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42 Sentences With "dehumanisation"

How to use dehumanisation in a sentence? Find typical usage patterns (collocations)/phrases/context for "dehumanisation" and check conjugation/comparative form for "dehumanisation". Mastering all the usages of "dehumanisation" from sentence examples published by news publications.

Certainly, genocides are usually preceeded by stigmatisation and dehumanisation of the intended victims.
This hatred gradually developed from words, stereotypes & prejudice through legal exclusion, dehumanisation & escalating violence.
Typhoon Coming On challenges visitors to consider the UK's complicity in the dehumanisation of black people.
This is often done through art and literature, which has long waged a behind-the-scenes battle against dehumanisation.
It is not altogether panicky to note that genocides are preceded by dehumanisation: the Nazis and the Rwandan genocidaires called their victims vermin.
As women publicly debated my appearance and my genitals on Twitter, I experienced a small degree of the dehumanisation trans people are daily subjected to.
Lemkin and later scholars conceived of genocide as a process, moving from stigmatisation and dehumanisation through violence and terror to eventual annihilation ("in whole or in part").
These small formal touches do more to accentuate Mr Cooper's message—that the dehumanisation of an enemy is not a relic of an ancient past—than all of his speeches put together.
It describes the deep-rooted fears of Rakhine Buddhists of losing resources and status to the Rohingyas, the collapse of social cohesion in Rakhine and the systematic dehumanisation of the Rohingyas, whom most Burmese regard as Bengali immigrants.
This leads to routine dehumanisation, such as when prosecutors in Chicago competed in a "two-ton contest" to see who could be the first to indict 4,000lb of human flesh (which led prosecutors to be especially hard on overweight defendants).
Fresh on people's minds were American wartime propaganda that portrayed the Japanese as subhuman, and Japanese propaganda that depicted Americans as deformed monsters, to say nothing of Nazi Germany's vaunting of a master race and its dehumanisation of Jewish people.
Most often, the signposts that should alert us are disguised: the altered constitution that passes for reform, the attacks on a free press justified by security, the dehumanisation of others masked as a defense of virtue, or the hollowing out of a democratic political system so that all is erased but the label.
These include discrimination, dehumanisation and classification and separation of the other both physically and through language.
Generally, official dehumanisation has preceded the physical assault of the victims. Specific examples include Zersetzung, by the Stasi secret service agency of East Germany, and kompromat in Russia.
Through years, his works became ever more expressive. Colours gradually became purer and more intensive. He centred his work on a fight against the loss of human virtues and the dehumanisation of man. Pejić's paintings were much influenced by his sculpture work.
Drones has been described as featuring alternative rock, hard rock, progressive rock, and progressive metal. It is a concept album about the dehumanisation of modern warfare. The story begins with "Dead Inside", where the protagonist loses hope and becomes vulnerable to the dark forces of "Psycho". He eventually defects, revolts and overcomes his enemies.
Ada Jafarey writes in a gender- neutral mode, though her works include feminist themes like discrimination and dehumanisation of women and of them being viewed as sexual objects. Her personality seems absent from her poetry. Ada Jafarey wrote of her experiences as a wife and mother in a modified traditional idiom, but also noticed the lack of fulfillment that accompanied these relationships.
British tourists of the 1920s complained, especially about attached photographs and physical descriptions, which they considered led to a "nasty dehumanisation".Marrus, Michael, The Unwanted: European Refugees in the Twentieth Century. New York: Oxford University Press (1985), p. 92. The British Nationality and Status of Aliens Act was passed in 1914, clearly defining the notions of citizenship and creating a booklet form of the passport.
Live performances of new songs from these concerts are included on the DVD accompanying the album along with bonus studio footage. On 18 May 2015, Muse released a lyric video for "Mercy" on their YouTube channel, and made the song available for instant download with the album pre-order. Drones was released on 8 June 2015. A concept album about the dehumanisation of modern warfare, it returned to a simpler rock sound with less elaborate production and genre experimentation.
It was only after he began writing screenplays the Malayali viewers began to consider film script as a distinctive genre which has its own genuine features. Also, it was M.T who elevated this medium of writing as a literary from. MT's screenplays have won social attention for the portrayal of the social and cultural crisis in the contemporary life of Kerala. The disintegration of human values and relationship which creates identity crisis, sense of loss, dehumanisation, alienation from one's own surroundings, etc.
John Torpey, "Le contrôle des passeports et la liberté de circulation. Le cas de l'Allemagne au XIXe siècle", Genèses, 1998, n° 1, pp. 53–76 During World War I, European governments introduced border passport requirements for security reasons, and to control the emigration of people with useful skills. These controls remained in place after the war, becoming a standard, though controversial, procedure. British tourists of the 1920s complained, especially about attached photographs and physical descriptions, which they considered led to a "nasty dehumanisation".
Most of his science fiction books are short, present-tense narratives concerned exclusively with the consciousness of a single obsessive character. His themes, particularly in the novels Beyond Apollo (1972) and The Falling Astronauts (1971) about the US space exploration programme, include the dehumanisation effects of bureaucracy and technology; his treatment of these themes sometimes exhibits strong resemblances to Franz Kafka, accompanied by unreliable narrator techniques. In novels like Galaxies (1975) and Herovit's World (1973), Malzberg uses metafiction techniques to subject the heroic conventions and literary limitations of space opera to biting satire.
Smith herself dismissed her second novel as a failed experiment, but its attempt to parody popular genre fiction to explore profound political issues now seems to anticipate post-modern fiction. If anti-Semitism was one of the key themes of Novel on Yellow Paper, Over the Frontier is concerned with militarism. In particular, she asks how the necessity of fighting Fascism can be achieved without descending into the nationalism and dehumanisation that fascism represents. After a failed romance the heroine, Pompey, suffers a breakdown and is sent to Germany to recuperate.
The middle of the 19th century saw The Great Exhibition of 1851, the first World's Fair, which showcased the greatest innovations of the century. At its centre was the Crystal Palace, a modular glass and iron structure – the first of its kind. It was condemned by Ruskin as the very model of mechanical dehumanisation in design but later came to be presented as the prototype of Modern architecture. The emergence of photography, showcased at the Great Exhibition, resulted in significant changes in Victorian art with Queen Victoria being the first British monarch to be photographed.
The academic Hans Bertens blamed this on McNeile's lack of experience and self-confidence, noting that in his later novels, McNeile "mastered the tricks of his trade". DelFattore outlines the use of double adjectives to reinforce feelings towards enemies in both his war stories and thrillers, such as "filthy, murdering Boche", and "stinking, cowardly Bolshevik". She and the scholar Lise Jaillant also comment on the dehumanisation of the enemy, comparing them to animals and vermin. Watson noted the frequency of the use of the word "devil"—and variations—when discussing antagonists.
Beth Halloran, played by Nikki Amuka-Bird, appears in "Sleeper". She is one of four alien sleeper agents in Cardiff belonging to Cell 114, but is totally unaware of this. She and three others were created and given human lives and memories to learn all they could about humans before her alien programming was activated, to commence their attack of Earth. After helping the team to track down the final agent, she pretends to intend on killing Gwen to provoke Torchwood into suicide by cop so that she does not one day experience the dehumanisation of having her alien consciousness awoken.
Oxford, England: Oxford University Press. Dehumanization occurs across several domains; it is facilitated by status, power, and social connection; and results in behaviors like exclusion, violence, and support for violence against others. "Dehumanisation is viewed as a central component to intergroup violence because it is frequently the most important precursor to moral exclusion, the process by which stigmatized groups are placed outside the boundary in which moral values, rules, and considerations of fairness apply." David Livingstone Smith, director and founder of The Human Nature Project at the University of New England, argues that historically, human beings have been dehumanizing one another for thousands of years.
Themes in the poem include dehumanisation and how Ben-Gurion got Shoah into his pocket, by the work of the other "innocent young Jews of the Superior Race, who, without name or vision, found themselves the saviours of Israel". :Peter the Great :Paved the city of St Petersburg :In the northern seas :On the backs of his serfs. :David Ben-Gurion :Paved :The Burma Road, which turned around :The road, by the road to the capital Jerusalem, :With the backs of the young refugees from Shoah. Anita Shapira considers this "New myth" was necessary not to reject identity with the past and to be able to renounce their common memory.
Fordham, the reviewer in The Times, writes that the book is about women struggling to be taken seriously by men, and their consequent retreat into "coldness, violence and dehumanisation". All want control in their lives, and seek it in different ways.Fordham, Alice (2007) "Out of Control", The Times, 24 February 2007 The reviewer for The Telegraph, however, sees the theme in terms of Japanese society and culture, writing that "Grotesque is not so much a crime novel as a brilliant, subversive character study. Kirino's real concerns are social, not criminal; her true villain is 'the classist society so firmly embedded in Japan' which pushes her protagonists along the road to prostitution".
He also worked on paintings about the 2002 Moscow Theatre siege, using documentary footage as a source: "The process has continued my methods of developing the imagery with the aid of a computer, prior to committing paint to canvas in works both large and small scale." In 2006, 57 Hours in the House of Culture was a show at Flowers East gallery, London, and Sakharov Museum, Moscow, about the Chechen War. His more recent work, Guantanamerica, bases paintings about "issues of representation and dehumanisation of detainees at Guantánamo Bay" on low resolution internet files. In 2010, he became known for a commissioned portrait of the former Secretary General of the UN Kofi Annan.
The second programme explored the works of John Nash, Stanley Spencer, Alfred Munnings, William Coldstream, Paul Nash and John Piper. In the third programme, subtitled 'A New Jerusalem,' Fox explored British art in the aftermath of the 2nd World War, and examined the works of Lucian Freud, Graham Sutherland, Francis Bacon, Richard Hamilton, David Hockney and Keith Vaughan. In this final programme of the series Fox explored how the themes of evil, brutality, dehumanisation, consumerism and optimism can be seen in the works of these postwar artists. Fox contends in this programme that the death of Lucian Freud and the emergence of conceptual art have marginalised, eclipsed and brought to an end the tradition of British figurative painting.
Similarities between wage labor and slavery were noted as early as Cicero in Ancient Rome, such as in De Officiis. With the advent of the Industrial Revolution, thinkers such as Pierre-Joseph Proudhon and Karl Marx elaborated the comparison between wage labor and slavery in the context of a critique of societal property not intended for active personal use. while Luddites emphasized the dehumanisation brought about by machines. Before the American Civil War, Southern defenders of African American slavery invoked the concept of wage slavery to favorably compare the condition of their slaves to workers in the North... The United States abolished slavery during the Civil War, but labor union activists found the metaphor useful.
On the other hand, Bill Warren, in Keep Watching The Skies!, found Quatermass 2 to be “one of the best science fiction films of the 1950s. It is not notably better than [The Quatermass Xperiment], but the story idea is more involving, the production is livelier and there are more events in the unfolding of the story”. Kim Newman in 1986 praised the film as "extraordinary" and, comparing it to Invasion of the Body Snatchers (1956), Newman notes that while Don Siegel’s film is "a general allegory" about dehumanisation and conformity, Quatermass 2 is “a specific attack on the Conservative Government of the time, down to the inclusion of several characters obviously based on real political figures”.
Whether trained as police originally or not, Gestapo agents themselves were shaped by their socio-political environment. Historian George C. Browder contends that there was a four-part process (authorisation, bolstering, routinisation, and dehumanisation) in effect which legitimised the psycho-social atmosphere conditioning members of the Gestapo to radicalised violence. Browder also describes a sandwich effect, where from above; Gestapo agents were subjected to ideologically oriented racism and criminal biological theories; and from below, the Gestapo was transformed by SS personnel who did not have the proper police training, which showed in their propensity for unrestrained violence. This admixture certainly shaped the Gestapo's public image which they sought to maintain despite their increasing workload; an image which helped them identify and eliminate enemies of the Nazi state.
The Bulgarian society was divided on the Jewish issue, as pro-Nazi government officials were in favour of the deportation, as well as antisemitic restrictions and laws; while notable figures in the Orthodox Church, joined by some members of the Parliament and intellectuals, were opposed to the ongoing dehumanisation of the Jews. The Church also objected to the treatment of ethnically Jews, who converted to Christianity. On 21 May 1943 the Council of Ministers voted that Jews were to be expelled from Sofia to the countryside in three days' time. The Metropolitan Stefan offered to baptise any Jews that sought the protection of the church; the Ministry of Religions decided it would not recognise such baptisms and would deport any Jews christened that year regardless.
" "The development of autonomous weapon systems will ultimately lead to widespread proliferation," he said, and "the development of complex autonomous weapon systems which remove the human actor from lethal decision-making is short-sighted and may irreversibly alter the nature of warfare in a less humane direction, leading to consequences we cannot possibly foresee, but that will in any case increase the dehumanisation of warfare." Speaking to Vatican Radio in August 2014 Archbishop Tomasi commented that "Maybe military action is necessary at this moment" in Iraq. He told Vatican Radio that "what seems to be particularly important in the letter of the Holy Father to Ban Ki-moon is the expressions that he uses: the tragic situation 'compels' the international community. There is a moral imperative, so to (speak), a necessity to act.
Some American feminists of the 1970s sought to eliminate disparaging terms for women, including "bitch" and "cunt". In the context of pornography, Catharine MacKinnon argued that use of the word acts to reinforce a dehumanisation of women by reducing them to mere body parts; and in 1979 Andrea Dworkin described the word as reducing women to "the one essential – 'cunt: our essence ... our offence'". Despite criticisms, there is a movement among feminists that seeks to reclaim cunt not only as acceptable, but as an honorific, in much the same way that queer has been reappropriated by LGBT people and nigger has been by some African-Americans. Proponents include Inga Muscio in her book, Cunt: A Declaration of Independence; artist Tee Corinne in The Cunt Coloring Book (1975); and Eve Ensler in "Reclaiming Cunt" from The Vagina Monologues.
Philosophically, mundialization (French, mondialisation) is seen as a response to globalization's "dehumanisation through [despatialised] planetarisation" (Teilhard de Chardin quoted in Capdepuy 2011). An early use of mondialisation was to refer to the act of a city or a local authority declaring itself a "world citizen" city, by voting a charter stating its awareness of global problems and its sense of shared responsibility. The concept was promoted by the self-declared World Citizen Garry Davis in 1949, as a logical extension of the idea of individuals declaring themselves world citizens, and promoted by Robert Sarrazac, a former leader of the French Resistance who created the Human Front of World Citizens in 1945. The first city to be officially mundialised was the small French city of Cahors (only 20,000 in 2006), the capital city of the Département of Lot in central France, on 20 July 1949.
1933 Soviet propaganda encouraging peasants and farmers to strengthen working discipline in collective farms in the Azeri Soviet Socialist Republic The goal of Marxist–Leninist political economy is the emancipation of men and women from the dehumanisation caused by mechanistic work that is psychologically alienating (without work–life balance) which is performed in exchange for wages that give limited financial-access to the material necessities of life (i.e. food and shelter). That personal and societal emancipation from poverty (material necessity) would maximise individual liberty by enabling men and women to pursue their interests and innate talents (artistic, industrial and intellectual) whilst working by choice, without the economic coercion of poverty. In the communist society of upper-stage economic development, the elimination of alienating labour (mechanistic work) depends upon the developments of high technology that improve the means of production and the means of distribution.
Lorraine Questieux of the anti-prostitution group characterized Xdolls as "a place that makes money from simulating the rape of a woman", and Pierre Laurent, general secretary of the French Communist Party, said he would raise the issue in the Senate of "sex robots", "some of which can resemble children". Communist members of the Council of Paris scheduled a discussion for the start of the new session in March 2018 on whether it should be banned under the 1946 law against brothels in France; prostitution was also outlawed by a 2012 law. Police visited Xdolls before the session and determined that it was not in violation, and the motion was defeated. Nicolas Bonnet Oulaldj, head of the council Communists, and fellow Communist member Hervé Bégué declared in a joint press conference that Xdolls constituted "the latest invention to bring brothels back into the landscape" and "the pinnacle of the dehumanisation of the relationship between women and men", saying it trivialized prostitution and human trafficking.
Although hardly appreciated during his lifetime, many critics believe that his modernism, evoking almost all the suggested elements of the phenomenon, remains untranscended to date, despite the emergence of many notable poets during the last 50 years. His success as a modern Bengali poet may be attributed to the facts that Jibanananda Das in his poetry not only discovered the tract of the slowly evolving 20th-century modern mind, sensitive and reactive, full of anxiety and tension, bu that he invented his own diction, rhythm and vocabulary, with an unmistakably indigenous rooting, and that he maintained a self-styled lyricism and imagism mixed with an extraordinary existentialist sensuousness, perfectly suited to the modern temperament in the Indian context, whereby he also averted fatal dehumanisation that could have alienated him from the people. He was at once a classicist and a romantic and created an appealing world hitherto unknown: Banalata Sens Cover by Satyajit Ray. > For thousands of years I roamed the paths of this earth, > From waters round Ceylon in dead of night > to Malayan seas.
From the beginning of the war, in July 1936, the ideological nature of the Nationalist fight against the Republicans indicated the degree of dehumanisation of the lower social classes (peasants and workers) in the view of the politically-reactionary sponsors of the nationalist forces, the Roman Catholic Church of Spain, the aristocracy, the landowners, and the military, commanded by Franco. Captain Gonzalo de Aguilera y Munro, a public affairs officer for the Nationalist forces, told the American reporter John Thompson Whitaker: The Nationalists committed their atrocities in public, with assistance from the local Catholic Church clergy and from the upper social classes of the place (land and people) to be politically cleansed. In August 1936, the Massacre of Badajoz featured a great crowd of rich people and a Mass before the shooting of some 4,000 Republicans. Among the children of the landlords, the joke name Reforma agraria (agrarian reform) identified the horseback hunting parties by which they killed insubordinate peasantry and so cleansed their lands of communists; moreover, the joke name alluded to the grave where the corpses of the hunted peasants were dumped: the piece of land for which the dispossessed peasants had revolted.

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