Satisfiers hate wasting their time with useless browsing and they find themselves easily pleased.
|
|
Just look how easily pleased the first batch of guests were when they turned up and were handed free bottles of vodka at a basic bar on the beach.
|
|
She is so easily pleased by her Aunt Ketzel's abilities to stock the fridge and make grilled cheeses that it's clear she hasn't been well cared for in a good while.
|
|
" In his later years, Finn worked with Morrissey on his best-selling You Are the Quarry (2004). Morrissey was introduced to Finn via a mutual friend and was effusive about his work: "He made me feel very confident. He's not easily pleased and he's not prepared to be overwrought. He knows exactly what he wants to do.
|
|
The women of Brewster Place are "hard-edged, soft-centered, brutally demanding, and easily pleased". Their names are Mattie Michael, Etta Mae Johnson, Lucielia "Ciel" Turner, Melanie "Kiswana" Browne, Cora Lee, Lorraine, and Theresa. Each of their lives are explored in several short stories. These short stories also chronicle the ups and downs many Black women face.
|
|
He awards peace in this World and salvation in the other World. He is the annihilator of the wicked and protector of the good. The idol in Velloorkunnam Mahadeva Temple is Kirathamoorthy, who gets easily pleased in his Devotees. They believe that the fore sating of arrogance and the trust in Lord Sankara bring them auspices.
|
|
Annur Sree Mahavishnu Temple is the abode of Sree Narayanan is an ancient and highly revered one. The temple is famous as the dwelling place of GOD MAHAVISHNU who is ever ready to confer boon on those who seek it from his sacred premises and is easily pleased on His worshippers. The temple situates in the Annur Village, 3.5 km north of Payyanur Town.
|
|
Don's power is to turn his ring into a rocket. This ability suited his brute strength, and was used to maximize his punches. Don is very proud of his strength and he always has a huge grin on his face even though he has a very large mean streak to him. Don is easily pleased and flattered when somebody says he is strong, and likes to show off at certain times.
|
|
In the third story king Sneferu becomes a victim of the author's courage to criticize the monarchy. The author depicts Sneferu as a fatuous fool, who is easily pleased with superficial entertainment and who is unable to resolve a dispute with a little rowing maid. Sneferu must go to the extent of having a priest solve the problem. With this narration and embarrassing depiction of a king, the author of Westcar dares to criticise the kings of Egypt as such and makes the third story a sort of satire.
|
|
The hill goddess Pathibhara after which the place is named is believed by the devotees to be a fierce goddess who can be easily pleased with simple and selfless act of compassion, prayer and sacrificial offerings (sacrifice in Hinduism denotes sacrifice of one's ego and greed); while is unmerciful and severe to one who has malicious intentions beneath. She answers prayers and is very important to both Hindu and Limbu groups. The Goddess at Pathibhara is believed to fulfil the long-cherished dreams of her devotees, like sons for those without sons, and wealth for the poor. Pathibhara is also one of the 'Shakti Peeths'.
|
|
Indeed, if we consider the unblushing promises of reward > and the staggering nature of the rewards promised in the Gospels, it would > seem that Our Lord finds our desires, not too strong, but too weak. We are > half-hearted creatures, fooling about with drink and sex and ambition when > infinite joy is offered us, like an ignorant child who wants to go on making > mud pies in a slum because he cannot imagine what is meant by the offer of a > holiday at the sea. We are far too easily pleased. Piper later argues: > But not only is disinterested morality (doing good "for its own sake") > impossible; it is undesirable.
|
|
They hold that at one side Sneferu is depicted as generous and kind, while on the other side he shows an accostable character when he addresses a subaltern, namely Djadjaemankh, with "my brother". Both go even further and describe Sneferu as being bawdy when he tells Djadjaemankh how the female rowers shall be dressed and look like. Lepper and Liechtheim evaluate the story of Djadjaemankh as some sort of satire, in which a pharaoh is depicted as a fatuous fool, who is easily pleased with superficial entertainment and unable to solve his problem with a little rowing girl on his own. Furthermore the author of Djadjaemankh's tale places the main actor intellectually higher than the pharaoh and criticizes the pharaoh with this.
|
|
The description continued: > [T]here is nothing like it in Europe; no transition so sudden, so pleasant, > and so easily effected. ... There is nothing comparable to the completeness > of the change brought about by stepping across the canal. The visitor leaves > behind him at almost a single step the rigidity of the American, the > everlasting hurry and worry of the insatiate race for wealth, the > inappeasable thirst of Dives, and enters at once into the borders of people > more readily happy, more readily contented, more easily pleased, far more > closely wedded to music and the dance, to the song, and life in the bright, > open air. Before Cincinnati's incline system was built in the 1870s, which allowed development of residential areas on the hills, the city's population density was 32,000 people per square mile.
|
|
Mast Ram himself is an orphan and a product of sex outside marriage, hence, much chastised by society, he is the diametrical opposite of Radha. He seems genuinely happy to be alive, have four working limbs and is a man easily pleased with two square meals a day, or sometimes even not, and always has a song or two on his lips. He takes to Radha like an elder brother and it is in his house that her son Chandu is born. Mast Ram advises Radha to give up her infant son to an orphanage run by a Swami-Ji for the betterment of the both of them but Radha vehemently refuses, and decides to work and struggle to bring up her son, as he is all she has left now.
|
|