But toasts and roasts happen on DAISES too, when you're saluting, or skewering, a notable (notorious or not).
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A few textures worth trying: crystal, rhodoid, pearlescent flowers, metallic daises, and more — all underused materials that are stunning in motion.
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The musicians will perform from multiple daises, including the King's Landing stage, named for the capital city of the show's fictional Seven Kingdoms.
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Your work has often investigated the connections between spatial and architectural environments—as well as things like stages and daises—and certain kinds of discourse.
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It's a warm morning, the sky is cloudless and the marshes of the Hoo Peninsula, 218 miles downriver from London, are thick with daises and red clover.
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The trailer shows off the series' distinct style, a dark and quirky blend that brings to mind earlier works like Pushing Daises, or basically anything directed by Tim Burton.
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Whether " Pushing Daises "lives to air another day, ABC now has a big hole in its 2018-19 season Tuesday schedule with the second season of the rebooted " Roseanne" a toxic and dead letter office.
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I maneuvered quickly through this section because though the majority of work here was visually stimulating with variegated and polished car tires — low, white furry daises with a motley assortment of glass objects positioned on top, and large mirrors on wooden stands — it all seemed like miscellany rather than a set of objects that could give me insight into the artist's concerns or obsessions.
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Their notable performance on the main stage at Oppikoppi, Up The Creek, Rocking The Daises, and Splashy Fen.
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Ron Daise's book "Reminiscences of Sea Island Heritage" was published in 1987. He and his New York-born wife, Natalie Daise (née Eldridge), followed by creating and touring with a multimedia show, "Sea Island Montage", based on the book as well as stories from oral histories of elderly St. Helena Island residents. After one of their performances, the Daises met with an executive producer from Nickelodeon. Creator Maria Perez- Brown had planned on building a multicultural program featuring a "magical island" and was inspired by the Daises to use the Sea Islands and elements of Gullah culture.
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With the corrugated metal ceiling, the overall effect suggests a tambour. The floor is laid out following the late 19th-century Akron Plan. Pews are arranged in a semicircle on a sloping floor throughout the transept and nave. Baptismal and choral daises are in the southern corners and the altar is under a raised semidome.
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The specific name of Darius' anchor mode is unknown; Colene calls it the "Land of Laughter" or the "Kingdom of Laughter." Sympathetic magic (such as emotional transfer and conjuration) is native to this mode. Psionic power is operational. The people of Darius' mode live and work on daises high above the ground, due to the numerous sharp crystals covering the land surface.
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The fountain jet then turns into a dribble. On the hour, nozzles in a ring surrounding the central sculpture within the basin shoot up jets of natural gas through the water; these are lit by flame sources installed in the daises of some of the sculptures, producing a dramatic ring of flame. The flame lasts for about seven minutes. The fountain itself stops.
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It is decorated with a turned newel post and balusters. The round arched window on the east profile lights the landing with 19th-century stained glass. The western half of the second floor is an open meeting room supported by steel I-beams visible from the attic, with carpeted floor and daises on the wall. The original master bedroom is in the northeast corner.
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Its three-tiered structure, with raised daises for altar statues, was widely used in the 17th and 18th centuries. Notably, the panels along the face and sides, which lack either painting or relief imagery, as well as the uncharacteristically simple borders, suggest that the altar was reconstructed along simpler lines during the colonial-era renovations. The absence of a canopy, however, is typical for halls of this size.Lee 1997, pp.
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There are many solo set dances which can be preformed in competition. These include both traditional sets and non-traditional sets. Some traditional sets include Blackbird (hornpipe), Job of the Journeywork (hornpipe), Garden of Daises (hornpipe), St. Patrick's Day (treble jig), King of the Fairies (hornpipe.) These dances are set in their choreography, which means that no teacher can vastly change the steps. The organisation Comhaltas Ceoltóirí Éireann promotes and hosts many set and ceili dance events.
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A music video, directed by Liza Voloshin, was released along with the single on May 15, 2020. It was shot during quarantine and showcases Perry in a naturalistic setting. She later revealed that the music video was not what was originally planned, but due to the COVID-19 pandemic, the initial shoot set to happen on March 13, 2020 was cancelled. In support of LGBT Pride, Perry released an alternative video titled "Daises (Can't Cancel Pride)" on June 26, 2020.
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Lark made brief appearances at RAMFest 2010, with the release of their V EP, and Rocking the Daises 2011 with the release of their remix Brave EP on the Italian-label Onion Records. The EP was a collection of remixes of "Brave", by Haezer and four other European DJs. A year later, their third music video was released for the remix of "Brave" by Haezer. The dystopian animation of a robot universe won Best Animated Video at the MK Awards in 2013.
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However: > ... it stars "perfect" parents, Ron and Natalie Daise, who with their three > children (who never fight), neighbors and friends seek to entertain and > socially educate kids through a sing-song series. While the show encourages > active participation from at-home viewers, the dictionary responses and > incomparable energy from the Daises make normal parents look like misfits. > Perhaps as the show seasons, the lip-syncing will improve and the characters > won't be so picture-perfect. In 1996, TV Guide named the show one of "10 best children's shows".
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Ruling dynasties often exploit pomp and ceremony with the use of regalia: crowns, robes, orb and sceptres, some of which are reflections of formerly practical objects. The use of language mechanisms also support this differentiation with subjects talking of "the crown" and/or of "the throne" rather than referring directly to personal names and items. Monarchies provide the most explicit demonstration of tools to strengthen the elevation of leaders. Thrones sit high on daises leading to subjects lifting their gaze (if they have permission) to contemplate the ruler.
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Attached to the pillars are several faceted pilasters and half-columns which form, at the top, semi-circular and pointed arches bearing the supporting girth of the domes. High niches, semi-circular in the plan, framed with graceful arcatures on twin half-columns, which decorate the bottom of the altar apses, harmoniously fit in with the pillars. The walls of altar daises, decorated with geometrical ornaments, are of extraordinary interest. In Makaravank the profiled eight-pointed stars and octagons between them, arranged in two rows, are covered with varied and rich carving unique in the architecture of medieval Armenia.
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The name of the island is derived from all of the trees that grow there. The island has a diverse flora for its size with 7 species of carnations and sedges, 20 species of daises, 12 grass species, 11 myrtle species, 9 species of peas and wattles, 4 species of trigger plants, 3 saltbush species of saltbush and 2 species of hakeas. There are five species of Acacia including Acacia conniana and Acacia acuminata. Other large shrubs and trees found on the island include; Callitris preissii, Calothamnus quadrifidus, Eucalyptus conferruminata, Eucalyptus cornuta, Hakea clavata, Melaleuca elliptica, Paraserianthes lophantha and Taxandria marginata.
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Noeline Edith "Bub" Bridger (15 July 1924 – 8 December 2009) was a New Zealand poet and short story writer, who often performed her own work and drew inspiration from her Maori, Irish and English ancestry. Her writing was largely anthologized and she published several book-length collections of poetry, including Up Here on the Hill (1989) and Wild Daises: The Best of Bub Bridger. Her writing is known for ts comedic energy and its idiosyncratic instances of fantasy. She was a well-known performer who acted on stage, and she also wrote for television and broadcast radio.
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They were restored only in 2005. The North Galleries, which opened to the public in 1975, marked the arrival of modernist architecture at the National Gallery. In the older rooms, the original classical details were effaced by partitions, daises and suspended ceilings, the aim being to create neutral settings which did not distract from contemplation of the paintings. But the Gallery's commitment to modernism was short-lived: by the 1980s Victorian style was no longer considered anathema, and a restoration programme began to restore the 19th- and early-20th-century interiors to their purported original appearance.
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In the 1930s Higgins released at least a score of records, mostly on the Broadcast label and the last few on the Rex label. Although his records sold well at the time, some of the originals are now very hard to find but all of his popular songs, such as his most successful "With Me Gloves in me hand and me hat on one side." are on his CD, "All Poshed Up" that was named after his risque 1934 song "All Poshed up with me daises in me hand". Higgins was born in Liverpool. In his day he played the part of someone who is down in their luck.
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Pollack formed his own band in 1926. Over time the band included Benny Goodman, Glenn Miller, Jack Teagarden, and Jimmy McPartland. One of the earliest members of his band was Gil Rodin, a saxophonist whose business acumen served him well later as an executive for the Music Corporation of America. From about 1928, with involvement from Irving Mills, members of Pollack's band moonlighted at Plaza-ARC and recorded a vast quantity of hot dance and jazz for their dime store labels — Banner, Perfect, Domino, Cameo, Lincoln, Romeo — under the names Mills' Merry Makers, Goody's Good Timers, Kentucky Grasshoppers, Mills' Musical Clowns, The Lumberjacks, Dixie Daises, The Caroliners, The Whoopee Makers, The Hotsy Totsy Gang, Dixie Jazz Band, and Jimmy Bracken's Toe Ticklers.
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Chytilová embodied a unique cinematographic language and style that does not rely on any literary or verbal conventions, but rather utilizes various forms of visual manipulations to create meaning within her films. Chytilová used observations of everyday life in accordance with allegories and surreal contexts to create a personalized film style that is greatly influenced by the French New Wave, and Italian neorealism. Chytilová actively used a filmic style that is similar to cinéma vérité in order to allow the audience to gain an outside perspective of the film. Her use of cinéma vérité is best illustrated in her 1966 film Daises in which these techniques create a “philosophical documentary, of diverting the spectator from the involvement, destroying psychology and accentuates the humor”.
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Long became a lawyer, and then later a state senator (D), and one of the best-known and most powerful and influential men in Union County, although also an egregious alcoholic given to two-week benders. When in the senate, Long was involved in a 1961–1962 controversy over display of the Confederate Flag, and racial segregation at the American Civil War Centennial observances in the state capital. When President Kennedy ordered the national Centennial Commission to move its ceremonies from segregated facilities to the integrated Charleston Navy Base, the South Carolina delegation held its own, segregated, events at a downtown hotel, where Long – who had sponsored a resolution to display Confederate flags over the daises of the South Carolina House and Senate – addressed the crowd with: Long's son, John David Long III, also became a state senator and sponsored the creation of John D. Long Lake in honor of his father. John D. Long Lake was later the scene of the Susan Smith murders.
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