The narrow room had fluorescent lighting and was drained of color.
|
|
LVC: It's interesting that BORDERLAND is so vibrant, and UNDER THREAD is drained of color.
|
|
Sometimes I study him and see someone drained of color, even thinner than before, haunted.
|
|
One of a factory in Kentucky covered in chalk that made the photograph appear to be drained of color.
|
|
Forested mountains drained of color shift into the tan palette of the desert, which, overlaid with Apollo mission transmissions, evokes the lifelessness of a moonscape.
|
|
There's an off-kilter flatness to their performances and to much of the imagery, especially the interiors, as if it has been deliberately drained of color.
|
|
In its stead, a shard of the famous Paris art museum has been drained of color, as if the translucent panes have become some sort of living Instagram filter.
|
|
"Border Districts," like other examples of Murnane's late work, is particularly interested in the reason certain images have remained in his mind while others have disappeared or been drained of color.
|
|
Drained of color, these iterations give each part of the image equal weight, which confuses, for example, the artworks and their reflections in "Triangle (adjusted to fit)," making them strange and new.
|
|
But her modernist approach this time includes a faceless, multilevel set, drained of color but containing a water cooler next to which sits the Porter (an ever-deadpan Michael Hodgson), who now and then pushes a carpet sweeper around.
|
|
"There's been some swearing, some clients whose faces have drained of color, when they realize the sort of impact this all will have," said Andrew Hood, a regulatory and trade partner at Fieldfisher, a London-based firm with more than 1,000 lawyers.
|
|
Executive producer Annabel Jones felt that the story presented a world devoid of hope, and filming "a world drained of color felt right". Slade reported that though ideas of biological events or apocalypses were considered, the episode does not suggest a backstory for the world in order to focus on the conflict between Bella and the dog. "Metalhead" was directed by David Slade. Brooker came up with the episode's central idea while watching videos of Boston Dynamics' robotics products such as BigDog.
|
|
Many of Chagall's paintings could be described as lively, romantic, humorous, imaginative, and filled with brilliant colors, but the White Crucifixion is largely drained of color. Chagall painted it in 1938 while living in Paris, in response to the horrifying events of Kristallnacht, the "Night of Broken Glass," an anti-Jewish pogrom of official decree by propaganda minister Joseph Goebbels in Nazi Germany (including Austria and Sudetenland) from the 9th until 10 November 1938. A green figure carrying a bundle is shown crossing the foreground. This figure, who appears in several of Chagall's works, has been interpreted as being either a Jewish wanderer from Yiddish tradition or the Prophet Elijah.
|
|
This shot was drained of color entirely, and was combined with a series of blurring and framing effects in post-production to further enhance the intended image—to create the impression of waking from a dream. A scene featuring multiple clones of the character Kurt Crawford was achieved with motion control photography, allowing actor David Lovgren to portray all of the clones—multiple takes were recorded with the actor in different positions within the scene, and by using a camera controlled by a computer to follow exactly the same motions for each take, these could be seamlessly composited together. Producer Paul Rabwin has noted that achieving these shots was difficult due to the mixture of green and blue light sources in the scene.
|
|