18 Sentences With "draw attention to itself"

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It doesn't assert or draw attention to itself, it simply: is.
Yet at no point does his interpretation draw attention to itself.
A hard cut can draw attention to itself to create a sense of dramatic irony or transitional smoothness.
They'll warn each other that a predator is coming, which raises the question: why would an animal draw attention to itself?
I also recommend the small, stealthy Garmin Dash Cam Mini for drivers who want a model that doesn't draw attention to itself.
The pack has a classic design, which also means it doesn't draw attention to itself, or make it obvious that you're carrying around a bunch of expensive toys.
Rooney's characters know how to live on the internet in a way that doesn't draw attention to itself; the way she writes IMs, emails, and texts is effortlessly familiar.
The camera bump on the back is huge; a larger housing than the iPhone 8 Plus fitted onto a much smaller body and designed to draw attention to itself, especially on my silver review unit.
As the telephone operators of the 1950s demonstrate, a good vocal user interface is one that does not draw attention to itself or its labour, one who is there to help us as a faithful chattel, but never an equal.
It keeps popping up at festivals and retrospectives which is > interesting because it did not draw attention to itself upon how well it did > at the box office.Tony Williams, 'Feminism, Fantasy and Violence: An > Interview with Stephanie Rothman', Journal of Popular Film & Television 9. 2 > (Summer 1981): 84. See also Readers' Forum A Letter of Correction from > Stephanie Rothman Journal of Popular Film & Television10.3 (Fall 1982): 137.
Its dark colour blends in with the colour of the rocks on which it walks as it forages, and it does not draw attention to itself. Its presence, however, can easily be detected by its loud and distinctive warning calls. The song of the blackish oystercatcher, when given in duet, consists of an excited chatter of piping whistles. Calls include notes that sound like "pip" and "peeeeyeeee".
He explains that "a touchstone has to be unconventional enough to draw attention to itself, to cause controversy, perhaps to encourage imitators." He contends that the list is a way to "open discussion" about children’s literature. Each of the titles in the series includes a scholarly essay that aims to provide "a clearer, deeper sense of the best in children's books, and all the strength and joy to be drawn from them".Lundin, 67.
Defamiliarised language will draw attention to itself: as our perceptions are automatic, it will force the reader to notice the unfamiliar through a variety of different techniques i.e. wordplay, rhythm, figures of speech and so on (Lemon 1965, p. 5). Another key term in defamiliarisation and literariness introduced by Shklovsky is the concept of ‘plot’. For Shklovsky, the plot is the most important feature of a narrative as he claims that there is a distinctive difference between ‘story’ and ‘plot’.
From 1950, Hausser was active in HIAG, a revisionist organization and a lobby group of former Waffen-SS members. HIAG began in late 1950 as a loose association of local groups; by October 1951, however, it claimed to embrace 376 local branches across West Germany. In December 1951, Hausser became its first spokesperson. With the publication of its first periodical in late 1951, HIAG was beginning to draw attention to itself and generate public controversy, including speculation that it was a neo-Nazi organization.
Although Drottning Kristina och Monaldeschi was popular, Höckert rose to fame in 1855 with his painting Gudstjänst i Lövmokks fjällkapell (English: Worship service in Lövmokk's fell chapel). It was inspired by a sketch Höckert had made while traveling in Lapland, and he thought it would draw attention to itself. The painting was put on display at the 1855 World's Fair in Paris, and Höckert was awarded with a gold medal for it. French critics characterized it as a piece of French art, commenting that Höckert was most likely influenced by Eugène Delacroix and Thomas Couture.
With the publication of its first periodical, Wiking-Ruf ("Viking Call"), in late 1951, HIAG was beginning to draw attention to itself and generate public controversy, including speculation that it was a neo-Nazi organisation. In response, Hausser wrote an open letter to the Bundestag, West Germany's parliament, denying these accusations and describing the HIAG as an advocacy organisation for former Waffen-SS troops. Hausser asserted that its members rejected all forms of radicalism and were "upstanding citizens". The HIAG bylaws of 1952 described the aims of the organisation as providing comradeship, legal assistance, support for those in Allied captivity, help for families and aid in searches for those still missing.
Both parents feed their young. Small chicks are fed by regurgitation; after about a week, they are able to put their heads into their parents' pouches and feed themselves. Sometimes before, but especially after being fed the pelican chick may seem to "throw a tantrum" by loudly vocalizing and dragging itself around in a circle by one wing and leg, striking its head on the ground or anything nearby and the tantrums sometimes end in what looks like a seizure that results in the chick falling briefly unconscious; the reason is not clearly known, but a common belief is that it is to draw attention to itself and away from any siblings who are waiting to be fed. Parents of ground- nesting species sometimes drag older young around roughly by the head before feeding them.
MacDonald indicates Potter was particularly sensitive to the openings and closings of her books (she insisted Benjamin Bunny end with the term "rabbit-tobacco", for example), and, in the Flopsy Bunnies, the opening reflects her flair for the elevated diction sometimes encountered in her other books: "It is said the effect of eating too much lettuce is 'soporific'." Though the word 'soporific' is not generally encountered in literature for young children, Potter is aware of her audience's limitations and not only defines the word immediately but places it in context: "I have never felt sleepy after eating lettuces; but then I am not a rabbit." She not only defines the word, but introduces rabbits as her subject. The line does not draw attention to itself (though Potter is intruding herself into the narrative), but rather gives the tale a conversational tone or a sense of the story being told aloud by a narrator.

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