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16 Sentences With "drumming into"

How to use drumming into in a sentence? Find typical usage patterns (collocations)/phrases/context for "drumming into" and check conjugation/comparative form for "drumming into". Mastering all the usages of "drumming into" from sentence examples published by news publications.

Pound, which was just voted the hottest new fitness course by Shape, turns drumming into exercise, using Ripstix, which are lightly weighted drumsticks engineered specifically for exercising.
Both the priest and his mother encouraged young Robert, a bookish and solitary child, to dream of a great future, while also drumming into him the habits of Catholic piety.
The Bank of England now looks set to hold interest rates steady at 0.50 percent on May 10, a massive about-face from a position it had been drumming into financial markets until very recently - that it was likely going to raise them.
Southgate said he had focused on shoring up the mindset of his players, drumming into them the importance of sticking to the game plan and being ready for all scenarios on the pitch, something he said Spain and Portugal embodied in their thrilling 3-3 draw on Friday.
The song was later remixed by blink-182 drummer Travis Barker, who frequently remixes hip-hop songs by adding his drumming into the song.
Alexander William Sowinski (born October 11, 1991) is a Canadian musician and the drummer for instrumental group BADBADNOTGOOD. He is best known for incorporating jazz drumming into hip hop and electronic music.
While at FSU, she integrated live drumming into her classes and performances. Regarding her work's individually, she has cited inspiration from her father and her emphasis on family, as well as traditional Japanese dance influences, having studied Butoh under Min Tanaka.
Oxford University Press, 1998, pp. 79-80 Besides his unique drumming style, something important to Dodds was paying attention to the musicians in the outfit and fitting his drumming into the style the band was playing. He tried to get to know each member in the outfit and learn about how each person played his or her instrument.Dodds, Baby and Gara, Larry.
Beginning in February 1966, the band played every Monday night at the Village Vanguard. Since Lewis's death in 1990, the band has been called the Vanguard Jazz Orchestra, continuing its tradition as the Village Vanguard's house band. The Thad Jones-Mel Lewis Orchestra was arguably the most influential big band since the swing era. Lewis brought a loose, small group style of drumming into the structure of a big band.
In the late 1980s Brown started to form percussion ensembles to unite the people in his hometown. He simply gathered people in the streets and taught them basic percussion patterns. Candeal is a town whose residents share deep roots in Candomblé, a religion African slaves brought to Brazil. The customs and ceremonies shared in this religion brought a lot of drumming into the everyday lives of those living in Candeal.
This allegedly consisted of so-called 'satanic' figures, including her ex-husband that supposedly were after them. Through her therapy, they armed themselves against them. From 1991 on, Moget recruited students from among her own clients for her expensive training to become therapists. With her 'sect' in the city centre of Groningen she 'terrorised the neighbourhood', on the one hand by manipulating her own coworkers with threats and drumming into their minds that they had been the victims of various "repressed" crimes in the past, including sexual and ritual abuse.
In 1987 and 1992 he traveled to Japan, where he taught and performed West African Drumming and Dancing. While in Japan he visited Sado Island, home of Kodo, the percussion group, in a cultural exchange program. He has also performed and lectured throughout the US and toured Germany, Italy and Israel producing, recording, conducting clinics and performing with his group Da Lion. Like his mentor Olatunji (who played for many years with Santana and other artists of the day), Mobley has succeeded in bringing African drumming into contemporary mainstream music and has performed and recorded with many major artists in all genres.
" According to Dave McClain, drummer for Machine Head, who considers Burr a huge influence, he "brought punk rock drumming into heavy metal". Other drummers like Paul Bostaph (Slayer, Exodus, Testament), Stefan Schwarzmann (Helloween, Krokus), Chris Reifert (Death, Autopsy), Steve Asheim (Deicide), Jan Axel Blomberg (Mayhem), Jason Bittner (Shadows Fall) and Richard Christy (Iced Earth, Death, Charred Walls of the Damned) also cited Burr as an influence. Jeff Waters, guitarist and leader of Annihilator, regards his drumming as an inspiration on the drum parts he writes for his band. Iron Maiden lead singer Bruce Dickinson considered him to be "...the best drummer the band ever had.
This pattern can also be heard during the bridge of "Bleed Together" (from the "Burden in My Hand" single). Cameron also is well known for his use of tom grooves and tribal patterns, the most famous of which being the tour-de-force "Jesus Christ Pose" figure, as well as "Little Joe", "Gun", and "Spoonman". Cameron also incorporated the technique of open-handed drumming into his playing, particularly around the Badmotorfinger period in Soundgarden, specifically the tracks "Slaves & Bulldozers", the outro of "Rusty Cage", and "Somewhere", and used the technique later on Superunknown's "Limo Wreck." Cameron's signature musical style is to play songs at what he calls "Cam-rush", which is usually 10-20% faster than original recordings.
In a retrospective AllMusic review of the album, Daniel Gioffre wrote, "Unlike many of their contemporaries, Deftones are very controlled even in the midst of chaos", adding, "Throw Abe Cunningham's surprisingly sophisticated drumming into the mix, and you have a band that possesses a far greater degree of nuance than most others that work in the genre". While he noted that "there is a bit of sameness in Chino Moreno's whispered vocal melodies, which drags the record down a bit", Gioffre ultimately states that "[o]n later albums, the band's progressive tendencies become more developed, but the more straight-ahead material on Adrenaline does not disappoint. A promising debut." In the book The Rough Guide to Heavy Metal, author Essi Berelian wrote that the album "still stands as one of the best examples of nu- metal".
Focus incorporated and articulated jazz-style chords, and irregular off-beat drumming into their later Rock based Riffs, and, several bands that included jazz-style horn sections appeared, including Blood, Sweat & Tears and Chicago. Of these, Martin highlights Chicago in particular for their experimentation with suites and extended compositions, such as the "Ballet for a Girl in Buchannon" on Chicago II. Jazz influences appeared in the music of British bands such as Traffic, Colosseum and If, together with Canterbury scene bands such as Soft Machine and Caravan. Canterbury scene bands emphasised the use of wind instruments, complex chord changes and long improvisations. Martin writes that in 1968, "full-blown progressive rock" was not yet in existence, but three bands released albums who would later come to the forefront of the music: Jethro Tull, Caravan and Soft Machine.

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