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"crampon" Definitions
  1. a metal plate with pointed pieces of metal on the bottom, worn on somebody’s shoes when they are walking or climbing on ice and snow
"crampon" Synonyms

80 Sentences With "crampon"

How to use crampon in a sentence? Find typical usage patterns (collocations)/phrases/context for "crampon" and check conjugation/comparative form for "crampon". Mastering all the usages of "crampon" from sentence examples published by news publications.

But as I fell, my extended leg hit a ledge and my crampon bit into the ice as my body continued downward.
A helicopter trip onto the Fox Glacier reveals deep crevasses in the translucent blue ice and stunning ice caves through which guides take crampon-wearing tourists.
After gathering at a "base camp" that recalls a Wi-Fi-equipped nouveau Antarctica-style shed high above Husafell, visitors pile into massive eight-wheel-drive military trucks that could double as "Star Wars" weaponry and roll across the snow before descending, crampon-shod, into the ice tunnels that cost $4.5 million to engineer.
Arrignon has worked as a clarinet tester and developer at Buffet Crampon since 1985. He helped create the Tosca clarinet, released in 2003 by Buffet Crampon. He plays on Buffet Crampon Tosca Green- Line clarinets.
Originally Buffet Crampon flutes were made in Paris, France. But in 1981 the company was bought out by Boosey & Hawkes and their flutes were manufactured in Boosey & Hawkes factories in England (and later in Germany) over the period 1981 to 2004. In 2005 the Buffet Crampon company returned to French hands. In 2016 Buffet Crampon purchased Powell Flutes, Maynard, Massachusetts, which continues as a separate brand.
Denis Buffet-Auger, of the Buffet family of French musical instrument makers, began making quality clarinets in Paris, France in 1825. The company expanded under Jean-Louis Buffet and his wife Zoé Crampon and became known as Buffet Crampon. (Another family member, Auguste Buffet jeune, who worked with famous clarinetist Hyacinthe Klosé to develop the Boehm system for clarinet, had his own business separate from Buffet Crampon.) In 1850, Buffet Crampon established its headquarters at Mantes-la-Ville. The company continued to expand its range and quality in instrument production, beginning saxophone production in 1866, and winning numerous awards.
Van Wauwe plays Vintage clarinets in B and A by Buffet Crampon, optimized by a German clarinet maker (low E improvement added ). She performs the Mozart Concerto, like many solo clarinetists today, on a modern basset clarinet, a Prestige by Buffet Crampon.
Bok is an endorser for Buffet Crampon , D'Addario reeds, Pomarico, and Wiseman bells and cases.
Buffet Crampon is a French manufacturer of woodwind musical instruments, including oboes, flutes, saxophones, english horns and bassoons; however, the company is perhaps most famous for their clarinets, as Buffet is the brand of choice for many professionals. Buffet Crampon began manufacturing musical instruments in 1825 exclusively in France, but has since expanded their business to include production facilities in Germany and China as well. Since the company's conception, Buffet Crampon has expanded to a worldwide market. Jérôme Perrod, Buffet Group's Chief Executive Officer, runs the Buffet Crampon, Besson, B&S;, Antoine Courtois, Hans Hoyer, J. Keilwerth, Meinl Weston, Powell Flutes, Scherzer, and W. Schreiber brands.
Jean- Louis Buffet, also known as Jean-Louis Buffet-Crampon, was born 18 July 1813 in La Couture, son of Denis Buffet-Auger. By about 1830 he had begun to work at the musical instrument manufacturing firm established by his father, and at the latter's death in 1841 he took over the company. Buffet married Zoë Crampon in 1836, and by 1844 his firm was known as Buffet Crampon. He died in Paris on 17 April 1865.
In 2006, at the initiative of its CEO, Paul Baronnat. Buffet Crampon acquires two famous brass instrument brands, Antoine Courtois Paris (created in 1803) and Besson (created in 1837). The company became Groupe Buffet Crampon, with two subsidiaries, in the United States and Japan, and in November 2007, it appointed Antoine Beaussant as new Chief Executive Officer. By joining the Buffet Crampon Group, Besson has restructured and relaunched its production of professional instruments in Germany and France.
They later helped Buhl during his descent, when he was caught by frostbite and lost his crampon.
Retrieved May 12, 2015.Doce Notas. Soloist with Orquesta Filarmónica de Galicia Retrieved May 19, 2015.Buffet Crampon.
As early as 1866, Buffet Crampon was producing its first saxophones, 20 years after the invention of this instrument by the Belgian Adolphe Sax. They were the first to manufacture saxophones, besides those made by Adolphe Sax himself. Today, Buffet Crampon produces three series of saxophones: 100 Series, 400 Series and since 2013, the Senzo alto saxophone.
He has been working with Buffet Crampon since 1992, and has also contributed to the development of the oboe, particularly the oboe.
In 2006 Buffet Crampon acquired two brass instrument manufacturers, Antoine Courtois Paris and Besson. In 2008 Buffet Crampon acquired the Leblanc clarinet factory in La Couture-Boussey, Département of Eure, Haute-Normandie in France. In 2010, Buffet acquired the Julius Keilwerth company of Germany, taking charge of distribution of their distinctive saxophones. In 2014, Buffet introduced the professional level Senzo alto saxophone.
Modern Buffet Crampon flutes utilize the Cooper scale (see Albert Cooper) and have a reputation for accurate tuning. The 200 series flutes were of average construction quality and needed regular maintenance to play well. In the 1980s Boosey & Hawkes redesigned the Buffet Crampon flute as the 6000 series with improved key cups and stiffer keys. The 6000 series is generally regarded as mechanically superior to the 200 instruments.
Alison Turriff (born 10 August 1984 in Lanark, Scotland) is a Scottish folk fusion clarinetist, composer, recording artist, researcher, producer and artist for world leading clarinet makers Buffet Crampon.
Longer shanks make for stiffer boots. # Scree Collars - Protects the Achilles tendon and ankle from chafing. # Crampon Connections - Crampons are worn on boots to provide traction on snow and ice.
He became the first professor of bass clarinet at Conservatoire de Paris in 1991. He is the president of Association Papageno, a chamber music advocacy group. He also collaborates with Buffet Crampon.
Clarinet in D by Buffet Crampon, Metropolitan Museum of Art Buffet Crampon has released several clarinet models from the mid-20th century onwards, with models ranging from student to professional in marketing. The development of new models has sometimes led to the discontinuation of older models. The student models tend to be made from ABS resin, whereas intermediate and professional models are usually made from grenadilla wood. The professional models are usually made from more select grenadilla wood, and are usually unstained.
In 2015 he won the "Prize for innovation" awarded by the PUCP. Marco Antonio is the first Latin American clarinetist to become a Buffet Crampon Artist (2011) and is also a Vandoren artist (January 2012).
Rigid step-in crampons used for vertical ice climbing A crampon is a traction device that is attached to footwear to improve mobility on snow and ice during ice climbing. Besides ice climbing, crampons are also used for secure travel on snow and ice, such as crossing glaciers, snowfields and icefields, ascending snow slopes, and scaling ice-covered rock. There are three main attachment systems for footwear: step-in, hybrid, and strap bindings. The first two require boots with welts, as a tension lever attaches the crampon to the heel.
This extra stiffness is traditionally achieved through the use of a full steel shank, though some manufacturers have begun to use carbon fiber to create the necessary stiffness. Mountaineering boots from 1911 Mountaineering boots are typically designed to be used with crampons. To achieve compatibility with crampons, welts are moulded into the toe and heel of the boot, providing a platform for the crampon to attach to. The stiffness of the boot enhances the precision of the crampon and allows a climber to pursue steeper and more difficult terrain.
Some companies that currently produce saxophones are Buffet Crampon, KHS/Jupiter, Conn-Selmer, Selmer Paris, Yamaha, Leblanc/Vito, Keilwerth, Cannonball, P.Mauriat Musical Instrument and Yanagisawa. New alto saxophones range in price between €250 ($281.05) for lower quality student models to over €6000 ($6745.20) for professional models.
Kenny G was born in Seattle, Washington. His mother was from Saskatchewan, Canada. He came into contact with the saxophone when he heard a performance on The Ed Sullivan Show. He started playing saxophone, a Buffet Crampon alto, in 1966 when he was 10 years old.
He also was a laureate of the 2009 Pablo Casals Festival of Prades. He is an artist of the World Clarinet Alliance. He performed in Concert Déclic for Radio France, and was broadcast nationally. Charpentier plays a Buffet Crampon clarinet and a Selmer bass clarinet, with Vandoren mouthpieces.
There, she met Jocelyne Crampon, her future partner. However, multiple illnesses kept Best away from school long enough to prevent her from graduating. For some time, Best worked in a clothing factory, sewing plastic garments. After an accident with the machinery, Best took another job, at the urging of her mother.
Mantes is home to small businesses working on concrete and chemical processing, but is inevitably drawn into the economic area of nearby Paris. It is historically and at present a center of musical instrument manufacturing. The well known Buffet Crampon woodwind factory is located in the neighbourhood city of Mantes-la- Ville.
To the most widely mentioned edition Crampon and Péronne added complementary annotations from later interpreters. All of the aforementioned commentaries are great in scope. They explain not only the literal, but also the allegorical, tropological, and anagogical senses of the Sacred Scriptures and provide numerous quotations of the Church Fathers and mediaeval interpreters.
The contrabass sarrusophone is the deepest of the family of sarrusophones, and was made in three sizes. The EE version was the only sarrusophone that was ever mass-produced in the United States. It was made by companies such as Gautrot, Couesnon, Romeo Orsi, Rampone (and Cazzani), Buffet Crampon (Evette and Schaeffer), and C.G. Conn.
The last type (strap bindings) are more versatile and can adapt to virtually any boot or shoe, but often do not fit as precisely as the other two types. Oscar Eckenstein designed the first 10-point crampon in 1908, dramatically reducing the need for step cutting. This design was then made commercially available by the Italian Henry Grivel.
Oscar Eckenstein in the 1890s Oscar Johannes Ludwig Eckenstein (9 September 1859 – 8 April 1921) was an English rock climber and mountaineer, and a pioneer in the sport of bouldering. Inventor of the modern crampon, he was an innovator in climbing technique and mountaineering equipment, and the leader of the first serious expedition to attempt to climb K2.
Besson is a manufacturer of brass musical instruments. It is owned by Buffet Crampon, which bought Besson in 2006 from The Music Group. The company was formed in 1837 by Gustave Auguste Besson, who at the age of 18 produced a revolutionary design of cornet which surpassed all contemporary models. His products quickly gained a great reputation throughout Europe.
Rittershausen is well documented in the New Langewell Index of musical instruments. In 1910 Fischer won the importation rights for woodwinds manufactured by Buffet-Crampon of France. In 1929 the C.G. Conn Ltd. corporation acquired the musical instrument department from the company, maintaining the Carl Fischer retail operations as a consortium between Conn and the music publisher under the Carl Fischer name.
Jim Phelan left the company in 1989 to pursue other interests and Mr. Wasser became the full owner. The company moved from Boston to Arlington in 1970, to Waltham in 1989, and then Maynard in 1999. On March 31, 2016, Steven Wasser sold Verne Q. Powell Flutes, Inc. to Buffet Crampon, and Francois Kloc became the new president of the company.
The ' () is a German heraldic charge inspired by historic wolf traps, consisting of two metal parts and a connecting chain. The top part of the trap, which resembled a crescent moon with a ring inside, used to be fastened between branches of a tree in the forest while the bottom part, on which meat scraps used to be hung, was a hook meant to be swallowed by a wolf. The simplified design based on the iron "wolf-hook" was often heavily stylized to no longer resemble a baited hook hung from a tree or an entire wolf trap. Other names included ("wolf-anchor") or as well as or , a half-moon shape with a ring, or as cramp or crampon in English with a ring at the center, sometimes also called ("double-hook"), or a crampon with a transversal stroke.
Guy Deplus (29 August 1924 – 14 January 2020) was a French clarinetist. Deplus studied clarinet at the Conservatoire de Paris, where he would later become a professor of clarinet, and received Premiers Prix in clarinet and chamber music. He taught many French orchestral clarinetists. He was also one of the clarinetists who collaborated with Buffet Crampon on the creation of the Tosca, Festival and RC Prestige clarinets.
Manasse plays with the Stamford Symphony Orchestra, and is the principal clarinetist of the American Ballet Theater Orchestra and the Mostly Mozart Festival Orchestra. He became the principal clarinetist of the Orchestra of St. Luke's in 2008. Jon Manasse and his duo-partner, pianist Jon Nakamatsu, serve as Artistic Directors of the Cape Cod Chamber Music Festival. Manasse is a Buffet Crampon and Vandoren Performing Artist.
Some clarinet makers now produce basset clarinets, or extended lower joints which will convert a standard clarinet to a basset clarinet. Among makers of basset clarinets using the French (Boehm) system are Buffet Crampon, Stephen Fox (clarinet maker), Backun Musical Services, and Selmer. Some makers of both French and German (Oehler) systems: Herbert Wurlitzer, Schwenk & Seggelke and Leitner & Kraus. A maker of the German system only: Hüyng.
Crampons are fastened to footwear by means of a binding system. Improved attachment systems - such as a cam action "step-in" system similar to a ski binding and particularly well adapted to plastic technical mountaineering boots - have widely increased crampon use. Crampons also use a full "strap-in" system and a "hybrid" binding that features a toe strap at the front and a heel lever at the back.
The lacquer used is imported from Britain and the USA and the soldering powder is imported from Canada. All of the KHS manufacturing facilities in Taiwan and China are ISO 9001 certified. KHS has made musical instruments for other companies such as Buffet Crampon (Evette), Vito and Keilwerth ST-90 series IV saxophones, B&S; trumpets and Courtois cornets. KHS has made Olds, Blessing, Riley and Arbiter Jazz saxophones.
Denis Buffet-Auger, born Denis Buffet, was born 28 July 1783 in La Couture, near Dreux into a family of woodturners. He became known as Buffet-Auger after his marriage to Marie-Anne Auger. In 1825 he set up a workshop in Paris making instruments, a business that was to become the Buffet Crampon company, still in operation and one of the foremost manufacturers of woodwind instruments. Jean-Louis Buffet was his son.
Ice climbing during ascent to Tartu Ülikool 350 in 1982. Photo by Jaan Künnap. A climber chooses equipment according to the slope and texture of the ice. For example, on flat ice, almost any good hiking or mountaineering boot will usually suffice, but for serious ice climbing double plastic mountaineering boots or their stiff leather equivalent are usually used, which must be crampon compatible and stiff enough to support the climber and maintain ankle support.
The earlier species, like other sloths, bore their weight on the sides of their feet (pedolateral), whereas the later species planted their feet flat (plantigrade) to better paddle and walk along the seafloor. The digits decreased in size in later species. The third digit was constantly flexed, perhaps acting like a crampon to anchor itself to the seafloor while digging. Like other ground sloths, the fifth digit was vestigial and non-functioning.
Alpine touring ski boot, binding, and ski crampon A ski binding is a device that connects a ski boot to the ski. Generally, it holds the boot firmly to allow the skier to maneuver the ski. However, if certain force limits are exceeded, it releases the boot to minimize skier injury, such as in the case of a fall or impact. There are different types of bindings for different types of skiing.
On January 22, 2011, three friends summited successfully in the afternoon, but one broke his crampon during descent. At 5 p.m., his partners continued down without him separating from him at Crater Rock. They notified authorities when he did not return, reporting he lacked a light and overnight gear though he had "a beacon" from REI, but did not know what it was, but said he would "pull the knob" if something happened.
Each tower is topped with a Star of David. The entrance to the synagogue is a gate with three arcades, separated by twin columns and backed by pillars. Underneath the entrance, sits a gothic central rosette with an inscription, quoting the Tanach in Hebrew: "My house is a house of prayer, for all the people:Livre d'Isaïe; Version Chanoine Crampon; 1923" (Book of Isaiah 56-7). Roses decorate the two towers, at the facade's corners, on the first floor.
It was opened in 1975 by a group of Italian alpinists led by Casimiro Ferrari. It is considered a difficult climb, demanding good crampon and ice-climbing technique. There are incomparable views of steep ice faces, penitentes, gigantic white walls and ridges like those of Huandoy Norte, Artesonraju and Huascaran Norte, similar to the finest of the Himalayan scenery. There are also at least six other alternative climbing routes, the second most popular being the Vasque-French route.
There is a complete list of recordings on the Media tab at her website, DianaHaskellClarinet. Haskell is a Buffet-Crampon Artist and plays on Buffet R-13s for all instruments. She is also a Vandoren Artist and performs on a Vandoren BD-5 mouthpiece with Vandoren's Optimum Ligature or leather ligature, and Vandoren V-12 reeds for the rest of her equipment. Haskell’s blog, Clarinet Divas, is a teaching journal, with an emphasis on women who play the clarinet.
British Library Sloane MS 1145, ff. 35–39. Small versions of this instrument, called bird flageolets, were also made and were used for teaching birds to sing. These tiny flageolets have, like the French flageolet, four finger holes on the front and two thumb holes on the back. The number of keys on French flageolets ranges from none to seven, the exception being the Boehm system French flageolet made by Buffet Crampon which had thirteen keys.
Reference for work with Buffet Crampon Roger rejoined Grimethorpe in 2015 on principal cornet in a bid to help Grimethorpe become as successful as their recent history, when Webster was last in the bandReference for rejoining Grimethorpe Roger has recently been awarded a professorship at the RNCM. In 2012 Webster released his first solo CD in eight years, however, this CD was for the charity Help For Heroes, and he was accompanied by The Guards' Brass Band .
A glossary defines mountain-related words from the story, including terms like avalanche, crampon, gorge, glacier and mountaineer. This section also includes practical information to get children started on their mountaineering careers, such as how to build an igloo, what a mountaineer wears and carries in his pack, and how to tie a couple of useful knots. To facilitate this particular skill, the first book includes a toy carabiner and a length of accessory cord. Later books continue this format.
The following morning all four started the ascent but Boysen's oxygen set soon failed and he lost a crampon and so had to return to the camp. Boardman and Pertemba climbed strongly with Burke lagging far behind. The pair had reached the South Summit by 11:00 where Pertemba's oxygen blocked in the same way as had Haston's. Taking advantage of the fixed rope up the Hillary Step left two days earlier, they reached the summit of Everest at 13:10, 26 September.
In the late 19th century, the typical ice axe shaft measured 120–130 cm in length. Eckenstein started the trend toward shorter ice axes with a lighter model measuring 85–86 cm, which could be used single handed. Initially, this innovation was criticised by well-known climbers of the era, including his nemesis Martin Conway, a prominent member of the Alpine Club. Eckenstein is also credited with designing the modern crampon as well as analysing both knots and nail patterns for climbing boots.
Lessons consist of a typical half-hour block once a week, signing up for month long sessions at a time. Band and orchestra instrument brands sold by Menchey Music include Gemeinhardt, Buffet Crampon, Yamaha, Accent Musical Instruments, Eastman Music Company, Vincent Bach, Jupiter Band Instruments, Cannonball Musical Instruments, Haynes, Conn-Selmer, King Musical Instruments, and Henri Selmer Paris. Guitar and amplifier brands include Fender Musical Instruments, Alvarez Guitars, C. F. Martin & Company, Line 6, Zoom, Audio-Technica, Ibanez, and Jay Turser.
Snowshoeing, a Trailside Guide, by Larry Olmsted, p. 35 Full-rotation bindings allow the user's toes to pivot below the deck of the snowshoe. They allow the crampon cleats that are under the foot to be kicked into a slope for grip in climbing, but are relatively awkward for stepping sideways and backwards as the tail of the snowshoe can drag. Fixed-rotation bindings often cause snow to be kicked up the back of the wearer's legs; this does not tend to happen with full-rotation bindings.
When Boukreev and the other two climbers began their descent just after sundown they met Reinmar Joswig ascending and near the peak. Relying heavily on intuition and his previous mountaineering experiences, Boukreev slowly made his way down the steep rock and ice of the mountain. A crampon kept coming off of his boot, and at one point he had to use his ice axe to arrest a fall, keeping himself from sliding into the abyss. Eventually he made his way to the tents at the highest elevation camp.
In the second half of the nineteenth century, seeing that the traditional but unwieldy alpenstock might be a useful aid to climb steep slopes of snow or ice, Victorian alpinists fastened a sharpened blade (the pick) to the top of the alpenstock; this was used to provide stability. On the opposite end, a flattened blade was placed (the adze), which was used for cutting steps in the snow or ice, an essential technique for moving over steep icy slopes before the advent of the crampon. Gradually, the alpenstock evolved into the ice axe.History of the ice axe thebmc.co.
The Antoine Courtois company, founded in Paris in 1789, is a renowned manufacturer of brass musical instruments. The company's name comes from the name of the founder's children who created the brand name in 1803. The company has been a leading manufacturer of brass instruments ever since, particularly trumpet, cornet, saxhorn, flugelhorn and trombone. Today, Antoine Courtois is one of the brand names of Buffet Crampon Group, headed by Antoine Beaussant.Buffet-crampon.com The renowned cornetist Herbert L. Clarke was given a Courtois cornet on joining the Queens’s Own Regimental Band in Toronto in 1883, where he served intermittently as cornetist for nine years.
Mayer sang as a child in the choir of the Bamberg Cathedral. He was a student of Gerhard Scheuer, Georg Meerwein, Maurice Bourgue and Ingo Goritzki, and began his professional career as principal oboist for the Bamberg Symphony Orchestra in 1990. He joined the Berlin Philharmonic as principal oboist in 1992, a position he has held, together with Jonathan Kelly. Mayer used to play a Green Line Oboe by the French company Buffet Crampon, but in 2009 switched to a line of wind instruments (Oboe, Oboe d'amore and English Horn) named after him by the German instrument makers Gebrüder Mönnig.
The band represented England at the European Brass Band Championship in Norway in May 2008 and came second behind the Cory Band, both on 194 points.Buffet Crampon, woodwind instruments : clarinets, professional clarinet, oboe, bassoon In June 2008 Grimethorpe gained its second successive victory at the English National Brass Band Championships, thus qualifying to represent England once again at the European Championships in Ostende, Belgium, in 2009. The band gained further worldwide attention with its rendition of the Olympic Hymn during the 2012 Summer Olympics Opening Ceremony in the Olympic Stadium, accompanied by the London Symphony Orchestra.
Conversely, a poorly played Buffet can sound buzzy and nasal, but good players succeed in producing a warm, expressive sound. Though the United Kingdom once favored the French system,Langwill, 1965 Buffet-system instruments are no longer made there and the last prominent British player of the French system retired in the 1980s. However, with continued use in some regions and its distinctive tone, the Buffet continues to have a place in modern bassoon playing, particularly in France, where it originated. Buffet-model bassoons are currently made in Paris by Buffet Crampon and the atelier Ducasse (Romainville, France).
All of these symbols are still found in a number of municipal coats of arms in Germany. The crampon is also found as a mason's mark in medieval stonework.Press release of the Regional Association of Westphalia-Lippe, 30 October 2009 No original ancient specimens of such hooks were known prior to 2009 when excavations at the Falkenburg ruin in Detmold yielded more than 25 wolf hooks dated to the 13th century. In early times, believed to possess magical powers, it became a symbol of liberty and independence after its adoption as an emblem of a peasant revolt in the 15th century against the oppression of the German princes and their mercenaries.
Strasser Marigaux & Lemaire was founded January 12, 1935 by three partners: Charles Strasser, a businessman who was born in Switzerland; Marigaux, an instrument maker who trained at Buffet-Crampon, where his father was "premier ouvrier," and Lemaire. After the death of Lemaire many years ago, Strasser and Marigaux bought their partner's shares and the company became known as "Strasser-Marigaux." Marigaux died in the early 1970s, leaving Strasser the sole owner of the company. Strasser then sold SML (it continues to use these initials) to a holding company—Strasser-Marigaux S.A.. Strasser Marigaux began its activity in Paris with manufacture of saxophones and flutes.
Initially, this innovation was criticized by well-known climbers of the era, including Martin Conway, a prominent member of the Alpine Club, who was the leader of an early expedition to the Baltoro region near K2 in 1892 of which Eckenstein was a member. Early ice axes had picks and adzes of about equal lengths. By the beginning of the 20th century, the pick lengthened to about twice the length of the adze. Improvements in crampon design (pioneered by Eckenstein in 1908) and ice climbing technique led to use of shorter, lighter ice axes appropriate to steeper ice climbs in the period between the world wars.
Later they heard Lachenal calling for help – he had taken a long fall to below the camp, had lost his ice axe and a crampon, and his feet were seriously frostbitten. Terray scrambled down to him and he pleaded to be taken down to Camp II and medical help. At last Terray persuaded him to go back up to Camp V, the only responsible decision. Terray plied everyone with hot drinks through the night and whipped Lachenal's toes with the end of a rope for hours to try and restore the blood circulation – in the other tent Rébuffat did likewise for Herzog's fingers and toes.
Skull, as illustrated by N.N. Kondakov Skeleton Anatomically, the wolverine is a stocky and muscular animal. With short legs, broad and rounded head, small eyes and short rounded ears, it more closely resembles a bear than it does other mustelids. Though its legs are short, its large, five-toed paws with crampon-like claws and plantigrade posture enable them to climb up and over steep cliffs, trees and snow-covered peaks with relative ease. The adult wolverine is about the size of a medium dog, with a length usually ranging from , a tail of , and a weight of , though exceptionally large males can weigh up to .
Arms of Leonard Chamberlayne: Argent a chevron between three fylfots gules—drawn from the blazon given in MS. Harleian, 1394 In modern heraldry texts the fylfot is typically shown with truncated limbs, rather like a cross potent that's had one arm of each T cut off. It's also known as a cross cramponned, ~nnée, or ~nny, as each arm resembles a crampon or angle-iron (compare Winkelmaßkreuz in German). Examples of fylfots in heraldry are extremely rare, and the charge is not mentioned in Oswald Barron's article on "Heraldry" in most 20th-century editions of Encyclopædia Britannica. A twentieth-century example (with four heraldic roses) can be seen in the Lotta Svärd emblem.
He then ventured too close to a fumarole between Crater Rock and the "Hogsback" that connects Crater Rock with the summit ridge, was overcome by oxygen-barren gases emanating from the fumarole, and fell about to his death. A number of men who tried to retrieve the body over several days were also nearly overcome by the fumes, even after obtaining an oxygen mask, before finally succeeding in their efforts. In 1961, experienced climber Colin Chisholm and his teenage son, Doug Chisholm climbed the Elliott Glacier. On the descent of Cooper's Spur a crampon slipped on ice caused a fall. The two fell 2000 feet onto and over crevasses on Elliot Glacier.
The German blazon reads: The municipality's arms might in English heraldic language be described thus: Per fess Or a beast with a wolf's head and an eagle's body displayed gules, its breast surmounted by a crampon palewise sable, and vert three trees of the first. The German blazon does not mention what tincture the trees are to be shown in; the English rendering uses the one – Or, or gold – shown in the image accompanying this article. Nor does the German blazon mention what kind of trees must be shown. The upper field is a reference to the village's former allegiance to the “Wild and Rhine” County (ruled by the Waldgraves and Rhinegraves) and shows the court seal used by those counts’ high court at Rhaunen.
In 1994, Höfner became part of the Boosey & Hawkes Group, and was able to expand and upgrade its facilities with the influx of cash. In 1997, the company moved from Bubenreuth to Hagenau. After a near-bankruptcy in 2003 Boosey & Hawkes sold its musical instrument division (including the Höfner and Buffet Crampon companies) to the Music Group, a company formed by rescue buyout specialists Rutland Fund Management, for £33.2 million. Höfner remained a part of this conglomerate until December 2004, when the Music Group sold the company to Klaus Schöller who had been the general manager of Höfner for many years, with his wife Ulrike Schrimpff, the finance director at Höfner along with Rob Olsen and Graham Stockley who were USA and UK partners.
Recent recording projects include Ronald Corp's Clarinet Quintet with the New London Orchestra and Howard Blake's Clarinet Concerto with Sir Neville Marriner and The Academy of St Martin in the Fields on PENTATONE. Marinner is in demand as a teacher and woodwind consultant and gives masterclasses, coaches orchestras and adjudicates competitions all around the world. Over the years, he has taught at the Sydney Conservatory, Australian National Academy in Melbourne, Juilliard School, Hong Kong Academy, Accademia de la Musica in Rome and regularly coaches players with the New World Symphony in Miami. He is a regular panelist for the Donatella Flick Conducting Competition, is on the Advisory Committee of the Solti Foundation and a Trustee of the Hattori Foundation and is a Buffet Crampon Artist.
When demobbed, he joined the New Symphony, then in 1951 was appointed by Walter Legge as principal bassoonist with the Philharmonia Orchestra, playing under such conductors as Guido Cantelli, Wilhelm Furtwängler, Herbert von Karajan, Otto Klemperer and Arturo Toscanini. He also in demand for inclusion in chamber groups such as Karl Haas's London Baroque Ensemble and the Dennis Brain Quintet, usually with musicians he admired, such as his wife Natalie, Dennis Brain, Wilfred Parry and, especially, fellow bassoonist Paul Draper. Cecil's instrument, a Buffet-Crampon bassoon which had been presented to his father by the makers, was made to the French 'Buffet' pattern - quite distinct from those of the more modern German 'Heckel' system which he derided as 'mumblephones', but were clearly taking over as instruments of choice. He always made his own reeds.
Professional model Q Series in B and A made of Grenadilla with 17 keys, 6 rings plus optional Eb-lever, silver-plated As a special limited edition Q Series in B and A made of Cocobolo, like Nr. 5 with 18 keys and 6 rings including Eb lever, gold-plated for certain markets 5\. Two custom models Lumière and MoBa in B and A, optionally made of Grenadilla or Cocobolo, with 18 keys, 6 rings plus Eb-lever, with silver- or gold-plated mechanism. A small extra key at the bottom of the lower joint (like the Tosca by Buffet Crampon) enhances the intonation of low-F. It is important to note that Backun was and remains the first company to offer a Low F Vent mechanism as standard on all custom clarinets.
A rail spike (also known as a cut spike or crampon) is a large nail with an offset head that is used to secure rails and base plates to railroad ties (sleepers) in the track. Robert Livingston Stevens is credited with the invention of the rail spike, the first recorded use of which was in 1832. The railroad spike was an invention which resulted from the state of industrialisation in the United States in the early 19th century: English mainline railways of that period used heavy and expensive cast iron chairs to secure T-shaped rails; instead, Stevens added a supporting base to the T rail which could be fixed with a simple spike. In 1982, the spike was still the most common rail fastening in North America.
The municipality's arms might be described thus: Sable a clearing hoe and a cramp in saltire Or. The cramp, or crampon – a charge called a Doppelhaken (“double hook”) or Wolfsangel (“wolf hook”) in German – is an ancient market town symbol, and in German heraldry it is also a symbol for forestry. The other charge, the hoe, as a kind of tool for clearing land can be called a Rodhacke in German, thus making it canting for the last syllable in the village's name (both the D in the word for the tool and the last two letters in “Eckenroth” are pronounced [t]). The hoe, however, also stands for the village's traditional winegrowing. The tinctures, sable and Or (black and gold), are those formerly borne by the Electorate of the Palatinate, to which Eckenroth belonged for quite a long time.
Concentrating on contemporary music, Kriikku is Scandinavia's leading interpreter of works for the clarinet by composers such as Magnus Lindberg, Vinko Globokar, Kaija Saariaho, Jukka Tiensuu, Jouni Kaipainen, Kimmo Hakola, Esa-Pekka Salonen, Pawel Szymanski, Eero Hämeenniemi, Olli Koskelin and Usko Meriläinen. He has performed Tiensuu's clarinet concerto PURO over 30 times. Kari Kriikku is a founding member of the Avanti! Chamber Orchestra and has served as the ensemble's artistic director since 1998. He was the 2009 winner of the Nordic Council Music Prize: the prize committee wrote, “Kari Kriikku is an extraordinary virtuoso on his instrument the clarinet. His performance is characterised by flexibility and a positive musician’s joy - he is a musician in the best sense of the word.” In late 2015, he toured with the New Zealand Symphony Orchestra under guest-conductor Miguel Harth-Bedoya. Kari Kriikku plays on Buffet Crampon RC Prestige clarinets.
In that same year, together with the works "Arrival of a Noble Maestro" and "Walking Faster", it was performed by the Venezuelan Brass Ensemble at the Bergen International Festival (Norway) and Carnegie Hall in New York. In 2007, Castro composed the soundtrack for the Web drama series "Maleficio", the first of its kind in Venezuela, which was created by the Caicedo brothers for Taurus Productions. In 2010, saw the premiere in Finland of his concerto for violin and string orchestra titled "Concierto Sureño", which was commissioned by Laurentius Dinca, a violinist of the Berlin Philarmonic Orchestra. In 2013, he composed "Rhapsody for Talents", a work commissioned by the French instrument maker Buffet Crampon to commemorate the manufacturer's history constructing, making and selling wind instruments. Its world premiere was performed by the Simón Bolívar Youth Symphonic Band of Venezuela, conducted by Sergio Rosales in the Théâtre du Châtelet (Paris, France) on 7 July 2013.
Great deal of biographical information It was during this time that he received a master's degree in music at the University of Leeds, and went on to complete his PhD in Psychology psychologyIt confirms here he is a Doctor The stay once again lasted five years with him leaving rather suddenly in December 2005. Within days he joined Grimethorpe Colliery Band after the band manager,Information about Terry Webster being Grimethorpe's manager invited him to join, as the principal cornet had left only as few days previously. In his first contest for Grimethorpe they came first beating his former band by one point whilst also picking up the best soloist awardNews from Grimethorpe (bottom of the page is first contest result) Roger left Grimethorpe in December 2008 along with several colleagues and is currently busy performing as a soloist and orchestral trumpeter (receiving great critical acclaim for his flugal playing in Mahler 3 and trumpet work in Gregson's Dream Song.). Webster worked for Besson whilst they were situated near London, and continues to work for them following their take-over by Buffet Crampon.

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