the northern and northeastern sides. The No. 4 shed has a double gable roof, and is the longest of the group. The sheds have corrugated steel cladding to walls, with large sliding timber doors to the ends of some of the sheds, and openings facing the river which originally provided access from the wharves.
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The Broad Brook Company complex was once the industrial center piece of Broad Brook village in northeastern East Windsor. Set astride Broad Brook west of Main Street, the company complex consisted of eighteen buildings of stone and wood, built over a period of over a century. One of the most prominent of those buildings still stands: the main mill building, it is a handsome 4-1/2 story structure with Italianate style built in 1867 and enlarged in 1880. Its facade is divided into bays defined by recessed panels, with stone corbelling at the top of each panel, some of the window sills, and the roof eave.
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There is modest Romanesque brick corbelling at the eave. The main entrance is set in a 1916 brick stair tower at the northwestern end of the building. Biddeford's textile mills saw an influx of both Irish and French Canadian migrants in the mid-19th century, resulting in the establishment first of the predominantly Irish Roman Catholic parish of St. Mary's, and then in 1870 of the establishment of St. Joseph's, which catered primarily to the French Canadian Catholic population. Parochial education first began in the basement of the St. Joseph's church, and the present school was built in 1888, to a design by Dr. Ferdinand Bernier, a parishioner.
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The Hobbs House is located on the south side of Wells Street (Maine State Route 9), just east of its junction with Elm Street (Maine State Route 4) and west of the Great Works River in North Berwick's village center. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, central chimney, clapboard siding, and a fieldstone foundation. The main entrance is sheltered by a small hip-roofed portico that is a later addition. The building has no significant styling: its upper windows butting against the eave in a typical Georgian fashion, and it has simple narrow corner boards and window trim.
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Segmentally-arched windows on the side elevations conserve a 19th-century form favored by German builders long after straight lintel-headed openings were commonplace in non- German structures. The low-hipped roof with dormer and overhanging eave, however, indicate stylistic influence of the bungalow, as seen nationally in 1920s rural school architecture. A addition to the east end of the school in 1935 provided stage space for the Hanover Dramatic Club. The imperceptible joining of the addition to the school is testimony to the skilled hands of local masons as is the well-proportioned arch which houses a cistern on the south side of the building.
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The House at 107 Waban Hill Road in eastern Newton, Massachusetts is one of the city's finest examples of formal Italianate styling, set high on Waban Hill with The two story wood frame house was built c. 1875, and exhibits the full range of Italianate elements, including an extended bracketed eave, quoined corners, elaborate, heavily pedimented windows, and the shallow-pitch central gable on the flushboarded main facade. The main entrance is sheltered by an arched portico, and the roof is topped by a square cupola with bands of narrow round-arch windows on each side. The house was listed on the National Register of Historic Places in 1986.
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The Simeon Smith House stands in a rural area of far eastern West Haven, on the north side of Main Road, a short way west of its junction with Vermont Route 22A, the principal north-south route in the area. The house is a 2-1/2 story I-house, built of wood, with a gable roof, clapboard siding, and rubblestone foundation. The main facade faces the road to the south, and has a central entrance flanked by sidelight windows and topped by a cornice. Windows are 19th-century two-over-two sash, with flanking shutters, and the roof line has a modillioned eave.
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One-story brick side wings were added to the north and south of the building by T.S. Williams in 1845, with Greek-style end porticoes. The south elevation has a three column Doric portico spanning its width, while the north wing though larger of the two has only a two column portico. The columns at the end of both wings are fluted while the pilasters are smooth, and the Doric entablature and eave treatment match the main block. Each wing is topped by a balustrade with balusters similar in shape to those on the gallery, while the main block's side elevations feature a wooden fan design in the gable peaks.
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The Frederick S. Sanford House is located in a rural residential area west of the village center of Bridgewater, on the north side of Hat Shop Hill Road. It is a two- story wood frame structure, roughly cubical in shape, with a three-story tower projecting from the center of the front facade. Deck sections extend beside the tower and in front of it, with supporting square paneled posts. The tower has round-arch windows in the second and third levels, with a decorative Gothic hood sheltering the second-floor windows, and an extended eave with brackets around those at the top of the tower.
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The building corners have brick quoining, and the eave is adorned with modillions. Most windows are set in rectangular openings with stone sills and splayed stone lintels; those on the ground floors of the end sections are set in blind round-arch recesses. The main entrance is at the center, sheltered by a single-story porch with Tuscan columns and a balustrade on the roof. The hall was built in 1901 to a design by Alexander Wadsworth Longfellow, Jr. It was the first of the quadrangle's buildings to be built, and the first dormitory building at Radcliffe College, representing a major shift in the college's policy from placement of its boarding students in private homes.
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The Stephen A. Race House is a classic Victorian Italianate – built from 1873 to 1874 for Stephen A. Race, one of the founders of Irving Park, along with his brother, Charles T. Race, principal founder and developer of Irving Park. Four stories high, the Stephen A. Race House is composed of red brick contrasted with white limestone and painted wood trim; its style is derived from the villas of Tuscany in Northern Italy, which are characterized by a symmetrical box shape capped by a flat roof. Large eave brackets dominate the cornice line of Italianate houses. On the Race House, these are over-scaled, elaborately scrolled and arranged in pairs – typical of this era and style.
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The vestibule entry is framed by pilasters, which rise to an entablature that extends around the projecting sides, and is topped by a gabled pediment. Windows are 8-over-6 sash on the first floor and 6-over-6 on the second; the latter are set close to the eave in the Federal style. A two-story hip-roof ell projects to the rear, its southern facade a continuation of the main block. The tavern's construction date is uncertain: it has traditionally been claimed to have been built about 1680, but the structure clearly has Georgian styling, and only first appears in town records in 1776, when Isaac Abbot petitioned to operate a tavern.
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Agent Connecticut, also known as Connie or C.T. (Samantha Ireland) was a member of Project Freelancer, a Caucasian woman with brown hair and brown eyes shown to be much more unnerved and anxious about the rankings and missions, along with a wariness as to why they are pushed so far, and especially how the agents are pitted against each other. C.T. eventually defects to the Insurrectionists, romancing their leader and giving classified Freelancer information to him. As the Insurrectionists attack the Freelancer flagship, C.T. escapes with them to a hideout in a shipyard. Once the Freelancers attack, C.T. insists she and the Leader should escape, but he refuses to eave without his teammates.
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The former Cranch School occupies a roughly triangular lot in a residential area of central Quincy, bounded on the south by Whitell Street, the north by Glendale Road, and the west by Maywood Avenue. It is a two-story brick building, rectangular in layout with a projecting central pavilion on the main (west-facing) facade. The two main floors are separated by a granite belt course, and there is a band of corbelled brickwork at the eave below the slate hip roof. The projecting section, two stories with sash windows, is flanked by single-story shed-roofed entrance pavilions, with the entrances recessed under round-arch openings that have a basket-weave brick pattern in the arched section.
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In steel construction, the term purlin typically refers to roof framing members that span parallel to the building eave, and support the roof decking or sheeting. The purlins are in turn supported by rafters or walls. Purlins are most commonly used in Metal Building Systems, where Z-shapes are utilized in a manner that allows flexural continuity between spans. Steel industry practice assigns structural shapes representative designations for convenient shorthand description on drawings and documentation: Channel sections, with or without flange stiffeners, are usually referenced as C shapes; Channel sections without flange stiffeners are also referenced as U shapes; Point symmetric sections that are shaped similar to the letter Z are referenced as Z shapes.
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The Hall-Benedict Drug Company Building is located northeast of downtown New Haven, on the south corner of Orange and Linden Streets in the East Rock neighborhood. It is a 2-1/2 story brick structure, built with load- bearing brick walls and a roof that has a steep mansard facade in front and a slightly sloping shed roof to the rear. The front roof face has modillion blocks at the eave, and is pierced by three dormers; the outer two have gabled roofs, while that at the center has a shed roof. The front facade faces Orange Street, and is asymmetrical, with a glassed storefront at the corner that has a recessed entrance.
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The basement windows are 3/3 sash windows The north side of the ell is a blank brick wall with a single lower level entrance that has a brick stairwell and original beaded door. The north side of the main house has two 6/6 sash windows. The east façade of the house has the front portion to the left with a small center porch which matches the details on the front porch with wooden posts and a spindled handrail. There are small brackets under the eave and lattice covers the area under the porch. The porch is accessed from the two 6/9 sash windows from the front and back room, which reach to the floor.
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134-144 Bourke Street, Melbourne, Australia The Hoyts cinema Centre, designed in 1966 and completed in 1969, is considered unique due to the shape of the building, taking similar traits to an upside down oriental pagoda was seen to be of considerable interest in the local area. In fact the design was based on a structural idea of bracketing each floor out similar to the way in which very wide eave overhangs were created in Chinese and Japanese roofs. This particular building is the largest built project by Peter Muller and was the first 'cinema centre' of its kind in Australia; housing three screens in the complex.National Trust Database; file number B6961, "Hoyts Cinema Centre".
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This work was done according to drawings LV-NP 3004 C & D, designed by G. W. Norgard of the Branch of Plans and Designs, and was a Civilian Conservation Corps construction project. At that time, an engineer's office was added to the second floor, the stairs were reconfigured, a clerk's office was added to the first floor and the Assistant Superintendent's office was expanded. The new east wing had a wood shingled dormer on the south side, and a similar dormer was added to the west wing and the eave extended. The front entrance porch in the north wing was enclosed to expand the lobby and a new stone porch was added to its east side.
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The Jacobson House is set on the west side of New Sweden Road, near the top of what is now called Jacobson Hill. The property includes, in addition to the house, a 1936 gambrel-roofed barn (located southwest of the house), and an heirloom orchard that includes twelve apple trees planted by Pehr Jacobson. From its exterior appearance the house is a 1-1/2 story Cape style structure, with a side gable roof and a central gable-roof dormer that breaks the eave to join the main (east-facing) facade. The facade is three bays wide, with sash windows in the end bays and the dormer, and a replacement bay window in the center bay.
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All but two of the examples below predate Queen Anne. The roof style is also known as a catslide roof – any roof that, on one side, extends down below the main eave height, providing greater area under the roof without an increase in the ridge height. c. 1672 Nehemiah Royce House, Wallingford, Connecticut The earliest saltbox houses were created when a lean-to addition was added onto the rear of the original house, extending the roof line sometimes to less than six feet from ground level. Old weathered clapboards are still in place on parts of the original rear exterior walls of some of the earliest New England saltbox houses (see images).
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It stands out from other Quaker meeting houses in two ways. Since the Orthodox meetings had, like the Amawalk splinter group, generally been the ones to leave and build their own meeting houses, while the Hicksites stayed in the existing buildings, the Amawalk meeting house is a rare meeting house built by a Hicksite meeting. Also, its design shows some of influence of the contemporary Greek Revival style, in the use of clapboard siding below the roof eave on the south (front) facade, creating a frieze. Quaker meeting houses built by the meetings, as opposed to structures adapted for their use, usually shun any architectural influences of their time in favor of a restrained plainness.
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Repeated encounters with international cinema running in local festivals opened a new window and Kamar started exploring the ethos of artistic film-making. After graduating as an Architect, Kamar started his career as a Creative Director to gather in- depth knowledge about audio-visual production. For all the technical skills Kamar explored online and built a basic studio setup of camera, sound, gears and an alternate projection setup on his own. To advance his learning with no film school in the country, Kamar enrolled into programs like Berlinale Talents, European AudioVisual Entrepreneurs (EAVE) workshops (Croatia, Luxembourg and Amsterdam), IDFAcademy Summer School (Amsterdam, Netherlands), Produire au Sud (Nantes, France) and Asian Film Academy (Busan, South Korea).
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The majority of designers of Victorian terraces in Melbourne made a deliberate effort to hide roof elements with the use of a decorative parapet, often combined with the use balustrades above a subtle but clearly defined eave cornice and a frieze, which was either plain or decorated with a row of brackets (and sometimes additional patterned bas-relief). Chimneys were often tall, visible above the parapet and elaborately Italianate in style. Individual terraces were designed to be appreciated on their own as much as part of a row. Symmetry was achieved through a central classical inspired pediment or similar architectural feature, balanced by a pair of architectural finial or urns on either side (though these details were subsequently removed on many terraces).
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Rose Pergola at alt=A open-topped passageway of brick pillars and wooden beams with roses growing around in a garden setting under a blue sky with fluffy clouds A pergola covered by wisteria at a private home in Alabama Arbour, pergola type. A pergola is an outdoor garden feature forming a shaded walkway, passageway, or sitting area of vertical posts or pillars that usually support cross-beams and a sturdy open lattice, often upon which woody vines are trained. The origin of the word is the Late Latin pergula, referring to a projecting eave. As a type of gazebo, it may also be an extension of a building or serve as protection for an open terrace or a link between pavilions.
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Wenfeng Ta (Literature Peak Pagoda) on the grounds of the Tianning Temple is believed to have been constructed in 925 and is known, from inscriptions concerning the reconstruction of the temple, to have been in place by 952. The current pagoda was constructed during the Ming dynasty and received its current name during the Qing dynasty due to its proximity to the Confucian temple. The five-story dark red brick octagonal tower is 38.65m high and is, unusually, larger at the top than the bottom and is topped with a 10-metre Lamaist stupa-style dagoba steeple. The pagoda stands on a two-metre- high stone pedestal and is decorated with multi-eave pent roofs and carvings of Buddhas and bodhisattvas.
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Therefore all seasons shall be sweet to thee, Whether the summer clothe the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy apple-tree, while the nigh thatch Smokes in the sun-thaw; whether the eave-drops fall Heard only in the trances of the blast, Or if the secret ministry of frost Shall hang them up in silent icicles, Quietly shining to the quiet Moon. —"Frost at Midnight" (lines 65–74)Coleridge 1921 pp. 240-242 Frost at Midnight was written in February 1798. It is based on Coleridge's childhood as well as his friendship with Wordsworth, who first exposed Coleridge to the wild beauty of the Lake District.
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Residence in 2015 Ozanam House, a single-storeyed timber building with timber stumps and a hipped corrugated iron roof with cast iron ridge cresting and paired timber eave brackets, is located on a northerly sloping site fronting Roderick Street to the north and bordered by Waghorn and Omar Streets. The building is situated opposite Baines park and has views over Ipswich to the northeast. The chamferboard building has verandahs all round, with the southeast corner enclosed and a kitchen wing at the rear southwest corner. Verandahs have single-skin exposed framed timber walls, curved corrugated iron awnings, curved timber valance and tapered timber brackets, timber dowel balustrades, battened timber skirt between stumps on the north, and timber lattice panels either side of the central entrance stair.
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The eave overhang continues to form a roof for the porch, giving the otherwise symmetrical building, an asymmetrical form as the roof overhangs much further on the southern edge than on the northern. A timber battened panel is attached to the upper section plain barge boards of the gables on the east and west facades of the building. The timber framed church is clad with horizontal timber boards and is slightly elevated on round timber stumps, though these and the cavity beneath the building are concealed with a timber boarded "skirt", which extends to the ground from the floor level allowing only the stump caps to be seen. The eastern facade has two centrally located windows, of slender rectangular openings fitted with leadlight windows.
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On February 21, 1970, at around 4:30 a.m., three gasoline-filled Molotov cocktails exploded in front of the home of New York Supreme Court Justice John M. Murtagh, who was presiding over the pretrial hearings of the so-called "Panther 21" members of the Black Panther Party over a plot to bomb New York landmarks and department stores. Justice Murtagh and his family were unharmed, but two panes of a front window were shattered, an overhanging wooden eave was scorched, and the paint on a car in the garage was charred. "Free the Panther 21" and "Viet Cong have won" were written in large red letters on the sidewalk in front of the judge's house at 529 W. 217th Street in the Inwood neighborhood of Manhattan.
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Sperry Chalet on fire on August 31st Extreme fire conditions prevailed, with high winds and intensively dry conditions assisting the Sprague Fire in expansion to the north and east into heavy fuel zones of older growth forest and dead and dying wood. The fire doubled in size to more than . Firefighters fought fires nearing the Sperry Chalet and were assisted by four helicopters doing water drops, but the fire still managed to circumvent all efforts by the firefighters and gutted the main Sperry Chalet building. On Thursday, August 31, at around 6:10 PM, firefighters observed smoke originating from a roof eave and upon spraying water at the area, a window blew out and fire was seen coming out from inside the structure, indicating that fire had somehow worked its way inside the chalet.
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The Parkhill Mill complex is located west of downtown Fitchburg, on the south bank of the Nashua River east of Oak Hill Road and north of Cleghorn Street. The complex consists of four buildings, three of which are joined in a U shape open to the south; the fourth, the mill's former boiler house, is located just east of these three, oriented north-south and parallel to the eastern leg of the U. Other features of the complex include its original brick chimney stack, and a former railroad bridge spanning the Nashua River. The main mill buildings are four stories in height, and are built out of red brick. Windows are set in segmented-arch openings, and the roof is of low pitch, with a projecting eave adorned with exposed rafters.
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The offset entrance portal with four-panel door and half- porch overhang, six steps higher than the street pavement level, has two bays of twelve-pane sash windows to the left, and one to the right. There are three chimney stacks: one at each gable end and one at eave level between the two left side window bays.Orchard House, Todenham Main Street, Todenham, Google Street View (image date August 2016). Retrieved 7 October 2019 Home Farmhouse Dunsden Farmhouse and barn Packhorse bridge On the west side of Todenham Road just inside the southern road entry sign to Todenham are Phillip's Farmhouse and Wyatts Farmhouse (both listed 1985), closely adjacent. Both are two-storey detached houses of dressed limestone, Phillip's, of rectangular plan, dates to the mid-19th century, and Wyatts, T-plan, to the late 17th to early 18th century.
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The verb eavesdrop is a back- formation from the noun eavesdropper ("a person who eavesdrops"), which was formed from the related noun eavesdrop ("the dripping of water from the eaves of a house; the ground on which such water falls"). An eavesdropper was someone who would hang from the eave of a building so as to hear what is said within. The PBS documentaries Inside the Court of Henry VIII (April 8, 2015) and Secrets of Henry VIII’s Palace (June 30, 2013) include segments that display and discuss "eavedrops", carved wooden figures Henry VIII had built into the eaves (overhanging edges of the beams in the ceiling) of Hampton Court to discourage unwanted gossip or dissension from the King's wishes and rule, to foment paranoia and fear, and demonstrate that everything said there was being overheard; literally, that the walls had ears.
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The staircase in (i) led to a separate private apartment above (i), (k) and (l) and not a terrace. Mau reached this conclusion based on remains of eave gutters. Finds made north of House VI 15, 6 were assumed to be from the upper rooms of the House of the Prince of Naples, most likely from this private apartment. Finds included two glass jugs, two unguentaria, a bronze hinge, a very small bronze figure of Fortuna with a ring in the back to hang as an amulet, a small bronze surgical instrument with an eye in one end and a ball on the other, two paterae with fine ram's head handles, a horse blinker, a bronze circular mirror, the bottom of a terracotta Arezzo cup with trademark foot, a black varnished luminello with ring handle with depictions of three divinities seated at a table, and a bronze cylindrical inkwell.
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The range is of dressed limestone, limestone rubble and tile roofs, with one cottage with some red brick infill in English garden wall bond. The farmhouse and its immediate cottage and the cottage at the right end of the range are of two storeys, with a one-storey residence with stable door entrance and ground to eave picture window between. The farmhouse, at the left of the range, is of three bays, the centre of entrance door and window above, those to the left and right of ground and first floor windows, all stone mullioned of four quartered lights with casements and hood moulds, the ground floor right only being a range of single lights.Home Farmhouse and cottages, off Todenham Main Street, Todenham, Google Street View (image date July 2009). Retrieved 7 October 2019 On the opposite side of the road to home Farmhouse is Dunsden Farmhouse (listed 1960). The rectangular plan detached house, in dressed limestone with limestone slate roof, dates mostly to the late 17th century; a datestone on a rear wing giving 1647.
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In his 1962 memoir, The Evolution of an Architect, Edward Durell Stone wrote: > The site, a barren hilltop, demanded the low horizontal lines of a one-story > house. Mr. Goodyear had a fine collection of modern paintings, and I decided > to have a gallery serve as a "spinal column" from which all the rooms, with > an expansive view to the south, opened, I employed glass walls from floor to > ceiling, the ceilings continuing beyond the walls to form wide sheltering > eaves. As the house faces south, the eaves were adjusted in depth so that > the glass areas were shaded during the summer months, and when the sun was > low during the winter months, its welcoming rays penetrated the house > through the glass walls. Of the house's eaves, he wrote: > Not only is the overhanging eave an important practical consideration, but I > find it aesthetically mandatory on a house with a flat roof, satisfying > visually the desire for certain aspects of the pitched roof so long > associated with residential architecture.
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Hazoumé has said of these works, "I send back to the West that which belongs to them, that is to say, the refuse of consumer society that invades us every day." Jeff Wassmann, an American artist who has lived in Australia for the past 25 years, uses items found on beaches and junk stores in his travels to create the early Modern works of a fictional German relative, Johann Dieter Wassmann (1841–1898). In Vorwarts (Go Forward) (pictured), Wassmann uses four simple objects to depict a vision of modern man on the precarious eave of the 20th century: an early optometry chart as background, a clock spring as eye, a 19th-century Chinese bone opium spoon from the Australian gold fields as nose and an upper set of dentures found on an Australian beach as mouth. Wassmann is unusual among artists in that he does not sell his work, rather they are presented as gifts; by not allowing these works to re-enter the consumer cycle, he averts the commodification of his end product.
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The pedestal adopts the shape of a corridor bridge, echoing the upper colonnade, which reflects the characteristics of the Guangxi veranda. The upper storey adopts a combination of triple eave roofs with different heights, which is lifted layer by layer, reflecting the characteristics of modern Guangxi's “rising by taking advantage of the potential”; the giant pillars on both sides of the north and south entrances are full and solid, supporting the central roof, showing the momentum of the “China South Gate”; the twelve pillars of the two-wing colonnade symbolize the twelve tribes of inhabitants of Guangxi; the branches on the top of the pillars stretch to form a whole, and the rhombus texture of the roof is intertwined, shaped like the crown of a large tree full of leaves. This not only shows the multi-ethnic harmony of Guangxi's solidarity and mutual aid, but also fully reflects the ecological characteristics of Nanning as a "Green City". Nanning East station is also the most technically advanced station under the China Railway Nanning Group.
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The second owner, who ultimately lived on the property, bought it in 1847 and held it for forty-seven years until 1894. Most of the phase 2 and subsequent construction probably occurred during this period. During this timeframe, balloon framing was a popular and inexpensive technique for many farm houses in the 19th century. Requiring no specialized skills, it utilized long continuous framing members (studs) that ran from sill plate to eave line with intermediate floor structures nailed to them, with the heights of window sills, headers and next floor height marked out on the studs. Surprisingly, balloon framing was not used on the c1850 addition, but rather a more complex method of mortise and tenon joinery that typically requires highly skilled workmen. The foyer, room 2, gable roof, and the attic were built to the right of room 1. The room 1 ceiling height of 8 feet was used throughout the addition. Framing - The vertical posts on the north and south side for room 2 and the foyer, built on an irregular beam base, were extended in length above the interior room ceiling to the top attic rail. The length was designed to match the height of the original room 1 roof.
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