165 Sentences With "dumb blonde" | Random Sentence Generator

"Dumb Blonde," Avril Lavigne's collaboration with Nicki Minaj, is deeply uninspired.

The album's second single, "Dumb Blonde," is perhaps the most befuddling among them.

I've been on the receiving end of my share of dumb blonde jokes.

" Besides, Ms. Somers added, she considered it an intellectual challenge to give a "dumb blonde depth.

"She had great success, but it was all in musicals and fluffy dumb blonde roles," explained Morgan.

Many of her roles involved playing the "dumb blonde" archetype, and she soon became a "sex symbol."

He compared Essex, which is often the butt of "dumb blonde" jokes in the rest of Britain, to Texas.

Madison fits a "dumb blonde" stereotype that would have seemed outdated 20 years ago, let alone 10, let alone now.

Valentino's image was more powerful for his silence; Monroe's was the opposite, boosted by her dumb-blonde act and baby-doll voice.

Reimaginings of Parton's prior hits such as "Jolene" and "Dumb Blonde" work as devices to build the inner world of Dumplin's main characters.

With everything that's happening, though, with my business, I think people can understand that you couldn't possibly get this far being a dumb blonde.

He wasn't somebody who was just interested in the dumb blonde, so they seem like they would be very naturally drawn to each other.

In the comedies that made her a star, she succeeded in stretching the dumb blonde trope partly because she seemed so comfortable inhabiting the stereotype.

A reporter said, 'Don't you feel bad about what your are doing, being the dumb blonde, while women are out there fighting for their liberation?

He said the point of the study wasn't to show that blondes are smarter, but to show that the dumb-blonde stereotype is a myth.

I wanted to crush all the archetypes people held about me—like thinking I was a dumb blonde, for example—by slowly disintegrating them from within.

I could do without Mel as the dumb blonde and Fiona's obsession with other people's weight — not to mention that being thin is presented as aspirational.

It made me very happy to show that not only was I in on the joke, but that I also didn't get this far being a dumb blonde.

As we see later in the musical, Karen is much more than a dumb blonde; she's one of the most sex positive and feminist characters in the play.

This was mostly thanks to the public's fascination with Simpson's purity vow (she remained a virgin until her wedding day, she said) and her delightful "dumb blonde" antics.

Seyfried has since said that she was "pigeonholed as the dumb blonde" after starring in the film, but that just shows how convincing she was in the part.

"I think Joss Whedon [the series' creator] designed Buffy as a corrective to the dumb blonde in horror who goes down a dark alley and gets killed," she says.

In Legally Blonde, Elle is an optimistic law student from a wealthy family who's set on proving to her ex-boyfriend and herself that she is no dumb blonde.

" Ms. Verdugo appeared in her first film when she was 5 and later starred as the proverbial "dumb blonde" secretary on the radio and television versions of "Meet Millie.

I think the one thing about it is that people think because of the character I played — people assume before they meet me that I'm a really ditzy dumb blonde.

My blonde-hair-blue-eyes combination has been a driving part of my identity, and I've consistently tried to put a stop to the "dumb blonde" stereotypes surrounding my '90s-era adolescence.

It feels forced to feature Nicki Minaj in a song with the chorus "I ain't no dumb blonde / I ain't no stupid Barbie doll" when Minaj cites Barbie as an inspiration repeatedly.

It brought back flashbacks of Simpson's Newlywed years, you know, when she was supposed to just be the "dumb blonde" who didn't know what the heck was in Chicken of the Sea.

And from the opening scene in which he wakes up next to a stereotypically "dumb blonde," it's clear that there's a wide range of tropes and stereotypes the show isn't interested in reconsidering.

She shares vivid stories about the socialite who introduced shocking pink to the world, the first person named a "dumb blonde," and the merchant who figured out how to create archil from lichens.

Frustrated for constantly being cast in "dumb blonde" roles, Monroe wasn't shy about letting the film studio know she was willing to risk her growing success just for the chance to play different characters.

Monroe never flashed guns or paid for a tattoo sleeve, but her public persona consisted of playing dumb blonde comedic roles while navigating a tragic personal life and a sexuality the public deemed controversial.

His solo credits included "Dumb Blonde" (1967), which put Dolly Parton on the country charts for the first time, and "Blood Red and Goin' Down," a No. 1 hit for Tanya Tucker in 1973.

One woman labeled herself a "flirt," slipping the elastic band from her hair, then a "ditz," followed by casually unbuttoning her dress, and ended as a "dumb blonde," swaying her hair in an exaggerated manner.

She recorded her first two Top 22016 country hits, "Dumb Blonde" and "Something Fishy," for the label before going on to become a star on "The Porter Wagoner Show" on television and with RCA Records.

Then there's the beat that's marching band influences invoke Gwen Stefani's "Hollaback Girl" — is this a poke at a particular dumb blonde or simply a callback to an era of pop in which Lavigne feels more comfortable?

But how do you establish yourself as an artist, or figure out who you really are, or even try to reckon with what your image once was, when the public still treats you as nothing more than a walking dumb-blonde joke?

He first engineered a new level of fame for Jessica beyond her singing career with the 2003 MTV reality show "Newlyweds: Nick and Jessica"; it focused on Jessica's "dumb blonde" antics, Christian upbringing and young marriage to the 98 Degrees frontman Nick Lachey.

PARELES The new Avril Lavigne song "Dumb Blonde" — full of blunt horns, hard-slap percussion and lyrics sung in a voice that sounds computer generated — is so chaotic, cluttered and unnatural that when Nicki Minaj arrives two minutes in, she's a calming force.

Op-Ed Contributors In a case that went to federal court in the early 1990s, a woman presented evidence that her supervisor tried to kiss her on multiple occasions, placed "I love you" signs on her desk, called her a dumb blonde, put his hands on her shoulders and asked her out on dates.

In the suit, which was filed last month in Federal District Court in Manhattan, Lauren Bonner, an associate director at the firm, said that Mr. Haynes had belittled women employees — calling one a "dumb blonde" — and had a whiteboard in his office on which the word "pussy" was written in large letters and left there for several weeks last year.

Whether it was contestants Chris and Lincoln fighting during a public debate in front of Virginia's governor about how the latter fat-shamed the former behind the Bachelorette's back, or the simpler spectacle of male model Jordan — beloved for the dumb blonde broetry of his mystifying and grammatically innovative Jordanisms — walking across the house in tight gold underwear (as a prelude to unveiling his "deeper" side to Becca), the show's theater of petty masculinities is unlike anything else on television.

Israel Daramota of Spin praised "anthemic" nature of the composition. He felt that "['Dumb Blonde']'s percussion-based track owes a lot more to Gwen Stefani's 'Hollaback Girl' mold, but it also captures the sneering attitude found on Lavigne's best known tracks." Glenn Rowley from Billboard called the song a "fiery collaboration". While reviewing "Dumb Blonde", Melody Lau from CBC Music complemented the idea of challenging 'dumb blonde' stereotypes.

Parton's lyrics challenged the stereotype, stating "just because I'm blonde, don't think I'm dumb 'cause this dumb blonde ain't nobody's fool". Parton has said she was not offended by "all the dumb-blonde jokes because I know I'm not dumb. I'm also not blonde."Karen Thomas.

Rhiannon Williams of The Telegraph writes that dumb blonde jokes are "one of the last 'acceptable' forms of prejudice".

The album spawned two top 40 hits, "Dumb Blonde" and "Something Fishy", which peaked at number 24 and 17, respectively.

"White paper", or "baekji" in Korean, is a term coined by netizens and the cast of Invincible Youth, which is an English equivalent of the "dumb blonde" persona portrayed by Han in that show. She played a huge role in increasing Secret's popularity through Invincible Youth and other variety shows because of her dumb blonde persona.

So, luckily for all, Mr. Forbes outbids Van Dyke's investment, thus making Dulcinea an accidental hero and a Not So Dumb blonde.

Sweet and Low is a 1989 song by the American singer Debbie Harry, released as a single from her third solo album, Def, Dumb & Blonde.

"Maybe for Sure" is a 1989 song by the American singer Debbie Harry, released as a single from her third solo album Def, Dumb & Blonde.

Elizabeth Joan Winch (14 August 1930 – 6 September 2018), known professionally as Liz Fraser, was an English actress, best known for her comedy roles as a provocative "dumb blonde" in British films.

Mike Nied from Idolator made the observation that "Dumb Blonde" was one of the "sort of fiery banger that deserves plenty of radio play." Alex Zidel of HotNewHipHop gave a positive review and expected "Dumb Blonde" to be "iconic as both the artists behind it". He considered the song was "a definitely a feel-good joint" between Lavigne and Minaj. Conversely, Forbes magazine named the song the 4th worst song of 2019, calling it "a failed attempt at a girl power anthem".

Compton was born in Lexington, Kentucky,Compton, Joyce and Ankerich, Michael (2009). "The Real Joyce Compton: Behind the dumb blonde movie image". BearManor Media, pp. 286-87. the daughter of Henry and Golden Compton.

"Dumb Blonde" debuted at number 64 on the Billboard Hot Country Singles chart, becoming Parton's first song to appear on the chart. It would eventually peak at number 24 and spend 14 weeks on the chart.

On February 11, Chinese streaming service Xiami confirmed that the joint track is set to be released the following day as the album's third single. The official cover art, that features Lavigne sucking a lollipop, plays up a "dumb blonde" stereotype.

His widow, June Bilson, played by Lorri Bagley, is a stereotypical dumb blonde who has some secret intelligence. She remodels the entire office and refuses to give up her share of the company until Olive buys her out in the series finale.

Shirley Chambers (December 20, 1913 – September 11, 2011) was an American film actress of the 1930s. She was notable for playing 'dumb blonde' roles in musical comedy films. She was discovered by press agent Harry Reichenbach.Press Agent Harry Reichenbach at Immortal ephemera.

Charlie had a brief relationship with Kandi (April Bowlby, credited as "Kymber"), after which she married his brother, Alan. Kandi is depicted as hot and young (half the age of Alan or Charlie), with a "dumb blonde" stereotype, even though she is a redhead.

"Dumb Blonde" was written by Lavigne, Minaj and its producers Mitch Allan, and Bonnie McKee. It is a pop punk, power pop, hip hop, punk rock and urban song that is about self-love and female empowerment. Several music critics labeled it a "feminist anthem".

Billboard published a review of the album in the issue dated October 28, 1967, saying, "Dolly Parton has a little girl voice but it's Lolita in style on the honky-tonking, carousing "Dumb Blonde". She also does extremely well on "I Wasted My Tears", "I Don't Want to Throw Rice", Something Fishy" and "Fuel to the Flame"." Cashbox published a review which said, "Dolly Parton could have a big winner in her possession with this striking album. Singing at the top of her form throughout the entire set, the lark offers "Dumb Blonde", "Put It Off Until Tomorrow", "Fuel to the Flame", "The Giving and the Taking", and eight others.

Eventually, her mountain-influenced, biographical brand of country and her down-home personality won many fans, and her star power would only begin to rise. Her first major hits were mainly duets with Wagoner, although she had several solo hits—including her breakthrough, "Dumb Blonde"—as well.

Mistress Rosalie Duthé painted by Henri-Pierre Danloux As a young man in London, Egremont gave a gilded coach to Rosalie Duthé, sometimes called "the first officially recorded dumb blonde",Joanna Pitman. On Blondes, Bloomsbury USA, 2004, p. 129.Victoria Sherrow. Encyclopedia of hair: a cultural history.

"Another Dumb Blonde" was released as the album's lead single on January 18, 2000. It was featured on the soundtrack for the children's motion picture Snow Day, and peaked at number 27 on the Billboard Hot 100, thereby giving her a higher peak on that chart than her father, Don Ho, had ever achieved (his highest-peaking single, "Tiny Bubble", only reached number 57). The single elicited favorable reviews from critics: Billboard praised "Another Dumb Blonde" as "refreshingly zesty" and commended the song for not being "overly cutesy." Erlewine commended the song as "exuberant and slyly clever", adding that it "would be good enough for most dance-pop divas", naming the song a highlight of Hoku.

's Josiah Hughes published a rave review and called the song "punk pop banger". Rap Up applauded track's encouraging lyrical message. Ming Lee Newcomb of Consequence of Sound described "Dumb Blonde" as "cheeky, drum-heavy track". She noted that "song solidifies the sk8er girl's effort to make a cultural comeback".

A companion of French kings and European nobility, she has been called "the first officially recorded dumb blonde."Victoria Sherrow. Encyclopedia of hair: a cultural history. Page 149 Duthé was a frequently-requested subject for portraits, including partial and full nudes, many of which still exist in museums and private collections.

She was a comedy actress and protested at being stereotyped as a "dumb blonde".Compton & Ankerich, (2009), p. 12. Compton and Robert Benchley in Bedtime Story Among her over two hundred films were Imitation of Life, Magnificent Obsession, The Awful Truth, Mildred Pierce, and The Best Years of Our Lives.Compton & Ankerich, 2009.

In the end, Peter is caught up with his work and enjoys having Lois help out and have sex with him. Meanwhile, Stewie finds out that Brian has a new girlfriend. Brian later (reluctantly) allows Stewie to meet his new girlfriend, Jillian. Stewie discovers she is a dumb blonde, and mocks Brian.

"Another Dumb Blonde" is the debut single from American singer Hoku. It was originally featured on the soundtrack to the 2000 Nickelodeon theatrical film Snow Day, and was released as a single from the soundtrack on January 18, 2000, by Geffen Records and Interscope Records. It was later featured on her eponymous debut album.

After six months at Fox, Marshall's option was not picked up and she was ready to leave Hollywood. At that point she landed the role of Frosty in Champagne for Caesar, beating out 100 other applicants for the role of the "dumb blonde". She endured another year of few prospects before winning a part in Rogue River.

Producer Paul Henning cast her in several episodes of the popular Bob Cummings television show Love That Bob. Episodes where she is credited include "Bob Retrenches" aired on NBC-TV April 8, 1958, "Bob Judges a Beauty Pageant" aired on NBC-TV December 16, 1958 and "Bob and the Dumb Blonde" aired on NBC-TV September 30, 1958.

Brenda Gilhooly (born 1964 in Epsom, Surrey) is an English comedian. She studied English and Drama at the University College of Swansea, University of Wales and graduated in 1987. She is best known for Gayle Tuesday, an archetypal dumb blonde and Page 3 girl. She enjoyed brief success with this character appearing on various TV shows.

Sub-types include the "blonde bombshell" and the "dumb blonde". Blondes are differently stereotyped from brunettes as more desirable and less intelligent. There are many blonde jokes made on these premises. Although chiefly aimed at women, jokes of this style have also been aimed at similar stereotypes associated with men, such as the "dumb jock" and the "surfer dude".

1912 During the next few years they perfected their act with Rosetta as a foghorn-voiced comedian and Vivian as the pretty-but-dumb blonde type. Within a few years they "matured into first-rate vaudeville troupers who wrote much of their music in dialogue."Bradley, Edwin M. The First Hollywood Musicals. Jefferson, NC, and London.

A young police detective sent to escort Angelica Burns through the planet of Sandvil. Once she learns of the corruption in the force, she quits her job and becomes Angelica's partner. Chelsea is somewhat of a dumb blonde, although she has an amazing memory and good connections mostly due to her looks. Chelsea appears to have dyslexia.

Gentlemen Prefer Blondes (1953), one of the films in which Monroe portrayed a sexually attractive and naïve "dumb blonde" Originating in Europe, the "blonde stereotype" is also associated with being less serious or less intelligent. Blonde jokes are a class of jokes based on the stereotype of blonde women as unintelligent. In Brazil, this extends to blonde women being looked down upon, as reflected in sexist jokes, as also sexually licentious.Revista Anagrama, Universidade de São Paulo, Stereotypes of women in blonde jokes pp. 6–8 , version 1, edition 2, 2007 It is believed the originator of the dumb blonde was an eighteenth-century blonde French prostitute named Rosalie Duthé whose reputation of being beautiful but dumb inspired a play about her called Les Curiosites de la Foire (Paris 1775).

Many of these jokes are mere variants on traditional ethnic jokes or jests about other identifiable groups (such as Italian jokes involving Carabinieri, Sardarji jokes or Pathan jokes). Similar jokes about stereotyped minorities have circulated since the seventeenth century with only the wording and targeted groups changed.Giselinde Kuipers, Good Humor, Bad Taste: A Sociology of the Joke, page 24, Walter de Gruyter, 2006, Blonde jokes have been criticized as sexist by several authors, as most blondes in these jokes are female, although male variations also exist. In fact, dumb blonde jokes are overwhelmingly female-specific: according to an extensive search in various publications and on the Internet, about 63% of dumb blonde jokes are directed exclusively at females (compared to less than 5% that directly referenced dumb blond men).

James Dunn was making his first film appearance in two years after co-starring in the Broadway production of Panama Hattie with Ethel Merman. The Ghost and the Guest would be Florence Rice's last film role. Mabel Todd, who plays her typical dumb blonde role as Little Sister Mabel, was at the time the real-life wife of screenwriter Amsterdam.

Dutchmiller is a yuppie stereotype, enthusiastic about everything alternative. Catherine is a stereotypical dumb blonde, who uses other people to her own ends. Nikki is a teenager who is curious as to what is actually going on. Griggs is a stereotypical "tough guy" with camouflage facepaint and a highly aggressive attitude, and is Nikki's biological father in the present time.

Led by Denise (Barnes), the dumb blonde who is not as dumb as one thinks, a group of vacationers, all of them female except one, become lost in an island jungle and stalked by a deranged tribe of murderous natives. A feminist (Marcovicci), a mother (Feldon), her daughter (McCormick) and a swinging smooth operator (Brandon) round out the other endangered tourists.

In 2014 Wagenius began pre- production of her sixth album in Red Door studio in Stockholm with co- producer Alex Angleflod. The album was mixed in Studio 1 at X-Level studios in Stockholm by Willem Bleeker. The album, "Deaf, dumb & blonde" features Swedish musicians and songwriters from bands such as Europe, In Flames and Candlemass, released through Escape Records May 20 2016.

Harrison's character, Cindy Snow, was created to be Chrissy Snow's cousin. Unlike Chrissy, Cindy was not a "dumb blonde"; instead, she was an extremely clumsy farm girl. The character of Cindy was similar enough to Chrissy, however, that producers could use scripts already written with the Chrissy character in mind. Harrison debuted on Three's Company in the episode entitled "Chrissy's Cousin" (season five, episode seven).

Punch and Judy play the "cowboy" persona in a characteristic, over the top fashion. Punch adopts a mid-western drawl mixed with a Mexican accent (both faked), and uses random old-West sayings. Judy plays the stereotypical dumb blonde, and always appears in an open bolero jacket with nothing underneath, frequently wiggling her hips with excitement. Big Shot is canceled towards the end of the series.

"Sweet and Low" was released as the third single from the Def, Dumb & Blonde album in the UK, where it peaked at #57. "Sweet and Low" also reached #17 on the US Dance Chart. In Australia, "Sweet and Low" was the second single released from the album, and was issued as a double A-side with "Kiss It Better". The single peaked at #30 in Australia.

Meghan Sullivan for IGN praised her introduction and her scene with Azala as two of the best in video games. John P. Hussey of RPGFan however found her forgettable. Author Michael P. Williams felt that she came close to the "dumb blonde" stereotype, but avoids it by being the most capable member of the cast. He cites her nobility and pragmatism as examples of this.

In mid 1974 Knur joined the cast of top rated soap opera Number 96 as vivacious dumb-blonde waitress Lorelei Wilkinson, and outfitted in costumes to enhance her physical attractiveness.Mercado, Andrew. Super Aussie Soaps, Pluto Press Australia, 2004. p 54 A comedy character, Lorelei tried to increase her vocabulary by learning a word a day from the dictionary, then incorporating the word into her daily conversation.

'"Dumb Blonde" is a song written by Curly Putman and recorded by American singer-songwriter Dolly Parton. It was released as a single on November 7, 1966, by Monument Records. It would be included on Parton's 1967 debut album, Hello, I'm Dolly. The song is notable for being Parton's first song to chart on the Billboard Hot Country Singles chart, peaking at number 24.

The additions of Mike Minor as Steve Elliott and Meredith MacRae as the third Billie Jo influenced this change, as they were both accomplished singers.Hayes, Dixon "TV When I Was Born: Petticoat Junction" June 3, 2014 Summer of MeTV Classic Blogathon retrieved October 10, 2015. The characters of Billie Jo and Bobbie Jo also changed. Billie Jo went from being a boy-crazy dumb blonde to a strong, independent young lady.

The album's first single, "The Little Things", was the final of Parton's pop leaning singles for Monument. It was released in June 1966 and failed to chart. "Dumb Blonde" was released as a single in November 1966 and debuted at number 64 the Billboard Hot Country Singles chart dated January 21, 1967. It peaked at number 24 on the chart dated March 18, its ninth week on the chart.

The album is generally classified as teen pop or Euro-pop. The lyrics of lead single "Another Dumb Blonde" discuss the fact that Hoku's boyfriend "isn't after her heart or mind". The lyrics were noted for being "innocent", with many noting that the songs bear little resemblance to those of Britney Spears or Christina Aguilera. On "How Do I Feel (The Burrito Song)", Hoku describes her crush on a boy working at a burrito stand.

Dulcinea Parker (Marion Davies) goes to the train station to meet the Forbes'; mother Eleanor (Julia Faye), father Charles (William Holden), and daughter Angela (Sally Starr), whom she has invited to spend the weekend. We are also introduced to her new butler Perkins (George Davis), who is an ex- convict on parole. Dulcinea, ever the "dumb blonde", has a habit of doing the wrong thing. She hilariously misquotes common expressions and butchers the King's English.

2) #6 or operating in public as superheroes attempting to capture runaway super-powered children.Runaways (vol. 2) #7 However, Julie later tells the rest of the group that she is not registered.Loners #5 While she is less intelligent and articulate than previously established, Julie reveals in Loners #4 that this is merely an affectation she adopts for the benefit of others – she pretends to be a "dumb blonde" to fit in with Los Angelenos.

The three characters who did not carry forward from the pilot were two secretaries and a high school teacher. In the pilot, the scientifically inclined Professor was instead a high school teacher played by John Gabriel. Ginger the movie star was still red-haired Ginger, but worked as a secretary, played by Kit Smythe. Mary Ann the Kansas farm girl was instead Bunny, Ginger's co-worker, played as a cheerful "dumb blonde" by Nancy McCarthy.

Laurie, quick-thinker that she is, plays dumb blonde and approaches the boy, speaking to him in bad Spanish..."Porque usted threatenez el hombre?" With the kid distracted by her act, Laurie quickly grabs the stake and backhands the boy to the ground. El hombre, whose name is Javier Vasquez (Tony Plana), explains that the boy is from a local village. His grandmother was recently killed, and the boy believes vampires did it.

"Dumb Blonde" is a song by Canadian singer Avril Lavigne featuring American rapper Nicki Minaj. It was released on February 12, 2019, and serves as the third single from her sixth studio album, Head Above Water (2019). The song was originally recorded by Lavigne as a solo artist, but was later recorded with an additional verse written and performed by Minaj. The solo version of the song is featured on physical editions of the album.

130, Cypress, CA, 2013. . Judy Holliday, Jayne Mansfield (dyed blonde), Carol Wayne and Goldie Hawn. Goldie Hawn is best known as the giggling "dumb blonde", stumbling over her lines, especially when she introduced Rowan & Martin's Laugh-In "News of the Future". In the American sitcom Three's Company the blonde girl (originally Chrissy, played by Suzanne Somers, and later Cindy and Terri) is sweet and naïve, while the brunette (Janet, played by Joyce DeWitt) is smart.

It was preceded by three singles: "Head Above Water", "Tell Me It's Over", and "Dumb Blonde". The fourth single, "I Fell in Love with the Devil", was released on June 28, 2019. On April 24, 2020, Lavigne re-recorded the track "Warrior" from her sixth studio album and released it as a single, titled "We Are Warriors". All the proceeds from the single will support Project HOPE during the COVID-19 pandemic.

She was also a Grand Champion on Star Search, where she made her national debut. You can also hear Michaels' comedy on XM Satellite Radio and Last.fm. During the 1990s, Michaels shifted her stand-up persona from a dumb-blonde stereotype to a soft-spoken provocateur with an unrepentantly blue sense of humor. She explores such topics as the dynamics of the male/female relationship, "dirty thoughts," and the proliferation of the sensual feminist.

Loden was described as a shy, humble, statuesque and soft-spoken loner.Burt A. Folkart, "'Dumb Blonde' Made One Brilliant Film", Los Angeles Times, September 8, 1980. At age 16, she moved to New York City, where she began working as a model for detective and romance magazines. Loden found minor success as a pin-up girl, model, and dancer at the Copacabana nightclub before studying at the Actors Studio, intending to become an actress.

The album spawned two singles. The lead single, "Another Dumb Blonde", was featured in the motion picture Snow Day and became a top 40 hit on the Billboard Hot 100. Follow-up single "How Do I Feel (The Burrito Song)" was less successful, failing to chart but yielding positive feedback from critics. Hoku remains Hoku's only full-length, major label album to date, and one of only two releases (the other being her 2008 EP Listen Up).

Hwang Woo-seul-hye (born Hwang Jin-hee on August 10, 1979) is a South Korean actress. She made her acting debut as a "dumb blonde"-type character in the critically praised black comedy Crush and Blush (2008). Hwang has since played leading roles in the indie melodrama Lovers Vanished (2010), the TV sitcom I Need a Fairy (also known as Sent from Heaven, 2012), and the romantic comedy Virgin Theory: 7 Steps to Get On the Top (2014).

Television roles included parts in The Avengers episode "Take-Over" and three episodes of the BBC's department store sitcom Are You Being Served?. Pritchard also appeared as the "dumb blonde" in live comedy sketches in the TV consumer programme That's Life!, and played Tanya in an episode of Doctor At Large (1971). She was originally hired to voice Princess Yum-Yum in The Thief and the Cobbler, but was later replaced by Sara Crowe for unknown reasons.

At the same time, there are many examples where the stereotype is exploited only to combat it. The film Legally Blonde starring Reese Witherspoon featured the stereotype as a centrepiece of its plot. However, the protagonist turns out to be very intelligent and is shown to have been underachieving due to society's low expectations of her. Country music entertainer Dolly Parton, aware of this occasional characterization of her, addressed it in her 1967 hit "Dumb Blonde".

Sandra Dickinson (born Sandra Searles; October 20, 1948) is an American- British actress. She trained at the Central School of Speech and Drama in London. She has often played characters who fell into the trope of a dumb blonde with a high-pitched voice in the UK, notably in the Birds Eye Beefburger TV advertisements, directed by Alan Parker, in the early 1970s. She also played Trillian in the 1981 television adaptation of The Hitchhiker's Guide to the Galaxy.

In 1930, he produced a weekly strip glamour cartoon called "Film Fanny". A London paper, the Sunday Pictorial, published his glamour drawing under the title "Our Dumb Blonde", which ran from 1939 to 1946. A comic strip called "Spotlight on Sally" in the Pictorial was followed by another called "Eve". In 1941 Arthur Ferrier teamed-up with the well-known glamour photographer Horace Roye to produce the book Arthur Ferrier's Lovelies Brought to Life by Roye.

Publicity photo for Cactus Flower (1969) Hawn moved to California to dance in a show at Melodyland Theatre, a theater in the round across from Disneyland, joining the chorus of Pal Joey and How To Succeed In Business Without Really Trying during the June 14 to September 1966 season, Hawn began her acting career as a cast member of the short-lived CBS situation comedy Good Morning World during the 1967–68 television season, her role being that of the girlfriend of a radio disc jockey, with a stereotypical "dumb blonde" personality. Her next role, which brought her to international attention, was also as a dumb blonde, as one of the regular cast members on the 1968–1973 sketch comedy show, Rowan & Martin's Laugh-In. On the show, she would often break out into high-pitched giggles in the middle of a joke, and deliver a polished performance a moment after. Noted equally for her chipper attitude as for her bikini-attired and painted body, Hawn was seen as an 1960s "It" girl.

The attempt at rock was unsuccessful; however, two of the songs she had co-written with her uncle, Bill Owens, made the top ten when recorded by Bill Phillips in 1966. Parton was then allowed to try country music and she recorded "Dumb Blonde" which was a hit. In 1967, she released her first full album, "Hello, I'm Dolly " on which Parton had written (or co- written with her uncle) all the songs. It peaked at No.11 on the country albums chart.

Shoot or Be Shot was released on DVD by 20th Century Fox Home Entertainment in May 2004. Ian Jane of DVD Talk gave the film a negative review, saying that the film is "just not funny". Michelle Fajkus of Hybrid Cinema, who also gave the film a negative review, wrote that the film promotes stereotypes with its use of stock characters, such as the dumb blonde. Jeff Strickler of the Star Tribune called the film "a low-rent version of Bowfinger".

Alexandra Pollard of The Independent was more positive in her review of the song, claiming "Lavigne's voice reaches new heights too–particularly on 'I Fell in Love with the Devil', an ominous, tightly crafted rumination on toxic relationships". Rolling Stones Emily Zemler labelled it an "emotive anthem" and a "heartbreak-tinged number", and went on to claim that "['I Fell in Love with the Devil'] is a much more emotionally- driven track than her previous singles, 'Head Above Water' and 'Dumb Blonde'".

"Dumb Blonde" is a "fiery" and "plucky" mix of pop, pop punk, power pop, hip hop, punk rock and urban music, which was written by Lavigne with Minaj, Mitch Allan, and Bonnie McKee; while its production done by Allan alongside McKee, Chris Baseford, and Scott Robinson. The track is three minutes and thirty-four seconds long. Lavigne described it as "the most uptempo song on the album." The song's instrumentation features heavy guitar riffs, an "infectious" drumline and "driving" beats.

The New String Version of "Jolene" was released as the third single from the album on November 16, 2018. The music video, featuring footage from the Dolly & Friends: The Making of a Soundtrack special, was released on November 26. On November 25, Parton began posting 15-second snippets of songs from the album on Twitter, beginning with "Why". This was followed by "Two Doors Down" on November 26, "If We Don't" on November 27, and "Dumb Blonde" on November 28.

Despite the publicity for her performance in both films, neither did much to advance her acting career. Smith's persona of a ditzy dumb blonde was compressed heavily in her film roles, which sought only to market her physical assets. In an attempt to earn acting respect, Smith agreed to appear in To the Limit (1995), her first starring role. Smith appeared as herself in the 1995 pilot episode of The Naked Truth, then attempted to revitalize her film career with a leading role in Skyscraper in 1996.

Originally billed as Gypsy Stell, Coates was allegedly discovered in 1943 by vaudeville comedian Ken Murray in a Hollywood and Vine restaurant from whom she learned comic timing. She subsequently appeared as a dancer and a comedienne in skits for ten months in Blackouts, his "racy" (mildly risqué) variety show. Along with Murray and other comedians, the show included showgirls, tap dancers, bird acts and Marie Wilson as the stereotypical "dumb blonde". She later performed as one of Earl Carroll's showgirls at his Earl Carroll Theatre.

Three of the album's 12 tracks are solo Parton compositions and seven of them were co-written with her uncle, Bill Owens. The two remaining tracks, "Dumb Blonde" and "I've Lived My Life", were written by Curly Putman and Lola Jean Dillon, respectively. The album contains Parton's version of three songs she had written that had already been hits for other artists. "Put It Off Until Tomorrow" had been recorded by Bill Phillips (with uncredited harmony vocals by Parton) and released as a single in January 1966.

My Hustler is a 1965 American film by Andy Warhol. The film is propelled by the sonorous, magnetic acting of then-30-year old Ed Hood interacting with the dumb blonde Hustler, Paul America. Joe Campbell ("Sugar Plum Fairy"), Genevieve Charbin and Dorothy Dean also compete for the attentions of the Hustler and provide foils for the interaction of the main characters. The erudite and very funny Hood, a perpetual graduate student in English at Harvard and "live parody of southern gentility" Watson, p.

Brite Side is a 1989 song by the American singer-songwriter Deborah Harry, taken from her third solo album, Def, Dumb & Blonde. The single was only released in the UK, where it peaked at #59. The song is featured prominently in the second season of the American television show Wiseguy starring Ken Wahl which featured Debbie Harry. The song was the cornerstone of the "Dead Dog Records Arc", where Harry played a singer named Diana Price who was trying to have one last hit.

Nelson Crandal, a cartoonist, has been traumatized by an accident and is unable to draw. He decides to discontinue his newspaper feature called Mr. Rumple, but the Rumple character comes to life and objects to being canceled and condemned to Oblivia (the land of forgotten cartoon characters). Rumple has 48 hours to persuade his creator to continue his existence and uses magical tricks on the humans. Anna is another character in the comic strip, Rumple's dumb-blonde girlfriend, who is trying to avoid Oblivia.

Turid-Laila (English: Tammy-Sue) is a desirable blonde who works as a bartender at the local pub, which Pondus and Jokke have frequented since the beginning of the strip. Her manner of dealing with slobbering drunks and gawking creeps is quite impressive. She is also a source of calculated punchlines, affirming that she is no dumb blonde. Jokke was for a while roommates with Turid-Laila, and several times sabotaged her romantic life, until he got together with Camilla and moved in with her.

She lets them stay for the night until they decide to go on holiday. The holiday resort to which they go is called Rabbit Cove, which Beauty chooses due to her love of rabbits. They find their way to an idyllic seaside resort run by a kind older man named Mike, a painter who takes Dilly on as a breakfast chef in his B&B.; Dilly decides to let Gerry know where they are, despite Beauty's objections, but after he shouts at her and calls her a "useless aging dumb blonde" she terminates the call.

She is in pursuit of Ryoko until they both crash-land on Earth. Unlike her OAV counterpart, who still is dedicated and competent despite her ditziness, Mihoshi is the comic relief and a "dumb blonde" whose constant bumbling and blunders would often cause trouble for the group (especially for Kiyone and Washu). One of her classic mistakes is when a single hair from her scalp was able to transfer her personality into Mecha Washu. Tenchi in Tokyo In Tenchi in Tokyo, Mihoshi is once again partnered with Kiyone.

Carmel Valentine (also McQueen) is a fictional character from the British Channel 4 soap opera Hollyoaks, played by Gemma Merna. She debuted on-screen during episodes airing on 13 August 2006 and was introduced by series producer Bryan Kirkwood as part of the McQueen family. Carmel has proved popular with fans with her comedic personality and has become notable for her "dumb blonde" appearance. Carmel was killed-off as she saved her cousin, Theresa McQueen (Jorgie Porter) from Sonny Valentine (Aaron Fontaine) during the "End of the Line" storyline.

Gentlemen Prefer Blondes (1953) Marilyn Monroe (1926–1962) was an American actress who appeared in 29 films between 1946 and 1961. After a brief career in modeling she signed short-term film contracts, first with 20th Century Fox, then Columbia Pictures, and appeared in minor roles for the first few years of her career. In 1950, she made minor appearances in two critically acclaimed films, The Asphalt Jungle and All About Eve. The parts in the two films were against many of the roles into which she was typecast, that of the dumb blonde.

Mansfield, Monroe and Barbara Windsor have been described as representations of a historical juncture of sexuality in comedy and popular culture. Academics also added Anita Ekberg and Bettie Page to the list of catalysts of the trend of exaggerated female sexuality, along with Mansfield and Monroe. M. Thomas Inge describes Mansfield, Monroe and Jane Russell as personifications of the bad girl in popular culture. Judy Holliday and Goldie Hawn are also identified to have established the stereotype of the "dumb blonde", typified by their combination of overt sexuality, and apparent inability to understand everyday life.

Snow Day is a 2000 American comedy film, directed by Chris Koch and produced by Paramount Pictures and Nickelodeon Movies. It premiered on January 29, 2000, and was theatrically released on February 11, 2000, becoming the first film of the 2000s made by Paramount. The film was met with generally negative reviews, but was a box office success, and Hoku's "Another Dumb Blonde" became the biggest chart smash of her career. It was released on home video on October 3, 2000, and re-released on September 26, 2017.

There is a category of jokes called "blonde jokes" that employs the dumb blonde stereotype. It overlaps at times with other jokes that portray the subject of the joke as promiscuous and/or stupid. Some blonde jokes rely on sexual humour to portray or stereotype their subjects as promiscuous.Karen Ross, The Handbook of Gender, Sex and Media, chapter 6, John Wiley & Sons, 2011, Many of these are rephrased sorority girl or Essex girl jokes, much as other jokes about dumb blondes are based on long-running ethnic jokes.

Chrissy's personality was an exaggerated characterization of the "dumb blonde" stereotype, as evidenced by her repeated confusion and misunderstandings, malapropisms, and girlish behavior. Chrissy is depicted as being quick to laugh at her own jokes, and quick to cry in an exaggerated, whining fashion (as a young child would do). Chrissy's behavior was reflected somewhat by her cousin, and eventual replacement, Cindy Snow, although Cindy was more klutzy, and less dim. Chrissy is modeled as an ingenue, a minister's daughter who seeks her fortune in the big city.

After her composition "Put It Off Until Tomorrow", as recorded by Bill Phillips (with Parton, uncredited, on harmony), went to number six on the country chart in 1966, the label relented and allowed her to record country. Her first country single, "Dumb Blonde" (composed by Curly Putman, one of the few songs during this era that she recorded but did not write), reached number 24 on the country chart in 1967, followed by "Something Fishy", which went to number 17. The two songs appeared on her first full-length album, Hello, I'm Dolly.

"Kiss It Better" is a single from Deborah Harry's third solo album, Def, Dumb & Blonde in 1989. The single peaked at number 12 on the US Modern Rock chart, riding the wave of success built by Harry's previous single, "I Want That Man". Though never released commercially, a promo found its way to many college radio stations, hence the song charting so much lower than the previous one. The single was also not released in the UK. "Sweet and Low"/"Kiss It Better" was released as a double A-side single in Australia in 1990.

"I Want That Man" is a 1989 song recorded by the American singer Deborah Harry. The song was released as the lead single from her third solo album, Def, Dumb & Blonde and was the first record Harry released in which she reverted to using Deborah as her name instead of Debbie. It became a hit in several territories, reaching number two in Australia and on the US Billboard Modern Rock Tracks chart. The single also became a top-twenty hit in Ireland, New Zealand and the United Kingdom.

Against Brian's express wishes, Stewie leaks the relationship onto the Internet, resulting in a media circus and the claim that Lauren is a dumb blonde. Attempting to break off the relationship, Brian realizes that Lauren is a well-educated, articulate and rather accomplished woman who hides her intelligence from the public as American society derides intelligent women. In fact, she is one of the most intelligent women he has ever met. Brian invites her for dinner with the family, where Peter and Meg become interested in her accomplishments while Lois isn't fond of her lectures.

Blonde jokes are a joke cycle based on a stereotype of a dumb blonde woman. These jokes about people, generally women, who have blonde hair serve as a form of blonde versus brunette rivalry. They are often considered to be derogatory as many are mere variants on traditional ethnic jokes or jests about other identifiable groups that would be considered more offensive (such as Italian jokes involving Carabinieri). In some cases, jokes about stereotypically stupid people have circulated since the seventeenth century with only the wording and targeted groups changed.

To win a birthday party for Steve, housemates had to talk through puppets of themselves for a period of time on Day 19. Dave, Shabby and Sunshine were nominated on Day 20, but Dave saved himself by winning the task "Your Face on TV", where they had to slide the pieces of a jumbled up picture of their face so as to unjumble them. Dave replaced himself with Caoimhe. Housemates celebrated International Joke Day for their shopping task by taking on various joke stereotypes, including a dumb blonde and an Englishman, an Irishman and a Scotsman.

Deciding to go on a date with a hot but dumb blonde, Brian soon discovers he is dating "an idiot." Brian returns home depressed, and Lois tells him that he's too picky when it comes to the women he dates. Lois suggests that Brian go with Peter, Quagmire and Cleveland to a laser rock concert, but while there, Brian begins looking around the theater at all of the loving couples and becomes even more depressed, eventually deciding to begin drinking. On the drive home with the guys, he is soon pulled over by Joe and arrested for driving under the influence.

Simpson's father pitched an idea to MTV about a reality show starring the couple, resulting in the creation of Newlyweds: Nick and Jessica. The series initially focused on the marriage between Michael Jackson and Lisa Marie Presley, though the two backed out, thus allowing Simpson and Lachey to replace them. The show, which primarily focused on the couple's marriage and the recording of Simpson's third studio album, premiered on August 19, 2003. The show instantly became a pop culture phenomenon, with Simpson's perceived "dumb blonde" antics on the show helping to make the couple a household name.

The term has been made popular in other Latin American countries due to international popularity of TV shows with fresa characters. In Venezuela there is another word for the same people, which is "cotufa", which literally means popcorn. Supposedly, the reason for this term is due to the comparison of "one's brain to a piece of popcorn", but this term has its differences from the word "fresa". The term "cotufa" is actually more like the "dumb blonde" trope, but in Venezuela hair color is not a deciding factor as people with other hair colors may also have similar traits.

While at RADA she was seen in a production of Lady Windermere's Fan and recommended to Val Guest who was looking for a girl to play in support of comedian Frankie Howerd in The Runaway Bus (1954). (Eric and Blanche Glass were the ones who spotted her, according to one account.) According to the New York Times she was the "seventy-seventh" girl to audition for the role and her casting was announced in September 1953. Lee played a dumb blonde and later said "I really was dumb too – didn't know where the camera was half the time." For a time she shared a flat with Anna Kashfi.

Monroe continued to attract attention by wearing revealing outfits, most famously at the Photoplay awards in January 1953, where she won the "Fastest Rising Star" award. She wore a skin-tight gold lamé dress, which prompted veteran star Joan Crawford to publicly call her behavior "unbecoming an actress and a lady". While Niagara made Monroe a sex symbol and established her "look", her second film of 1953, the satirical musical comedy Gentlemen Prefer Blondes, cemented her screen persona as a "dumb blonde". Based on Anita Loos' novel and its Broadway version, the film focuses on two "gold-digging" showgirls played by Monroe and Jane Russell.

Monroe was also briefly hospitalized due to a barbiturate overdose. As she and Greene could not settle their disagreements over MMP, Monroe bought his share of the company. With Tony Curtis and Jack Lemmon in Billy Wilder's Some Like It Hot (1959), for which she won a Golden Globe Monroe returned to Hollywood in July 1958 to act opposite Jack Lemmon and Tony Curtis in Billy Wilder's comedy on gender roles, Some Like It Hot. She considered the role of Sugar Kane another "dumb blonde", but accepted it due to Miller's encouragement and the offer of ten percent of the film's profits on top of her standard pay.

Christopher Hahn unfavorably compared Dirty Linen with Stoppard's earlier short plays The Real Inspector Hound and After Magritte, writing that it "establishes no special relationship with the audience, nor does it make use of particular theatrical conventions, or even parody to any great extent the genre of the sex farce, surely fruitful ground for Stoppard's ironic talent. Instead, the play is a fairly straightforward duplication of a recognisable type, with the slight difference that assumptions about the dumb blonde usually prominent in this kind of play are overturned". However, Hahn praised New-Found-Land for its "clever manipulation of props" and its "conciseness and economy".

He voiced early on a desire to executive producer Ted Kotcheff that Cassidy not be made into the "dumb blonde" of the unit because he did not believe there would be any in the Special Victims Unit. Cassidy's character did not see much development, but Winters attributed this to the lack of time the character was on the show. His character appeared during the first half of the first season, when the writers were trying to flesh out all of the characters on the show. Had he remained on the show longer, Winters believed that the writers would have found much more for Cassidy to do.

Parton has composed over 5,000 songs throughout her career. The total number of individual song titles she has recorded and released is 956, totaling over 1,100 individual recordings when studio recordings, remixes, and live tracks are combined. After releasing two unsuccessful singles as a teenager, Parton signed a recording contract with Monument Records in 1964, and moved to Nashville, Tennessee shortly afterward, releasing a series of singles on the label, the highest charting being her 1965 single "Happy, Happy Birthday Baby". In September 1967, Monument released Parton's debut solo album, Hello, I'm Dolly, which contained the hits "Dumb Blonde" and "Something Fishy", which reached No. 24 and No. 17 respectively.

On December 7, 2018, Lavigne revealed the final tracklist for her sixth studio album, Head Above Water, that included a solo song titled "Dumb Blonde" as the track number five. On February 7, 2019, the album's track listing on Amazon was updated, confirming that the song features American rapper Nicki Minaj. In fact, the song was 26-seconds longer than when it first originally appeared on music platforms (3:08 to 3:34) – which suggests that Minaj's verse was added in the last minute. That day, Lavigne teased the track by unveiling a nine-second long snippet along with a statement detailing themes that inspired the concept.

Jayne Mansfield in Kiss them for me. She modeled her image as a highly memorable dumb blonde.Nicholas Yapp, 1960s: decades of the 20th century, page 135, Könemann, 1998, ISBN 9783829005234Boze Hadleigh, Celebrity Feuds!: The Cattiest Rows, Spats, and Tiffs Ever Recorded, page 151, Taylor Publishing Company, 1999, ISBN 9780878332441Brie Dyas, A Tribute To Jayne Mansfield, A Blonde Stunner Who Was Smarter Than You Thought, HuffPost, 2013-04-18 The notion of "dumb blonde" has been a topic of academic research reported in scholarly articles and university symposia, which tend to confirm that many people hold to the perception that light-haired women are less intelligent than women with dark hair.

In 1950, when Lewis was hired by Jerry Lester for NBC's first late-night show Broadway Open House (1950–51), he renamed her Dagmar. Lester devised the name as a satirical reference following the huge success on television of the TV series Mama (1949–57), in which the younger sister, Dagmar Hansen, was portrayed by Robin Morgan. As Dagmar, Lewis was instructed to wear a low-cut gown, sit on a stool, and play the role of a stereotypical dumb blonde. With tight sweaters displaying the 5' 8" Lewis' curvy 42"-23"-39" figure her dim-bulb character was an immediate success, soon attracting much more attention than Lester.

Monroe's screen persona focused on her blonde hair and the stereotypes that were associated with it, especially dumbness, naïveté, sexual availability and artificiality. She often used a breathy, childish voice in her films, and in interviews gave the impression that everything she said was "utterly innocent and uncalculated", parodying herself with double entendres that came to be known as "Monroeisms". For example, when she was asked what she had on in the 1949 nude photo shoot, she replied, "I had the radio on". Monroe portrayed a sexually attractive and naïve "dumb blonde" in Gentlemen Prefer Blondes (1953)In her films, Monroe usually played "the girl", who is defined solely by her gender.

Thereafter, Foster worked mainly with country musicians. He played a significant role in Dolly Parton's early career, signing her to Monument in 1964, shortly after her arrival in Nashville, and overseeing her recordings, culminating with her first top-40 country hit, "Dumb Blonde", in 1967. Foster also produced recordings by Willie Nelson, Ray Stevens, Kris Kristofferson, Tony Joe White, Larry Gatlin, Charlie McCoy, Al Hirt, Boots Randolph, Jeannie Seely, Jerry Byrd, Billy Joe Shaver, Grandpa Jones, the Velvets, and Robert Mitchum. Foster suggested to Kris Kristofferson the title and theme of "Me and Bobby McGee", which became a hit for Kristofferson, Roger Miller, and Janis Joplin, and for which Foster received a co-writing credit.

Marge's attempt to comfort her fails after buying a book, which did little to lift Lisa's spirits telling her to accept the stereotype. She hears Bart make comments against blondes even though Bart himself is blonde. When she calls him out for being prejudice against blondes, Bart defends himself by pointing out how the dumb blonde-stereotype mostly just applies to women and girls, while men and boys with blonde hair are expected to be evil and conniving rather than unintelligent. In a moment of kindness, Bart admits that he knows Lisa is the only exception to the blonde stereotype and this was his way of encouraging her to continue her fight against it.

Writing for The Guardian, Nosheen Iqbal stated that Peterson had made "broad generalisations on male and female behaviour" and that he denied the existence of the gender pay gap "as a qualitative fact". Channel 4 News editor Ben de Pear said that the station had called in security specialists in response to social-media abuse and threats directed against her. Newman later shared that the abuse ranged from "cunt, bitch, dumb blonde" to "I’m going to find out where you live and execute you." Peterson had told his followers to "back off" of Newman, but later denied that there was any evidence of threats, and stated that the idea that the abuse was driven by misogyny was "ridiculous".

The album draws inspiration from Lavigne's battle with Lyme disease, with her describing the album as an "emotional journey". The title track was released as the lead single from the album in September 2018, followed by "Tell Me It's Over" as the second single in December, "Dumb Blonde" as the third single the week of the album's release, a collaboration with rapper Nicki Minaj and "I Fell in Love with the Devil" as the fourth single in June. The album became her sixth consecutive album to chart in the top five of Lavigne's home country, Canada. In support of the album, Lavigne embarked on a concert tour named the Head Above Water Tour, starting on September 14.

The new series will showcase her real life more closely and will not be a part of the My New BFF franchise. Hilton has emphasized she no longer wishes to "play the dumb blonde character" she portrayed herself as in My New BFF and The Simple Life, suggesting that the My New BFF franchise is finished for the foreseeable future. Later, Hilton went on to clarify that it's "probable" that her BFFs from each series will all be brought together, for a "showdown series" of sorts. While emphasising that other countries across the world have still asked her to film further versions, she's said "I've really enjoyed doing it, but I have enough BFFs".

It is implied that the officers are talking military secrets, on the (wrongful) assumption that the woman is only a "dumb blonde" and so will not pass these secrets onto the enemy. The campaign was issued in 1942 to all ranks, with this particular image intended for messes and other places where officers met. At the end of May, Advertiser's Weekly noted that "sex appeal" had been introduced in the form of a beautiful spy, whom they insisted on "christening Olga Polovsky after the famous song." In June 1941 they further noted that, having covered public house talk, wayside conversations with strangers, and "harmless chat" with friends when on leave, the government believed they had identified "the major problem" at last.

Kelly Bundy (Christina Applegate) is the older child in the Bundy family, born November 27, 1972Noted in "Every Bundy Has a Birthday" or sometime before February 19.As noted in "Judy Turns 300," where Kelly says her birthday is in February, but erroneously refers to herself as an "Aquarium" (instead of an Aquarius). "Pumpkin," as Al often calls her, is promiscuous and physically attractive, tends to hang out with "slacker" guys, and exemplifies the stereotypical "dumb blonde". Al is annoyed by Kelly's promiscuity and tends to treat her various love interests with a combination of derision and violence; in numerous episodes, he leads them to the front door, feigning friendliness, only to walk them head-first into the wall before tossing them out the door.

During another chat with Gabriela and Rodrigo França (both Afro-Brazilians), Paula suggested that "'dumb blonde' jokes can be equated with racism" and asked their opinions on racial quotas in college, claiming that such quotas are a form of discrimination. Finally, she shared her thoughts about the meaning of "black humor": "It's when you pick up a black person and start joking about her. That's black humor". In a private conversation with Diego and Hariany, Paula threw a shade at her fellow housemates Gabriela, Hana Khalil and Rízia Cerqueira's political beliefs: "These feminists don't want to have a discussion, they just want to talk, thinking they're right in everything, we have to be very careful about what we say around them".

Glory-Bee is a slender, pretty, blonde, and young dognose lady who, while quite good-natured and likable, tends to be somewhat of an "airhead" (a stereotype of the "dumb blonde"), which may explain why she was dropped from Goofy's storyline altogether (though a better possibility is that Goofy will always be the consummate bachelor). While it might be difficult to imagine she had a very strong crush on Goofy, he hardly seemed to notice. Occasionally, however, he did try to impress her, even to the point of trying to reveal his Super Goof identity to her, to no avail. At one point Glory-Bee and Clarabelle Cow were even vying for Goofy's attention, but both failed to achieve their objective (WDS #8).

She faced a scandal when it was revealed that she had posed for nude photos before she became a star, but the story did not damage her career and instead resulted in increased interest in her films. By 1953, Monroe was one of the most marketable Hollywood stars; she had leading roles in the film noir Niagara, which focused on her sex appeal, and the comedies Gentlemen Prefer Blondes and How to Marry a Millionaire, which established her star image as a "dumb blonde". The same year, her nude images were used as the centerfold and on the cover of the first issue of Playboy. She played a significant role in the creation and management of her public image throughout her career, but she was disappointed when she was typecast and underpaid by the studio.

I laughed frequently throughout, I thought both of the major storylines mostly made sense and concluded well, and I enjoyed some of the ways the episode turned satire on its ear. I particularly liked the idea of Lisa conforming by becoming a brunette after everyone made fun of her for being a blonde. Dumb blonde jokes are as old as time itself, but the way the episode turned the whole thing into a sly parody of diversity and conformity was winning." Ariel Ponywhether of FireFox News gave the episode an A, remarked that "the episode is one of the better outings of the season" and concluded "There were some very slight characterization flaws, which detract slightly from the grade, as does the well-written but underdeveloped Lisa subplot.

Eventually, the boys get into a fight and seem to permanently turn into cavemen. Meanwhile, Bebe, worried that boys might never take her seriously (as happened to her mother, a stereotypical dumb blonde), consults a plastic surgeon about breast reduction surgery; however, he rejects the proposition because he considers breast reduction "insane" (which is made apparent especially after giving contrasting personalities to two female colleagues: one with large breasts, and the other flat-chested). He then tells her that if she wants them bigger, "now might be the time to size up"; Bebe leaves his office in frustration and disgust. Similarly when Wendy asks for a breast implant he accepts her request, but only after she announces she has three thousand dollars in cash, despite her mother's protest that she is too young.

On the sitcom Three's Company, the character Chrissy Snow played by Suzanne Somers played off a variety of stereotypes including the "dumb blonde", but also as daughter of Reverend Luther Snow (Peter Mark Richman), the character – as well as much of the show's humor – was developed around aspects of Chrissy's innocence and naïvety based on a stereotype of her religious upbringing in small town America. The TV series 7th Heaven is also a good example of the pastor's kid stereotype. The Camden family father, Eric (Stephen Collins), is a minister, and he and his wife Annie (Catherine Hicks) have seven children. Sometimes they are perfect angels but most of the time the show displays the trials that the family go through as the children grow up, and often the children are criticized because of who their father is.

Yuri had to somehow let the boy know that what he was in love with was a doll and not a real person... which ultimately proved to be her undoing at the end of the story, for Julian fell in love with a girl who had been trying to get through to him but he was too obsessed with the android Yuri at the time. : ; Lily : Lily was Yuri's temporary partner, who was assigned to her when Kei had quit the 3WA for a brief time. Her personality that seems to mirror Yuri, but even more to the extreme, to the point of appearing as the stereotypical dumb blonde. During her first mission, Lily attempted to use one of Yuri's known tactics to get out of the mission, only to be scolded by Yuri herself and ruined a stakeout.

Suzanne Somers on the in 1981, shortly after her departure from Three's Company Somers was cast in the ABC sitcom Three's Company in January 1977. After actresses Suzanne Zenor and Susan Lanier did not impress producers during the first two test pilots, Somers was suggested by ABC president Fred Silverman, who had seen her on the Tonight Show and she was auditioned and hired the day before the taping of the third and final pilot officially commenced. She portrayed Chrissy Snow, a stereotypical dumb blonde, who was employed as an office secretary. The series co-starred John Ritter and Joyce DeWitt in a comedy of errors about two single women living with a single man who pretends to be gay in order to bypass the landlord's policy prohibiting single men sharing an apartment with single women.

After releasing two unsuccessful singles as a teenager, Parton signed a recording contract with Monument Records in 1964, and moved to Nashville, Tennessee shortly afterward, releasing a series of singles on the label, the highest charting being her 1965 single "Happy Happy Birthday Baby". In 1967, Monument released Parton's debut solo album, Hello, I'm Dolly, which spawned the hits, "Dumb Blonde" and "Something Fishy", which reached number 24 and number 17 respectively. In September 1967, Parton was asked to replace country vocalist Norma Jean as the co-host of the syndicated country music television show The Porter Wagoner Show, alongside country star Porter Wagoner. The pair recorded 12 albums together for RCA Victor, and in the late 1960s and early 1970s had a series of top 10 hits on the country charts, including "The Last Thing on My Mind", "Tomorrow Is Forever", and "Daddy Was an Old Time Preacher Man".

Upon its release, the album elicited generally favorable reviews from music critics. Stephen Thomas Erlewine, writing for AllMusic, deemed Hoku and "Album Pick" and awarded it three out of five stars, commending the fact that the album "never tries to sound wiser than its years and it never seems to pander to commercial concerns. Sure, it's commercial -- that's what teen pop is all about -- but never once do the record makers decide to push Hoku as a nymphet," comparing her to Jewel and concluding that the album is a "winning debut". A review in Spin, penned by Joshua Glover, gave the album a score of seven out of 10 and commenting that "the album's as empty as a Buddhist monk and way more fun," criticizing "You First Believed" as "craptastic" but singling out "How Do I Feel (The Burrito Song)" as a highlight and likening the Vocoder on "Another Dumb Blonde" to that on Liz Phair's Exile in Guyville.

While there is no evidence that suggests that blondes are less intelligent than other people, it has been suggested that the state of being blond creates opportunities that do not require investing in education and training."Despite the Dumb Jokes, Stereotypes May Reflect Some Smart Choices" It is believed the first recorded "dumb blonde" was an 18th- century blonde French courtesan named Rosalie Duthé whose reputation of being beautiful and dumb, even in the literal sense of not talking much, inspired a play about her called Les Curiosités de la Foire (Paris 1775). A possible explanation is that attractive women have less pressing incentives to cultivate and demonstrate their intellect to ensure their future, since attractiveness is an asset, or correlatively that intelligent women have less pressing incentives to dye their hair to a presumed attractive color. The validity of this explanation is corroborated by its applicability to a similar pervasiveness of the "dumb athlete" stereotype.

Jennifer was famous for being the opposite of the "dumb blonde" stereotype that pervaded television in the late '70s; she is extremely smart and shrewd, and somewhat resentful of the fact that people assume she is dumb based solely on the way she looks. (That is played to humorous effect when Andy convinces all station employees to fool a "program doctor" by acting 180 degrees of their true personality.) Her strength and self-possession make her seem almost superhumanly competent. Almost, but not quite. In the episode "Ask Jennifer," she takes over as the host of a call-in advice show, using her intelligence and knowledge to give easy, offhand answers to all her callers' questions, but she doesn't think enough about the potential consequences of the advice she gives, and when a woman is beaten by her controlling husband as a result of taking her advice to stand up to him, a distraught and guilt-ridden Jennifer quits the show.

The satirical comedy focuses on the effect talking pictures have on the entertainment industry. When the New York City vaudevillean team of Jerry Hyland, May Daniels, and George Lewis find themselves in a faltering vaudeville act, they decide to head west and present themselves as elocution experts in the hope someone will hire them to train actors unaccustomed to speaking on screen. On the train they meet gossip columnist Helen Hobart, who introduces them to megalomaniac film mogul Herman Glogauer when they arrive in Hollywood. The trio's misadventures include encounters with Lawrence Vail, a New York City playwright driven to distraction and eventually a sanatorium by studio bureaucracy and a lack of work to keep him busy; silent screen beauties Phyllis Fontaine and Florabel Leigh, whose voices sound like nails on a blackboard; two pages in 18th-century dress who periodically arrive carrying placards with announcements about Glogauer's latest doings; a ditzy receptionist who wears an evening gown to work; and aspiring actress (and proverbial dumb blonde) Susan Walker and her chaperoning stage mother.

Artists such as Iggy Pop, Lou Reed, Cheap Trick, Debbie Harry and Earth, Wind & Fire featured on the soundtrack. Presumably, due to the film's limited release and the fact that the artists were under contract to different record labels, a proper album was never issued, although a promotional cassette was given to the press featuring nine songs from the movie. The only songs to be commercially released are three by Cheap Trick, which were issued in their 1996 boxed set Sex, America, Cheap Trick, as well as Earth, Wind and Fire's sole contribution entitled Dance, Dance, Dance, which was released as a digital single in 2012, and Iggy Pop's "Pain and Suffering", which finally surfaced as a bonus track on the 2019 re-release of his album Zombie Birdhouse (an entirely different recording of the song was included on the album's 1991 reissue). Additionally, Debbie Harry revised the lyrics to "Angel's Song" and retitled it "Maybe for Sure", which was featured on her 1989 album Def, Dumb & Blonde.