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"decontextualize" Definitions
  1. to remove from a context

7 Sentences With "decontextualize"

How to use decontextualize in a sentence? Find typical usage patterns (collocations)/phrases/context for "decontextualize" and check conjugation/comparative form for "decontextualize". Mastering all the usages of "decontextualize" from sentence examples published by news publications.

You can miss a lot of things if you decontextualize the component pieces.
Hagy goes to great lengths to decontextualize her narrative and de-linearize time, both to underscore the perennial aspects of human nature and to create a mythlike atmosphere for her patchwork of retold tales and war lore.
Shaffer's book, "Borders and Brethren: Iran and the Challenge of Azerbaijani Identity" received criticism from Touraj Atabaki, a professor of social history at the University of Amsterdam and a senior research fellow at the International Institute of Social History, who wrote that "Borders and Brethren is an excellent example of how a political agenda can dehistoricize and decontextualize history".Touraj Atabaki, Review of "Brenda Shaffer, Borders and Brethren, Iran and the Challenge of Azerbaijan Identity", In Slavic Review, 63:1 (2004). Also here: Shaffer's article "U.S. Policy toward the Caspian Region: Recommendations for the Bush Administration" has also created controversy with regards to the objectivity of Harvard's Caspian Studies Program.
All of the textbooks, to varying extents, decontextualize and recontextualize the Holocaust in terms which are alien to the event itself or partial, in a process of (national) appropriation and ‘domestication’. Authors appeal to local readerships, in particular in countries whose populations have no direct experience or inherited memory of the event. These expedient idiosyncrasies are linked largely to the interests of authors writing in the present day within curricular guidelines for identifiable readerships, meaning that textbook representations of the Holocaust may subsume historical information to values or legal and political interests which are largely the product of the situation within and out of which the textbooks are written.
The Court first recognized that the author held the copyright in her articles, and the newspaper held the copyright in the compilation or collection of works that contained them. As a result, the issue became whether the electronic databases were a reproduction of the original article, or of the newspaper. The Court then noted that though the newspaper had the right to modify its collection, it did not have the right to decontextualize its articles so much so as to remove the intimate connection to the newspaper.para. 41 The Court agreed with the U.S. Supreme Court who found in Tasini that the databases were not a reproduction of the original collected work.
Although the role of adult discourse is important in facilitating the child's learning, there is considerable disagreement among theorists about the extent to which children's early meanings and expressive words arise. Findings about the initial mapping of new words, the ability to decontextualize words, and refine meaning of words are diverse. One hypothesis is known as the syntactic bootstrapping hypothesis which refers to the child's ability to infer meaning from cues, using grammatical information from the structure of sentences. Another is the multi- route model in which it is argued that context-bound words and referential words follow different routes; the first being mapped onto event representations and the latter onto mental representations.
After meeting in person for the first time the day before, they gave a side-by-side account of the events surrounding Molotov at the conference. Their presentation was well-received, and an edited transcript was later published in Harper's, February 2007. In the transcript, Meiselas states that her mission as a photojournalist was to provide a cultural and historical context for the images she captured, which she views as fundamentally different from Garnett's goal as an artist to "decontextualize" the images that she appropriates and remediates in paint. Meiselas mainly objects to the removal of her original subject (whom she identifies as "Molotov Man", later revealed to be a man named Pablo Arauz) from the context of the photo, which she views as disrespectful to the individual himself and believes devalues her original work.

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