He gifted his mother with a pair of black lacquered display cabinets decorated with gold and ivory.
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The billiard and game room includes a pool table, gun display cabinets, and a stone-lined fireplace.
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Inside, there were large glass display cabinets filled with vases, dolls, beads, and more to represent each orisha.
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What's more, there are display cabinets for perfume and sunglasses and a bank of drawers that doubles as a safe for jewelry — accessible only with a fingerpad.
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A long hallway lined with bookshelves and glass display cabinets leads to a large studio with a corner fireplace, a kitchenette and picture windows on three sides.
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Other amenities include a billiard and game room with gun display cabinets, a movie and media room, and a 190-foot long balcony on the second and third floor.
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Released yesterday and published in the Journal of Dairy Science, the research found that by replacing conventional fluorescent lights in grocery store dairy display cabinets with LEDs, the flavour profile of milk was improved.
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A teenager during the depression, he developed a yearning for unattainable foodstuffs, which explains why the artist so often presents views of cakes and lunch counters through the reflective glass of shop windows and display cabinets.
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The management team is constantly making improvements: new display cabinets to hold the growing number of belts and trophies, another ring to accommodate more fighters, and minor updates to existing rooms, like new shower heads and faucets.
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The gallery leads to the three main public spaces: a library with built-in bookcases and a fireplace, a formal wallpapered dining room and a 30-by-20-foot living room with built-in display cabinets and the second fireplace.
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Taking 25 objects into the dark, low-ceilinged exhibition space and isolating them in identically sized, equally spaced display cabinets with single spotlights, not only enables close contemplation of each item's story and unique visual properties, but makes for a thrillingly dramatic, intimate viewing experience.
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In renovating, Mr. Greenberg said, he was careful to retain the display cabinets lining the walls, a motorized tobacco-mixing wheel, a tobacco tub and a measuring scale, all from the store's early days, when cigar-smoking stars like Edward G. Robinson stopped in as they played the Shubert Theater, a few doors down College Street.
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The display cabinets contain numerous further exhibits, including 518 individual bones.
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In the display cabinets and depicted in the paintings are the old samples and original labels used by the leading local manufacturers from the mid-19th and early 20th century.
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At that time the audio points, touch pads and several display cabinets were still not ready. The limited existence of original pieces was attended to when the museum was fitted out.
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Between the compartments and the doors were the toilet, three display cabinets, lockers and several trash cans. The first order of ICE 1 trains (41 trainsets) included 105 cars of this type.
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Teylers Coin and Medal Room The Teylers Coin and Medal Room, or Numismatisch Kabinet, is a small display room in Teylers Museum that was designed in 1888 and furnished with special display cabinets in 1889.
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At the same time, the pieces were practical, functional creations – cake display cabinets, coffee grinders, fruit cabinets and so on. A number of these pieces can be seen at his centre in Málaga. In 2013, he was introduced by a mutual friend to Sidqa Usta, an expert craftsman from Istanbul. Together they began working on a new line of new furniture that was to include tables, display cabinets and wall units, in a uniquely Arabesque style utilising wood, marble and bronze as the principal materials.
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In 2011 The Heritage Centre left the Methodist Chapel and moved to North Street Whaley Thorns. It is still a meeting point for walks which are free. Historic information is available and there are few display cabinets. Family History research also available.
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The museum preserves original paintings in which the artist had the knowledge to combine the modernist influences with the aspects of his homeland. This room in the museum's vestibule is completed by several display cabinets with publications, manuscripts and tickets dedicated to the painter.
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The tomb-like exhibition hall, half underground, contains more than 1000 items related to the massacre, including an immense collection of pictures, objects, charts, and photographs. Paintings, sculptures, illuminated display cabinets, multimedia screens and documentary films serve to demonstrate to visitors the crimes committed by the Japanese military.
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The new building was dedicated on June 26, 1971. Governor Jack Williams spoke at the dedication. The museum of the cultural center received a $10,000 grant from the Weatherhead Foundation for display cabinets. The cabinets were based on a similar design used at the Museum of Northern Arizona.
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The company started using self-serve display cabinets for its greeting cards in 1929 further cementing its position in the market. Sapirstein Greeting began in 1932 making its own greeting cards. In 1934, the company began hiring sales representative. Harry, the youngest son, joined the business in 1935.
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Hunter and Ross Hordern, grandsons of Edward Carr Hordern, founded a new family business under the name of Horden Brothers in Windsor. It was operating until at least 1986 and sold hardware, manchester, haberdashery and clothing. It included old glass top display cabinets and a HCF agency in the back corner.
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The primary museum is located in the central hall of the Owatonna City Administration Building. This u-shaped hall hosts display cabinets with materials both sorted chronologically and by subject. Visitors may also watch two videos and see photos and artifacts that tell the stories of the children who lived this history.
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Sample merchandise was displayed behind rows of little display cabinets of glass boxes. Shoppers selected their merchandise with a key given to them initially. Customers then put the key in labeled keyholes at the merchandise display and selected the quantity. Electric circuits caused perforations to be cut in a ticker tape attached to the face of the customer's key.
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Palembang is also known for its woodcarving. Palembang woodcarving are heavily influenced by Chinese culture with motifs such as jasmine or lotus. Palembang woodcarving style originally is used to wardrobe that stores songket fabrics. But nowadays it's often applied to house ornaments and also to many house applicants such as wooden display cabinets, wooden beds, aquariums, photo frames, mirrors, etc.
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The interiors of the display cabinets were lined with red cotton velvet, and the floor was covered with a similarly hued "Snowflake"-pattern carpet manufactured by Stark Carpet Corporation. At the single window, gray velvet draperies, trimmed in red and white silk fringe, were installed. An early-19th century classical marble mantel with female supports replaced the Truman Georgian surround.
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Walker Hoadley's living wagon, at The Hoppings on the Newcastle Town Moor, c. 1938 Agricultural living vans were plain, even when occupied by owner drivers. In contrast, showmen became known for their opulent and beautifully decorated wagons. These were distinguished by cut glass windows, lace curtains and even more engraved glass inside fronting display cabinets for china, ideally Royal Crown Derby.
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Exhibits were originally displayed on wooden benches. In 1956 the Narrandera builder G. L. (George) Hinchey and his apprenticed son, Ian, built fine, painted timber and glass display cabinets for the Industrial Hall (one, along the eastern wall, is the surviving remnant of the original cabinets). They consisted of a freestanding central cabinet and cabinets lining all the internal walls.
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The Computer Laboratory was situated in the second floor of the school building. Another laboratory was also opened during this school year — the T.L.E. Laboratory. It is equipped with 6 unused manually operated sewing machines and 2 display cabinets. On October 16, 2001, Government Recognition No. 001 Series of 2001 was awarded to Divino Amore Academy as an officially DECS recognized Secondary Education Institution.
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They made no attempt to conceal their faces from the premises' CCTV cameras due to their elaborate disguises. Even though one of the robbers was wearing leather gloves, store security allowed him entry, being used to the eccentric behaviour of some super-wealthy clients. Petra Ehnar, a shop assistant, was forced at gunpoint to empty the store's display cabinets. A total of 43 rings, bracelets, necklaces and watches were taken.
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He engaged the renowned interior designer, Derek Frost, whose brief was to modernise the house in a contemporary fashion while paying respect to the Queen Anne original. Frost designed display cabinets to house Sir Edward's many trophies and awards. He also designed a number of custom pieces of furniture for the house that remain there to this day. It was the first time in his life that Sir Edward had owned a property.
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On the ground floor a mock anatomy theatre is the venue for a short video which recounts the public dissection of David Myles in 1702. As each body part or system is described, these are demonstrated by projection onto a plastic model of the body lying on the dissecting table. The display cabinets trace the history of surgery, from the 16th century to the present day, with particular reference to Edinburgh's contribution.
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The museum exhibits its large collection in the nave of the chapel. A variety of pieces is exposed in display cabinets and on the walls. The museum shows a great number of records of wax and vinyl, golden and platinum records, photographs, posters, books, sculptures, and various audio players, including a jukebox and a barrel organ. The museum possesses of some rare material, like posters that have never been published and signed record covers.
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The Cabinet of Artefacts and Curiosities is considered to be Germany’s oldest museum. The collection was started by August Hermann Francke for teaching purposes and today the original museum concept of the 18th century has been recreated in its original location in the mansard of the Historic Orphanage. Eighteen richly decorated display cabinets accommodate the collection of around 3,000 naturalia, the specializations of curiosities and artefacts. They give a unique impression of a baroque cabinet of curiosities.
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The opening, which was the same proportions as that of the Astor, was surmounted by a timber panelled bulkhead with downlighting. On each side of the entry doors, three glass display cabinets were set into the tiled walls with posters of current and forthcoming attractions. A cantilevered awning lined alternately with aluminium strips and fluorescent lighting projected over the street. This lighting effect was intended to assist the transition from the dark interior of the foyer to the brightness of the street.
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The timber framed pine floor is covered in carpet squares. The store retains many original timber shop fittings, including shelving units, timber counters and display cabinets. A skillion roofed extension, timber framed and clad in fibrous cement, has been built onto the back of the store near the south west corner. A set of timber double doors, centrally located in the rear wall behind the cash desk, open onto an external flight of concrete steps leading to the back yard.
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Classroom The displays include a nursery with spectacular 3 seater rocking horse and a reconstructed classroom. The center of the collection is the Brian Elder collection of dolls purchased for the museum in 1976. It includes examples of peg dolls, pressed felt dolls by Lenci, poured wax dolls, bisque porcelain dolls and composition dolls by Armand Marseille, Simon & Halbig and S.F.B.J..Interpretive Board, at the Judges' Lodgings museum In the display cabinets are doll's houses, Lego, Meccano and some Hornby railway trains.
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In 2017 the museum underwent a major refurbishment including the installation of new display cabinets and lighting for exhibits. The refurbishment also saw the installation of a new digital photo gallery which offers a look at the changing way children grew up across the twentieth century. In 2017 it was estimated that the museum had around 225,000 visitors per year and it had around 60,000 objects in its collection. The museum has a number of interactive spaces to encourage play amongst younger visitors.
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Architect: Buttress Fuller Alsop Williams Structural Engineer: Alan Wood and Partners Quantity Surveyor: Appleyard and Trew LLP Landscape Architect: TEP – The Environment Partnership A set of unique glass display cabinets has been put back in the museum after undergoing restoration. The cabinets date back to 1850 and were designed to showcase the work of Smith. They were removed from the upper gallery and have now been cleaned, restored and repaired where necessary. Tim Phelps and his team of specialists based near Knaresborough carried out the work.
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Upon leaving school Ingleby got his first job, selling advertising space for a local magazine-printing business. At the age of 19, he was promoted to head of sales. Soon afterwards, the firm was bought out by a public limited company and Ingleby took an avid interest in the workings of a PLC. In 1983, he lost his job at the firm but the same year he founded the Ingleby Group, a Blackpool-based company that specialised in selling advertising space in display cabinets in hotel foyers.
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Upritchard's early work often referenced museum displays, collections of artefacts, and ancient cultures. She often combined found objects with her own hand-made additions, such as sculpted heads made from modelleing clay of dogs, monkeys and birds inserted into the necks of ceramic and glass vessels, or fastened onto pieces of sporting equipment like hockey sticks and cricket bats. Other works showed faux-antique delicate instruments in shabby velvet- lined boxes. She also became known for her sculptures that replicated shrunken heads, resting on display cabinets or mounted on small pedestals.
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In its interior are multiple glass display cabinets that hold the treasure of the cathedral, which consists of liturgical objects, relics, crosiers, clothing, etc., including the mantle of the Virgen del Sagrario embroidered by Felipe Corral, and perhaps the most remarkable specimen of embroidery that exists in Spain. It is made of twelve yards of silver cloth, entirely covered with gold, pearls, rubies, sapphires and emeralds. There are two good carvings, one by Juan Martínez Montañés and another by Pedro de Mena, a wooden statue of St. Francis of Assisi.
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The museum, the first of its kind in Wales, opened in June 1976. The main features of the museum at that time included a traditional miner's cottage scene and display cabinets containing historical photographs and documents designed to reflect the industrial heritage of mining in Wales. In 1976, the museum received The Prince of Wales Award, and two years later it was highly placed in the National Heritage Museum of the Year Award. The museum was also highly commended by the British Tourist Authority in their "Come to Britain" competition.
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The museum was among ten candidates shortlisted for the £100,000 Gulbenkian Prize for Museum of the Year in 2005 for its work investigating the history of Shapland & Petter, a Barnstaple manufacturing company. In November 2017 the museum was targeted by thieves who broke into the museum and smashed display cabinets, making off with two limited edition Royal Mint collections of gold coins, thought to be worth around £15,000. The museum includes a Gift Shop, Tearoom, Tourist Information Centre and Visitor Reception. In May 2018 the museum closed so that an extension could be built.
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The Masonic Hall opened in 2006, and features the frontage from a former masonic hall sited in Park Terrace, Sunderland. Reflecting the popularity of the masons in North East England, as well as the main hall, which takes up the full height of the structure, in a small two story arrangement to the front of the hall is also a Robing Room and the Tyler's Room on the ground floor, and a Museum Room upstairs, featuring display cabinets of masonic regalia donated from various lodges. Upstairs is also a class room, with large stained glass window.
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The Arundell Library held the seventh century Stonyhurst Gospel of St John, before it was loaned to the British Library. There is also a first folio of Shakespeare. Until 1974, the House Libraries complex was much larger, with the Arundell and Square Libraries opening into a further room, originally built as the Boys' Chapel, but converted into a three storey museum and library, known as 'the Museum', complete with ornamental railings, spiral staircases, and glass display cabinets featuring natural history artefacts. The Museum was dismantled to make way for the Higher Line Common Room in 1974.
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This is a market for cheap clothing, with shirts available for as little as $1 U.S, or second-hand shoes for $5 US. This market is frequented by people from Mbare and the surrounding area but has become a popular shopping location for middle class hipsters. Another market is Magaba (loosely translated to mean "tins"), a market place for metal goods and other craftsmanship. This is a hub for budding entrepreneurs and artists, making products such as cooking pots, cups, bathing basins and carpentry work such as tables, beds, chairs, display cabinets and coffins. These provide a livelihood for a substantial portion of the population of Mbare.
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The Corfield and Fitzmaurice store is rare for the intactness of its interior space complete with many fittings such as shelves, display cabinets and counters for a traditional range of merchandise organised into departments. In particular the cash railway, or flying fox dispenser, is a rare example in situ of money handling technology of the early twentieth century. The place is important in demonstrating the principal characteristics of a particular class of cultural places. Corfield and Fitzmaurice Store is an excellent and well preserved example of the kind of variety store and warehouse which provided a vital service to country areas in the supply of goods and services.
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In 2016, Rowett partook in an online "ask me anything" Q&A; session on Reddit, where he answered questions from the public about his collection. Among Rowett's first toys as a child included a novelty wheelbarrow and a squeaking panda teddy bear (misreported in the AMA as a Paddington bear, but later clarified by Rowett in 2019). Journalists who visited Rowett’s home noted that his collection, which spans over 50 years and contains an estimated 25,000 pieces, takes up a large amount of space. It was reported there were over 180 suitcases which are neatly ordered by year, and most of his walls and bookshelves are filled with items, including novelty clocks and display cabinets with optical illusions.
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The intact interior space complete with many fittings such as shelves, display cabinets and counters housing a traditional range of merchandise organised into departments is a rare survivor of the pressures of commerce. In particular the flying fox cash dispenser provides rare evidence of money handling technology of the early 20th century. The place is important in demonstrating the principal characteristics of a particular class of cultural places. Mellors, an excellent and comprehensive example of a medium-sized provincial store, is outstanding in its preservation of not only the physical fabric - the mass concrete construction, characteristic shop front, elegant interior and skylight; but also of the social fabric - a relatively unchanged style of management and service.
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Picture taken during a rare tour of the gallery Painting by the museum art curator Wybrand Hendriks in 1800 of the interior of the Oval Room, showing the elektriseermachine of Martin van Marum The Oval Room in the Teylers Museum was the first part of the museum (though it was not called a museum yet) that was opened in 1784. It could be entered through the garden of the fundatiehuis, the former home of Pieter Teyler van der Hulst. The building has an oval shape built around its centerpiece, a mineralogical cabinet. The Oval Room consists of two floors; the ground floor with its display cabinets and a gallery of books that connects to the Teylers Library.
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Extensive evidence of this detailing survives in certain areas of the Shopping Block building, particularly the ground floor lift lobby, with its glazed display cabinets. The 1937 Market Street shop front alterations were, at the time of their installation, a fine example of the Art Deco style of decoration, executed at a time when the Shopping Block was thought to need a radical new image to counter flagging consumer support. Unfortunately the alterations of latter decades have adversely impacted on the quality and integrity of this decoration. The lavish shopfront decoration, extensive illumination and extravagant event promotion signage all contribute greatly to the richness of the Market Street streetscape in the immediate vicinity.
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An ambitious undertaking, the Cultural Encyclopaedia aims to change perceptions of the continent and help alleviate the frustration of African cultural producers concerned that their rich histories have been lost or forgotten over the decades because they lack good archives." She has also created a new type of "mobile" museum. In The Guardian, Charlotte Jansen writes: "Ayim said she started to reflect on the museum model in Africa while working at the British Museum. Struck by how differently African objects were encountered in display cabinets in the UK with how they were actively used in festivals back home, she began to think about how material culture could be preserved and presented in a way that was more in keeping with local traditions.
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The form, the characters, the language, and the shows of the English drama are his." "The work of a correct and regular writer is a garden accurately formed and diligently planted, varied with shades, and scented with flowers; the composition of Shakespeare is a forest, in which oaks extend their branches, and pines tower in the air, interspersed sometimes with weeds and brambles, and sometimes giving shelter to myrtles and to roses; filling the eye with awful pomp, and gratifying the mind with endless diversity. Other poets display cabinets of precious rarities, minutely finished, wrought into shape, and polished unto brightness. Shakespeare opens a mine which contains gold and diamonds in unexhaustible plenty, though clouded by incrustations, debased by impurities, and mingled with a mass of meaner minerals.
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On the ground level of the School of Arts, through a door on the north west side of the central hall is the early library of the building, now used by a local historical society. This large room, extending almost the full length of the building, has a timber gallery, which seems to be suspended with iron rods from roof beams, to which access is provided via a steep and narrow stair. The gallery is lined with a simple cast iron balustrade, comprising decorative iron newels joined by an iron rail, and a base skirting board of timber with trefoiled cutouts. The library is filled with early books and bookshelves, early museum display cabinets and other early items of importance to the understanding of the history of the building.
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The French national, regional and departmental governments, as well as the City of Mulhouse, financed a renovation at a total cost of 8.6 million euros. The architect François Seigneur designed an exhibition display named Le siècle d'or du chemin de fer (The golden century of railway), tracing historical events from 1860 to 1940, in a new hall nearly 6,000 square metres with 25 additional exhibits, bringing the total number in the museum to 103. In semi-darkness, the visitor may discover several sections of similar technology in display cabinets, with mannequins life-size Scultor plastic artiste Rebecca Campeau , that light up as the visitor approaches, including poorer and richer aspects of railway life. In the old renovated building, the emphasis is mostly placed on the instructional aspect of technology, explaining the mechanisms powering steam, diesel and electric locomotives and their development.
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The Long Room in 2006 The Long Room functioned as a museum of stuffed birds in Victorian display cabinets, the Waterton Collection, donated by old boy explorer Charles Waterton until they were transferred to the corridor linking the Old Infirmary with the school. It had been Waterton's wish for this record of his lifetime's work to be on display in his former school; the collection was lent to Wakefield Museum in the 1970s.A Stonyhurst Handbook for Visitors and Others, 3rd edition, 1963 Thankfully and due to the tireless work of the current curator Jan Graffius some of the collection has now returned to its home in the Long Room. The Long Room was used as a study room from the 1970s until 2003 when it was restored and once again used for a display of items from the College collections.
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Holton apprenticed with her father, the late Luther Janna Holton (1922-2002), cabinetmaker and sole-proprietor of Holton Fine Furniture of Hamilton before going into business for herself in 1986 as a Canadian fine furniture designer in Toronto under 'MLH Productions'. Her furniture works can be found in national public and international private collections, including the Royal Ontario Museum, (curio box & display cabinets), the Canadian Film Centre, (library reception), Stanley Ho of Hong Kong (bedroom & dining room suite), David C.W. MacDonald of Toronto ('Temagami' pedestals, 'Wolf Settee Courting Bench' & 'Thee Mirror), Rosamond Ivey of Toronto (bedroom suite) and Elizabeth Hanson of Toronto (children beds). The Hanson commission of 'three children's beds designed by MLH' was published in 'Furniture: Architects & Designers Originals' by Carol Soucek King, MFA, PhD in 1994. Holton and Frank Gehry were the only Canadians honoured in this publication about international furniture designers.
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Credenza 15th- or 16th-century Italian credenza Modern built-in or fitted credenza A credenza is a dining room sideboard, particularly one where a central cupboard is flanked by glass display cabinets, Merriam-Webster Online: Credenza: "a sideboard, buffet, or bookcase patterned after a Renaissance CREDENCE; especially: one without legs".Credenza is in the March 2014 online update of the OED as "A sideboard, free-standing cupboard, or storage chest, orig. Italian or of Italian style", expanding the 1989 print edition's "A sideboard". It also appears in OED as Credence, as well as in John Gloag, A Short Dictionary of Furniture (London, 1977), where Credence is described as "a small side-table for vessels, used as a serving table", noting 16th-century usage and quoting John Britton, A Dictionary of the Art and Archaeology of the Middle Ages 1838: "a shelf-like projection placed across a piscina, or within a niche as a place for sacred vessels used at mass; also a buffet or sideboard for plate".
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After Anna's last child, Horace Jr., died in 1962, she stayed living in seclusion at Rose Terrace until her own death in 1970. After her death, the furnishings of the Music Room were willed to the Detroit Institute of Arts. The remaining contents were sold by Christie's in 1971. A catalogue of Anna Dodge's bequest was published in 1996, and includes a section on other works of art given by Anna Thomson Dodge or acquired from her estate from 1925–1973, as well as works of art purchased with the Mr and Mrs Horace E. Dodge Memorial Fund 1971–1995; however, in the year 2000, the Detroit Institute of Arts de-accessioned a number of works of art in the first category, items made specifically for the Music Room at Rose Terrace (many by Alavoine et Cie) on commission from Joseph Duveen, which were sold at Christie's in New York on May 24, namely the Aubusson carpet, the four bronze and crystal chandeliers by Baguès Fréres, the four display cabinets that had held Anna Dodge's collection of Sèvres, and the copy of a pair of Jardinières ensuite with a pair of late eighteenth century Athéniennes still in the bequest (Lots 316-321).
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It occupies less floor area, has lower volume and weight; # Pumpable ice structure results in substantially better parameters of this cooling medium. Greater capacities can be calculated, whether per one pass of the solution through the evaporator, per unit floor area occupied by the equipment, or per unit weight of the equipment; # With pumpable ice technology it is easy to maintain a constant temperature inside supermarket display cases or cabinets; # Pumpable ice technology enables the cooling system to be more flexible, so the food cabinets can be easily rearranged according to increased or decreased requirements; # Pumpable-ice-technology-based show cabinets need less refrigeration piping, less labor to install and lower cost to find leaks in comparison with direct expansion and refrigerant pump circulation systems; # Due to the high efficiency of pumpable ice technology, the heat transfer process takes place with a very low refrigerant charge in the cooling equipment; # Unlike direct expansion systems, pumpable-ice-technology-based display cabinets and cases do not produce heat, since there is no need for air condensers under the cabinets. Therefore, the air around the cabinets is not heated; # With pumpable ice technology, less energy is needed for defrosting supermarket display cases and cabinets.
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