It is despairingly prophetic and deeply American in its paralyzed state.
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His mother, barely 17 years old, stuck her nipple despairingly into his mouth.
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"How could we have let it get this far?" one voice asks despairingly.
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In the last moments, Albrecht reaches out despairingly to Bathilde, who reaches back.
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"She has a tool belt," Mom despairingly says of the athletic daughter who won't marry.
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Security forces retaking territory from the Islamic State are uncovering mass graves on a despairingly regular basis.
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Winston attempts, despairingly and bravely, to rediscover what life was like before the rise of Big Brother.
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He sits on a wheelchair and looks despairingly at a wall, while she stares morosely at the food.
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That's worth remembering as we struggle, often despairingly, to find common ground in the battle against climate change.
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Last year Missouri's chief public defender despairingly tried to appoint the governor to represent an indigent defendant (he declined).
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From the immensely heavy, to the despairingly beautiful – it triggers an emotional response, and that's what I play on.
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Today's sling of speculative fiction, from the always dystopic and despairingly excellent Sam Biddle, is grounded in the very real.
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"I kind of joke that we should get a crowdfunding set-up to pay for everyone's antenatal care," England laughs despairingly.
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As children, my brother and I watched despairingly as our father gained weight, became increasingly sick and eventually died, from complications related to obesity.
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Instead, many women sold their homes to raise families in regions to which they had escaped, fulfilling the false stereotype of a despairingly divided society.
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The Oxford Dictionaries' press release credits the term to Serbian-American playwright Steve Tesich, who used it despairingly in a 1992 essay in the Nation.
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But, he added despairingly, the issue may not cost Mr. de Blasio at the polls because black voters are already "disaffected" in their hopes for police reform.
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Some argue that online activism â€" sometimes despairingly called slacktivism â€" might be ineffective or lazy, especially when compared to the efforts of activists in decades past.
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And that dignity is important in a series that can feel like it's endlessly, despairingly spinning its wheels, forcing its characters to fight the same wearying battle a thousand times over without making any progress.
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But rather than looking despairingly at your wardrobe each morning and your lack of seasonally-appropriate clothing (hey, we've all been there), your winter outfits can (and should) incorporate your favorite summer pieces, reworked and worn together.
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But in a recent article published by the Harvard Business Review despairingly titled "We Just Can't Handle Diversity," it was revealed that candidates are evaluated not solely on merit (as we often aspire and hope) but also on race/ethnicity.
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As extra time progressed with no more goals, the punters began to talk despairingly of more shootout pain for England, who last won a match on penalties at the 1996 European Championship, and had never done so in a World Cup before.
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But most people (some more grudgingly and despairingly than others) are coming around to the realization that a binding global treaty just isn't in the cards, and the quest to achieve it is standing in the way of more small-scale, concrete steps.
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" In the same magnificent poem, Amichai despairingly proposes a new, post-Auschwitz theology, in which God's dead people, those who died in the Shoah, now resemble their dead God, the deity ideally described by Maimonides as having "no likeness of a body and . . .
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Or maybe it was the inconvenient question posed by her son Joseph one day in 1965, when he turned to her despairingly from the brutal television images of blacks being mistreated in the South and asked what she was going to do about it.
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Accordingly, she performs with caution; even "Red Bull and Hennessy," whose perfect mechanical keyboard hook and stomping drums capture a buoyant sense of yearning, collapses into bathos when she enunciates "Hennessy" precisely, despairingly, as if the brand were a self-evident symbol of decadence.
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This past weekend, as white supremacists marched down the streets of Charlottesville with torches in hand, they presented a story that felt like a shock to many, but was despairingly familiar to those who have been following, involved in, and impacted by this country's racial dialogue and trauma over the generations.
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When it was his turn to be grilled by the director in the play, he delivers a nearly 10-minute introspective monologue recounting how he had dropped out of Catholic school, despairingly joined an itinerant drag troupe and is now hungry for a legitimate job dancing to validate his life.
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"What a piece of work is man!" is a phrase within a monologue by Prince Hamlet in William Shakespeare's play Hamlet. Hamlet is reflecting, at first admiringly, and then despairingly, on the human condition.
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The character despairingly realizes he will never write as well as Chesnutt.Bernard, Emily. Carl Van Vechten and the Harlem Renaissance: A Portrait in Black and White. New Haven, Connecticut: Yale University Press, 2012: 151.
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On the morning of 30 September, Beneš turned despairingly to the Soviet ambassador. 'Czechoslovakia is confronted with the choice either of beginning war with Germany, having against her Britain and France,... or capitulating to the aggressor.
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He says that if she displeases him, he will allow that time to elapse and she will vanish. He also gives her a new name, Hasharito or 'little insect', and tells her never to think of her old name. Despairingly, she agrees.
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She leaves, and Bertie appears, telling Jeeves to start the car, because he learned Miss Tomlinson expects him to speak to the girls. Jeeves tells him the car is out of order and will take a little time to repair. Despairingly, Bertie goes to speak to the girls in a large schoolroom. Jeeves watches from behind a pillar outside.
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Vitek's daughter Kristina, a young singer, enters. She praises Emilia Marty, a famous singer whom she has seen rehearsing and despairingly states that she will never be as great an artist as Emilia Marty. Kolenatý returns, with news that the case has not yet been resolved. Accompanying him is Emilia Marty, to the surprise of Kristina.
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But as he sings a note of doubt creeps in: "Who will assure me that she is following?". Perhaps, he thinks, Plutone, driven by envy, has imposed the condition through spite? Suddenly distracted by an off-stage commotion, Orfeo looks round; immediately, the image of Euridice begins to fade. She sings, despairingly: "Losest thou me through too much love?" and disappears.
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' We reached the place, and sat down there. The men again muttered despairingly, and at length they said distinctly, 'We must give it up.' I by no means wished to put on pressure, but directing their attention to a point at the base of the precipice, I asked them whether they could not reach that point without much risk. The reply was, ' Yes.
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In her cloneblade form she is able to extend her fingers and impale her victims multiple times. The extent of her power can be seen when she pierces Reina's armor blades with ease. In the end, Maria meets her demise while fantasizing despairingly about her mother. In her final moments, she asks the hallucination of her mother if "she still loved her".
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A great uproar ensues. The board of well-fed gentlemen who administer the workhouse hypocritically offer £5 to any person wishing to take on the boy as an apprentice. Mr. Gamfield, a brutal chimney sweep, almost claims Oliver. However, when Oliver begs despairingly not to be sent away with "that dreadful man", a kindly magistrate refuses to sign the indentures.
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"The Drama in Paris", The Era, 29 April 1899, p. 13 Struck with remorse, Pierrot runs to hide himself in the laurel grove, but Leda wounds him with an arrow. She then orders her attendants to place the swan on a litter of branches and flowers; the funeral procession moves off, leaving Pierrot alone, weeping despairingly. The faun returns and advises him to impersonate the swan.
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", and is forced to wear a flamboyant, albeit patriotic, costume. During the third season's Halloween episode, Sam confronts Alice Cooper. Railing against the audience and "indecency" and "low brow" humor, Sam calls Cooper a "demented, sick, degenerate, barbaric, naughty, Freako!" Rather than being insulted by these comments as Sam was intending, Cooper takes it as a compliment and thanks Sam, to which Sam despairingly retorts, "Freakos one, civilization zero.
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"'Cop-out' Broadway" playbillvault.com, accessed November 15, 2015Simonson, Robert. "FRINGE WATCH: John Guare's 'Cop-Out' Gets Rare Staging" Playbill, August 1, 2000 The House of Blue Leaves, a domestic drama by turns wildly comic and despairingly poignant, premiered Off-Broadway in 1971 at the Truck and Warehouse Theatre. It was revived Off-Broadway at the Lincoln Center for the Performing Arts in 1986 before transferring to Broadway later in 1986.
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Australia were asked to follow on and had reached 28 for no wicket when McDonald suffered a knee injury which forced him to retire hurt. Harvey replaced him and was out first ball after hitting Laker to Cowdrey at short mid-on. Australia's best batsman had collected a "pair" and, despairingly, threw his bat into the air as he departed. Burke and Ian Craig put up some resistance and were still together at the close.
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The compunction of the conscience is wreaked by beating arrogance of Ego Ratio (the head of Sangkuriang is beaten). The arrogance also force the Ego Ratio to leave the conscience. And the arrogance of the Ego Ratio which despairingly seeks for science (intellectual intelligence) during its adventure in the world (eastward). At the end, the Ego Ratio returns westward consciously or unconscious seek for the conscience (the meeting of Sangkuriang and Dayang Sumbi).
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"I have been greedy," he confesses despairingly to Studley, "I am like King Midas; everything I touch turns to poontang!" The end of the film is tragic- comic with a metaphysical twist concerning the fate of those ruled by lust. The movie is composed of a series of outrageous skits, each one building upon the last in outrageousness. The film is available through MGM Home entertainment on a limited edition series of 80s comedies.
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1988 saw Dave Turner promoted from 2nd to 1st XI captain but Park initially struggled to get some momentum going. However some key performances from bowler Andy Cross helped them win eight of their last nine games as Park snatched the championship title by one point.The Home of CricketArchive Despairingly though, they slumped to their third consecutive Cheshire Cup final loss when they suffered an eight wicket defeat to local rivals Oxton.
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As Scarpia awaits her decision, she prays, asking why God has abandoned her in her hour of need: "Vissi d'arte" ("I lived for art"). She tries to offer money, but Scarpia isn't interested in that kind of bribe: he wants Tosca herself. Spoletta returns with the news that Angelotti has killed himself upon discovery, and that everything is in place for Cavaradossi's execution. Scarpia hesitates to give the order, looking to Tosca, and despairingly she agrees to submit to him.
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For many years his suggestions were ignored.Website of The American Academy of Oral and Maxillofacial Radiology- retrieved 19/03/15 As early as 1902 Rollins wrote, almost despairingly, that his warnings about the dangers involved in careless use of X-rays were not being heeded by industry or by his colleagues. By this time Rollins had proved that X-rays could kill animals, could cause a pregnant guinea pig to abort, and that they could kill a fetus.Taming the Rays - A history of Radiation and Protection.
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In the early 17th century, Bishop Wren urged the restoration and beautification of churches, much previously neglected, and the use of copes in worship against a background of resistance. Several successors including Richard Montagu a public controversialist, continued attempts to restore a degree of catholic worship. However, Norwich was heavily influenced by Puritanism and in 1643, a Puritan mob invaded the cathedral and destroyed all Catholic symbols. (The bishop of the day, Joseph Hall, wrote despairingly of the despoliation, in his book, Hard Measures).
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In the end, Dylan helps pull Max from the water after the apocalypse. In Maximum Ride Forever, Dylan is seemingly killed but in reality is kidnapped by the Remedy and turned into a Horseman. However, he becomes aware that the transformation was not successful as he still has free will; when tasked to kill the flock, instead of doing so, he fakes their deaths so that no other Horseman will be sent to truly kill them. Eventually, Dylan despairingly but solemnly accepts that Max will always love Fang and he cannot be with her.
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His fey voice would give way to a guttural Cockney bellow as he'd despairingly yell "My wife's gonna kill me" His friend Corky was a dodgy mongrel cum gangster who stitched Greg up with a bungled bank robbery. Derek & Chester Two gruff, boozy men who appeared on the Food & Drink spoof reviewing the Lovely Brown Boozes, before Derek (Vic) let slip that his girlfriend Maggie had left him. They then appeared in Antiques Roadshow wanting to get a bottle of Babycham valued, before giving it generously to the Booze For t'Baby man.
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Rubashov continues in solitary. News is tapped through to Rubashov that a prisoner is about to be executed. The condemned man is Michael Bogrov, the one-time distinguished revolutionary naval commander, who had a personal friendship with Rubashov. As Bogrov is carried off crying and screaming, all the prisoners, as is their tradition, drum along the walls to signal their brotherhood. Bogrov, as he passes Rubashov’s cell, despairingly calls out his name; Rubashov, having watched him pass by through the spy-hole in the door, is shocked at the pathetic figure Bogrov has become.
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During this time, Po learns that Shifu's cold and distant behavior stems from his own shame over Tai Lung's betrayal, having raised him from infancy. Meanwhile, Tai Lung escapes from prison by picking his locks with one of Zeng's feathers. Shifu learns of Tai Lung's escape from Zeng and informs Oogway, who extracts a promise from Shifu to believe in Po, and then passes on to the heavens in a stream of peach blossoms. Still unable to grasp the basics of kung fu, Po despairingly admits that he has no chance of defeating Tai Lung.
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Collecting himself, he said despairingly, "Masters, I pray you all pray for me, for I have deserved the death". Smeaton's form of execution was beheading, rather than the brutal quartering usually assigned to commoners; the reason is thought to have been due to his co-operation with Anne's enemies. Smeaton's body was buried in a common grave with one of the other accused adulterers, William Brereton. Years after Smeaton's death, Queen Mary convinced herself that her sister, Elizabeth, whom she considered a rival for her throne, was illegitimate and actually the product of the alleged affair between Smeaton and Anne.
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He pockets it and encounters Megumi while fleeing the bathrooms, from whom he runs away. Ryūhei then despairingly wanders into the Tokyo night, is hit by a truck, and left for dead. He lies on the side of the street amid some leaves and sleeps there overnight, only to find himself waking up in the morning unharmed. He deposits the envelope of cash in a local lost-and-found bucket, and is the last to arrive back at the house, where the three family members share a meal together without mentioning the events of the previous night.
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Despite several references to Knutsford, including King Street and The Heath, the TV adaptation was actually filmed in Lacock, Wiltshire. Notably, in 1987 Legh Road in Knutsford, designed by Richard Harding Watt, doubled for Colonial Shanghai in the opening scenes from Steven Spielberg's film Empire of the Sun. A Gaskell protégé who died in Knutsford in 1859 was the once-popular novelist Selina Davenport, who abandoned writing despairingly in 1834 and kept a tiny Knutsford shop instead. Knutsford Amateur Drama Society was established in 1925 and moved to its premises in Queen Street, Knutsford shortly after the end of the Second World War.
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Despite this, there were some early systematic hazard investigations, and as early as 1902 William Herbert Rollins wrote almost despairingly that his warnings about the dangers involved in the careless use of X-rays were not being heeded, either by industry or by his colleagues. By this time, Rollins had proved that X-rays could kill experimental animals, could cause a pregnant guinea pig to abort, and that they could kill a foetus. He also stressed that "animals vary in susceptibility to the external action of X-light" and warned that these differences be considered when patients were treated by means of X-rays.
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Bay of Souls begins in the vein of James Dickey's Deliverance (1970), with the novel's central character Michael Ahearn,and his cronies hunting in the wilds of Minnesota. But Michael's attempts at Hemingwayesque role-playing are limited by his daydreaming, he brings a gun only to justify his presence out in the woods. While Michael waits in a deer stand, a strange hunter despairingly stumbles by, trying to haul a large buck on a pitifully inadequate wheelbarrow. Michael takes pleasure in the other man's humiliation, but the experience proves prophetic of several burdens assumed during the novel and the difficulty characters will have sustaining them.
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As Reverend Hale tries to persuade the court that John is indeed being honest, the girls turn the court further against the Proctors by screaming that Mary Warren is attacking them in the form of a yellow bird. Although John correctly believes that they were pretending, as he had previously accused, the girls create another commotion, running outside from the bird into a nearby lake, making the court think that they are honest. To save herself from being hanged as a witch, Mary Warren accuses John of witchcraft. When asked if he will return to God, John despairingly yells "I say God is dead!" and is arrested as a witch.
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The more McLaren began engaging in the work of Marx, and meeting social activists driven by Marxist anti-imperialist projects throughout the Americas, he no longer believed that the work on "radical democracy" convincingly demonstrated that it was superior to the Marxist problematic. It appeared to McLaren that, in the main, such work had despairingly capitulated to the inevitability of the rule of capital and the regime of the commodity. That work, along with much of the work in post-colonialist criticism, appeared to McLaren as too detached from historical specificities and basic determinations. McLaren believed that Marxist critique more adequately addressed the differentiated totalities of contemporary society and their historical imbrications in the world system of global capitalism.
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Realizing further that Lieutenant Franks must have been involved in the killing of Reavis, Harper ambushes Franks in his own home and forces him to admit he does jobs for J.J. Kilbourne. When Harper later confronts Kilbourne with the information, the oil magnate admits to having hired Reavis, but insists it was only to spy on Olivia Devereaux, not to kill her. When Harper tells Kilbourne he knows about the missing account book, Kilbourne offers him a fortune for it, but Harper just walks away. This leads to the climactic scene of the film's title, with J.J. Kilbourne and his henchman torturing Harper and Mavis to find out where the notebook is, their desperate attempt to escape, and several more deaths, including a final one that results in police chief Broussard confronting Harper despairingly.
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A woman in front of me let out a scream like a steamship siren at this point in the first performance. That scream was the natural voice of criticism testifying to the film's success."The Observer 10 January 1937 (Page 14) The Scotsman of 22 June 1937 started off its review by saying, "Suspense is cleverly created and sustained in this film version of the late Frank Vosper's play." The reviewer continued, "The suspicion that she has married a murderer is cunningly built up; his homicidal mania, strangely mixed up with greed and sadism, is made plausible and eerily convincing; and the closing sequence, in which the wife, sensing his murderous intention, seeks frantically, almost despairingly, for some escape, achieves dramatic suspense of an intensity only occasionally encountered on the screen.
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Thénardier and his gang arrive, intending to rob Valjean's house, but Éponine stops them by screaming a warning ("The Attack on Rue Plumet"). The scream alerts Valjean, who believes that the intruder was Javert. He tells Cosette that it's time once again for them to go on the run, and starts planning for them to flee France altogether. On the eve of the 1832 Paris Uprising, Valjean prepares to go into exile; Cosette and Marius part in despair; Enjolras encourages all of Paris to join the revolution; the other students prepare for battle; Éponine acknowledges despairingly that Marius will never love her; Marius is conflicted whether to follow Cosette or join the uprising; Javert reveals his plans to spy on the students; and the Thénardiers scheme to profit off the coming violence.
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In July 2016, after the poor performance of the third film at the box office, the producers considered creating the fourth as a television film, which would add new characters to the story and possibly continue in a spinoff television series that would move beyond the books. In September 2016, Shailene Woodley stated on Today that the decision of film or television had not been finalized and that it was "a limbo waiting game." In the same interview, Woodley spoke despairingly of the chances of her returning to the project in a television format, but she noted that she would be open to returning to it as a theatrical film. In February 2017, with the producers having confirmed that it would be a television project, Woodley was announced to have backed out of her starring role.
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The hard-of-hearing Jenny Mullion confines most of her thoughts on what goes on to her journal, in which Denis eventually discovers a devastating deconstruction of his self and fellow guests. Mr. Wimbush, the owner of Crome, has been writing a history of the house and its family, from which he gives two evening readings. His wife is obsessed with alternative spirituality and finds a fellow sympathiser in the prolific literary hack, Mr. Barbecue-Smith. Also part of the party is Henry's former schoolfriend, the cynical Mr. Scogan, who lies in wait for anyone he can waylay with his reductive criticisms of the time and his visions for a dystopian future. After several ludicrous failures in trying to capture Anne’s affection, Denis despairingly arranges to be recalled home on 'urgent family business' and departs on the same slow train that had brought him.
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Misteriosa Buenos Aires (Spanish for Mysterious Buenos Aires) is a 1950 book of literary fiction by Manuel Mujica Laínez, containing no fewer that 42 short stories (average length: 6.4 pages) illustrating life in Buenos Aires from the time of its mythical First Foundation, in 1536, to 1904. The book is ultimately a digest of civilized life on the site of the Great City and one of the prime examples of a key theme in Argentine literature, first invoked by Sarmiento: the dualistic struggle between Civilization and Barbarism. The first story, "El hambre" ("Famine") shows the first European settlers starving behind a flimsy, improvised palisade, as they nervously eye the Indian bonfires in the surrounding darkness. The final tale, "El salón dorado" ("The Gold Drawing-room") has a ruined grande dame of 1904 sitting despairingly in the golden salon of her great mansion, awaiting the auctioneers, "like gray and black animals, like wolves and hyenas around the great bonfire".
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