And then eventually they will cry uncle and they will come around to other issues we want them to be concerned about, like auto tariffs.
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What to watch: It may just be a matter of time before luxury retailers cry uncle, Stephan Kanlian of the Fashion Institute of Technology, tells Bloomberg.
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However, the international community should no longer delude itself into thinking that economic punishment will force Kim Jong Un to cry uncle and give up his nuclear deterrent.
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This consensus motivated me to replicate saturation airplay my way—shelling out for the CD and sticking it in the changer until I was ready to cry uncle.
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In the world of independent film circa 2007, critics had begun to cry uncle on defining "mumblecore," video on demand was a relative novelty and it was still customary to watch movies on celluloid.
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The question ahead of Twitter's earnings report after the bell on Wednesday is: When does Twitter cry uncle and throw in the towel on attempting to jump start what has been non-existent user growth on its platform?
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The declaration of more sanctions by the president in the face of Iranian restraint underscores the blind commitment of the administration that truly changing the behavior of a nation results only from strangling it and waiting for it to cry uncle.
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"If the only way to get Republicans to cry uncle and hold a fair process is to demonstrate that they will go down in flames in November if they don't, we are more than happy to oblige," said Brad Woodhouse, the president of Americans United for Change, one of the organizations leading the effort.
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Garfield's lead roles included the 1971 film Cry Uncle!, the 1978 film Skateboard with Leif Garrett and the 1982 film Get Crazy.
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The Toxic Avenger was the film that "built the house of Troma", and was Troma's first horror film. Previously the production company focused on sex comedies such as Cry Uncle! and Squeeze Play!. Subsequently, Troma focused almost exclusively on horror films.
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Wheel was born in New York in 1925. She began her acting career in 1949, appearing in TV series like A Woman to Remember, Ford Theatre, Cameo Theatre, Somerset Maugham TV Theatre, The Billy Rose Show and Lux Video Theatre among others.Patricia Wheel She also appeared in the films Cry Uncle! and Jeremy.
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"Sometimes terror is very productive. This is the policy, to keep putting pressure until the people cry 'uncle'"."Nicaraguan Contra Atrocities" West 57th, 1987, Video: 1:50 The CIA manual for the Contras, Tayacan, states that the Contras should gather the local population for a public tribunal to "shame, ridicule and humiliate" Sandinista officials to "reduce their influence".
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Although he was quite adept at the subject, he secretly harbored a desire to become a screenwriter. His girlfriend Maris, who was a friend of Lloyd Kaufman's, took Herz to see Cry Uncle!, a film that Kaufman served as a production manager on. Impressed, Herz contacted Kaufman and was hired for the production of the 1973 film Sugar Cookies.
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Being from Texas, he is shown to be super strong and is also shown to have a stammer, especially while singing. Uncle Pecos returned in the Tom and Jerry Tales episode "Cry Uncle" (2006), voiced by Scott McNeil. In the episode, he arrives at Tom and Jerry's house and annoys Tom and Jerry with his music. He later leaves with Auntie Spinner in the end of the episode.
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Cry Uncle!, released in the UK as Superdick (theatrical title) and American Oddballs (video title), is a 1971 American film in the Troma Entertainment library. It is directed by John G. Avildsen and stars Allen Garfield. The story, based on the Michael Brett novel Lie a Little, Die a Little, follows the misadventures of a slobbish private detective who is hired by a millionaire to investigate a murder.
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Ray Barron was a British actor. He typically played minor roles such as policemen or workmen. He was known for his work in films such as 10 Rillington Place (1971) in which he played a workman, Poor Cow (1967), She'll Follow You Anywhere (1971) and Cry Uncle! (1971). In 1976 he appeared in Doctor Who as Sergeant Henderson in parts five and six of the serial The Seeds of Doom, and in 1981 played a seaman in the series The Incredible Mr Tanner.
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In the United States and Canada, the idiomatic expression "Say 'uncle'!" may be used as an imperative command to demand submission of one's opponent, such as during an informal wrestling match or tickling. Similarly, the exclamation "Uncle!" is an indication of submission – analogous to "I give up" – or it may be a cry for mercy, in such a game or match.Say (or cry) uncle, World Wide Words This exclamation has also been assumed by the BDSM culture as a proverbial example of a safeword.
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After starting out as an assistant director on films by Arthur Penn and Otto Preminger, Avildsen's early low-budget feature Joe (1970) received good notices for star Peter Boyle and moderate box-office business. Avildsen's first success came with the low-budget 1971 cult classic comedy film Cry Uncle! (released in the UK as Superdick and on video as American Oddballs), a 1971 American film in the Troma Entertainment library that stars Allen Garfield. This was followed by Save the Tiger (1973), a film nominated for three Oscars, winning Best Actor for star Jack Lemmon.
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Previously published stories from That Wilkin Boy are frequently featured in digest magazines, most notably as a regular feature in Jughead & Friends Digest. To promote the reprints, Archie Comics featured an official "reintroduction" of That Wilkin Boy in Jughead & Friends Digest #5. The linkup of Bingo and Uncle Herman to Jughead is illustrated in the lead story "Cry Uncle" in issue 5 (2006) of Jughead & Friends Digest. In it, Jughead visits his Uncle Herman in Midville; as it turns out, Uncle Herman is related to both Bingo and Jughead.
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In 1966, Beck dubbed the English voice of the judge listing Tuco's many crimes before sentencing him to death by hanging in The Good, the Bad and the Ugly, and used his deep, dramatic, modulated voice as the narrator of Woody Allen's Take the Money and Run in 1969. He also narrated the cult comedy film Cry Uncle! in 1971, and was one of the players in National Lampoon's first comedy album Radio Dinner in 1972. He was prominent as well in Allen's 1987 film Radio Days, dubbing the voice of the on-the-spot newsman.
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Many details of Zeddemore's personality and character are revealed in episodes of The Real Ghostbusters. The episode "Cry Uncle" clarifies that, in the show's continuity, Winston has no doctorate; he also informs Egon's skeptical Uncle Cyrus that, prior to becoming a Ghostbuster, he too doubted the existence of ghosts. In "Mr. Sandman, Dream Me a Dream," Winston states that, unlike his three colleagues, he is not a scientist, causing him to doubt his ability to resolve a crisis when the Sandman traps the others within their own dreams, but with encouragement from a dream- version of Albert Einstein, he meets the challenge and wins the day.
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Following his graduation, Kaufman went on to work for Cannon Films, where he met John G. Avildsen (future Academy Award- winning director of Rocky and The Karate Kid). The two collaborated for several years, making low-budget films including Joe and Cry Uncle! During this period, Kaufman also directed and starred in his second feature film, The Battle of Love's Return, which garnered positive reviews in publications such as The New York Times, wrote and produced the lesbian thriller Sugar Cookies (with Oliver Stone), and wrote and directed another film, the Israeli comedy flop Big Gus, What's the Fuss?. Kaufman also served as executive in charge of locations for Saturday Night Fever, and was influential in choosing 2001 Odyssey as the nightclub in the film.
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Several cameos are made by the filmmakers: including Avildsen, writer Barra Grant, producer Lloyd Kaufman, composer Bill Conti, as well as Avildsen's sons Anthony and Rufus. In casting the film, actor Dustin Hoffman was initially interested in portraying the Jimmy Breslin-esque Lou Friedlander, though he could not do so due to obligations of his First Artists company, and Paul Sorvino was cast in his place, marking his second collaboration with Avildsen after 1971's Cry Uncle. At the time working for the National Ballet of Canada, ballerina and choreographer Anne Ditchburn was cast after Avildsen screen tested over 400 dancers for the part of Sarah Gantz. The director then viewed and photograph of Ditchburn choreographing several dancers which, sensing her energy, caused his first hand witnessing of it during a tour of the foreign company at the Metropolitan Opera House.
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