NOW I THINK YOU'VE HIT ON ANOTHER POINT THAT IN SOME WAY DIGRESSES FROM REGULATION.
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This exhibition pleasingly digresses from time to time by showing other matters related to the condition of pregnancy.
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Towards the end of canto III, Byron again digresses from the adventures of Don Juan in order to insult his literary rivals, the Lake Poets, specifically William Wordsworth (1770–1850), Robert Southey (1774–1843), and Samuel Taylor Coleridge (1772–1834).
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He tried to envisage the existential dimension of humans's spirit and soul. The book has no introduction, formal conclusion, or body. It continuously digresses from one context to another without a normal style. The book begins with an account of the creation of man.
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The Year of the Death of Ricardo Reis is written in Saramago's distinctive style, in which he disregards the traditional use of punctuation, except for commas and periods, which denote dialogue and changes in the speaker using only capital letters. Saramago uses long, flowing sentences and paragraphs often several pages in length. Saramago also digresses from the story frequently, occasionally even in the first person, remarking philosophically on the significance of images, objects, or situations encountered in the story. Saramago’s writing technique often has strong magical-realist elements.
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He actively tries to go abroad by marrying a foreign citizen and thus acquiring a family visa, followed by dumping her and living his life. As a foundation for his plan, he tries his hand at rekindling an old flame with his ex-girlfriend Salomi despite the fact that she is a nurse. Salomi is on the verge of migrating to Germany for significantly higher wages. He digresses from his original plan to start fresh, and tries to re-ignite his unfulfilled love with Salomi, learns German and foresees Germany as his final destination.
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Here, the sinner burns from within by hunger and thirst and the smouldering heat outside, whether he sleeps, sits, stands or runs. Asipatravana/Asipatrakanana (forest of sword leaves): The Bhagavata Purana and the Devi Bhagavata Purana reserve this hell for a person who digresses from the religious teachings of the Vedas and indulges in heresy. The Vishnu Purana states that wanton tree-felling leads to this hell. Yamadutas beat them with whips as they try to run away in the forest where palm trees have swords as leaves.
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Lucius as the narrator often digresses from the plot in order to recount several scandal-filled stories that he learns of during his journey. Lucius is eventually sold to a Gallus priest of Cybele. He is entrusted with carrying the statue of Cybele on his back while he follows the group of priests on their rounds, who perform ecstatic rites in local farmsteads and estates for alms. While engaging in lewd activity with a local boy, the group of priests is discovered by a man in search of a stolen ass who mistakes Lucius' braying for that of his own animal.
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The structure of the poem is conventionally Victorian in its rigidity. The poem seldom digresses from four-line stanzas with an ABAB rhyming pattern and the use of iambic tetrameter. This conforms to the fictitious nature of the poem, since the Brontës seemed more adventurous in their later poetry in which they tended to explore their own emotions more deeply. However, the poem does involve a time shift, with the protagonist recalling their childhood to an unnamed second person only described as a 'child' who seems to have some musical talent and can play the tune which stimulated the protagonist's memory.
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Pausanias digresses from the description of architectural and artistic objects to review the mythological and historical underpinnings of the society that produced them. As a Greek writing under the auspices of the Roman empire, he was in an awkward cultural space, between the glories of the Greek past he was so keen to describe and the realities of a Greece beholden to Rome as a dominating imperial force. His work bears the marks of his attempt to navigate that space and establish an identity for Roman Greece. He is not a naturalist, although from time to time, he does comment on the physical realities of the Greek landscape.
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Metonymy became important in French structuralism through the work of Roman Jakobson. In his 1956 essay "The Metaphoric and Metonymic Poles", Jakobson relates metonymy to the linguistic practice of [syntagmatic] combination and to the literary practice of realism. He explains: > The primacy of the metaphoric process in the literary schools of Romanticism > and symbolism has been repeatedly acknowledged, but it is still > insufficiently realized that it is the predominance of metonymy which > underlies and actually predetermines the so-called 'realistic' trend, which > belongs to an intermediary stage between the decline of Romanticism and the > rise of symbolism and is opposed to both. Following the path of contiguous > relationships, the realistic author metonymically digresses from the plot to > the atmosphere and from the characters to the setting in space and time.
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John Goodwin (1593–1665) was a Puritan who "presented the Arminian position of falling away in Redemption Redeemed (1651)"Oropeza, Paul and Apostasy, 17. which drew a lot of attention from Calvinists.Goodwin's work was primarily dedicated to refuting the Calvinist doctrine of limited atonement, but he digresses from his main topic and spends 300 pages attempting to disprove the Calvinist doctrine of unconditional perseverance. See Redemption Redeemed, 226–527. Several Calvinist's responded to Goodwin's book, and he provides a lengthy rejoinder in Triumviri (1658). See also Goodwin's Christian Theology (1836): "Apostasy," 394–428. In his book, English bishop Laurence Womock (1612–1685) provides numerous scriptural references to the fifth article concerning perseverance delivered by the later Remonstrants.The Examination of Tilenus Before the Triers, in Order to His Intended Settlement in the Office of a Public Preacher, in the Commonwealth of Utupia: Whereupon Are Annexed The Tenets of the Remonstrants, Touching Those Five Articles Voted, Stated, and Emposed, but Not Disputed, at the Synod of Dort.
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Although these texts are usually described as laments, Neferti digresses from this model, providing a positive solution to a problematic world. Although it survives only in later copies from the Eighteenth dynasty onward, Parkinson asserts that, due to obvious political content, Neferti was originally written during or shortly after the reign of Amenemhat I.. Simpson calls it "...a blatant political pamphlet designed to support the new regime" of the Twelfth dynasty founded by Amenemhat, who usurped the throne from the Mentuhotep line of the Eleventh dynasty.. In the narrative discourse, Sneferu (r. 2613–2589 BC) of the Fourth dynasty summons to court the sage and lector priest Neferti. Neferti entertains the king with prophecies that the land will enter into a chaotic age, alluding to the First Intermediate Period, only to be restored to its former glory by a righteous king— Ameny—whom the ancient Egyptian would readily recognize as Amenemhat I.; ; .
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