Why do they call it "depersonalised" if TfL has access to data?
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Mrs Hill said she felt "depersonalised" by the battle to get her husband's work recognised.
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It further notes that aggregated data "developed by combining depersonalised data from many devices" may also be shared with other TfL departments and external bodies.
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More than 509 million "depersonalised" pieces of data, were collected from 5.6 million mobile devices during the four-week 2016 trial alone — comprising some 42 million journeys.
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All of the data collected by ISideWith is published, depersonalised on its poll page, with specific results broken down for issues like marriage equality, foreign aid or free trade.
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However, unlike in their previous studies, the extent of feeling depersonalised did not predict negative reactions to being stereotyped for non-U.S. born Asian-Americans. The researchers asserted that non-U.S. born Asian-Americans may react less negatively to being depersonalised and thus would react less negatively to being the target of a positive stereotype.
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Depersonalised throughout the poem by being referred to as "this", the Kaiser dies unable to speak but begging for assurance with his eyes.
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I deny it, precisely because I believe in an > order wherein the instruments of labour will cease to be appropriated and > instead become shared; where the whole earth will be depersonalised.
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Around this time, Javo seduces Nora's friend Claire, while Nora - drained and depersonalised from their relationship - returns home, forced to start anew and contemplate her feelings about their fleeting, destructive love affair.
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Because being the target of a stereotype may signal that an individual is being judged by their group membership and not by their individual traits, someone who values being viewed as an individual may have an increased negative reaction to being depersonalised. Thus, the extent of a target’s negative reaction to being depersonalised by a positive stereotype can depend largely on the relevant culture in which the stereotype is expressed, and importantly, how a person views themselves and wants to be viewed in relation to others.
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Igor's wife Yaroslavna invokes natural forces from the walls of Putyvl. Christian motifs are presented along with depersonalised pagan gods among the artistic images. The Tale has been compared to other national epics, including The Song of Roland and The Song of the Nibelungs.Likhachev. "'Слово о полку Игореве'", p. 16.
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A large number of victims is more difficult to picture so it becomes more depersonalised causing the individual to feel apathetic and empathy to stretch thin.Cameron, C. D., & Payne, B. K. (2011). Escaping affect: How motivated emotion regulation creates insensitivity to mass suffering. Journal of Personality and Social Psychology, 100(1), 1–15.
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She led the TFL pilot using depersonalised WiFi Data for analysis. The WiFi connectivity pilot cost £100,000, but the data was worth £322 million. It revealed that passengers take more than 18 different routes when travelling between King's Cross St Pancras and Waterloo. Sager Weinstein published the report "Review of the TfL WiFi Pilot" in 2017.
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However, Nicholl's views were in the exception. For almost 50 years, whether children were in a workhouse infirmary, sanatorium or a hospital, they separated from the mothers and families and only visited, on a very strict visit schedule. By the end of the 20th century, children's hospitals had become :depersonalised scientific institutions dominations by both male and female professionals.
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To determine whether this negative reaction to feeling depersonalised by a positive stereotype is found across different cultures, Siy and Cheryan (2013) also studied U.S. born Asian- Americans compared to non-U.S. born Asian-Americans. They found that both U.S. and non-U.S. born groups reported similar levels of depersonalisation as a result of being a target of a positive stereotype.
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It reflected a very mechanistic view of the human anatomy and its functions. Science, the new obsession, was invoked to ostensibly study the nude human body. Consequently, the sexuality of the subject is often depersonalised, and is without any passion or tenderness. At this time, it also became popular to depict nude photographs of women of exotic ethnicities, under the umbrella of science.
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In this view, Eliot rejects the theory that art expresses metaphysical unity in the soul of the poet. The poet is a depersonalised vessel, a mere medium. Great works do not express the personal emotion of the poet. The poet does not reveal their own unique and novel emotions, but rather, by drawing on ordinary ones and channelling them through the intensity of poetry, they express feelings that surpass, altogether, experienced emotion.
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Christian motifs present along with depersonalised pagan gods in the form of artistic images. Another aspect, which sets the book apart from contemporary Western epics, are its numerous and vivid descriptions of nature, and the role which nature plays in human lives. Of the whole bulk of the Old East Slavic literature, the Lay is the only work familiar to every educated Russian or Ukrainian. Its brooding flow of images, murky metaphors, and ever changing rhythm haven't been successfully rendered into English yet.
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On the night of the final Oscar performed last in the running order, following eventual contest winners the United Kingdom. "Minn hinsti dans", a contemporary pulsing and hypnotic techno dance track, was the first song of its type heard at Eurovision. The presentation was the most daring and overtly sexual yet seen at Eurovision, with Oscar sitting on a white leather sofa, openly caressing himself and giving louche looks into the camera, while four depersonalised young women clad in latex fetish outfits danced provocatively and suggestively around him. It is often said that this particular song and performance were several years ahead of their time for Eurovision, which in 1997 was just on the cusp of moving from the traditional jury era into the modern televoting era.
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T-Pain became so associated with Auto-Tune that he had an iPhone App named after him that simulated the effect, called "I Am T-Pain". Eventually dubbed the "T-Pain effect", the use of Auto-Tune became a popular fixture of late 2000s music, where it was notably used in other hip hop/R&B; artists' works, including Snoop Dogg's single "Sexual Eruption", Lil Wayne's "Lollipop", and Kanye West's album 808s & Heartbreak. In 2009, riding on the wave of Auto-Tune's popularity, The Black Eyed Peas' number-one hit, "Boom Boom Pow", made heavy use of Auto-Tune on all the group's vocals to create a futuristic sound. Radiohead used Auto-Tune on their 2001 album Amnesiac to create a "nasal, depersonalised sound" and to process speech into melody.
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Yet in the end they must concede defeat and bestow their (reluctant?) blessing on the nouvelle arrivée. The socio-domestic aspect of the film (goddesses as senior in-laws, oppressing a young bahu or new bride) thus parallels its socio-economic aspect (goddesses as established bourgeois matrons, looking scornfully at the aspirations of poorer women). Satyavati's relationship to Santoshi Ma, established through the parallel story of the goddesses, suggests that there is more agency involved here than at first appears to be the case—though it is the diffused, depersonalised agency favoured in Hindu narrative (as in Santoshi Ma's own birth story). Satyavati's successful integration into Birju's family, indeed her emergence as its most prosperous female member, parallels Santoshi Ma's acceptance in her divine clan and revelation as its most potent shakti.
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Because stereotypes communicate beliefs held about a group, being the target of a stereotype can evoke a sense of being depersonalized or being seen only by one's group membership instead of as a unique individual. Feeling depersonalised has been found to determine the extent of a person's negative reaction to being the target of a positive stereotype. For example, women who were told that they had performed well on a math test reported higher levels of anger and greater desire to attack or avoid the male test administrator if when he gave them their positive feedback, he said, "Wow...you did really well for a woman" versus if he simply said, "Wow...you did really well." In a set of studies by Siy and Cheryan (2013), women and U.S.-born Asian Americans were made the target of positive stereotypes (e.g.
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The vivid conceits in which he > pictures his hapless niece do not transform or depersonalise her: she is > already transformed and depersonalised ... Far from being a retreat from the > awful reality into some aesthetic distance, then, Marcus' conceits dwell > upon this figure that is to him both familiar and strange, fair and hideous, > living body and object: this is, and is not, Lavinia. Lavinia's plight is > literally unutterable ... Marcus' formal lament articulates unspeakable > woes. Here and throughout the play the response to the intolerable is > ritualised, in language and action, because ritual is the ultimate means by > which man seeks to order and control his precarious and unstable > world.Palmer (1972: 321–322) In contradistinction to Dover Wilson and Waith, several scholars have argued that while the speech may not work on the page, it can work in performance.
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Joris-Karl Huysmans, ninety years before, had suggested how the novel might be depersonalised; more recently, Franz Kafka had shown that conventional methods of depicting character were not essential; James Joyce had done the same for plot; and absurdist writers had engaged with some of the themes that preoccupied writers of the nouveau roman. Seminar with Jean Ricardou and Claude Simon, Cerisy (France) Contemporary literature workshop with Marc Avelot, Philippe Binant, Bernard Magné, Claudette Oriol-Boyer, Jean Ricardou, Cerisy (France), 1980 A group of writers dubbed Nouveaux Romanciers, New novelists, appeared in the mid-1950s: Alain Robbe-Grillet, Claude Simon, Nathalie Sarraute, Michel Butor and Robert Pinget. The style had different approaches but generally rejected the traditional use of chronology, plot and character in fiction, as well as the omniscient narrator. The Nouveau Roman authors were open to influences from writers such as William Faulkner and the cinema.
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Throughout his life, Kenny's work addressed the isolation of the human condition, expressed often through the seated or reclining female figure, abstracted and depersonalised, touching landscape and geometry; often incorporating devices such as plumb-lines evoking a science and accuracy within the emotive shapes. Due to its location, probably Kenny's widest viewed work is his 1992 sculpture – On Strange And Distant Islands – a 25 ft high lateral relief spanning 150 ft of wall above London's busy Limehouse Link tunnel entrance, carved from 70 tons of Kilkenny limestone. His last great series of drawings – The Stations of The Cross – encapsulate the full range of his imagery and references and, according to Professor Brian Falconbridge at a major exhibition of Kenny's work at the Quest Gallery in Bath, rank as one of the finest examples of genuinely religious art within the Christian tradition made since the Reformation. Acquired by the Royal Academy in 1998, the 14 powerful mixed-media drawings represent a modern interpretation of a pilgrimage of the mind, in which the 14 moments of Christ's Passion are captured in time.
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