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"crenellation" Definitions
  1. BATTLEMENT
  2. any of the embrasures alternating with merlons in a battlement— see battlement illustration

54 Sentences With "crenellation"

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During this period of revision, the Malacca's colonial A Famosa insignia was replaced by a Malacca tree. Some of the symbols was modified to eliminate the colonial symbols and other non-Islamic symbols. While other symbols was remained. Penang's Prince of Wales's feathers and crenellation were gradually replaced, by first substituting the feathers with a Pinang palm and, later, the crenellation with the Penang Bridge (which was constructed and completed during the 1980s).
The space between two merlons is called a crenel, and a succession of merlons and crenels is a crenellation. Crenels designed in later eras for use by cannons were also called embrasures.
Its defining elements include crenellation and rusticated stone. Indiana limestone is used, with limestone quoining at corners. At the entranceway, there are places that represent the coasts of arms of the school, city, province, and the diocese. Large windows are also located at the entranceway.
It is decorated with chevrons and crenellation. The north doorway is simpler, with a single shaft. Its decoration includes crocus blossom, leaf scroll and geometrical motifs. Both of the doors in these doorways date from the late 12th century, and they have retained their original ironwork.
The defensive walls were built on stone foundations with bricks, varying in thickness between 1.5 and 2 meters. They were crowned with crenellation. Their perimeter had the shape of a rectangle with rounded corners. There were two gates: Poznańska from the West and Krakowska from the South.
The characteristic Scottish designs of crow- stepped gables and the battlement crenellation elements were introduced. A dovecote of considerable height was constructed in the 17th century to the south of the castle. In 1659 Jean Hunter lived at Fetteresso. She was accused of witchcraft and hanged at her home.
Their design includes several rounded and square towers along the sides of the building, crenellation on the towers and roofline, sections of half-timbering, and patches of limestone on the otherwise brick exterior. The building was added to the National Register of Historic Places on March 15, 1984.
1910 in the Gothic Revival style on the northern side of the quadrangle, with the main building on the southern side. The perimeter of the quadrangle is enclosed by an open arched arcade, topped by crenellation. See also: The grouping was placed on the National Register of Historic Places on August 17, 1973.
The attic floor was dedicated to defence, though the external crenellation has disappeared. The top of the east tower has been removed. On the eastern side of the east tower, there is evidence of the existence of attached buildings which have been destroyed at some time. This tower has also been reduced in height.
The house was given to the Segrave family in the 13th century, and was first described as a manor in 1239. A licence for crenellation was granted in 1305, at which point the house is thought to have been re-styled as a castle. Another licence was received in 1354, and the property was again rebuilt.
The tower and spur wall are built in sandstone rubble. The tower is about high, and the wall is long, just over wide and about high. An archway in the city walls leads to 44 stone steps on the way down to the tower. The wall is crenellated; this may be the only surviving example of medieval crenellation on the city walls.
St. Jude's Episcopal Church is a historic Episcopal church located at 301 North Main Street in Monroe City, Monroe County, Missouri. It was built in 1867, with the south transept added in 1877 and two-story bell tower added in 1904. It is an asymmetrical, one-story Gothic Revival style limestone building. It features crenellation, stepped buttresses and lancet windows with stained glass.
Three sides of the terrace have machicolations with a parapet supported on large corbels. At the corners there are semi-cylindrical corbelled turrets (bartizans) to allow the defenders to observe the sides of the tower. The crenellation of the parapet dates from the restoration work carried out in the 1980s. The tower is owned by the commune of Villeneuve-lès- Avignon and is open to the public.
First Battalion Virginia Volunteers Armory, also known as the Leigh Street Armory, Monroe School, and Monroe Center, is a historic armory building located in Richmond, Virginia. It was built in 1895, and is a two-story. Late Victorian style brick structure. It features four brick towers, two circular turrets, a rectangular tower over the center front entrance, and a square tower, with crenellation along the roof parapet.
Kapetanovo Castle is an example of neogothic architecture. It has two entrances, and around it there was a spacious park (now defunct) with a fountain. One of the most specific architectural specifications is a crow-stepped gable stretching along three sides of castle. With simple white façade and an elevated entrance, the building's harmonious proportions are pointed out with high square towers with crenellation.
The outer gatehouse of Cooling Castle, Kent, displays its licence to crenellate on a brass plaque (granted 1381). The term "licence to crenellate" was coined in the 19th century to describe documents that granted the holder permission to build fortifications. The reference to crenellation was chosen specifically because most of these documents made references to battlements. There has been academic debate over the purpose of licensing.
Cairo:AUC Press, 2008. p 185 Crenellation crowns the arches, and is also carved in stucco. Relieving oculi penetrate the spandrels of the second row of arches, and at each corner and the middle of each wall of the courtyard a small domicile with a mabkhara contains a bright blue bulb of glass. The fountain in the courtyard is not a part of the original mosque.
Surviving examples of medieval secular architecture mainly served for defense. Castles and fortified walls provide the most notable remaining non-religious examples of medieval architecture. Windows gained a cross-shape for more than decorative purposes: they provided a perfect fit for a crossbowman to safely shoot at invaders from inside. Crenellation walls (battlements) provided shelters for archers on the roofs to hide behind when not shooting.
Waytemore Castle, Bishop's Stortford Waytemore began as a motte and bailey castle in the time of William the Conqueror. A rectangular great tower was added to the motte in the 12th century. It was improved in the 13th century under King John and a licence for crenellation was granted in the mid-14th century. It lost significance after the Civil War and was used as a prison in the 17th century.
On the upper floor of the great hall are living quarters, above that the great hall (Rittersaal) and, in the adjacent wing, the chapel. The castellans (Burgmannen) were accommodated in the northern part of the site Between that and the gatehouse are the brewery, bakery and granary (Kornhaus). The crenellation and spire of the bergfried were destroyed in the Thirty Years' War. Other parts of the castle were demolished in 1737.
It is a detached, single-cell, gable- fronted church. The pitched roof is covered with artificial slate. There are 5 bays on each side of the nave which features Gothic pointed-arch stained glass windows, with a vestry to the south east, and a porch and 4-stage bell tower to the south west. The string coursed sandstone walls and tower feature crenellation and pinnacles, as well as diagonal buttresses and pinnacles on the porch.
The first two floors of the Napoleonic Wing continue the repeatable bays of Sansovino's design for the library which Scamozzi had also used for the Procuratie Nuove on the southern side of the square. To then visually link the new building to the northern side, Soli designed an attic floor, the height of which corresponds to the roofline crenellation of the Procuratie Vecchie.Howard, The Architectural History of Venice, p. 216Torsello, 'Il neoclassico nella Piazza…', p.
Effigy of Maurice de Gaunt in the south aisle of the Lord Mayor's Chapel, Bristol Maurice de Gaunt (died 1230) was the founder of Beverston Castle in Gloucestershire, England. He began the construction c. 1225 without royal licence, and completed the project in 1229 with the granting of a licence for the final crenellation. Beverston Castle was further enlarged in the mid fourteenth century and saw action in the English Civil War.
The area of the town within the defensive walls was 9 hectares and the length of the fortifications was 1150 metres. In 1603 in the south-western part of the circuit the Monastery of Norbertine Sisters was added to the walls. Also in the 16th century the crenellation was converted into an indoor porch. The line of fortifications was strengthened by 9 towers on the north, east and south sides of the castle.
It is this peculiarity of construction which makes it possible to date the castle of Airvault at least to the 11th century. (Some think that it would be earlier than the beginning of the construction of the church). The castle has an enceinte whose crenellation was leveled in the 1940s. Two quadrangular towers added obliquely to the corners of the enceinte on the ramparts are dated to the 13th or 14th century.
The original hospital buildings built in 1932, include the main building, kitchen / dining hall, acute building, continued treatment building, recreation building, laundry, warehouse, boiler plant, attendant's quarters, sewage pump house, garage, and gatehouse. The buildings are constructed of brick and feature crenellation, gabled parapets, half- timbering, steeply gabled roofs, and Tudor arches reflective of the Tudor Revival and Jacobethan Revival styles. See also: It was added to the National Register of Historic Places in 2012.
Belmead is a historic home located near Powhatan, Powhatan County, Virginia, designed by architect Alexander Jackson Davis for Philip St. George Cocke -- and constructed about 1845. Approximately 150 slaves worked the land, growing tobacco and grains. The house is a two-story, Gothic Revival style stuccoed brick residence with a three-story central cross gable. It features a square tower with corner piers, crenellation, belt courses, ground level Tudor arched openings, and diamond-paned casement windows.
From the top of the ramparts (for example, from the crenellation platform overhanging the Saint-Antoine gate), there is a pleasant view of the Pyrenees and, below, the arches of the bridge of Navarrenx (13th century). Visits There is free access to the 1818-metre perimeter of the town. The walls of the city contain bilingual (French- English) descriptive plaques that trace the history of each structure. Information on guided visits can be obtained from the Navarrenx district tourist office.
The oldest surviving part of the church is in the chancel, and dates from the 12th century, with the nave and tower from the 14th century. In 1889–90 the church was extensively restored by Aston Webb for the Honourable Georgina Rushout of Burford House. He largely rebuilt the tower, added buttresses and crenellation to the nave and chancel, and replaced the tracery in the windows. Inside the church he rebuilt the chancel arch and roof, adding carvings of angels.
The interior was occupied by lean- to buildings whose roofs fed a central cistern of approximately 40m3 capacity. The surrounding wall, which reached a height of at least 11 m, supported a round walk and, certainly, crenellation. To the left of the door, traces of projecting stones suggest the presence of a staircase giving access to the round walk. In the north east corner, opposite the bridge, stored stones are witness to a project to build a keep, never completed.
Poppleton Fire Station, also known as Engine House #38, is a historic fire station located at Baltimore, Maryland, United States. It is a Tudor Revival style building built of brick, one large bay wide, approximately nine bays long, and two stories high with a gable roof. The front façade is a brick and limestone composition featuring a central, Tudor archway flanked by octagonal towers and crowned with crenellation. The archway features engaged colonettes with carved, foliated capitals containing firemen racing to extinguish a fire.
The style of the building is defined as the Dutch Neo- Renaissance. The façade is three-storey, built with face brick with significant use of red sandstone (ground floor, decorative details), significantly oversized in relation to the adjacent buildings of the Market Square. Apart from neo-Renaissance motifs, there are also references to the original, Gothic-Renaissance building - sharp-edged windows and bossage on the ground floor, turrets flanking the façade, crenellation crowning the building. The structure is covered with a high, hipped roof - its silhouette is clearly visible in the skyline of Toruń.
The most import and impressive feature of the church is the round-headed chancel arch the mid 12th century. This arch has six elaborately decorated orders on ornamental capitals. The inner order is roll-moulded, the second has beak-heads, the third has zig-zags and continuous crenellation, the fourth various heads including those of a king and queen, figures, animals, a green man and foliage and the fifth with zig-zags and the sixth an abstract version of beak mouldings. The outermost edge of the arch is decorated with billet moulding.
In addition to the permanent displays, temporary exhibits are also sometimes shown at the museum. The tower has been struck by lightning several times in its career. The most serious occasion, in 1481, led to the death of one of its guardians. In 1602 lightning demolished a part of the crenellation on the top tower, and in 1603 another strike, again on the same tower, hit a decorative marble tablet with the text Jesus Christus rex venit in pace et Deus Homo factus est(Jesus Christ king came in peace, and God became Man).
This led to a "narrow wall at the arch crown" and a "protruding rock parapet" atop this spandrel wall on either side. Most stone arch bridges have solid parapets without decoration; this bridge's parapet crenellation was an ornamental feature. The parapet construction and appearance made the bridge unique among the 58 Pennsylvania stone arch bridges with which it was nominated for the NRHP. Pennsylvania has a long history of stone arch bridges, including the oldest such bridge in use in the United States, the 1697 Frankford Avenue Bridge over Pennypack Creek in Philadelphia.
Castle Geyser is a cone geyser in the Upper Geyser Basin of Yellowstone National Park. It is noted for the particularly large geyserite sinter deposits, which form its cone. These deposits have been likened in appearance to a castle. When the geyser was given this name in 1870, the top edges of the structure resembled the typical profile associated with the modern concept of a castle, having the appearance of a large keep, multiple turrets, and especially because of the crenellation along the top edges of what resembled its towers.
The walls typically include towers, arrowslits, and wall-head defences such as crenellation and, in more advanced cases, machicolations, all aimed at an active style of defence. The Krak des Chevaliers in Syria is the best preserved of the concentric crusader castles. By contrast, Château Pèlerin was _not_ a concentric castle, as the side facing the sea did not require defensive walls. However, the two walls facing the land are built on the same defensive principles as other crusader castles in the same period, rivalling the defences at Krak.
The Piast Tower was built in the first part of the 14th century and was a part of the upper castle. As one of the four towers it was an important element of the defence system of the castle of Cieszyn in the times of the Piasts. The tower was enlarged in the second half of the fourteenth century and decorated with corner heraldic shields depicting the eagle of the Piasts. At the end of the 15th century another storey was added with machicolation and brick crenellation covered by a high tent roof.
The smooth, rather bare walls were faced with yellow-grey stone, probably from the Cefn quarry near Minera. The windows have flat ogee profiles and arched merlons with ball- finials. From the centre of the south front the saloon projected - turreted, and with a vast traceried window, above which, the crenellation rose and fell. A veranda along this front was wrapped round the octagonal bows at either end. There is a resemblance to Thomas Johnes’ Hafod in Ceredigion, which was gothicised by John Nash (architect) in 1791-4.
Snežnik Castle protected by defensive wall in southern Slovenia The height of walls varied widely by castle, but were often thick. They were usually topped with crenellation or parapets that offered protection to defenders. Some also featured machicolations (from the French machicoulis, approximately "neck-crusher") which consisted of openings between a wall and a parapet, formed by corbelling out the latter, allowing defenders to throw stones, boiling water, and so forth, upon assailants below. Some castles featured additional inner walls, as additional fortifications from which to mount a defense if outer walls were breached.
Cumulus castellanus (from Latin castellanus, castle) is a type of cumulus cloud that is distinctive because it displays multiple towers arising from its top, indicating significant vertical air movement. They are so named because they somewhat resemble the crenellation on medieval castles. Cumulus castellanus clouds are associated with the formation of towering cumulus or cumulonimbus clouds, and correspondingly can be an indicator of forthcoming showers and thunderstorms. The World Meteorological Organization and the American Meteorological Society do not recognize cumulus castellanus as a distinct species, but instead classify all towering cumulus clouds as Cumulus congestus.
The Second Congregational Church of Newcastle stands in the town center, just south of the junction of United States Route 1 Business and Maine State Route 215. It is a single-story brick building with wooden trim and a gable roof. Projecting from the center of the main facade is a tower, which houses the main entrance at the base. The tower and building corners are articulated by pilasters; the tower has Gothic arched windows on the front, and rises to a wooden crenellation that surrounds an open wood-frame belfry.
Eleven drill halls were built in Ontario between 1876 and 1918 to improve the Canadian military as part of a campaign to reform and expand the Active Volunteer Militia. This period of reform turned the Canadian militia from a poorly equipped citizens' militia into an organized, competent fighting unit that was well prepared for the First World War. Designed with classical inspiration, the brick buildings are box-like with a flat roof, stonework on the base, crenellation, and Parapet walls. From 1896 to 1918 over 100 drill halls and armouries were erected across Canada.
The Buildings at 815-817 Brummel and 819-821 Brummel are two historic apartment buildings at 815-817 and 819-821 Brummel Street in Evanston, Illinois. Built in 1928 and 1927 respectively, the two three-story buildings have identical, mirrored Tudor Revival designs. Despite being identical, the buildings were designed by two different architects; 815-817 was designed by E.L. Kline, while 819-821 was designed by Kocher & Larson. Each building features a brick exterior with limestone detailing, Tudor arched entrances, double gables with a diamond pattern facing the street, and crenellation and a small tower on the courtyard-facing side.
The tower has been renovated many times, inter alia between 1819 and 1840 when the tent roof was replaced by a recessed roof, and on the tower a clock was installed. In the 20th century the tower was renovated in 1976-89, adding, inter alia, an observation deck on the top of it, restoring battlements and the shields with the Piast eagles. The last renovation took place in 2015 at the upper part of the Piast Tower - in the so-called crenellation. Concrete stairs were renovated, damaged rails were repaired, the platform and the ceiling of the last level were restored.
The building was originally two stories high with a crenellated top. Toward the waterfront, the base of the cavity wall was made very thick, almost 2,5 metres at the base and about 0,75 centimetres at the top, while the other side was considerably thinner with much larger openings. In 1589-1590, the original crenellation was rebuilt into a third floor topped by a cone shaped roof, and the present white grouting was added to the façade. In the 1620s King Gustavus Adolphus begun to donate parcels of land on Riddarholmen to prominent members of the Swedish nobility, and the islet was gradually transformed into the palace laden location it still is.
The Ffrench Mausoleum, Monivea Set in a clearing amidst the trees of Monivea Wood, the ffrench Mausoleum and chapel was commissioned by Kathleen ffrench in honour of her late father, Robert Percy ffrench. In 1914, the Pope granted an indult, permitting official mass celebrations on special occasions and under special circumstances. Designed by architect Francis Persse (younger brother of Augusta Gregory), the mausoleum took four years to construct, at a cost of £10,000 (near two million in today's economy). Built of rough-granite blocks quarried in Wicklow, the structure resembles a small castle, approximately 25-feet-wide by 30-feet-high, with crenellation along the roofline, and featuring a back, left turret.
Battlements were most often found surmounting curtain walls and the tops of gatehouses, and comprised several elements: crenellations, hoardings, machicolations, and loopholes. Crenellation is the collective name for alternating crenels and merlons: gaps and solid blocks on top of a wall. Hoardings were wooden constructs that projected beyond the wall, allowing defenders to shoot at, or drop objects on, attackers at the base of the wall without having to lean perilously over the crenellations, thereby exposing themselves to retaliatory fire. Machicolations were stone projections on top of a wall with openings that allowed objects to be dropped on an enemy at the base of the wall in a similar fashion to hoardings.
Battlements on the Great Wall of China Drawing of battlements on a tower Decorative battlements in Persepolis Battlements of a tower of Bam Citadel, Iran A battlement in defensive architecture, such as that of city walls or castles, comprises a parapet (i.e., a defensive low wall between chest-height and head-height), in which gaps or indentations, which are often rectangular, occur at intervals to allow for the launch of arrows or other projectiles from within the defences. These gaps are termed "crenels" (also known as carnels, or embrasures), and a wall or building with them is called crenellated; alternative (older) terms are castellated and embattled. The act of adding crenels to a previously unbroken parapet is termed crenellation.
The brickwork, consisting of two-tone bricks, is decorated with terracotta ornaments and wrought iron clasps, the segmentation of the façade is set off in natural stone, and the median risalit is rich with decorative elements such as the three round windows in front of the side wings. The richly adorned attic section is borne by a magnificent lombard band reminiscent of Florentine palazzi. The dovetail crenellation is interrupted by turrets at the axes of the side wings and at the corners of the central part of the building, with terracotta trophy sculptures positioned inside their alcoves. Allegoric representations of military virtues made of sandstone are featured on and in front of the facade, created by Hans Gasser, one of the most influential sculptors of his time.
He started minting coins, where he is on the front imitated as an exalted figure, bearded and wearing a crenellation-shaped crown with two crescents of the moon, whilst the reverse shows the traditional fire altar flanked by two attendants. Regardless, many nobles and priests still chose to side with the inexperienced and less dominant Khosrow II. In order to get the attention of the Byzantine emperor Maurice (r. 582–602), Khosrow II went to Syria, and sent a message to the Sasanian occupied city of Martyropolis to stop their resistance against the Byzantines, but with no avail. He then sent a message to Maurice, and requested his help to regain the Sasanian throne, which the Byzantine emperor agreed with; in return, the Byzantines would re-gain sovereignty over the cities of Amida, Carrhae, Dara and Martyropolis.
He started minting coins, where he is on the front imitated as an exalted figure, bearded and wearing a crenellation-shaped crown with two crescents of the moon, whilst the reverse shows the traditional fire altar flanked by two attendants. Regardless, many nobles and priests still chose to side with the inexperienced and less dominant Khosrow II. In order to get the attention of the Byzantine emperor Maurice (r. 582–602), Khosrow II went to Syria, and sent a message to the Sasanian occupied city of Martyropolis to stop their resistance against the Byzantines, but with no avail. He then sent a message to Maurice, and requested his help to regain the Sasanian throne, which the Byzantine emperor agreed with; in return, the Byzantines would re-gain sovereignty over the cities of Amida, Carrhae, Dara and Martyropolis.
Procuratie Vecchie, detail of the façade The Procuratie Vecchie was the first major building erected in Venice in emulation of classical prototypes. Although many aspects of the earlier Veneto-Byzantine structure were maintained, including the decorative crenellation along the roofline and the succession of two window bays over each of the ground-floor arches, the elongated stilted arch, characteristic of the Veneto-Byzantine tradition in Venice, was updated with Renaissance semi-circular arches, supported on fluted Corinthian columns. Also, the columns on the ground floor, reminiscent of the Doge's Palace, were replaced with square Doric pillars. This adhered to Leon Battista Alberti's recommendation in his architectural treatise, De re aedificatoria, that in larger structures the column, inherited from Greek architecture, should only support an entablature, whereas the arch, inherited from Roman mural construction, should be supported on square pillars so that the resulting arcade appears to be the residual of "a wall open and discontinued in several places".
Bagworth Colliery in 1990. The incline-keeper's house at the top of Bagworth incline in 1985, before it was allowed to fall down. There are records of the manor of Bagworth from the early 14th and early 15th centuries, when it was held by the same feudal lords as the neighbouring manor of Thornton. Bagworth Park is first recorded in 1279 under ownership of the Bishop of Durham. In 1318 Roger de Holland was given permission to fortify his property at Bagworth.Leicestershire Museums Archaeological fieldwork Group 2008, Monograph No 2, p.3 It is recorded under the ownership of Matilda Lovell in 1411. The Lovell family later sold the land to the Hastings family. Development of the site was granted to William, Lord Hastings by Edward IV in 1474 for "crenellation and emparkment of 2000 acres of land" along with the castle developments at Ashby de la Zouche and Kirby Muxloe but there is no indication of any building by Hastings on the site prior to his execution by Richard III in 1483. A later moated house was developed on the site by Sir Robert Banaster in 1616.

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