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23 Sentences With "destructive lifestyle"

How to use destructive lifestyle in a sentence? Find typical usage patterns (collocations)/phrases/context for "destructive lifestyle" and check conjugation/comparative form for "destructive lifestyle". Mastering all the usages of "destructive lifestyle" from sentence examples published by news publications.

WATCH: Moore Adviser Dean Young tells Chuck homosexuality is a 'destructive lifestyle' pic.twitter.
Their over-reliance on a destructive lifestyle (both to themselves and to the planet) makes me think of them as the dangerous and suicidal ones.
He has often defended the Church from its critics and promoted it several times in the media. He credits the Church with saving his life, helping him change his destructive lifestyle which included crime and drug abuse.
She accepts, only to discover upon visiting the fighter in his home that he is addicted to drugs and enmeshed in a dangerous and self-destructive lifestyle. Enter Luther Shaw, a small-time hood. Kallen watches in horror and fascination as Shaw pummels the former middleweight champ. She offers to manage him professionally.
The meeting ends on a bitter note, and Paro returns to her married life. Dev resolves to go back to Chanda, but confronted by the reality of her profession, he abandons her, too. He resumes his destructive lifestyle of alcohol, drugs, and reckless behaviour. Months later, after his life has completely fallen apart and hit an all-time low, Dev attempts to pick up the pieces.
Baker was an inductee of the Rock and Roll Hall of Fame as a member of Cream in 1993, of the Modern Drummer Hall of Fame in 2008, and of the Classic Drummer Hall of Fame in 2016. Baker was noted for his eccentric, often self-destructive lifestyle, and he struggled with heroin addiction for many years. He was married four times and fathered three children.
Art Solomon shares stories that he heard during his many years working intimately with aboriginal people. These stories are used throughout the video, along with many other personal memories of residential school survivors. These recollections are set alongside dramatic excerpts from Shirley Cheechoo's autobiographical play "Path with No Moccasins". The play demonstrates Shirley's experiences within the schools, the subsequent destructive lifestyle that resulted, and her path to healing.
He also pinned Bradshaw's arms, allowing linebacker Mike Hegman to steal the ball and run 37 yards for a touchdown in Super Bowl XIII. He was selected to the Pro Bowl at the end of the season. Even though he had great potential as a player, Henderson's destructive lifestyle of drugs and alcohol began to catch up with him. During many games, he snorted liquid cocaine from an inhaler he hid in his pants.
He loves to drink and use drugs, but whether or not he is an addict is left ambiguous to the viewers. Throughout the series, he is best friends with both Freddie and JJ, although at times, his sexual relationship with Effy Stonem drives a rift between them. Despite his self-destructive lifestyle, Cook is sometimes caring and kind-hearted - as seen in his fondness for JJ, and his kindness to Naomi and Pandora when they are in tough times.
The program had the capacity to treat over 175 youths at a time and the initial fee was $7,200 with an average stay in the program of 12–14 months. Newton also enrolled sibling groups to prevent brothers and sisters from following in the same destructive lifestyle. A system of peer monitoring enforced his program’s rules. New youths or youths in the first stages of the program were forbidden to be alone, even to shower or use the bathroom.
Moon led a destructive lifestyle. During the Who's early days he began taking amphetamines, and in a NME interview said his favourite food was "French Blues". He spent his share of the band's income quickly, and was a regular at London clubs such as the Speakeasy and The Bag O'Nails; the combination of pills and alcohol escalated into alcoholism and drug addiction later in his life. "[We] went through the same stages everybody goes through – the bloody drug corridor", he later reflected.
Nepalese cultural, social, and religious patterns repeatedly enforce the low social status of women, often leading to a destructive lifestyle between genders. This violent culture is most prevalent in the marital aspect of their society. Instead of being treated as equal members in the human race, Nepalese women are shamed as less than mere slaves to their husbands. They must never refuse their partner's requests, and in the case that they do disagree, the women are “punished”, until this behavior is corrected.
Alf Dubbo - A half- Aboriginal member of the Stolen Generations who grows up in the care of a pastor who later sexually abuses him. He flees to Sydney where his artistic impulses are tempered by his mistrust of others and a self-destructive lifestyle. Mrs Jolley - Mary Hare’s housekeeper, who treats her employer with cruel contempt and later leaves to take up residence with Mrs Flack. Mrs Flack - A mean-spirited woman who helps precipitate the events that culminate with the attack on Himmelfarb.
Solo is released from Youth Authority on a 12-hour furlough to attend his brother's funeral with instructions to be returned to the facility by 8:00 PM. At the funeral a guest pastor speaks to the mourners. He addresses his message specifically to the Bloods in attendance. The guest pastor informs the Bloods that he's an ex- convict and talks about what his self-destructive lifestyle has cost him: his ten-year-old son. He invites the Bloods to give their lives to God and renounce gang banging.
As a lawyer, Figler was first showcased before a national audience on CourtTV (later TruTV) after the gavel-to-gavel coverage of the trial of Gloria Guzman in 2006. There, Guzman was a nurse caretaker who fell in love with and married one of her charges in a facility who was also a quadriplegic. The two moved out of the facility and into an apartment where they engaged in a destructive lifestyle involving methamphetamine and guns. When her husband drowned in a bathtub, Guzman was accused of first degree murder.
Harry Osborn as the new Green Goblin, battling Spider-Man on the cover of The Amazing Spider- Man #136 by John Romita, Sr. Harry is dumped by Mary Jane Watson due to being fed up with his self-destructive lifestyle. Disconsolate, Harry turns to drugs and suffers an amphetamine overdose. He survives, but this tragedy, compounded by imminent bankruptcy, drives his father Norman Osborn over the edge. The elder Osborn kidnaps Gwen as bait for Spider-Man, and then throws her off the George Washington Bridge (or Brooklyn Bridge).
New York: Oxford University Press, 1988 (Bill Evans). Evans never allowed heroin to interfere with his musical discipline, according to a BBC record review article which contrasts Evans's addiction with that of Chet Baker. On one occasion while injecting heroin, he hit a nerve and temporarily disabled it, performing a full week's engagement at the Village Vanguard virtually one-handed. During this time, Helen Keane began having an important influence, as she significantly helped to maintain the progress of Evans's career despite his self-destructive lifestyle, and the two developed a strong relationship.
Sixteen-year-old Jake Livingston (Christopher Collet) has been the man of the Livingston home since his parents divorced 2 years earlier, that is, until his mother (Teri Garr) started seeing Sam. Sam (Peter Weller), an alcoholic and drug addict, introduces Jake's mother to a self- destructive lifestyle. His mom, Wendy, can't see beyond Sam's charms or her own emotional needs, while his younger brother, Brian (Corey Haim), succumbs to Sam's ingratiating manner. Jake resents Sam's constant presence in the household, however, particularly when Sam begins to establish rules and discipline for the boys and expects them to obey.
Trout recorded and toured with the Bluesbreakers all over the world. The many successes on stage were accompanied with a self-destructive lifestyle offstage. Trout recalled in a 2018 interview with Blues Radio International that while playing with John Mayall, he was rescued from a complete descent into alcohol and substance abuse by a post-gig encounter with Carlos Santana. Trout left the Bluesbreakers in 1989 and formed the 'Walter Trout Band' which developed a successful following in Europe, especially Scandinavia where he found himself playing to large festival crowds such as at the Midtfyns Festival and Skanderborg Festival.
Priseman purchased one hundred damaged religious icons from E-Bay and over-painted each with a 20th-century celebrity who died prematurely from suicide or as a result of a self-destructive lifestyle. The over-painting seeks to mimic the replacement in contemporary culture of faith with fame and of saints with ‘stars’, exploring Jarvis Cocker’s idea that people believe fame is a kind of heaven that can “sort things out”. Priseman explores the territory of the cult of the celebrity, focusing on those amongst the celebrated who are troubled and at times unable to cope with the pressures of modern living. Fame exhibited at Art Exchange, Colchester, England in 2013, WhiteBox Art Center, New York in 2014 and St Marylebone Crypt, London in 2015.
In 1981, Nelson was nominated for an Academy Award for Best Original Song for "On the Road Again". Irving won a Golden Raspberry Award for Worst Supporting Actress. Noted film critic Roger Ebert called the film "sly and entertaining" yet ultimately predictable and disappointing: > The movie remains resolutely at the level of superficial cliché, resisting > any temptation to make a serious statement about the character's hard- > drinking, self-destructive lifestyle...Honeysuckle Rose has the kind of > problems that can be resolved with an onstage reconciliation in the last > scene: Willie and Dyan singing a duet together and everybody knowing things > will turn out all right. Regarding Willie Nelson's performance, Janet Maslin wrote in the New York Times: > Mr. Nelson doesn't entirely fit his role, any more than the other actors fit > theirs.
However, Julia had long indulged in a self-destructive lifestyle of excessive drug consumption, and it had begun to affect her work. François Truffaut, one of French cinema's most iconic directors and a star of Close Encounters (playing "Claude Lacombe", a French government scientist in charge of UFO-related activities in the United States), blamed her for that film's budget difficulties, and she was eventually fired during post-production because of her cocaine dependence. Phillips, by now divorced, spent the following years on a downward spiral which included, by her own account, spending $120,000 on cocaine, before entering therapy to recover from her addiction. Then, in 1988, having been out of Hollywood for eleven years, she sold all her assets to produce The Beat, about a kid in a tough neighbourhood trying to teach poetry to local gangs.
Jagger was keenly aware of new styles and wanted to keep The Rolling Stones current and experimental, while Richards was seemingly more focused on the band's rock and blues roots. As a result, there was friction, and the tension between the two key members would increase over the coming years. A compounding factor was the fact that Richards had emerged (to an extent) from his self-destructive lifestyle of the previous decade, and thus sought a more active role in the creative direction of the band, much to the chagrin of Jagger, who had enjoyed nearly a decade in relative control of the band. The lyrics on Undercover are among Jagger's most macabre, with much grisly imagery to be found in the lead single and top 10 hit "Undercover of the Night", a rare political track about Central America, as well as "Tie You Up (The Pain of Love)" and "Too Much Blood", Jagger's attempt to incorporate contemporary trends in dance music.

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