Clinton, by comparison, cut in on Trump's time on 17 occasions.
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But the employees were forbidden to cut in on a couple who were dancing.
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He thought then that maybe they were competitors looking to cut in on his customers.
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Meanwhile, take the stem ends off of the fresh green beans, and cut in ½ on bias.
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Corey Seager worked a full-count, but struck out on a slider that cut in on him.
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Theaters would likely have to be cut in on digital profits for any deal to succeed, Csathy said.
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It creates a sleek design, but can really cut in on how much you're able to fit in the bag.
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Of course, not far from Chicago Lawn were African-American neighborhoods that were decidedly not cut in on the deal.
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Kennedy's dispatches were somewhat cheeky, and so was he: At one formal dance, the young reporter cut in on Anthony Eden.
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There is a large market for the product, and Redmond is loath to let any rival service cut in on its productivity revenue.
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There are no occasions where they seem startled, or where we cut in on them as they were in the middle of talking about something else.
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Anchor Shepard Smith cut in on Trump's remarks to fact-check the president, listing 80 environmental rules that Trump has rolled back, complete with prepared graphics.
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You can't leave from your position in the van, so why would we be precious and cut in on close-ups of everybody, trying to make it dramatic?
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In the meantime, Elon Musk's dream machine will face some steep competition from other future-forward truck companies looking to cut in on the marketshare with energy and emissions-conscious fleet operators.
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MoviePass hopes to eventually convince theater owners it's growing their customer base, so it can be cut in on profits, according to CEO Mitch Lowe, in a report from Variety in August.
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In Iowa City, after he cut in on his wife Jane's speech at a coffee shop, the two wrestled flirtatiously over the microphone: "I'm gonna hear about this for years," he said.
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Bale says he's been creating and selling golden tumbleweed sculptures for years ... and Val cut in on his action AFTER visiting Bale's New Mexico gallery and asking loads of questions about his methods.
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The exchange was an almost exact repeat of last week, when McCain cut in on her intense questioning of Deputy Attorney General Rod Rosenstein, and committee Chairman Richard Burr told her to stop and let Rosenstein answer.
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Daniel Sturridge could be used on the right and allowed to cut in on to his left foot, although there is an argument that he is more dangerous coming off the bench and playing through the middle against tiring defenders.
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While other members of the European Union, including France and Germany, have also expressed reservations about the deal with China, supporters in Italy say that there is nothing to worry about and that the critics are merely upset that Trieste — and other Italian ports, like Genoa and Palermo — are going to cut in on their business.
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A particular soldier was thought to have been infatuated with Bauerdorf. He was described as "swarthy". He had cut in on Bauerdorf during nearly every dance on the night of her death. Investigators checked U.S.O. centers and other canteens to try to find and question him.
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To make back Elmer's money, Jimmy decides to make real beer and tell Elmer that it's near beer. Weeks later, Spike and Butch meet to discuss who's cut in on their racket. Butch vows to kill him. Spike and an associate interrupt Elmer, who's reading a book: Modern Salesmanship and Big Business.
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Said rival confronts Corny and he too gets cut in on the blackmail money. Blynn goes to the nightclub where Suzette also sings cabaret. He sees Suzette there singing and "Captain Braceridge Hemingway" playing clarinet in Jimmy's band, and Blynn demands she stop singing, still believing she's "Oogahunga". Everything is exposed and explained to Blynn who erupts in fury.
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During 1962, KIOA started showing signs of wear. KSO was starting to cut in on KIOA's lead in the ratings. This was due to some recent turnover of disk jockies at KIOA as well as the excellent programming of Dick Vance. The final straw that pushed KIOA under KSO was when KIOA's studios burnt to the ground on February 26, 1963.
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The Skerries Bridge was built in 1957 to provide a fixed link from Bruray to the neighbouring and larger island of Housay Bruray is home to Scotland's smallest school. The island occasionally suffers from water shortages. There is little peat on the Out Skerries, so the residents have been granted rights to cut in on Whalsay. A ferry connects the Out Skerries with Vidlin and Lerwick on the Shetland Mainland, as well as flights from Tingwall by Loganair.
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Remarkably, only two lives were lost: one Brewer man who was caught in electrical wiring while crossing a bridge, and one firefighter. Fire crews were called from as far away as Lewiston and Portland. After the telephone company caught fire, the wire chief climbed a pole and cut in on a trunk line to make aid calls. One team that was sent up from Boston, Massachusetts, ended up fighting a fire in Portland when their train stopped there.
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He wants to just stick with his truck heists, and he displays his disappointment in Ratter. Ged meets up with Jimmy, the truck driver that was in the dummy truck. Jimmy and Ged are in the business together, with Jimmy providing info to Ged about his truck routes and shipments, and getting a cut in on the deal. Jimmy's truck company is unaware because Ged and his crew always makes the robbery authentic, even knocking out Jimmy and his co-driver.
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Southern sides of Bilogora slightly goes downhill, rugged with numerous ravines and gullies, steeply and deeply cut in. On the sides appears numerous springs, that in the dry part of the year losing water. It has a small drop (small difference in altitude between the source and the mouth) which was causing frequent floods before the regulation of the riverbed. The area around the watercourse of Česma till a hundred years ago was subject of flooding, which is why it was swampy.
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On the run from the police, Russian mafia and a racist militia, the band eventually ends up in Louisiana, where they enter a battle of the bands overseen by a voodoo practitioner named Queen Moussette (Erykah Badu). During a song by the Blues Brothers (a Caribbean number called "Funky Nassau"), a character played by Paul Shaffer asks to cut in on keyboards, which Murph allows. This marks the first time in a film that the Blues Brothers play with their original keyboardist.
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Other occasions for these jams include a welcome dance for new members and/or visitors. Many of these circles are a planned portion of the evening. The dancers of honor stay in the circle the whole time while other dancers from outside the circle cut in 'on the fly'. Dancers "break in", or "steal", their way into the middle by breaking the connection of the dancers and inserting themselves such that the person of honor continues dancing without missing a beat.
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The outlaws, Ace Hanlon (William Haade) and Pete Burdet (Bud Geary) appear suddenly at the ranch to greet Champneys. Champneys is surprised to see them because Burdet was once Fancy Charlie’s cellmate. Burdet has tipped off Ace Hanlon and now both of them want to be cut in on Fancy Charlie’s deal and share in the Duchess’ fortune. Charlie refuses, and Burdett starts beating on him when Red arrives and captures Burdett but misses Hanlon who flees in time to escape.
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Andy attempts to pull rank and cut in on the couple, but the powerful stoker drives him off with blows. Lou, observing her husband's boorishness, looks on with contempt. Mae and Bill mutually confess their sexual histories to one another, she with regret, he with masculine pride. So as to win Mae's favors for the night, Bill consents to marry her on the spot, and Mae wistfully obliges. The local missionary “Hymn Book” Harry (Gustav von Seyffertitz) is summoned and sternly delivers the sacrament.
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He was replaced by actor-musician Murphy Dunne. Shaffer does appear in Blues Brothers 2000, taking a week off from Late Show with David Letterman to film his role as Queen Moussette's majordomo and emcee of the Battle of the Bands (Warren Zevon took his place that week on Letterman's show). Shaffer shaved his head for the role, a change in appearance he chose to retain permanently. During the "Funky Nassau" number, Shaffer in his character of "Marco," asks to cut in on keyboards, which Murph allows.
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During a national tour in Oakland, California to promote the album, Brown often cut in on Tresvant's leads, performing more raunchily onstage, compared to his band mates. Also, Brown angered the group's management by disrespectfully throwing his mike in the air and being ungrateful when not getting his way onstage. Growing tension between Brown and his band mates eventually reached a standoff, which contributed to his being terminated from the group in December 1985. Following Brown's departure, New Edition would continue to promote All for Love as a quartet.
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Terry asks their names and they respond, "I'm Daisy" and "I'm Violet". He then asks them their dreams ("Like Everyone Else"); Violet, the gentler of the two, wants a life of a husband and home; Daisy, on the other hand, seeks fame and fortune. Terry tells them he wants to help their dreams come true ("You Deserve a Better Life"). After the Boss rudely refuses Terry's offer to be cut in on the twins' potential vaudeville career ("Crazy, Deaf and Blind"), Terry devises a scheme whereby Buddy will teach the girls a song.
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Harry Von Tilzer published "Goodbye, Eliza Jane" in 1903, which has some similarity to the later "Li'l Liza Jane". Natalie Curtis Burlin's book Negro Folk-Songs, published in 1918, documents a version said to be a Negro folk song with an associated dancing game. In the "Liza Jane" dance, couples would dance in a circle, with an extra man in the middle. The extra man would "steal partners" with one of the couples, and the odd man out would go into the center and do a solo dance, then in cut in on another couple and the process would repeat.
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They use the money to buy a horse, Tattooed Man, but an acquaintance, cabbie and bookie Rocky Baker, figures out how they got the money and wants to be cut in on a share. Max and Gus bet their life savings on Tattooed Man's next race. When their horse is victorious, only to be disqualified for a rules infraction, they become desperate and decide to rob another bank. A series of errors ensues, teller Grace Havens being held hostage, the vault being on a timer and unable to be opened until morning, and bank manager Schroeder coming along for the ride in his own vehicle when the getaway car they stole from Margie isn't there.
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When visitors are received by the President of the United States, three social aides are assigned to coordinate the interaction: the "whispering aide" who whispers the visitor's name to the president, the "introducing aide" who presents the visitor to the president, and the "pulling off aide" who encourages the visitor to step away once the president signals the interaction has concluded. Social aides are also expected to identify and resolve social miscues; during one visit by King Hussein of Jordan to the White House during the presidency of Ronald Reagan, a reporter attempted to cut in on the king to ask him questions during social dancing. According to The New York Times, a social aide "came to the rescue by cutting in and deftly waltzing the young woman off the dance floor".
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The first of the daily Wonderful Radio London shows that were broadcast by XERF was introduced by the voice of John Lennon who was asked in 1964 what he thought about American commercial radio. On the second night, which was the anniversary of the close-down of the original Wonderful Radio London on August 14, 1967, airchecks were played beginning with the last Breakfast Show that had been broadcast. The program for August 14, 1984 began with a record dedicated to Ben Toney in 1967, who then cut in on the 1984 program to thank the DJ that he had personally hired 30 years earlier. This dedication was followed by the voices of Mick Jagger, Ringo Starr and many others all bidding the station farewell. The theme of the show was The Beatles’ You say goodbye and we say hello announcing the new programming that would begin the following night on August 15, 1984.
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Crystal Palace took the lead in the 78th minute when Jason Puncheon brought the ball down from a ball played into the penalty box by Joel Ward and cut in on the left before firing past David de Gea at his near post with his left foot. Juan Mata equalised in the 81st minute, scoring from ten yards out with a low shot from the left after a chest down from Marouane Fellaini following a cross from Wayne Rooney on the right, with the ball taking a slight deflection and going through the legs of Joel Ward on the goal line. The match went to extra-time and just before the end of the first period, Chris Smalling was sent-off for a tackle on Yannick Bolasie near the halfway line. With 10 minutes to go, Jesse Lingard scored the winner for Manchester United with a right foot volley from inside the penalty area which flew past Wayne Hennessey before he could move.
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" David Krasner writes, "[m]any attendees of the opening night's performance had to be forcibly removed from the theatre, while others interrupted with "laughter and loud talk" during "the climax of the play." Another point of tension between the company, the New York City Critics, and the greater New York theatre establishment was the fact that The Ethiopian Theatre Company chose to perform works such as Oscar Wilde's Salome and Shakespeare's Comedy of Errors, that, at the time, were not thought to be plays for African American performers and that cut in on the financial gains of other theatre companies who felt that ethically they had exclusive rights to European works. Instead of playing exclusively for audiences in Harlem, The Ethiopian Art Theatre chose ambitiously to work within the mainstream New York, Washington, D.C., and Chicago theatre systems that, due to both social and financial segregation, primarily catered to white audiences. O'Neil also caused internal and external strife when he couldn't decide which pieces from the company's repertoire to perform.
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