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26 Sentences With "door case"

How to use door case in a sentence? Find typical usage patterns (collocations)/phrases/context for "door case" and check conjugation/comparative form for "door case". Mastering all the usages of "door case" from sentence examples published by news publications.

National Labor Relations Board (Sand Door Case)." Maryland Law Review. 18:318 (1958), p. 319, accessed 2013-01-30; "Hot Cargo Clause and Its Effect Under the Labor-Management Relations Act of 1947.
In ancient architecture, antepagmenta were garnishings in posts or doors, wrought in stone or timber, or lintels of a window. The word comes from Latin and has been borrowed in English to be used for the entire chambranle, i.e. the door case, or window frame.
A wooden door case surrounds the central entrance. The house was a lodging house by the 1870s. In 1873 the writer Robert Louis Stevenson stayed here for the first time. it was whilst staying at the house that Stevenson wrote that "Hampstead is the most delightful place for air and scenery near London".
Each facade has a rhythm of fenestration within the three parts, the W being 2 : 5 : 2, the S facade 2 : 3 : 2, with a central ashlar door case to each elevation, the W one with pedimented head. The doors respectively leading to the main staircase hall, and the S or entrance hall (Figs. 19, 20).
The interior includes a room dated to the early 17th century, with panelling and Tudor Revival motifs. Rhodes House, No. 33, dates to the mid-18th century. A three-storey brick building with five bays and a classical stone door-case, with Doric columns and an entablature. To the north is a two-storey mid-19th century extension, also in brick, and an adjoining former garden wall.
On the south-east front includes a modern glazed door with an 18th-century door-case and a scroll pediment on brackets. There are two heavy chimney stacks, one finely done with 6 grouped octagonal shafts. Downs Farmhouse, no longer used as such, dates from the early 16th century, with later extensions. It is timber-framed and rendered; with rear extensions partly faced in 19th-century red brick.
Tea was then an expensive luxury product. Twining's business was quickly successful, which enabled Twining to expand into adjacent premises on the Strand. By 1717, Twining was trading at 216 Strand, at the sign of the Golden Lyon, where the business remains. The classical door case is surmounted by a pediment with a statue of a golden lion, and two figures of Chinese men who signify the origin of the beverage.
The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales. The form of the subject property is of aesthetic significance as a very good example of a relatively intact Colonial Georgian style town building, demonstrating the aesthetic characteristics of a colonial domestic form building, including the symmetrical facade, (original) exposed brick walling, stone lintels and sills, verandah with separate roof, lourvred shutters and classical detailing to front door case. The place is indicative of the pre-1900s architectural character of Millers Point and because of its age and rarity, the building has some value as a comparative example of 1830s building construction techniques. Constructed in 1832-33, the building contains some features of outstanding significance for their style and rarity, including the front door case, Space 2 ceiling cornice and ceiling rose and the front verandah (albeit with altered balustrade).
The house dates from the early 17th century. The door case carries the date 1611 and the initials HP, said to be those of Howell Prichard, the builder of the house. Alterations were made in the early 19th and in the 20th centuries. A commercial premises for over 100 years until the 1980s, Sir Cyril Fox and Lord Raglan refer to the house as "The Shop" in their three-volume guide Monmouthshire Houses.
Original reservoir valve house: A red brick and stone Queen Anne revival valve enclosure which is located on the western side of the original reservoir. The valve house enclosure is missing its original door case and all windows are boarded up preventing access. Graffiti has defaced the walls. Its location is most discreet being screened by mature trees and the battered earth wall of the reservoir and is adjacent to the railway line.
Brent Eleigh Hall's early history is unknown; however, its appearance now is Georgian. Sir Edwin Lutyens produced the impressive door case in 1933–34, which is one feature that makes the hall a place of interest, and adds to its history. > Within the grounds is a beautiful Victorian walled kitchen garden spread > over nearly two acres, which requires resuscitation. The Hall lies to the north of the village, close to St Mary's Church, and is a listed building.
The ground floor of the Main wing consists of three living rooms and a later kitchen fitout to the rear room on the eastern side. Entry from the original front door leads directly into the main front room with no entry hall or vestibule. The eastern front room at ground floor retains its original timber cornice and ceiling rose. These features (the front door case, cornice and ceiling rose) all dating from 1832–33, are considered to be rare.
It took Ghiberti 21 years to complete these doors. These gilded bronze doors consist of twenty- eight panels, with twenty panels depicting the life of Christ from the New Testament. The eight lower panels show the four evangelists and the Church Fathers Saint Ambrose, Saint Jerome, Saint Gregory and Saint Augustine. The panels are surrounded by a framework of foliage in the door case and gilded busts of prophets and sibyls at the intersections of the panels.
Pisano took six years to complete them, finishing in 1336. In 1453, Ghiberti and his son Vittorio were commissioned to add a door case to Pisano's existing panels. Ghiberti died in 1455, eight years before the frame was finished leaving a majority of the work to Vittorio and other members of his workshop. There is a Latin inscription on top of the door: "Andreas Ugolini Nini de Pisis me fecit A.D. MCCCXXX" (Andrea Pisano made me in 1330).
It has been claimed that "he introduced Palladianism into America by borrowing a design from [William] Kent's Designs of Inigo Jones for the door-case of his house in Rhode Island, Whitehall." He also brought to New England John Smibert, the British artist he "discovered" in Italy, who is generally regarded as the founding father of American portrait painting. Meanwhile, he drew up plans for the ideal city he planned to build on Bermuda.E. Chaney, "George Berkeley's Grand Tours",Evolution of the Grand Tour, p.
The Spanish Mission style is continued in remaining original light fittings, furniture, joinery and floor tiles. The original main auditorium features extensive plasterwork decoration including arched windows, false balconies and door case along the side walls and a large central dome in the ceiling. Smaller theatres have been fitted below the original stage reducing the overall size of the original auditorium and requiring removal of the proscenium arch. Remnants of original plaster work decoration, however, survive behind the present screen and the theatre retains its original seating.
Signifiers of home, such as the railings, the door case with its fanlight and stone sills, became a hallmark of John Melvin's work. In 1975 Melvin and Alison Smithson founded The Architects' Standing Committee for Planning Reform (ASCPR), a pressure group of professionals working in the built environment with the remit to free up excessive government control of city development. During the 1980s, Andreas Papadakis, director of the leading architectural publishing house, Academy Editions, promoted a series of symposia held at the Tate, the Royal Academy and the Royal Institution.
Its northern end was formerly the village smithy, now mainly used for work on agricultural machinery. On the opposite side of the road a re-roofed cottage with a symmetrical front and a pedimented door case is dated 1724 with initials JBC. A council housing estate was built on the east side of the road, after the Second World War which housed 50 people when completed. East Langton now contains a total of 103 houses. In the 1880s, East Langton was described as > township and vil. (ry. sta. Langton) Church Langton par.
7; Issue 18308; col F Vice-Chancellors' Courts, Saturday, 27 May. In The Matter Of The Kirby Ravensworth Free Grammar School. The Bay Horse Inn public house dates as far back as at least 1857 (it claims a date of 1725), and its stone door case is 17th century or earlier, almost certainly built using material from the castle. In 1859 "good freestone" was being quarried in the village, although a short-lived copper mine had been discontinued; the father of Christopher Cradock was lord of the manor, and the village was described as "exceedingly neat".
The panels are surrounded by a framework of foliage in the door case and gilded busts of prophets and sibyls at the intersections of the panels. Originally installed on the east side in place of Pisano's doors, they were later moved to the north side. They are described by the art historian Antonio Paolucci as "the most important event in the history of Florentine art in the first quarter of the 15th century".Antonio Paolucci (1996), "The Origins of Renaissance Art: The Baptistery Doors, Florence" 176 pages; Publisher: George Braziller; The bronze statues over the northern gate depict John the Baptist preaching to a Pharisee and Sadducee and were sculpted by Francesco Rustici.
Shepherd's Well at 5 Frognal Way in Frognal, London is a detached house that was designed by the architect Adrian Gilbert Scott as his personal residence. It was built between 1929 and 1930 and has been Grade II listed on the National Heritage List for England since January 1999. The Historic England heritage listing for Shepherd's Well highlights its "grey-brown handmade bricks, red pantiled roof" and "white-painted wooden sash windows" and detects influence of Edwin Lutyens in its design. Bridget Cherry, writing in the 1998 London: North edition of the Pevsner Architectural Guides described Shepherd's Well as "mannered Neo-Georgian" and noted that the "front door case has been removed".
Some early Georgian houses are dotted along the street, primarily identifiable by the stone Gibbsian door case entrances, and close to the crossroads with Blessington and North Frederick Streets. Much of the street redeveloped during the Victorian era, with a number of significant buildings built, such as the Gothic style stone-built Dominican priory, designed by J. L. Robinson in 1884–87 at the corner of Dominick Street, while across from it is the red brick Italianette former fire station, designed by C. J. McCarthy and completed in 1903. Much of the street consists of vernacular Victorian terraces, with shops opening straight onto footpaths at ground-floor level. During the latter part of the twentieth century, stretches of the street were again redeveloped by Dublin Corporation for social housing flat complexes near Dominick Street.
The line of celebration and honour of his victorious life began with the great column of victory surmounted by his statue and detailing his triumphs, and the next point on the great axis, planted with trees in the position of troops, was the epic Roman style bridge. The approach continues through the great portico into the hall, its ceiling painted by James Thornhill with the Duke's apotheosis, then on under a great triumphal arch, through the huge marble door-case with the Duke's marble effigy above it (bearing the ducal plaudit "Nor could Augustus better calm mankind"), and into the painted saloon, the most highly decorated room in the palace, where the Duke was to have sat enthroned.Mavor, p. 23 The Duke was to have sat with his back to the great 30-tonne marble bust of his vanquished foe Louis XIV, positioned high above the south portico.
No. 75 Windmill Street is historically significant on a State level for being a very rare and relatively intact surviving example of a purpose built domestic form "town inn". Constructed in c.1832-33, it is the earliest surviving hotel building located in Millers Point, one of Australia's oldest urban precincts and also one of a small and rare group of colonial public house buildings located in the immediate locality. The building is aesthetically significant on a State level as a very good example of a relatively intact example of a Colonial Georgian style town building containing some features of outstanding significance due to their style and rarity, including the front door case, the front verandah (albeit with altered balustrade), the ceiling cornice and ceiling rose in Space 2 as well as the sandstock brickwork and painted signage known to exist on the front facade (albeit covered by lateraddition render).
Although inn buildings of a domestic form are found throughout regional NSW, only No. 75 Windmill Street and Lilyvale, 176 Cumberland Street are known to be surviving examples of this particular form of public house in the City of Sydney. Their location in the heart of Sydney, Australia's first settlement and only urban centre existing in the 1830s makes these buildings of exceptional significance. No. 75 Windmill Street is the oldest surviving public house building located within Millers Point and its domestic form again makes this building of exceptional significance, given that all other surviving colonial public houses in Millers Point would be classified as "taverns" and are commercial style buildings. The place contains a number of features dating from 1832-33 including the front door case, the cornice and ceiling rose to Space 2 and the front verandah (albeit with later balustrade) which are rare, surviving, colonial architectural features.
Just to the north of the main crossroads, All Saints Church, Foots Cray, is situated in Rectory Lane on the edge of Foots Cray Meadows near the River Cray. The church was built in the 1330s but is believed to stand on the site of an earlier (possibly Saxon) church evidenced by the late 12th century Norman font. The church includes a mid 14th century effigy, two 14th century windows on the south side of the nave and in the chapel, and a brass plate recording the death of Thomas Myton, Rector of Foots Cray, in 1489. The west door-case and porch date from about 1500. In 1638 the church owned eight acres of land which included an orchard, garden and cowyard, a dwelling house, hovel, barn and stable.'Footscray' by Gertude Nunns(1982)'All Saints Church in the Parish of Foots Cray'(pamphlet published by All Saints 2007) In 1863 extensive alterations took place, including the removal of the old box pews, with the church being substantially rebuilt.

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