To start a critical essay, I must prod myself until the old mesmerized flow resumes.
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The first is by Samantha Bee, the subject of a recent critical essay in the New Yorker.
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With dignity and grace, Green's critical essay masterfully weaves dozens of creative works together, looking backward to predict the future.
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It's like a comprehensive exhibition catalog or a thorough critical essay — an indispensable aid to understanding and appreciating a fascinating artist.
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The exhibition is accompanied by a full-size catalogue, with a critical essay by Marek Bartelik and a personal reflection by the artist's daughter, Monika Krygier.
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"The Cut on Tuesdays," a new show from New York Magazine's women's site, "The Cut," offers a surprise: It is a wide-ranging critical essay in podcast form.
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Through the writing that proved her natural métier, the critical essay, she repeatedly explained that the highbrow practice of interpreting one abstraction through another had run its course.
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The only method that prisoners have to express themselves is by rioting – a critique also wagered by Paolo Pedercini in the critical essay he wrote two years ago for Kotaku.
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After the basketball legend Kareem Abdul-Jabbar wrote a critical essay in The Washington Post about Mr. Trump's candidacy, Mr. Trump sent him a copy of the essay with a biting message sprawled across it.
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"He will have to rely on the expertise of others to accomplish this central task," the Brookings Institution's Peter Conti-Brown wrote in a critical essay shortly after Williams was appointed to the New York Fed in 2018.
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The ongoing project is also becoming an interactive book comprised of the whole series of Selfie Drawings, a critical essay by Dorothy R. Santos, and augmented reality GIFs unveiled on a monthly basis to strengthen the social and networked dimension of the body of work.
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Coffey offers a lusher counterpoint, incorporating such disparate strands as an imaginary baseball game, a critical essay on Beckett (who won the Nobel in 1969) and "The U.S. Army Field Manual on Interrogation," which itself reads like directions for an absurd and debased theatrical production.
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Categories include: Critical Essay; Dramatic Script; Flash Fiction; Humor; Journalism; Novel Writing; Personal Essay & Memoir; Poetry; Science Fiction & Fantasy; Short Story; Writing Portfolio (graduating seniors only); Architecture & Industrial Design; Ceramics & Glass; Comic Art; Design; Digital Art; Drawing & Illustration; Editorial Cartoon; Fashion; Film & Animation; Jewelry; Mixed Media; Painting; Photography; Printmaking; Sculpture; Video Game Design; Art Portfolio (graduating seniors only) and Future New.
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Wahhabism: A Critical Essay. Oneonta, NY: Islamic Publications International. pp.
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Kryhoski, Laura. "Critical Essay on Flyin' West." Drama for Students, edited by David M. Galens, vol. 16, Gale, 2003.
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A critical essay on Davies' novels can be found in S. T. Joshi's The Evolution of the Weird Tale (2004).
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"Critical Essay on Flyin' West." Drama for Students, edited by David M. Galens, vol. 16, Gale, 2003. Gale Literature Resource Center.
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Gale Literature Resource Center.Kryhoski, Laura. "Critical Essay on Blues for an Alabama Sky." Drama for Students, edited by Jennifer Smith, vol.
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Lyric Poetry and Poetics, 2011. Critical Essay Collections and Monographs 1\. 『시의 해석』(새문사, 1983) The Interpretation of Poetry. Saemoon, 1983. 2\.
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Aubrey, Bryan. "Critical Essay on What Looks Like Crazy on an Ordinary Day." Novels for Students, edited by David A. Galens, vol. 17, Gale, 2003.
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Critical Essay by Stanley Borg. Foreword by Tereza de Arruda. 2002 I See Red Everywhere Book published by The Carnyx Group, Glasgow, Scotland. Foreword by Richard Demarco.
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"Critical Essay on What Looks Like Crazy on an Ordinary Day." Novels for Students, edited by David A. Galens, vol. 17, Gale, 2003. Gale Literature Resource Center.
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In November 2016 Barkley's work was the subject of a critical essay Is Glenn Barkley Really the Worst Studio Potter In Australia? by Garth Clark, chief editor of cfile.daily.
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By the time he was 16 years old, the newspaper Uus Aeg (New Time) published his first critical essay. In 1899, the newspaper published his first poem, Water Lilies.
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During her undergraduate years, Laurence had at least eighteen poems, three short stories, and a critical essay published. Laurence graduated with a Bachelor of Arts in English Literature in 1947.
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2007 Between Earth and Sky - Norbert Francis Attard Book published by Midsea Books Limited in collaboration with Heritage Malta. Main text edited by Ranier Fsadni. Additional editing by Lisa Gwen Baldacchino. Critical Essay by Richard England.
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The Wind-Up Doll is a poem by Forough Farrokhzad (1934 – 1967). It was translated into English in A Rebirth: Poems, translated by David Martin, with a critical essay by Farzaneh Milani (Mazda Publishers, Lexington Ky., 1985) .
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His articles related to Ancient Rome and Greece have also been published in notable publications ; of major note was his essay, Survival of Paganism in Christian Greece: A Critical Essay, published in 1986 by the American Journal of Philology.
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Her conclusion was that Ancient Greeks were Aryan in origin. Her first two books were her doctoral dissertations: Essai-critique sur Théophile Kaïris (Critical Essay on Theophilos Kairis) (Lyon: Maximine Portas, 1935) and La simplicité mathématique (Mathematical Simplicity) (Lyon: Maximine Portas, 1935).
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Three Revolutionary Architects: Boullée, Ledoux, and Lequeu. American Philosophical Society, 1952. Page 447. Emil Kaufmann traced its first use to an anonymous critical essay with Ledoux's work as the subject, written for Magasin pittoresque in 1852, and entitled "Etudes d'architecture en France".
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Other poems of Shapiro include "Amarti Yesh Li Tikvah," a translation of Friedrich Schiller's "Resignation", and "Sodom", an allegorical description of the Dreyfus affair. He also published "Turgenev ve-Sippuro Ha-Yehudi", a critical essay on Ivan Turgenev's story The Jew, in Ha-Melitz (1883).
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"West Coast Book Prize Society names finalists for 27th Annual B.C. Book Prizes". The Province, March 10, 2011. In 2012, she won the Best Essay award from Canadian Literature for her critical essay "Tang's Bathtub: Innovative Work by Four Canadian Poets"."Canadian Literature Essay Prize".
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Charles Perrow extended Weber's work, arguing that all organizations can be understood in terms of bureaucracy and that organizational failures are more often a result of insufficient application of bureaucratic principles.Perrow, C. (1986). Complex organizations: A critical essay (3rd ed.). New York: McGraw-Hill.
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In Bowen, Marjorie, Twilight and Other Supernatural Romances. Ashcroft, BC: Ash-Tree Press. Mary Butts, another admirer of James, wrote the first critical essay on his work, "The Art of Montagu James", in the February 1934 issue of the London Mercury.Harold Bloom, Modern Horror Writers.
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Cvetkovich, Depression, 85. Cvetkovich's critical essay also explores the relationship between depression and histories of racism and colonialism, tying “history and depression into the emotional crises that undergird race studies.”Linda Saladin-Adams, "Book Review: Depression: A Public Feeling," The Journal of American Culture 37, no.
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In 2008, the monograph Enrico Corte - SpectrospectiveEnrico Corte - Spectrospective on damianieditore.com was published by Damiani,Damiani Editore Official Web Site with a critical essay by art critic Gianluca Marziani. The volume, distributed internationally, can be found in the libraries of institutions such as Tate Gallery,library.tate.org.uk Stanford University,stanford.
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"Politics vs. Literature: An Examination of Gulliver's Travels" is a critical essay published in 1946 by the English author George Orwell. The essay is a review of Gulliver's Travels with a discussion of its author Jonathan Swift. The essay first appeared in Polemic No 5 in September 1946.
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Montojo wrote a number of literary works and articles for various publications. Among those was León Aldao, A Critical Essay on the First Lands Discovered by Columbus, Encyclopedic Nautical Handbook, and translations of Angelo Secchi's book on physics and The Two Admirals by James Fenimore Cooper.Poncet, Jose. Admiral Montojo's Literary Works.
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The constituent council of the Muslim World League included non-Wahhabis such as Said Ramadan, son-in-law of Hasan al-Banna (the founder of the Muslim Brotherhood), Abul A'la Maududi (founder of Jamaat-i-Islami), Maulanda Abu'l-Hasan Nadvi (d. 2000) of India.Algar, Hamid (2002). Wahhabism: A Critical Essay.
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The Jamie Bishop Memorial Award recognizes a critical essay on the fantastic written in a language other than English. The award is named for Jamie Bishop (1971-2007), who was among those killed in the Virginia Tech massacre of April 16, 2007.Christopher James Bishop. Virginia Tech. Retrieved 2/22/2014.
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On April 24, 1873, Nature announced the publication with an extensive description and much praise. When the second edition was published in 1881, George Chrystal wrote the review for Nature.George Chrystal (1882) Review: 2nd edition, link from Nature Pierre Duhem published a critical essay outlining mistakes he found in Maxwell's Treatise.Pierre Duhem (1902).
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The film... is an exhilarating tribute from one form (cinema) to another (poetry). It takes Ginsberg's momentous, paradigm-changing poem as its launching pad and landing place; its beginning, middle, and end. You could call it a deconstruction except that sounds too formal. It’s a celebration, an analysis, a critical essay, an ode.
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Steuerman focused on his work in the journalistic genre. In 1901, Goldner's edited a selection of his friend's contributions, as Ele ("Them"). Four years later, Dacia publishers issued Rodion's critical essay about the classical Jewish humorist Cilibi Moise. At that stage, the Jewish writer was encountering resistance from the antisemitic literary movement in Moldavia.
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It was accompanied by lavish illustrations and offered a source of literature at an affordable cost. She also edited Temple Bar magazine. There is a critical essay on Braddon's work in Michael Sadleir's book Things Past (1944). In 2014 the Mary Elizabeth Braddon Association was founded to pay tribute to Braddon's life and work.
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"'Your Sister in St. Scully': An Electronic Community of Female Fans of The X-Files—Critical Essay". Journal of Popular Film and Television, Fall 2001. while others joined the subculture of "slash" fiction. In the summer of 1996, a journalist wrote, "there are entire forums online devoted to the 'M/S' [Mulder and Scully] relationship".
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The main competitions include the Poster Competition, held during IPSF Official Events, and the Critical Essay competition, held in collaboration with FIPed. Information regarding the posters, such as size, format and subject are shared with the Contact Persons and in the call for abstracts prior the event. This information will also be made available on the IPSF website.
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He continued to write poems in the same vein, although in his later poems there is a gradual shift to social issues with a streak of admiration for god's creation.Sahitya Akademi (1992), p. 4031 His critical essay, Anuranana (1980), is about the Vachana poets of the 12th century, their tradition, style and influence on later poets.
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See footnotes in Blassingame, The Slave Community, chap. 8, and the "Critical Essay on Sources", pp. 367–374. Blassingame's discussion of the African slave trade, Middle Passage, and African culture is based on Olaudah Equiano's The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African (1794).Blassingame, The Slave Community, chap. 1.
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The volume includes the first critical essay on Marcel Duchamp's film Anemic Cinema, the first investigation into Joseph Cornell's filmic practices, and the first major exploration of work by Michael Snow. It also includes important essays on Maya Deren, Stan Brakhage, and Hollis Frampton. Michelson died from complications of dementia on September 17, 2018 at her home in the SoHo neighborhood of Manhattan.
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Blondel was born in Dijon in 1861. He came from a family who were traditionally connected to the legal profession, but chose early in life to follow a career in philosophy. In 1881, he gained admission to the École Normale Supérieure of Paris. In 1893 he finished his thesis "L'Action" (Action), a critical essay of life and of a science of the practice.
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He started a popular column introducing books in English, writing under the pseudonym Vachaspati. They were not just book reviews. He wrote a critical essay on the book and that subject, thereby enlightening the readers on that subject matter, and encouraging them to read and widening their intellectual horizon. His articles on books have been published as collections – Vachta vachta, Granthasangati, Sourabh.
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One critical essay suggests this is because Zhao Yun was unwilling to work but this is not supported by other sources. She was sought out as a tutor by both married women and girls in the gentry. After Zhao Jun died in 1640, Wen Shu's daughter Zhao Zhao collected the biographical information on both her parents for the tomb inscription.
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The connection between trauma and memory is often discussed in scholarly articles about Corregidora. In particular, academics have considered how Ursa's familial trauma under slavery affects her romantic relationships in the present. In her critical essay, Stella Setka discusses the impacts of this "traumatic rememory" inherited from her ancestry. Setka considers how this collective trauma influences Ursa's sexuality and agency.
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Edwin Arthur Burtt, The Metaphysical Foundations of Modern Physical Science: A Historical and Critical Essay (1925). Most of his observations were more accurate than the best available observations at the time. An heir to several of Denmark's principal noble families, Tycho received a comprehensive education. He took an interest in astronomy and in the creation of more accurate instruments of measurement.
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Thomas Innes (1662 - 28 January 1744) was a Scottish Roman Catholic priest and historian. He studied at the Scots College, (Paris), of which he became vice- principal. He was the author of two learned works,Critical Essay on the Ancient Inhabitants of the Northern Parts of Britain (1729), and Civil and Ecclesiastical History of Scotland, 80 to 818 (published 1853).
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Among his other works were The Passionate Pilgrim (1858), a volume of selections from Robert Herrick entitled Chrysomela (1877), a memoir of Arthur Hugh Clough (1862) and a critical essay on Sir Walter Scott (1866) prefixed to an edition of his poems. He published a small collection of hymns in 1867 which ran to three editions, each slightly enlarged. See Gwenllian F Palgrave, F. T. Palgrave (1899).
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She portrays > in her short fiction the ordinary and overlooked people in everyday African > American life and emphasizes the theme of survival. Many consider her > critical essay "Black Poetry—Where It's At" (1969) to be the best essay on > the work of the "new black poets". In it, she aesthetically evaluates > contemporary African American poetry and sets up preliminary criteria of > appraisal.Carolyn M. Rodgers: Information from Answers.
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Perhaps his most widely cited work is Complex Organizations: A Critical Essay (), first published in 1972. Perrow is also the author of the book Normal Accidents: Living With High Risk Technologies () which explains his theory of normal accidents; catastrophic accidents that are inevitable in tightly coupled and complex systems. His theory predicts that failures will occur in multiple and unforeseen ways that are virtually impossible to predict.
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The theme of "The Second Coming" is similar to that of "Synchronicity II"—a civilisation beginning to collapse, and the rise of something new, something perhaps savage, to take its place. In "Synchronicity II" guitarist Andy Summers "forgoes the pretty clean sounds for post-apocalyptic squeals and crashing power chords", writes Matt Blackett in Guitar Player magazine."The 50 greatest tones of all time." (Critical Essay).
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Choi Dong-ho (; born 26 August 1948) is a South Korean poet, critic, and professor. He studied Korean literature at Korea University at both the undergraduate and graduate levels. He taught Korean literature until his retirement at Korea University, where he is professor emeritus. He published his first poetry collection in 1976, and debuted as a critic when his critical essay won the Joongang Ilbo New Writer’s Contest in 1979.
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For example, the delivery of social services is often not quantifiable except in the extreme. When the market is unable to quantify a good or service, the market will fail to accurately price it. Market failure results. In complex organizations, or in those whose inputs and outputs are difficult to quantify, it becomes increasingly difficult to determine what constitutes featherbedding.Charles Perrow, Complex Organizations: A Critical Essay, Scott, Foresman & Co., 1979.
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Morrow published two romantic adventure novels, A Man; His Mark (1900) and Lentala of the South Seas (1908); an apparently journalistic work called Bohemian Paris of Today, from "notes by Edouard Cucuel", and a short travel booklet, Roads Around Paso Robles (1904). A critical essay on Morrow's work can be found in S. T. Joshi's book The Evolution of the Weird Tale (2004), from which the above information is taken.
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He had contributed to other genres, such as short story, drama, and novel, critical essay, literary sketches and journalistic columns in a few newspapers. He possessed a keen interest in the education of Sindhi children. He joined K.J. Khilnani High School at Mumbai, where he rose to the position of principal. Then he moved to Dubai to manage The Indian High School, Dubai, from where he retired as a rector.
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Aldani was born in San Cipriano Po in 1926. He lived until 1968 in Rome, where he worked as a mathematics teacher, and then back in San Cipriano Po. He published science fiction stories starting in the Sixties (his first published short story being "Dove sono i vostri Kumar?", in 1960) and his first novel, Quando le radici, in 1977. In 1962 he wrote the first Italian critical essay about science fiction, La fantascienza.
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"NDP redraws image for voters", Winnipeg Free Press, 16 December 1998, A11. Doer has also been compared with former Premier of Saskatchewan Roy Romanow, who also governed from the centrist wing of the party. Former NDP MLA Cy Gonick wrote a critical essay about Doer in 2007, describing him as a "small-l liberal" without "a socialist bone in his body".Cy Gonick, "Gary Doer's Manitoba", Canadian Dimension, July/August 2007, accessed 1 September 2007.
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"Lear, Tolstoy and the Fool" is an essay by George Orwell. It was inspired by a critical essay on Shakespeare by Leo Tolstoy, and was first published in Polemic No. 7 (March 1947).Orwell, Sonia and Angus, Ian (eds.). The Collected Essays, Journalism and Letters of George Orwell Volume 4: In Front of Your Nose (1945–1950) (Penguin) Orwell analyzes Tolstoy's criticism of Shakespeare's work in general and his attack on King Lear in particular.
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Their discussions led to the beginning of a "purist" movement within Howard fandom demanding texts as they were written by Howard without any subsequent amendments or alterations. This movement began in 1977, led by author Karl Edward Wagner, who worked with Glenn Lord to produce the first pure Howard texts, in the public domain, from Berkeley Books. The publication of the critical essay "Conan vs. Conantics" by Don Herron continued the movement.
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397 On such grounds, Ralea concluded that Romanian writers "have had no deep spiritual experience", lacking "a comprehension of humanity, of life and death."Vianu, p. 151 In a notorious socio-critical essay, first published in Perspective, Ralea asked: "Why Did We Not Produce a Novel?". He contended that the grand epic genre, unlike the short story, did not yet suit the Romanian psyche, since it required discipline, anonymity, and a "great moral significance".
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Lenemaja Friedman's Shirley Jackson (Twayne Publishers, 1975) was the first published survey of Jackson's life and work. Judy Oppenheimer also covers Shirley Jackson's life and career in Private Demons: The Life of Shirley Jackson (Putnam, 1988). S. T. Joshi's The Modern Weird Tale (2001) offers a critical essay on Jackson's work. A comprehensive overview of Jackson's short fiction is Joan Wylie Hall's Shirley Jackson: A Study of the Short Fiction (Twayne Publishers, 1993).
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He was also known as one of the editors of the Kokin Wakashū. Tsurayuki wrote one of two prefaces to Kokin Wakashū; the other is in Chinese. His preface was the first critical essay on waka. He wrote of its history from its mythological origin to his contemporary waka, which he grouped into genres, referred to some major poets and gave a bit of harsh criticism to his predecessors like Ariwara no Narihira.
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Shelley’s argument for poetry in his critical essay is written within the context of Romanticism. In 1858, William Stigant, a poet, essayist, and translator, wrote in his essay "Sir Philip Sidney"Stigant, William. "Sir Philip Sidney", Cambridge Essays, 4, 1858. that Shelley's "beautifully written Defence of Poetry" is a work which "analyses the very inner essence of poetry and the reason of its existence, – its development from, and operation on, the mind of man".
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Winter 2010 Course Instructor, ENGB05, Critically Thinking about Literature, Department of English, University of Toronto at Scarborough. Fall 2009 Course Instructor, ENGD57H3 F (final year English Specialist Students), In-depth Study of the works of a Single Canadian Author "Michael Ondaatje: Narrator as the Private I." Department of English, University of Toronto at Scarborough. Summer 2009 Course Instructor, Effective Writing, Department of English, University of Toronto. Course Instructor, Critical Essay Writing Skills, Department of English, University of Toronto.
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She is known as one of the poets that represents Korea's modernism since the 1990s. She has published many essays on poetry, critical essay collections, and research papers on modernism. She has won the 2nd Park In-Hwan Literary Award in 2001, the 12th Hyeondaesi (Contemporary Poetics) Award in 2011, the 12th Nojak Literary Prize in 2012, and the 7th Yi Sang Poetry Award in 2014. She participate in the 2016 Seoul International Writer's Festival (SIWF).
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L. Tolstoy and Dostoyevsky was a critical essay written by Dmitry Merezhkovsky and published between 1900–01 in Mir iskusstva magazine. The publication coincided with Leo Tolstoy's excommunication by Most Holy Synod and drew a wide public response. L. Tolstoy and Dostoyevsky is considered the most significant work of Merezhkovsky in the genre of literary research essays. The work was partly devoted to the history of Russian literature and partly to the views of Dmitry Merezhkovsky.
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The majority of modern historians agree that the religion practiced by the ancient Greeks had been extinguished by the 9th century AD at the latest and that there is little to no evidence that it survived past the Middle Ages. (in certain isolated areas it survived until the 12th century, see Tsakonia and Maniots) Gregory, T. (1986). The Survival of Paganism in Christian Greece: A Critical Essay. The American Journal of Philology, 107(2), 229-242.
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Alessandro Piperno (born March 25, 1972 in Rome) is an Italian writer and literary critic of Jewish descent, having a Jewish father and a Catholic mother. He graduated in French Literature at the University of Rome, where he currently teaches and researches. In 2000, he published the controversial critical essay on Marcel Proust, inflammatorily entitled "Proust antiebreo (Proust, Anti-Jew)". In 2005, he achieved notoriety with his first novel Con le peggiori intenzioni (translated as The Worst Intentions).
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In 1995 Papetti met the writer and biographer James Lord who wrote a significant critical essay on his work. James Lord wrote the following about Papetti: “The first, and perhaps the most illuminating thing to be said about the art of Alessandro Papetti is that it is profoundly Italian. No artist of course ever successfully conceals his national, traditional and psychological origins, though some are more prone to do so than others. One thinks of Van Gogh.
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In the field of body criticism Grigely's work emphasizes ways the disabled body is an enabled body. His “Postcards to Sophie Calle,” originally published in the Swiss periodical Parkett and reprinted several times, is considered a seminal text in disability studies. More recent publications that have dealt with the optical turn in deafness include an essay on the deaf artist James Castle, another on Beethoven, and a critical essay on “Soundscaping” that appeared in Artforum in November 2016.
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Robert C. Morgan, Kirk Varnedoe,Man of his words: Pepe Karmel on Kirk Varnedoe - Passages, critical essay, Artforum, Nov. 2003 by Pepe Karmel Jean-François Lyotard and others have argued that postmodern objects are at best relative to modernist works. The jargon which encompasses the two terms late modernism and postmodern art is used to denote what may be considered as the ultimate phase of modern art, as art at the end of modernism or as certain tendencies of contemporary art.
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"The Art of Donald McGill" is a critical essay first published in 1941 by the English author George Orwell. It discusses the genre of English saucy seaside postcards that were sold mostly in small shops in British coastal towns, and particularly the work of its prime exponent, Donald McGill. Orwell notes the role of this type of humour as a rebellion against convention in society and states that, despite the vulgarity, he would be sorry to see the postcards vanish.
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She would contribute to both The Reasoner and The Movement from the 1840s to 1850s as well as have continued correspondence with Holyoake long after. She is also credited with preserving many of Fox's writings. She wrote an appraisal of George Holyoake and his work in George Jacob Holyoake and modern atheism: a biographical and critical essay in 1855 which was well received. The book was an expanded version of what she had written as Panthea in the Free Inquirer.
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Journey is the author of the poetry collection, If Birds Gather Your Hair for Nesting (Georgia, 2009), selected by Thomas Lux for the National Poetry Series. Film director David Lynch called her book, via Twitter, "magical." Her poetry appears in American Poetry Review, Kenyon Review, FIELD, Gulf Coast, Indiana Review, Shenandoah, Gulf Coast, and Blackbird.Poetry. Blackbird. Her critical essay on Sylvia Plath ("'Dragon Goes to Bed With Princess': F. Scott Fitzgerald's Influence on Sylvia Plath") appears in Notes on Contemporary Literature.
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Grabher (1998), 358–359. Blackmur, in an attempt to focus and clarify the major claims for and against the poet's greatness, wrote in a landmark 1937 critical essay: "... she was a private poet who wrote as indefatigably as some women cook or knit. Her gift for words and the cultural predicament of her time drove her to poetry instead of antimacassars ... She came ... at the right time for one kind of poetry: the poetry of sophisticated, eccentric vision."Blake (1964), 223.
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An argumentative essay is a critical piece of writing, aimed at presenting objective analysis of the subject matter, narrowed down to a single topic. The main idea of all the criticism is to provide an opinion either of positive or negative implication. As such, a critical essay requires research and analysis, strong internal logic and sharp structure. Its structure normally builds around introduction with a topic's relevance and a thesis statement, body paragraphs with arguments linking back to the main thesis, and conclusion.
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Asimov wrote a critical essay on Star Treks scientific accuracy for TV Guide magazine. Roddenberry retorted respectfully with a personal letter explaining the limitations of accuracy when writing a weekly series. Asimov corrected himself with a follow-up essay to TV Guide claiming that despite its inaccuracies, Star Trek was a fresh and intellectually challenging science fiction television show. The two remained friends to the point where Asimov even served as an advisor on a number of Star Trek projects.
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Dwarfs were often painted holding an animal of some kind when with their masters. However, dwarfs with artistic or literature abilities were spared from having to train and play with animals. Art historian Enriqueta Harris stated that Velázquez's paintings of dwarfs did not belong in the same space as classical paintings that he had done as well. However, Catherine Closet- Crane, author of a critical essay about Velázquez's dwarf portraits, states that the portraits were in fact meant to be seen with other Velázquez portraits.
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He also met Canadian writers Henry Kreisel and Sheila Watson and began to work on Canadian authors publishing his first critical essay in Canadian Literature (1973, editor George Woodcock) while he was still a graduate student. At the end of his doctoral program (1977) he began to work at Athabasca University, a distance education institution modeled after the British Open University. At Athabasca he helped to develop the first courses in English literature, Canadian Literature, Comparative Literature and Theory. He was promoted to Full Professor in 1986.
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Nietzsche contra Wagner is a critical essay by Friedrich Nietzsche, composed of recycled passages from his past works. It was written in his last year of lucidity (1888–1889), and published by C. G. Naumann in Leipzig in 1889. Nietzsche describes in this short work why he parted ways with his one-time idol and friend, Richard Wagner. Nietzsche attacks Wagner's views, expressing disappointment and frustration in Wagner's life choices (such as Nietzsche's mistaken belief that Wagner had converted to Christianity, perceived as a sign of weakness).
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Julián Orbón had many fellow musicians and composers who supported him and his music. Eduardo Mata, a Mexican conductor and composer, and Julio Estrada, a Mexican composer and historian, both praised Orbón's compositions, which helped spread positive opinions about Orbón throughout Latin America. Both Mata and Estrada were students of Orbón when he was teaching alongside Chávez in Mexico City.Vega "Julián Orbón, a Biographical and Critical Essay by Velia Yedra" Aaron Copland was also a supporter of Orbón. However, much of Orbón’s music is unknown today, and little is performed in Cuba.
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The book portrayed Lincoln as a "loving wife and mother and an ambitious, strong willed, and loyal first lady, while also revealing her to be high tempered, full of fear and anxiety, self-centered and often self- pitying". The editor, James Redpath, included letters from Mary Lincoln to Keckley in the book, and the seamstress was strongly criticized for violating Lincoln's privacy.Carolyn Sorisio, "Unmasking the Genteel Performer: Elizabeth Keckley's Behind the Scenes and the Politics of Public Wrath - Critical Essay", FindArticles / Reference / African American Review / Spring 2000. Retrieved July 2, 2012.
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The V&A; bought the image for their collection with the help of the Cecil Beaton art fund. In June 2007, three of Hardy's works, Booth (2006), Untitled IV (balloons) (2005) and Close Range (2006), were exhibited at the 52nd International Venice Biennale art festival. The accompanying New Forest Pavilion exhibition catalogue included the image Outpost (2007) and a critical essay by John Slyce.New Forest Pavilion: 52nd Venice Biennale Art Exhibition (2007) Artsway & The Arts Institute at Bournemouth In April 2008, Hardy had her first USA solo exhibition in New York at Bellwether Gallery.
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On 21 April 2008, an article on La Stampa affirmed that Guccini had stopped smoking, and that this had caused him to gain weight and lose his inspiration. He denied it on 18 May 2008, in TV show Che tempo che fa. In 2010 the Mondadori published Non so che viso avesse, a book which contains a Guccini autobiography and, in the second part of the book, a critical essay edited by Alberto Bertoni. Luciano Ligabue, friend and colleague of Guccini, entitled him a song, "Caro il mio Francesco" on his album Arrivederci, mostro!.
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In her first critical essay Il corpo postorganico (The Post-organic Body), 1996, Macrì advances an analysis of the bio-technological body. The body has always been a territory for social control and regulation, a crossroads between aesthetic and ideological power and is now even more radically crucial both culturally and politically. It is under construction, going through processes of identity redefinition and overturning sexual and social roles. The body has become a hybrid of organic and synthetic substance, of biological matter and silicon chips: genetic engineering and neuroscience are subjecting it to mutation.
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" Though it has received less attention than others, The Quality of Mercy is, by some, the most highly regarded of Shawcross's books. To be sure, it has critics. The historian and Cambodia expert Ben Kiernan, who "was Shawcross's interpreter for several weeks" when he was researching the book, wrote a long, critical essay. The Australian journalist John Pilger—who is criticized in The Quality of Mercy, and the two men have a continuing history of public disagreements—reportedly attacked Shawcross in a New Statesman review as a "born-again cold warrior.
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" In a critical essay on the novel, Vivienne Muller quotes some praise by experts on disability theory: "In its presentation of Christopher's everyday experiences of the society in which he lives, the narrative offers a rich canvas of experiences for an ethnographic study of this particular cognitive condition, and one which places a positive spin on the syndrome. The reader in this instance acts as ethnographer, invited to see what Mark Osteen claims is a 'quality in autistic lives that is valuable in and of itself'.cited in [S.] Adams (2005) p.
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Margaret Millar is one of the seven women profiled in Atomic Renaissance: Women Mystery Writers of the 1940s/1950s (Lee's Bluff, MO: Delphi Books). She features largely in Tom Nolan's biography of her husband, Ross Macdonald (New York: Scribner, 1999). Millar's work also is mentioned prominently in the volume of letters between Random House's Bennett Cerf and Donald Klopfer, Dear Donald, Dear Bennett (New York: Random House, 2002). A critical essay on Millar's crime novels appears in S. T. Joshi's book Varieties of Crime Fiction (Wildside Press, 2019) .
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Published in 2016, Blacktino Queer Performance (with Ramon H. Rivera-Servera) is a collection of nine performance scripts by established and emerging black and Latina/o queer playwrights and performance artists. Each script is accompanied by an interview and critical essay by scholars across a range of interdisciplinary fields. Black. Queer. Southern. Women—An Oral History is a forthcoming text examining the experiences of black women who love other women and live in the US South. In this text, Johnson employed similar methods (ethnographic oral history) as he did in Sweet Tea.
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They quote content from various sources to create something "new". Thus, the remix provides a commentary on the sounds and images it utilizes the same way a critical essay provides commentary on the texts it quotes. One of Lessig's favorite remix examples is the "Bush and Blair Love Song" which remixes images of President Bush and Tony Blair to make it appear as if they are lip-synching Lionel Richie's "Endless Love". "The message couldn't be more powerful: an emasculated Britain, as captured in the puppy love of its leader for Bush" (74).
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Yi was born Lyou Chul-gyun in Daegu in 1966. When young, he was inspired by his father, a professor of Korean Language and Literature at Kyungpook National University, to become a novelist one day. During his high school years, Yi won awards for various national creative writing competitions. However, after entering college, he changed his career path to become a literary critic. There, he made his debut in 1988 with a critical essay called “Study of Yang Guija” (Yang Guija ron) which was published in Literature and Society, a Korean quarterly literary magazine.
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The journal publishes scholarly articles, review articles and book reviews, covering a broad range of historical approaches including social, economic, political, diplomatic, intellectual and cultural, on every country and region of the world within living memory, from 1918 to the present day. The journal normally publishes at least 1 special issue per volume, either arising from a supported conference or from an externally submitted proposal. Since 2008, the journal has included reviews of individual books, in addition to review articles covering a range of books within the compass of a single critical essay.
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Raymond Durgnat (1 September 1932 – 19 May 2002) was a British film critic, who was born in London of Swiss parents. During his life he wrote for virtually every major English language film publication. In 1965 he published the first major critical essay on Michael Powell, who had hitherto been "fashionably dismissed by critics as a 'technician’s director'", as Durgnat put it. His many books include Films and Feelings (1967), A Mirror for England: British Movies from Austerity to Affluence (1970), and The Strange Case of Alfred Hitchcock (1974).
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There are also several university studies, for instance, Eric Lott's critical essay, "All the King's Men: Elvis Impersonators and White Working- Class Masculinity," published in Harry Stecopoulos and Michael Uebel, eds., Race and the Subject of Masculinities (Duke University Press, 1997). The author, professor of American Studies at the University of Virginia, has also written a long piece on Elvis impersonators and the EPIIA (Elvis Presley Impersonators International Association) to be published in his next book. For this paper, he interviewed many impersonators and draws parallels with minstrelsy.
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His teacher Kim Eok published a volume of Sowol's selected poems in 1935. These included his memoir and a critical essay, in which he points out that the poet's true genius lay in composing lines in the rhythm of Korean folk song, thereby making his poems touch directly the hearts of Koreans. The magical charm of Sowol's lines can barely be recaptured fully in English translation, since the spirit of his poetry is conveyed in part through the sound of Korean folk tunes, which imposes an additional challenge on the translation of his work.
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A. C. Benson, an early mentor. From 1903 to 1906 Walpole studied history at Emmanuel College, Cambridge."Hugh Walpole", Contemporary Authors Online, Gale Group, accessed 23 November 2013 While there he had his first work published, the critical essay "Two Meredithian Heroes", which was printed in the college magazine in autumn 1905.Steele (1972), p. 27 As an undergraduate he met and fell under the spell of A.C.Benson, formerly a greatly loved master at Eton,Lyttelton/Hart-Davis (1984), p. 170, letter of 28 February 1962 and by this time a don at Magdalene College.
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Hong Liangji Hong Liangji (, 1746–1809), courtesy names Junzhi () and Zhicun (), was a Chinese scholar, statesman, political theorist, and philosopher. He was most famous for his critical essay to the Jiaqing Emperor, which resulted in his banishment to Yili in Xinjiang. In modern times, he is best remembered for his essay Zhi Ping Pian (, "On Governance and Well-being of the Empire") on population growth and its sociopolitical consequence, in which he raised many of the same issues that were raised by Malthus writing during the same period in England.
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Lee's career started in 1998 when she published the poems "" (지하도 입구에서 At the Entrance of the Underground Passage), "" (우포늪 Upo Marsh), and "" (아무도 보지 못한 풍경 A Scene Nobody Has Seen) in Literature and Society, as well as a critical essay in 2001 in 21st Century Literature. Currently she is a lecturer at Ewha Womans University. She has published poetry collections (불쑥 내민 손 Suddenly Given Hand), and (타일의 모든 것 Everything About Tiles). She was awarded the Hyundae Literary Award in 2015 for (굴 소년의 노래 The Oyster Boy's Song).
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An essay on the work of Sir Christopher Wren gained him a second RIBA medal in 1881. He subsequently published a book on the subject: The Towers and Steeples designed by Sir Christopher Wren, a descriptive, historical and critical essay. In 1879 he established his own architectural practice in London, with a design for a Memorial Hall and Schools at Dover being his first commission (completed 1881, since demolished). Together with Henry Hall, another of Pilkington's former pupils, Taylor entered the competition to design Glasgow City Chambers, being placed second.
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Of literary-historical interest is her critical essay on Ivan Turgenev's novel Fathers and Sons published in Northern Bee. Although she had been friends with Turgenev, and had celebrated his writing, she responded to Fathers and Sons with scorn and indignation. It was her view that the young people of Russia were much better and stronger than Turgenev had portrayed them. In her opinion, he had embodied the good exceptions of the old generation in the fathers, and the ugliest exceptions of the young generation in the sons.
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Two children and a group of three females stand to the right facing the bard. Another female at their feet, facing them, kneels on a grassy ground. The text above is decorated with leaves and vine. Swinburne was one of the first reviewers of the poem in his Critical essay (1868), speaking about Blake as a voice of the ancient bard, who “summons to judgment the young and single- spirited, that by right of the natural impulse of delight in them they may give sentence against the preachers of convention and assumption”.
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Rogelio Mangahas is a Palanca first prize winner for his collection of poems, "Mga Duguang Plakard" and for his critical essay on Edgardo M. Reyes's novel, "Sa mga Kuko ng Liwanag." He co- authored and edited Manlilikha, an anthology of poems, considered by some critics as a monumental achievement in modern Filipino poetry in the 1960s. Winner of the 1986 Palanca Awards under essay. He worked as editor-in-chief of Phoenix Publishing House and of SIBS Publishing House and taught Filipino language and literature at De La Salle University, University of the East, University of the Philippines Manila and St. Scholastica's College.
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404-5 part translated in Innes, Thomas, A Critical Essay on the Ancient Inhabitants of Scotland, vol. 1 (1729), 349-352 Although the choreography was perfect, when the satyrs first wagged their tails, the Englishmen took it as reference to an old saying that Englishmen had tails. This story of English tails was first set down in the Middle Ages by the chronicle writers William of Malmesbury, Wace, and Layamon in his Brut. The origin was a legend that Saint Austin cursed the Kentish men of Rochester to have rayfish tails, and afterwards they were called muggles.
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334 was selected by David Pringle as one of the 100 best science-fiction novels written since World War II. Samuel R. Delany's The American Shore (1978) is a book-length critical essay on the novella "Angouleme"; Delany argues that despite the lack of any scientific themes in "Angouleme", its speculative setting makes it inherently science fiction. The novel was nominated for a 1974 Nebula Award. Previously, the novella "334" won a Locus Poll Award in 1973. In the 9th chapter of "Neon Genesis Evangelion" 334 is the shelter number that Kensuke and Toji are in.
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His major work in Spanish studies was Gongora, an Historical and Critical Essay on the Times of Philip III and IV of Spain, with Translations, 1862. Like John Bowle's edition of Don Quixote, it was composed in a country parsonage. It is accompanied by a series of translations not only from Góngora, but also from Herrera, Villamediana, Luis de León, Calderon, and Cervantes. After Churton's death in July 1874, a volume of Poetical Remains was published (1876) by his daughter, containing, besides a number of original poems, versions from Spanish poets and also some from Anglo-Saxon.
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There, Ibn al-Qāriḥ is repeatedly taken by surprise at the mercy > of the Almighty, as he discovers in the heavenly garden poets and men of > letters that he himself had condemned as unbelievers. Hence the title of al- > Maʿarrī’s epistle and its abiding message: that man should not presume to > limit God’s mercy. Suzanne Pinckney Stetkevych, 'The Snake in the Tree in > Abu al-ʿAlaʾ al-Maʿarri’s Epistle of Forgiveness: Critical Essay and > Translation', Journal of Arabic Literature, 45 (2014), 1-80 (p. 3). In the a mixed timeline of events, the story starts with Ibn al-Qareh in heaven.
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Born into a middle-class family in Tokyo, she moved to Long Island, New York at the age of twelve. Her years of reading and re-reading European literature during her childhood in post war Japan, and modern Japanese literature while attending American high school, later became the foundation for her novels. After studying studio art at the School of the Museum of Fine Arts in Boston and French at Sorbonne in Paris, she went on to Yale College, majoring in French. While still a student at Yale Graduate School, she published a critical essay, "Renunciation","Renunciation", Yale French Studies, no.
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Gilbert V. Hartke (January 16, 1907 – February 21, 1986) was an American director, playwright, and priest of the Order of Preachers (Dominicans). He was founder of The Catholic University of America's Department of Speech and Drama, one of the first university drama programs in America. Hartke developed his curriculum during a time when drama was not considered a discipline in Catholic universities. TOWARD A 'CATHOLIC' THEATER: The legacy of Gilbert Hartke - Critical Essay, by Richard Alleva, Commonweal, 6/1/02 He directed over 60 major productions at CUA and several more for the National Players, a touring company he created.
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In 1995, Tillman's nonfiction work, The Velvet Years: Warhol's Factory 1965-1967, was published with photographs by Stephen Shore; it presented 18 Warhol Factory personalities' narratives, based on interviews with them, as well as her critical essay on Andy Warhol, his art and studio. Tillman is also the author of the nonfiction book The Life and Times of Jeannette Watson and Books & Co. (1999), a cultural and social history of a literary landmark where writers and artists congregated for nearly 20 years. What Would Lynne Tillman Do? (2014), her second essay collection, was a Finalist for the National Book Critics Circle Award in Criticism in 2014.
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Charles K. Salaman in 1901 Salaman gave his last concert in 1876 and soon retired from active work, but continued to teach and serve as choir master and organist at the West London Synagogue until 1890. He was an early member of the Maccabaeans, a society for professional and cultured Jews to socialize and discuss matters of mutual concern. Salaman wrote the book Jews as They Are in 1882, with the intention of dispelling common myths about Judaism. It includes a defence of the Mendelssohn family's renouncement of Judaism and a critical essay on the character of Shylock from a Jewish point of view.
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His first poem, "Düştanbul" (Dreamstanbul), was published in 1982 and followed by a number of collections. He had also written poems in the Bartin dialect and in other Turkic languages, and had brought a modern approach to the classical Ottoman rhyme, aruz, in his book Kara Yazılı Meşkler (Tunes Written on the Snow, 2003). He had published a critical essay on the modern mystical poet Asaf Halet Çelebi, collected works of the forgotten poet Halit Asım, and translated the poetry of Osip Mandelstam and C. P. Cavafy into Turkish. He was awarded the Yunus Nadi Prize in 1991, the Behcet Necatigil Poetry Prize in 2004, and the Dionysos Prize in 2005.
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In 1839, she wrote The Characters of Schiller, a critical essay on the writer Friedrich Schiller including her translation of many of his poems. She wrote Scenes in the Life of Joanna of Sicily, a history of the lifestyles of female nobility, and Rambles about the Country, a lively description of the scenery she had observed in her travels through the United States, in 1840. She continued writing poems, translations and essays on European literature which she contributed to the American Monthly, the North American Review, the Southern Literary Messenger, the Southern Quarterly Review and other periodicals. Ellet wrote abundantly in a wide variety of genres.
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The Penguin versions of the works of D. H. Lawrence reproduce the scholarly editions originally published by Cambridge University Press without some of the specialist editorial apparatus. They are based on the most accurate versions of the texts, and include a critical essay of introduction; bibliography of criticism; explanatory notes; alternative and missing chapters; and glossaries of dialect terms where required. The titles are widely available in a cheap paperback format. Penguin has a long association with the publication of Lawrence's work, most notably the first unexpurgated paperback edition of Lady Chatterley's Lover that led to a prosecution for obscenity in the early 1960s.
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He introduced Russia to all the European literary genres as well as a great number of West European writers. He brought natural speech and foreign influences to create modern poetic Russian. Though his life was brief, he left examples of nearly every literary genre of his day: lyric poetry, narrative poetry, the novel, the short story, the drama, the critical essay and even the personal letter. His work as a critic and as a journalist marked the birth of Russian magazine culture which included him devising and contributing heavily to one of the most influential literary magazines of the 19th century, the Sovremennik (The Contemporary, or Современник).
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Hermann Marggraff (1809–64) was a German poet and humorous author. He was born at Züllichau;Brandenburg, studied at Berlin; and, devoting himself to journalism, lived and wrote in Leipzig, Munich, Augsburg, and Frankfort, finally settling in Leipzig (1853) as editor of the Blätter für literarische Unterhaltung. He wrote the critical essay, Deutschlands Jüngste Kultur- und Litteraturepoche (1839); several plays, e. g., Das Täubchen von Amsterdam; humorous novels, including Justus und Chrysostomus, Gebrüder Pech (1840), Johannes Mackel (1841), and Fritz Beutel (1855), after the fashion of Baron Munchausen; a biography of Ernst Schulze (Leipzig, 1855); Schillers und Kärners Freundschaftsbund (1859); Gedichte (1857); Balladenchronik (1862).
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The most familiar parts of Peele's work are, however, the delightful songs in his plays—from The Old Wives' Tale and The Arraignment of Paris, and the song "A Farewell to Arms"—which are regularly anthologized. Professor Francis Barton Gummere, in a critical essay prefixed to his edition of The Old Wives Tale, puts in another claim for Peele. In the contrast between the romantic story and the realistic dialogue he sees the first instance of humour quite foreign to the comic business of earlier comedy. The Old Wives Tale is a play within a play, slight enough to be perhaps better described as an interlude.
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Alberti replied to this in 1727 with a new publication, Kritische Proeve (Critical Essay), where he justified his earlier work extensively in the preamble and where he showed an extraordinary knowledge of Greek dictionaries and grammars. This thorough knowledge, developed in a work of only some 100 pages, showed the independent writer to be a staunch defender of Biblical truth and silenced his enemies. Shortly thereafter he made a Proeve van Kritische aanmerkingen nopens Hesychius (Essay on critical remarks concerning Hesychius), followed by numerous literary remarks to explain some passages in the New Testament of Philo Judaeus. These two works were presented in foreign journals, instead of appearing as independent publications.
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These included Die Ameisen, translated into English as The Ant People, Indien und ich, a travelogue of his time in India, and a 1916 critical essay on Edgar Allan Poe, to whom he has often been compared. Indeed, Ewers is still considered by some as a major author in the evolution of the horror literary genre, cited as an influence by American horror writers such as H. P. Lovecraft and Guy Endore. Students of the occult are also attracted to his works, due to his longtime friendship and correspondence with Aleister Crowley. Ewers also translated several French writers into German, including Villiers de l'Isle-Adam.
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Both emphasize the importance of education for boys. Ramu does not appreciate the sacrifices his parents have made for him until he sees their heartfelt disappointment after he misses a day at school in order to go to the fair. Mehta's critical essay The Western Educated Hindu Woman (1970) describes the contrast between women in their twenties at the time of independence who were well educated and spoke English and their mothers who spoke no English and remained devout Hindus bent on maintaining traditions. Her The Hindu Divorced Woman (1975) brings out the disadvantages of a woman's acceptance of divorce which she may well live to regret.
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The two function as unusual literary foils for one another, insofar as their relationships with Gwen are concerned. In her critical essay Gwen's Evil Stepmother: Concerning Gloves and Magic Slippers, Valerie Estelle Frankel compares Rhys to Jack, likening the former to a "sweet, kind handsome prince" and the latter to a "compelling trickster." Whilst Eve Myles feels that "Jack highlights how ordinary Rhys is", she states that it is precisely this ordinariness which makes Rhys a benefit to Gwen's strength of character. The plot of Children of Earth results in Rhys becoming more directly involved with the Torchwood team's activities, and actor Kai Owen also receives star billing for the first time.
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The same year, he was appointed as a Tourism Ambassador by the Nakano Tourism Association, to spread word about Nakano City. In 2016, after Studio Ghibli commissioned him to write a critical essay on the Japanese government's self-promotion activities, he was appointed as a Cool Japan Ambassador by the Japanese Cabinet Office as part of their Cool Japan initiative. In this role, he regularly appears in programs on Japan's public broadcaster NHK, such as Tokyo Eye 2020 and Journeys in Japan. While spreading the appeal of contemporary Japan through these activities, he also writes critically about how the country could improve its efforts, and has been quoted in news articles for his views of the Cool Japan strategy.
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Perhaps the most straightforward view sees Hamlet as seeking truth in order to be certain that he is justified in carrying out the revenge called for by a ghost that claims to be the spirit of his father. The 1948 movie with Laurence Olivier in the title role is introduced by a voiceover: "This is the tragedy of a man who could not make up his mind." T. S. Eliot offers a similar view of Hamlet's character in his critical essay, "Hamlet and His Problems" (The Sacred Wood: Essays on Poetry and Criticism). He states, "We find Shakespeare's 'Hamlet' not in the action, not in any quotations that we might select, so much as in an unmistakable tone...".
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This critical essay was required to be posted at every naval base and on every ship in the Pacific and was reprinted in full by The New York Times and other civilian newspapers. Evans banned the three officers who had publicly requested clemency from participating in future courts martial. Press reports questioned whether Evans had that authority as the military justice system was intended to be impartial. In late September 1903, the three officers who had been named in the critique filed a protest with Secretary of the Navy William Henry Moody stating that Admiral Evans had overstepped his authority by publicly reprimanding them without a court martial and that charges should be brought against him.
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Edwards and Winkler mention images of people can act as ideographs too. “In their construct, a person (character) is abstracted and elevated to the status of a cultural figure, and becomes a surface for the articulation of the political character, employing cultural ideals”. Foss identifies the following steps in a piece of ideological criticism: (1) “formulate a research question and select an artifact”; (2) “select a unit of analysis” (which she calls “traces of ideology in an artifact”); (3) “analyze the artifact” (which, according to Foss, involves identifying the ideology in the artifact, analyzing the interests the ideology serves, and uncovering the strategies used in the artifact to promote the ideology); and (4) “write the critical essay”.
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Sharp took an early interest in the Belgian avant-garde and disseminated knowledge of La Jeune Belgique movement in a number of essays published in English-language literary periodicals, including two essays entitled La Jeune Belgique, a biographical and critical essay titled Maeterlinck, a reflection on Ruysbroeck and Maeterlinck and a review of Gérard Harry's production of Princess Maleine and The Intruder (1892). He translated Auguste Jenart's The Barbarian (1891) into English. His translation of Charles van Lerberghe's Les Flaireurs was published as The Night-Comers in The Evergreen: A Northern Seasonal: Autumn in 1895.Michael Shaw (2019), The Fin-de-Siecle Scottish Revival: Romance, Decadence and Celtic Identity, Edinburgh University Press, pp.
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Democratic theorists have identified a trilemma due to the presence of three desirable characteristics of an ideal system of direct democracy, which are challenging to deliver all at once. These three characteristics are participation – widespread participation in the decision making process by the people affected; deliberation – a rational discussion where all major points of view are weighted according to evidence; and equality – all members of the population on whose behalf decisions are taken have an equal chance of having their views taken into account. Empirical evidence from dozens of studies suggests deliberation leads to better decision making.Even Susan Strokes in her critical essay Pathologies of Deliberation concedes that a majority of academics in the field agree with this view.
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In his work Method of interpretation and sources of positive private law : a critical essay, published in 1899, François Gény declared that law has different implications. He noted that customs, tradition and scientific studies should be used to identify different interpretations of what is written in the law. In Science and technic in positive private law, published from 1914 to 1924, François Gény described a new method of interpretation called free scientific research with the goal to discover the origins of principles and rules. With this free scientific research, he based his studies on various "sciences" such as sociology, economics, linguistics, philosophy and theology, that previous law teachers had not used before.
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" In 2011, a critical essay from The New Inquiry lauded this approach: "But Lee deliberately eschews the separatist narrative and isn't above mocking the knee-jerk misandry which often colored those stories. Instead, our heroine is forced out into the universe at large, where she is confronted with the task of helping to build a society more congruent with her ideals." When Starstruck moved into the sights of mainstream comics buyers during the Epic Comics run in 1985, the series had to contend with the attitudes of a predominantly young male market. Lee remembers, "we got quite a reaction to the fact that there were so many female characters in the story.
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Hotten's perseverance established him among the best-known publishers, and he moved to a larger shop. In 1866, the publisher Moxon issued Algernon Charles Swinburne’s Poems and Ballads, which brought a charge of indecency and forced Moxon to withdraw the work from circulation. Hotten offered himself as the poet’s publisher, and issued the volume in dispute as well as Swinburne’s response to his critics. Cecil Lang claims in his preface to Swinburne's Letters that Hotten had effectively blackmailed Swinburne into providing him with pornographic verse.Allison Pease, "Modernism, mass culture, and the aesthetics of obscenity", Cambridge University Press, 2000, , p.203 Hotten subsequently published Swinburne’s Song of Italy (1867) and William Blake: a Critical Essay (1868).
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The Simple Art of Murder is a critical essay by hard-boiled detective fiction author Raymond Chandler. The first version of the essay was published in The Atlantic Monthly in December 1944 and a revised version was included in Howard Haycraft's anthology The Art of the Mystery Story. These versions, which are a history of Chandler's writings, has little to do with the third version, which appeared in the Saturday Review of Literature, April 15, 1950, and, somewhat rewritten, served to introduce the eponymous short story collection The Simple Art of Murder, 1950 (Houghton Mifflin Co.), which contained the eight of Chandler's stories pre-dating his first novel, The Big Sleep, which he wanted remembered. The essay is considered a seminal piece of literary criticism.
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Richard Hughes Williams's stories were first published in Papur Pawb, Cymru, Yr Herald Gymraeg and Y Goleuad, and appeared in two collections during his lifetime: Straeon y Chwarel and Tair Stori Fer. A posthumous selection of his work was published with an introduction by E. Morgan Humphreys, and in a second edition containing an additional short story and an additional critical essay by John Rowlands, in 1996. Richard Hughes Williams's stories are commonly set among the men who work at the slate quarries, and highlight both physical hardship and danger they endure, and their good humour, courage, and solidarity. Often they focus on a quarryman of unusual eccentricity or poverty, and sketch the incidents, humorous and tragic, that lead to his early death.
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At the age of sixteen Emilia married Don José Antonio de Quiroga y Pérez de Deza, a country gentleman who was himself only eighteen and still a law student. The following year, 1868, saw the outbreak of the Glorious Revolution, resulting in the deposition of Queen Isabella II and awakening in Emilia an interest in politics. She is believed to have taken an active part in the underground campaign against Amadeo I of Spain and, later, against the republic. In 1876 she won a literary prize offered by the municipality of Oviedo, for an essay entitled Estudio crítico de las obras del padre Feijoo (Critical Essay on the Works of Father Feijoo), the subject of her essay being a Benedictine monk.
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Alain de Benoist of the Nouvelle Droite (New Right) produced a highly critical essay on Hayek's work in an issue of Telos, citing the flawed assumptions behind Hayek's idea of "spontaneous order" and the authoritarian and totalising implications of his free-market ideology. Hayek's concept of the market as a spontaneous order has been recently applied to ecosystems to defend a broadly non-interventionist policy. Like the market, ecosystems contain complex networks of information, involve an ongoing dynamic process, contain orders within orders and the entire system operates without being directed by a conscious mind. On this analysis, species takes the place of price as a visible element of the system formed by a complex set of largely unknowable elements.
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Basanavičius developed appreciation for the Lithuanian language, culture, and history from local hill forts and his parents, who provided a loving treasure of local songs, legends, stories. This appreciation grew and deepened at the gymnasium where Basanavičius got acquainted with classical authors of Lithuanian history (Maciej Stryjkowski, Alexander Guagnini, Jan Długosz, Marcin Kromer), studied Lithuanian folk songs, read classical poems The Seasons by Kristijonas Donelaitis, Konrad Wallenrod by Adam Mickiewicz, Margier by Władysław Syrokomla, and historical fiction by Józef Ignacy Kraszewski. He drifted away from religion after reading a critical essay of Life of Jesus by Ernest Renan. Upon graduation in 1873, he managed to persuade his parents to allow him to attend Moscow University and not to send him to the Sejny Priest Seminary.
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Dan Hăulică described Ramniceanu's creative ambition in his critical essay entitled "Byzantium after Pollock" inspired to him by Ramniceanu's 2001 solo exhibition "Gaze at the Golden Nights" held in the Paris premises of F.H. Art Forum Gallery: "A Byzantium which has gone through the radical exclamation of blacks by Soulages or Kline, and by Pollock's vibratory expansion." Ramniceanu's art cannot be simply categorized in any particular style, nor does it subscribe to a single artistic tradition. However Ramniceanu derives inspiration from a variety of sources, including the detail and refinement of Romanian embroideries, and the imagery of Orthodox artworks. The language of material plays an essential role in the work of Stefan Ramniceanu, most of whose pictures have a three- dimensional structure.
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After Madrid, the exhibition was presented at the Palau Meca in Barcelona, and at Le Botanique in Brussels during Europalia. In 1984, the citizens of Algaidas established the Asociación Amigos de Berrocal, to create a documentation centre and a museum devoted to him; and, after an absence of 25 years, Berrocal returned to the city of his birth. 1986 was a period characterised by the installation of various urban monuments: Sarabande pour Picasso in Paris, Fuente del Limonar, a project for a garden with a fountain in Málaga and, Torso Es for the Olympic Sculpture Park in Seoul. A substantial monograph was published in French by Éditions de la Différence in Paris, with a critical essay by Jean-Louis Ferrier.
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From 1905 to 1909, Pável studied Hungarian and Latin at the Philosophical Faculty of Péter Pázmány University in Budapest. Beside his specialist area he attended classes in Serbo-Croatian and Russian languages and in comparative research of Slavonic languages as a research associate. Pável gained a scholarship, was exempted from tuition fees and taught as an assistant professor, where one of his students was Albert Szent-Györgyi, later a Nobel Prize winner in Physiology. On May 15, 1909 he published a critical essay on two disquisitions by Oszkár Asbóth on Slavic-Hungarian speech forms -- one which scrutinized Slavic stem words and the mutations of the sounds "j" and "gy" among Hungarian Slovenes, and another on the academic speech of western Hungary, which had been Pável's research focus.
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And, when such a nameless roll was again brought into notice, some > half-informed reader or transcriber was not unlikely to give it a new title > of his own devising, which was handed down thereafter as if it had been > original. Or again, the true meaning and purpose of a book often became > obscure in the lapse of centuries, and led to false interpretations. Once > more, antiquity has handed down to us many writings which are sheer > forgeries, like some of the Apocryphal books, or the Sibylline oracles, or > those famous Epistles of Phalaris which formed the subject of Bentley's > great critical essay. In all such cases the historical critic must destroy > the received view, in order to establish the truth.
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In response, the newspaper issued a correction making clear that "[the AJC's] stance on issues ranges across the political spectrum; it is not 'conservative'." Alvin Rosenfeld was highly critical of The New York Times coverage, alleging that the article on the whole was misleading and incorrectly framed his argument, the admitted mischaracterization of the AJC was just one example. The mischaracterization, according to Rosenfeld, even includes the title of the article, which describes the targets of his critical essay as 'Liberal Jews' when, Rosenfeld wrote, "I never referred to liberal Jews, if you read my piece carefully you simply won't find the phrase." Gershom Gorenberg concurs with this criticism writing that the "essay itself refers to 'progressives', a group that overlaps with liberals but is not synonymous".
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Urban pagans continued to utilize the civic centers and temple complexes, while Christians set up their own, new places of worship in suburban areas of cities. Contrary to some older scholarship, newly converted Christians did not simply continue worshiping in converted temples; rather, new Christian communities were formed as older pagan communities declined and were eventually suppressed and disbanded.Gregory, T. (1986). The Survival of Paganism in Christian Greece: A Critical Essay. The American Journal of Philology, 107(2), 229-242. doi:10.2307/294605 The Roman Emperor Julian, a nephew of Constantine who had been raised Christian, initiated an effort to end the suppression of non-Christian religions and re-organize a syncretic version of Graeco-Roman polytheism which he termed "Hellenism".
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Peter A. Balaskas (Born 1969 in Brooklyn, New York) is an American author of speculative fiction. Balaskas received his BS in Chemistry (minor in English) and his MA in English with a double emphasis in Creative Writing and Literature from Loyola Marymount University in Los Angeles.Bewildering Stories biography and bibliography of Peter A. Balaskas Before focusing on professional writing, Balaskas worked as an environmental chemist, a theatre actor, a page for NBC Studios, a camera technician for the soap opera Passions, and a copy editor. His fiction and poetry have been published in The Aroostook Review, Del Sol Review, Neon Beam Magazine, Pale Skies, Sage of Consciousness, Bewildering Stories, and his critical essay on Harlan Ellison's "I Have No Mouth and I Must Scream" was published in Criterion.
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A journalist whose works have been published in both Azerbaijani and foreign media, Tağı over his career became particularly known as an author of six collected prose books and a number of controversial articles. His membership at the Writers' Union of Azerbaijan of which he had been a member for 16 years was revoked after he wrote a critical essay analysing social and political views of the renowned Soviet-era Azerbaijani poet Samad Vurghun. Another article entitled Europe and Us published in 2006 in the newspaper Sanat provoked protests in Azerbaijan and Iran, as well as a fatwa pronouncing the death penalty from Grand Ayatollah Fazel Lankarani. In 2006, some residents of the village of Nardaran, "a stronghold for Shia Islamists" in Azerbaijan, during their demonstrations demanded severe punishment for Tağı.
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On the day the occupation of Japan was over, the Asahi Shimbun published a very critical essay on the occupation, calling it "almost akin to colonialism" and claiming it turned the Japanese population "irresponsible, obsequious and listless... unable to perceive issues in a forthright manner, which led to distorted perspectives"."Japan's 'long-awaited spring'", Japan Times, April 28, 2002. The purpose for delaying the return of the Japanese southern islands, the Bonin Islands including Chichi Jima, Okinawa, and the Volcano Islands including Iwo Jima to civil administration was the U.S. military's requirement to covertly base U.S. atomic weapons or their components on the islands where the presence or expansion of U.S. bases remain a heated controversy to this day. In later years, General MacArthur himself thought little of the Occupation.
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"Lives of the Poets, "Somervile" In the eyes of John Aikin, a little later, "He is strictly and almost solely a descriptive poet…Little occurs in his writings that indicates a mind inspired by that exalted enthusiasm which denotes the genius of superior rank. His versification is generally correct and well varied, and evidently flows from a nice and practiced ear… His Chase is probably the best performance upon that topic which any country has produced."A Critical Essay on The Chase", London, 1800 But by the time of The Cambridge History of English Literature (1913), the attitude is plainly dismissive: "Much of his verse is poor doggerel in the form of fables and tales, dull and coarse after the usual manner of such productions".Volume X, Chapter 7, p.
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Pacific 231: Symphonic Poem About a Steam Locomotive For the first time Soviet press started talking about animation as a new form of art, which was in fact director's original intention. As he wrote in his critical essay From Murzilka to Big Art, filmmakers of that time took animation for a "secondary, creatively insignificant offshoot of the big art of cinema, but not as a branch of graphics and painting, not to mention a separate form of art... Technical, professional and artistic processes of building a graphiс film are entirely different from the filmmaking process... Animation is not a filmed marionette, not a puppetry, not a theatre, not cinema... It is a new spatiotemporal type of fine art".Sergei Asenin (1983). The Wisdom of Fiction: Masters of Animation about Themselves and Their Art.
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Francisco "Paco" Urondo Francisco "Paco" Urondo (January 10, 1930 in Santa Fe - June 17, 1976 in Mendoza) was an Argentine writer and member of the Montoneros guerrilla organization. Urondo published multiple collections of poetry, short stories, theatrical works, and a novel, as well as La patria fusilada, his famous interview with the survivors of the massacre at Trelew, and his critical essay Veinte años de poesía argentina. He also collaborated in the writing of movie scripts such as Pajarito Gómez (which includes a cameo appearance) and Noche terrible, and adapted for television Flaubert's Madame Bovary, Stendhal's Le Rouge et le Noir, and Eça de Queiroz's Os Maias. In 1968 he was named General Culture Director for the Santa Fe Province, and in 1973 Director of the Literature Department of the Faculty of Philosophy and Literature of the University of Buenos Aires.
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Report of the Departmental Committee on the Royal College of Art, HMSO, 1911 In the debate that followed the publication of the committee's report, C.R.Ashbee published a highly critical essay, Should We Stop Teaching Art, in which he called for the system of art education to be completely dismantled and for the crafts to be learned in state-subsidised workshops instead.C.R.Ashbee, Should We Stop Teaching Art?, 1911 Lewis Foreman Day, an important figure in the Arts and Crafts movement, took a different view in his dissenting report to the committee of inquiry, arguing for greater emphasis on principles of design against the growing orthodoxy of teaching design by direct working in materials. Nevertheless, the Arts and Crafts ethos thoroughly pervaded British art schools and persisted, in the view of the historian of art education, Stuart MacDonald, until after the Second World War.
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Although he did not participate directly in the protests himself, he often went out in the streets to observe the protestors in action, and kept extensive clippings of newspaper coverage of the protests. In June 1960, at the climax of the protest movement, Mishima wrote a commentary in the Mainichi Shinbun newspaper, entitled "A Political Opinion". In the critical essay, he pointed out the deceptions that the Zengakuren, the Socialist Party, and the Communist Party all used under the banner of "Democracy". He warned that the dangers of the Japanese people choosing an idealistic leader who tells lies is more dangerous than Mr. Nobusuke Kishi who is a "small nihilist" (Mishima called him so), being subordinating to the United States, and Mishima said in conclusion that he wanted to vote for a sturdy and realist person without using any honeyed words.
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In the same context, Isac sparked debates by commenting negatively on Poemele luminii, the debut volume of fellow Transylvanian poet Lucian Blaga (his reaction was notably received with irony by poet-critic Artur Enăşescu and his colleagues at Junimea de Nord magazine in Botoşani). Dan Mănucă, "Arcade septentrionale", in Convorbiri Literare, August 2008 Three years later, Isac's Symbolist colleague Davidescu reviewed his entire work in the critical essay Poezia d-lui Emil Isac ("Mr. Emil Isac's Poetry"), contributed for a November 1922 issue of Flacăra journal. For part of that decade, Isac was close to Cezar Petrescu's Cluj-based literary review Gândirea, whose agenda was a distinct mix of traditionalism and modernism, and who later alienated its modernist contributors by switching to fascism. Geo Vasile, "Gândirea, fără prejudecăţi", in România Literară, Nr. 5/2009 He was also an occasional contributor to Ion Vinea's avant-garde venue, Contimporanul.
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Towards the end of the 1920s and into the 1930s, turmoil within the international leftist movement (clashes at the First International Conference of Proletarian and Revolutionary Writers (1927), Kharkov Congress (1930), Moscow Congress of Soviet Writers (1934) between leftist avant-garde authors and those engaged in writing social literature,i.e. propaganda) had its echoes in Yugoslavia. The most prominent left-wing author, Miroslav Krleža found himself in conflict with the authorities as he refused to lower his standards, as he saw it, and become a mere tool for ideological goals. The debate grew increasingly heated while Krleža was publishing the magazine "Danas" (Today, 1934) and "Pečat" (Stamp, 1939–40), culminating in his highly critical essay "Dijalektički antibarbarus" (Dialectical antibarbarus, 1939), which brought him into direct conflict with the leadership of the Communist Party of Yugoslavia (who responded by publishing the collection "Književne sveske" (Literary Volume, 1940)).
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Eugene Ormandy and to a lesser extent, his predecessor with the Philadelphia Orchestra Leopold Stokowski, were instrumental in bringing Sibelius's music to American audiences by frequently programming his works; the former developed a friendly relationship with Sibelius throughout his life. Later in life, Sibelius was championed by the American critic Olin Downes, who wrote a biography of the composer. In 1938 Theodor Adorno wrote a critical essay, notoriously charging that "If Sibelius is good, this invalidates the standards of musical quality that have persisted from Bach to Schoenberg: the richness of inter-connectedness, articulation, unity in diversity, the 'multi-faceted' in 'the one'." Adorno sent his essay to Virgil Thomson, then music critic of the New York Herald Tribune, who was also critical of Sibelius; Thomson, while agreeing with the essay's sentiment, declared to Adorno that "the tone of it [was] more apt to create antagonism toward [Adorno] than toward Sibelius".
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The SFRA presents the following awards at its annual conference: #Pilgrim Award - The Pilgrim Award, created in 1970 and named for J. O. Bailey's pioneering book, Pilgrims through Space and Time, honors lifetime contributions to SF and fantasy scholarship. #Pioneer Award - The Pioneer Award, first given in 1990, recognizes the writer or writers of the best critical essay-length work of the year. #Clareson Award - The Thomas D. Clareson Award for Distinguished Service, first given in 1996, recognizes an individual for outstanding service activities, which may include promotion of SF teaching and study, editing, reviewing, editorial writing, publishing, organizing meetings, mentoring, and leadership in SF/fantasy organizations. #Mary Kay Bray Award - The Mary Kay Bray Award, first given in 2002 and established in honor of the late scholar for whom it is named, recognizes the best essay, interview, or extended review to appear in the SFRA Review in a given year.
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Articles were published in response to the book, including a critical essay by the Mormon author, Boyd Jay Petersen. Petersen, Beck's brother-in-law and Nibley's biographer, stated: "Throughout this book, as with her other books, it is obvious that she distorts the record as much as or more than she reports it, jumps to conclusions more than provides evidence leading to conclusions, and blurs fact and fantasy." Beck responded to some of these criticisms by stating that she began having memories of her traumatic events prior to the use of any therapy (including hypnosis), that her vagina had scarring that may have been the result of sexual abuse, and that her memories were vivid and intrusive. Some members of Nibley's surviving family also challenge Beck's allegations by pointing out inconsistencies in her descriptions of events to various media sources and her use of self-hypnosis to intentionally recover the memories.
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In about 1767, Bishop William Warburton asked Ruffhead to undertake the task of digesting into a volume his materials for a critical biography of Alexander Pope. Warburton reserved to himself the reading of the proof-sheets and the supervision of the plan. Ruffhead set to work with the methodical industry that was habitual to him, and the result appeared in 1769 (preface dated Middle Temple, 2 January) as The Life of Alexander Pope, from Original Manuscripts, with a Critical Essay on his Writings and Genius in an appendix were printed letters from Pope to Aaron Hill. Though tame and lifeless, the book was read with avidity as affording for the first time a quantity of authentic information about the best-known name of a literary epoch; four editions appeared within the year (one at Dublin), and the work was translated into French (it was also prefixed to Pope's Works, Paris, 1799).
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Idealised illustration of an early 20th-century English schoolgirl Brunette Coleman was a pseudonym used by the poet and writer Philip Larkin. In 1943, towards the end of his time as an undergraduate at St John's College, Oxford, he wrote several works of fiction, verse and critical commentary under that name, including homoerotic stories that parody the style of popular writers of contemporary girls' school fiction. The Coleman oeuvre consists of a completed novella, Trouble at Willow Gables, set in a girls' boarding school; an incomplete sequel, Michaelmas Term at St Brides, set in a women's college at Oxford; seven short poems with a girls' school ambience; a fragment of pseudo- autobiography; and a critical essay purporting to be Coleman's literary apologia. The manuscripts were stored in the Brynmor Jones Library at the University of Hull, where Larkin was chief librarian between 1955 and 1985.
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In the visual arts, late modernism encompasses the overall production of most recent art made between the aftermath of World War II and the early years of the 21st century. The terminology often points to similarities between late modernism and post-modernism although there are differences. The predominant term for art produced since the 1950s is contemporary art. Not all art labelled as contemporary art is modernist or post-modern, and the broader term encompasses both artists who continue to work in modern and late modernist traditions, as well as artists who reject modernism for post-modernism or other reasons. Arthur Danto argues explicitly in After the End of Art that contemporaneity was the broader term, and that postmodern objects represent a subsector of the contemporary movement which replaced modernity and modernism, while other notable critics: Hilton Kramer,The Citadel of Modernism Falls to Deconstructionists, 1992 critical essay, The Triumph of Modernism, 2006, Hilton Kramer, pp. 218–221.
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Pessoa returned to his uncompleted formal studies, complementing his British education with self-directed study of Portuguese culture. The pre-revolutionary atmosphere surrounding the assassination of King Charles I and Crown Prince Luís Filipe in 1908, and the patriotic outburst resulting from the successful republican revolution in 1910, influenced the development of the budding writer; as did his step-uncle, Henrique dos Santos Rosa, a poet and retired soldier, who introduced the young Pessoa to Portuguese poetry, notably the romantics and symbolists of the 19th century.. In 1912, Fernando Pessoa entered the literary world with a critical essay, published in the cultural journal A Águia, which triggered one of the most important literary debates in the Portuguese intellectual world of the 20th century: the polemic regarding a super-Camões. In 1915 a group of artists and poets, including Fernando Pessoa, Mário de Sá-Carneiro and Almada Negreiros, created the literary magazine Orpheu,. which introduced modernist literature to Portugal.
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Algar, Hamid, Wahhabism: A Critical Essay, p.57. According to Pakistani journalist Ahmed Rashid who spent much time in Afghanistan, in the mid 1990s the Taliban asked Saudis for money and materials. Taliban leader Mullah Omar told Ahmed Badeeb, the chief of staff of the Saudi General Intelligence: `Whatever Saudi Arabia wants me to do, ... I will do`. The Saudis in turn "provided fuel, money, and hundreds of new pickups to the Taliban ... Much of this aid was flown in to Kandahar from the Gulf port city of Dubai," according to Rashid. Another source, a witness to lawyers for the families of 9/11 victims, testified in a sworn statement that in 1998 he had seen an emissary for the director general of Al Mukhabarat Al A'amah, Saudi Arabia's intelligence agency prince, Turki bin Faisal Al Saud, hand a check for one billion Saudi riyals (approximately $267 million as of 10/2015) to a top Taliban leader in Afghanistan.
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This book contains some poems composed in 2009 by British poet, environmentalist and novelist Tess Joyce together with some of the early poems of Arnab Jan Deka composed during his school-student days, which were earlier compiled in his first Assamese book of poetry Ephanki Rhode in 1983. That first book of poetry made him a major writer in India, with many more titles added to his literary oeuvre later on. His status as a leading Indian litterateur of the 20th century was acknowledged by the Indian Government's official Academy of Letters Sahitya Academy, when its President Dr Birendra Kumar Bhattacharya wrote an evocative critical essay on his poetry, and subsequently, the author's literary biography was incorporated in the End Century Edition of the Academy's publication Who's Who of Indian Writers 1999. Both poets themes in this book revolved in and around the banks of the river Brahmaputra, which flows through China, India and Bangladesh.
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Following Duchamp during the first half of the 20th century, a significant shift to general aesthetic theory took place which attempted to apply aesthetic theory between various forms of art, including the literary arts and the visual arts, to each other. This resulted in the rise of the New Criticism school and debate concerning the intentional fallacy. At issue was the question of whether the aesthetic intentions of the artist in creating the work of art, whatever its specific form, should be associated with the criticism and evaluation of the final product of the work of art, or, if the work of art should be evaluated on its own merits independent of the intentions of the artist. In 1946, William K. Wimsatt and Monroe Beardsley published a classic and controversial New Critical essay entitled "The Intentional Fallacy", in which they argued strongly against the relevance of an author's intention, or "intended meaning" in the analysis of a literary work.
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During the first half of the twentieth century, a significant shift to general aesthetic theory took place which attempted to apply aesthetic theory between various forms of art, including the literary arts and the visual arts, to each other. This resulted in the rise of the New Criticism school and debate concerning the intentional fallacy. At issue was the question of whether the aesthetic intentions of the artist in creating the work of art, whatever its specific form, should be associated with the criticism and evaluation of the final product of the work of art, or, if the work of art should be evaluated on its own merits independent of the intentions of the artist. In 1946, William K. Wimsatt and Monroe Beardsley published a classic and controversial New Critical essay entitled "The Intentional Fallacy", in which they argued strongly against the relevance of an author's intention, or "intended meaning" in the analysis of a literary work.
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The first appearance of the word "warlord" dates to 1856, when used by American philosopher and poet Ralph Waldo Emerson in a highly critical essay on the aristocracy in England, "Piracy and war gave place to trade, politics and letters; the war-lord to the law-lord; the privilege was kept, whilst the means of obtaining it were changed." During the First World War, the term appeared in China as Junfa (軍閥), taken from the Japanese gunbatsu, which was taken in turn from the German. It was not widely used until the 1920s, when it was used to describe the aftermath of the 1911 Revolution, when provincial military leaders launched the period that would come to be known in China as the Warlord Era. In China, Junfa is applied retroactively to describe the leaders of regional armies who threatened or used violence to expand their rule, including those who rose to lead and unify kingdoms.
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This research program took on new meaning with the 1781 publication of Kant's Critique of Pure Reason. Kant derived his own table of categories (the twelve pure or "ancestral" concepts of the understanding that structure all experience irrespective of content) from a standard term-logical table of judgments, noting also that > ...the true ancestral concepts...also have their equally pure derivative > concepts, which could by no means be passed over in a complete system of > transcendental philosophy, but with the mere mention of which I can be > satisfied in a merely critical essay. The Science of Logic (which the latter Hegel considered central to his philosophy) can be considered a notable contribution to the research program of category metaphysics in its post-Kantian form, taking up the project that Kant suggested is necessary but did not himself pursue: "to take note of and, as far as possible, completely catalog" the derivative concepts of the pure understanding and "completely illustrate its family tree." The affinity between Hegel and Kant's logics ("speculative" and "transcendental" respectively) is apparent in their vocabulary.
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Then pall-bearers carried the coffin out into a gondola and the "body" - which was in fact a mechanical sculpture by Jean Tinguely - was ceremonially slid into the canal.Joseph Nechvatal, Immersive Ideals / Critical Distances. LAP Lambert Academic Publishing, 2009. p. 323 During the 1960s, Lebel closely followed the work of the avant-garde American theatre group The Living Theatre. He extensively interviewed the group's members and accompanied them during rehearsal, which would lead to the 1969 book Entretiens avec le Living Theatre. Lebel published the first critical essay in French on the Happening movements throughout the world, citing the 1920 Dada-Messe (First International Dada Fair) as the key precedent of the modern happening in Europe. After this, he produced over 70 Happenings, performances and actions on numerous continents, including Pour conjurer l'esprit de catastrophe (1962), Déchirex (1965) and 120 minutes dédiées au divin marquis (1966). In 1967 he staged in Gassin at the Festival de la Libre Expression Pablo Picasso's 1941 surrealist theatrical farce in six acts Le Désir attrapé par la queue (Desire Caught by the Tail).
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He continued to produce more poems in the same vein, such as Cheluvu Olavu ("Beauty and Truth", 1953) and Devashilpa ("Divine Sculpture", 1959), though in his later poems a gradual shift to social issues with a streak of admiration for god's creation is seen.Sahitya Akademi (1992), p 4031 As a critic, Shivarudrappa has authored several books, some about Kannada poets and others a comparison of eastern and western cultures, such as Vimarsheya Purva Paschima (1961), a critique on attitudes; Soundarya Samikshe (1969), on aesthetic values; and Mahakavya Swarupa (1971), on the practice of the epic form. His critical essay, Anuranana (1980), is about the Vachana poets of the 12th century, their tradition, style and influence on later poets. Kannada play write and Jnanapith awardee, Girish Karnad K. S. Narasimhaswamy continued to be prominent in this era writing such landmark poems as Silalate ("The Sculptured Creeper", 1958), Tereda Bagilu ("The Open Door", 1972), Malligeya Male ("Jasmine Garland", 1986), Idadiru Nanna Ninna Simhasanada Mele ("Place me not on your Throne") and Gadiyaradangadiya Munde ("Before the Clock Shop").
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In his June 1, 2006 critical essay, "Native informers and the making of the American empire" published in the Egyptian English weekly Al-Ahram archived version Dabashi wrote, "By seeking to recycle a kaffeeklatsch version of English literature as the ideological foregrounding of American empire, Reading Lolita in Tehran is reminiscent of the most pestiferous colonial projects of the British in India, when for example, in 1835 a colonial officer like Thomas Macaulay decreed: 'We must do our best to form a class who may be interpreters between us and the millions whom we govern, a class of persons Indian in blood and color, but English in taste, in opinions, words and intellect.' Azar Nafisi is the personification of that native informer and colonial agent, polishing her services for an American version of the very same project." In a subsequent interview with Z Magazine, Dabashi compared Nafisi to former American soldier Lynndie England, who was convicted of abusing Iraqi prisoners at Abu Ghraib. Dabashi and several other scholars have also noted the ways that the simplistic portrayal of Iranian society and framing of Afghan women as helpless victims sustains momentum for U.S. intervention in the Middle East.
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But it was Benedetto Croce who released her first historically documented biography and provided a critical essay, re-evaluating her place in Italian literature.. Croce praised her poetry for its "passionate immediacy" and "immersion in emotion", very different from the prevailing style of that time, which he considered "precious and artificial".. According to Paul F. Grendler's Encyclopedia of the Renaissance in association with The Renaissance Society of America, her work is an "impressive prefigurement of Romanticism" and he states: "no other poet prior to Isabella di Morra infused such personal depth into poetry, bringing new drama to the lyric precisely because it so closely addresses the tragic circumstances of her life", contributing "to the development of a new sensibility in poetic language, one grounded in a kind of life writing that raises the biographical, the political, the familial, and the personal to a genuinely lyric stature". She is cited as a precursor to Giacomo Leopardi due to similar themes, feelings and life experiences. Her poetry is also considered a possible influence on Torquato Tasso. as it is eerily echoed in his poem Canzone al Metauro (A Poem for Metauro, 1578).
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Jeong was born in Naju, South Korea in 1964. In 1983, she graduated Myeongji Girls’ High School and enrolled in Ewha Womans University. She completed her Korean Language and Literature degree in 1987. She received her master’s and doctoral degrees at Ewha in 1989 and 1994 respectively. She made her literary debut in 1988 when her poem “Caleui bada“ (칼레의 바다 Sea of Calais) appeared in the journal Monthly Literature & Thought. In 1989, her critical essay “Seoneulhan parodistui jeolmanggwa mosaek“ (서늘한 패로디스트의 절망과 모색 A Cold Parodist’s Despair and Inquiry) won the Dong-a Ilbo New Writer's Contest. Her poetry collections include Jajaknamu nae insaeng (자작나무 내 인생 My Life, a Birch Tree) (1996), Huinchek (흰책 White Book) (2000), Samcheongabja boksabit (삼천갑자 복사빛 180,000 Years and the Color Peach) (2005), Warak (와락 Bursting) (2008), and Euneuniga (은는이가 Subject Markers and Topic Markers) (2014). She has also written several collections of critical essays, including Parody Sihak (패러디 시학 Poetics of Parody) (1997), which systematically discusses theories on parody and analyzes them in the context of modern Korean poetry, thereby defining the role and meaning of parody in literature.
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In that year Coventry College of Art was transformed into the Faculty of Art and Design, part of Lanchester Polytechnic.Coventry University celebrates 175th Birthday, Laura Hartley, Coventry telegraph, May 2018 The new dean of the faculty, saw it as his task to bring an end to the Art-Theory course. > In the summer of 1971, the Art-Theory course was dismantled by arbitrary > exercise of power and Baldwin and Bainbridge dismissed along with some other > members of the part-time staff. Atkinson remained. His presence enabled the > authorities in charge to claim some credibility for the ruins ... Art & > Language found itself in exile from any official academic or educational > context … Art & Language work in all its forms was addressed first and > foremost to ‘art’ as discourse, rather than to the enlargement of the > extensive category of art objects - A Provisional History of Art & Language, > Charles Harrison and Fred Orton, Editions E. Fabre, Paris 1982, pp. 26-27 Michael Baldwin and Terry Atkinson wrote an extensive 25 pages critical essay on Art education in an article titled "Art Teaching" and published it in Art- Language Volume 1 Number 4.
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