They're also cowriting a book on how to break into advertising.
|
|
We had independent aspirations of writing fiction, which we combined into the idea of cowriting.
|
|
When the label tried to give Clarkson credit for cowriting the song, though, she refused.
|
|
Trisha Yearwood and Garth Brooks have been cowriting songs since the '90s, before they got together.
|
|
This is also the movie Kathleen Kennedy fired Colin Trevorrow from cowriting and directing, with Abrams taking charge.
|
|
Josh Singer, who won an Oscar for cowriting Spotlight (with Tom McCarthy), wrote this version of the screenplay.
|
|
Her first big breath-through was cowriting "Fire Starter," an empowerment anthem from Demi Lovato's self-titled 2013 album.
|
|
He won an Oscar and a Golden Globe in 2015 for cowriting "Glory" from the film of the same name.
|
|
Another newcomer, Tarell Alvin McCraney, was honored for his work cowriting this year's Best Picture winner at the academy awards, Moonlight.
|
|
"It honestly depends on the artist and how involved in the writing process they want to be," says of her cowriting method.
|
|
Wiig meanwhile is cowriting her second film with Mumolo, Barb and Star Go to Vista Del Mar, which is premiere next July.
|
|
The overall experience is like cowriting a novel with an easily distracted toddler possessing an encyclopedic knowledge of cultural references and prose cliches.
|
|
"I want to try to meet up with her when I'm in L.A. next time and just thank her for cowriting it with Ross," says Thompson.
|
|
While the two artists had never met IRL, the video shows them seamlessly cowriting a song over Google Docs, from parsing out vocals to writing the lyrics.
|
|
She is the first woman writer of a Star Wars movie since The Empire Strikes Back in 1980, when Leigh Brackett received a cowriting credit with Lawrence Kasdan.
|
|
In addition to preparing her sophomore album — expected later this year — Cam has collaborated across genres, cowriting the song "Palace" on Sam Smith's The Thrill of It All.
|
|
"His Dark Materials" was written by Jack Thorne, who most recently is known for cowriting "Harry Potter and the Cursed Child" — a divisive theatrical sequel to J.K. Rowling's original "Harry Potter" series.
|
|
The Pitch Perfect actress is doing triple duty on the project by also starring as the titular Charlie Townsend — previously played by Bill Murray in the 2000 original movie — and cowriting the script.
|
|
Her 1995 studio debut "Robyn Is Here" recalls breakout albums from pop stars like Britney Spears and Christina Aguilera, but the Swedish teenager set herself apart with a cowriting credit on every song.
|
|
Unlike with college, we were consciously jumping off a cliff into cowriting, deciding we'd give it a go as long as we could, regardless of our inexperience collaborating or of the complications it could introduce in our romantic relationship.
|
|
And in the recently published letter, she asked the studio pointed questions about its decision to hire the animation filmmaker, who is known for cowriting and directing the first Toy Story film and breathing new life into the animation genre of movies at Disney before stepping down in 2017.
|
|
But while Freddy and his Nightmare on Elm Street franchise, Jason and the Friday the 133th movies, and Michael and the Halloween series have endured countless reboots, revivals, stars, and filmmakers over the past few decades, Chucky has remained under the control of his creator, Don Mancini, who has written every entry in the franchise since cowriting Child's Play in 1988.
|
|
In 1942, Churchill and fellow composer Oliver Wallace won an Oscar in the category "Scoring of a Musical Picture" for cowriting the score for Dumbo. He also shared an Oscar nomination with Ned Washington for the song "Baby Mine" from Dumbo for Best Song. A year later, Churchill received two posthumous Oscar nominations; the first for cowriting the score to Bambi with Edward Plumb, and the second for cowriting the song "Love is a Song" from Bambi with lyricist Larry Morey (1905–1971).
|
|
The episode title That's Good, That's Bad is a song in the Mary Rodgers musical, Hot Spot. Stephen Sondheim is given cowriting credit for this song's music and lyrics.
|
|
Nick Walters is a British writer. He has written many spin off novels based on the BBC science fiction television series Doctor Who, as well as cowriting one featuring Bernice Summerfield.
|
|
He was cowriting an adaptation of Attack of the Killer Tomatoes, but is no longer involved with the project. He is represented by UTA and John Elliot of Mosaic Media Group.
|
|
Prior to the suit, Radiohead were sued over "Creep"'s similarity to the 1972 song "The Air That I Breathe", written by Albert Hammond and Mike Hazlewood; Hammond and Hazlewood received cowriting credits and a percentage of the royalties.
|
|
Tashian, meanwhile, cowrote three songs with Josh Rouse for the latter's 2005 album, Nashville, as well as the opening track of Subtítulo, Rouse's 2006 follow-up. The singer-songwriter returned the favor by cowriting "Roxy," a track on Alaska, with Tashian.
|
|
He would assist artists in cowriting songs. His list of clients include: Aerosmith, Alice Cooper, Ozzy Osbourne, Rick Springfield, Anne Murray. Vallance has the Juno Award for Composer of the Year 4 times. Producer Bruce Fairbairn would also become prominent during the 80s.
|
|
Hoffman (2005), p. 46. The shoot wrapped on November 30.Dawson (1995), p. 164. Before Pulp Fictions premiere, Tarantino convinced Avary to forfeit his agreed-on cowriting credit and accept a "story by" credit, so the line "Written and directed by Quentin Tarantino" could be used in advertising and onscreen.
|
|
Interscope also briefly shut down Weezer's audio/video download webpage, removing all the MP3 demos. Online Weezer fans staged a brief protest, with several websites proclaiming "Free Maladroit". In April 2002, former bassist Matt Sharp sued the band, alleging, among several accusations, that he was owed money for cowriting several Weezer songs. The suit was later settled out of court.
|
|
The single "Second Nature" also charted during this period. Also in 1985, Hartman's song "Talking To The Wall" was featured on the soundtrack to the film Perfect starring Jamie Lee Curtis and John Travolta. He toured with Toto in 1985. He closed the year cowriting "(Krush Groove) Can't Stop the Street" with Charlie Midnight for the film Krush Groove and the song was performed by Chaka Khan.
|
|
Elaine Bromka (born January 6, 1950) is an American actress. She is known for cowriting the one-woman play Lady Bird, Pat & Betty: Tea for Three with Eric H. Weinberger, in which Bromka portrayed First Ladies Lady Bird Johnson, Pat Nixon and Betty Ford. She is also known in film for playing Cindy Russell in Uncle Buck (1989). Bromka also played Gloria in the 2011 film In the Family.
|
|
In 2017, he collaborated with Paloma Faith on her number one album The Architect cowriting and producing 5 songs. Their first writing session together resulted in the lead single Crybaby. That year he also wrote songs with Jessie Ware for her album Glasshouse and Rae Morris for her album Someone Out There. He worked with Cloves and her longtime writing partner Justin Parker on singles from her upcoming debut album.
|
|
Freelancing once again for DC, Gordon in 1987 began inking Kevin Maguire while working with plotter/thumbnail artist Keith Giffen on Justice League International. Two years later, Gordon, this time inking Giffen, also began cowriting with Giffen and Tom and Mary Bierbaum for DC's revamped Legion of Super Heroes. Gordon took over the complete writing and scripting chores for issues #21 though 24 (Aug. 1991), while continuing to ink Giffen.
|
|
The music genre was more funk with compositions by Rabbi Akiva Homnick, Aharon Razel, and Werdyger cowriting with Eli Laufer. Sound and digital effects on this album were engineered by Eli Leshinsky. Using Lenticular printing, the CD cover of Lev Echad showed Hasidic men dancing on a colorful background. Parallel to the music CD, Werdyger released the music tracks with visual video animation depicting himself singing the album's songs.
|
|
At this time the painter and graphic artist Emil Schult became a regular collaborator, designing artwork, cowriting lyrics, and accompanying the group on tour. The year 1975 saw a turning point in Kraftwerk's live shows. With financial support from Phonogram Inc., in the US, they were able to undertake a multi-date tour to promote the Autobahn album, a tour which took them to the US, Canada and the UK for the first time.
|
|
However, after cowriting the song, Frischmann convinced M.I.A. to record "Galang" herself, complimenting the piece's lyrical narrative and music direction. Musically, "Galang" is a dance- oriented midtempo song, combining elements of dancehall, electro, jungle, and world music. M.I.A.'s voice is heard in a whooping chant-like rap over polyrhythmic Roland MC-505 arrangements of beats, drums, claps and synths along the song's bassline. The word 'galang' comes from Caribbean slang word for 'go along'.
|
|
With this lineup they did their first North American tour with Zero 7. In early spring of 2010, they did a North American tour with Sia. Once they returned from that tour, Wheeler and Young moved their studio in Bedford Stuyvesant to a different location and built a studio in a warehouse space. After the completion of their studio, they started cowriting sessions with Kenny Vasoli, which marked the beginning of the band Vacationer.
|
|
XL Capris made two albums, Where Is Hank? (March, 1981) and Weeds (October, 1981) both produced by Todd Hunter of New Zealand/Australian band Dragon and released on their own label Axle Records. Hunter later joined XL Capris as guitarist and subsequently married Pigott; they became a successful songwriting team: cowriting "Rain" for Dragon and "Age of Reason" for John Farnham. Prior to forming the XL Capris, Gooding was a film and television screenwriter.
|
|
Shwayze is the self-titled debut album of American rapper Aaron Smith, better known as Shwayze, released through Suretone Records on August 19, 2008. While Smith wrote the lyrics for the songs, Cisco Adler is credited for production, as well as cowriting the entire album. The first single off the album is "Buzzin'", followed by "Corona and Lime". The album has only one feature, coming from guitarist Dave Navarro, at the end of the song "Flashlight".
|
|
She also wrote and performed two tracks, "Control" and "You Make Me Crazy" that featured on Lee Coombs' 2009 album, Light & Dark. Ellis is also a member of the band Bimbo Jones, who are signed to Tommy Boy Records. The group released its album Harlem 1 Stop in late 2008. Ellis received cowriting and vocal credit for all tracks, including lead single "And I Try", which reached No. 1 on the US Billboard 's Hot Dance Club Songs chart in October 2008.
|
|
Menno Meyjes (born 1954, Eindhoven) is a Dutch-born screenwriter, film director, and film producer. Meyjes moved to the United States in 1972 and studied at San Francisco Art Institute. He was nominated for several awards for his screenplay to the 1985 film The Color Purple, adapted from the novel by Alice Walker. In 1989, he gained recognition for cowriting Indiana Jones and the Last Crusade with George Lucas and winning a Goya Award for El Sueño del mono loco.
|
|
While in Sweden McGowan worked together with Chalmers University , cowriting papers relating to coach communication with athletes presenting at the 2015 icsport conference in Lisbon . In 2016 and 2017 McGowan lectured "creating a culture of excellence" at Innopolis University in Kazan Russia. In 2018 McGowan was appointed by Rowing Ireland as Head coach of the heavy weight team. He is responsible for coaching Ireland first female medal, coaching Sanita Puspure to world championship gold in 2018 and 2019 and European championship gold in 2019.
|
|
Twin brothers Neil Gibbons and Rob Gibbons are an English screenwriting duo from Sandbach in Cheshire. They are best known for cowriting several Alan Partridge projects, including Mid Morning Matters with Alan Partridge, Alan Partridge: Welcome to the Places of My Life, This Time with Alan Partridge and the 2013 film Alan Partridge: Alpha Papa. They were nominated as best comedy writers in the 2017 British Academy Television Craft Awards for Alan Partridge's Scissored Isle. They also cowrote Bedsitcom and an episode of the fourth season of the HBO comedy series Veep.
|
|
With four solo writing credits and one cowriting credit of the ten songs on the album, Peter Cetera took on a greater songwriting role in the band than in the past. His compositions included a mix of ballads, pop and rock songs. Robert Lamm turned in the rockers "Manipulation" and "I'd Rather Be Rich" (a song from 1975); James Pankow delivered the uptempo – if downbeat – "The American Dream"; and Lamm and Danny Seraphine co-wrote "Thunder and Lightning". Like Chicago 13 before it, Chicago XIV did not improve Chicago's fortunes.
|
|
In 1999, Carr moved to Nashville and pursued his songwriting career, cowriting with many notable writers and performing regularly on the circuit at the Bluebird Café, Douglas Corner, the Broken Spoke and others. He again drifted behind the scenes, assisting his manager pals Greg Shaw (Keith Urban) and Gina Mendello (Tommy Emmanuel) as well as landing a job with a couple of New Media dotcoms. A mild heart attack slowed him down and he returned to Sydney in 2001, landing a stint at Liberation Music. Through the 2000s he continued to perform and write.
|
|
After one book that ended up in the remainder bins, novelist Byron Tiller's inability to pay the bills strains relations with his wife. Desperate for any kind of income, he meets Luther Fox, an Englishman who runs an exclusive escort service called Elysian Fields, and is offered a job. Hiding his new employment from his wife, Byron finds that one of his clients, Andrea, is married to a much older, ill Pulitzer Prize-winning author whom Tiller greatly admires. Complications develop as he develops a relationship with the author, essentially cowriting his latest book.
|
|
In 2012 Mindel had the idea of cowriting with women songwriters a collection of songs that deal with issues of special significance to woman, such as domestic abuse, depression, and bullying. The 2013 CD "Issues" by The Band of Sisters comprises sixteen songs, by women, about women, for women. Performers include Tessa Niles, Lynda Hayes, Mim Grey, Miriam Stockley, Stevie Lange, Alissa Moreno, Leigh Matty, PP Arnold, Mandy Bell, Jacqi Michaels, Tor Richards, Angela Kaset, Kim Alvord, Monica Ward, and Alison Joy Williams. Versions of the project have been performed live in London and in Nashville, TN.
|
|
Max Perry was born in New York. His father, Fredro Perry, is a drummer, songwriter, producer, and independent label owner, who has toured with his band, The Brooklyn Cowboys. His uncle, Richard Perry, is a record producer. Max Perry has done cowriting with his brother and partner, Gennessee, who has worked with artists such as Mac Dre, One Block Radius, Too Short, Hell Rell, Paul Wall, AZ, and Chino XL. Perry has produced for artists from his hometown of New York such as Jim Jones, Prodigy, AZ, Sheek Louch, TruLife, Hell Rell, Max B, 40 Cal, and Paul Cain.
|
|
A second album Northwinds followed in 1978, on which Moody contributed to three songs. Following the demise of Deep Purple MkIV, Coverdale and Moody joined forces with Bernie Marsden, Neil Murray, Dave 'Duck' Dowle and keyboardist Brian Johnston to form a band that took its name Whitesnake from the title of Coverdale's first solo album. In 1978 they recorded the E.P Snakebite followed by two studio albums, Trouble (1978) and Lovehunter (1979), recorded by a modified lineup with Jon Lord on keyboards. Moody is credited with cowriting four of the tracks on Trouble and was sole writer of 'Belgian Tom's Hat Trick', an instrumental.
|
|
Another LaRouche group, including Janice Hart, forced their way into the office of The Des Moines Registers editor in 1987, haranguing him over his paper's coverage of LaRouche and demanding that certain editorials be retracted. Dennis King began covering LaRouche in the 1970s, publishing a twelve-part series in a weekly Manhattan newspaper, Our Town, and later writing or cowriting articles about LaRouche in New Republic, High Times, Columbia Journalism Review, and other periodicals, culminating in a full-length biography published in 1989. King alleges numerous instances of anonymous harassment and threats. Leaflets appeared from the NCLC accusing King, a newspaper publisher, and Roy Cohn, the newspaper's lawyer, of being criminals, homosexuals, or drug pushers.
|
|
Although only released towards the end of the year on December 19, 1998, the film became the fifth highest-grossing film of the year. The film, a semi-autobiographical romantic comedy about two strangers who end up living together and cowriting a screenplay about their relationship, won the leads, Shim Eun-ha a Best Actress award at the Grand Bell Awards and Lee Sung-jae several Best New Actor Awards. Lee's second feature length film as a writer- director, The Way Home (2002), is undoubtedly her most successful and critically acclaimed to date. The film tells the story of a city-born boy who goes to live with his mute, elderly grandmother in her rural village.
|
|
The chord progression and melody in "Creep" is similar to that of the 1972 song "The Air That I Breathe", written by Albert Hammond and Mike Hazlewood. Rondor Music, the publisher of "The Air That I Breathe", sued Radiohead, and Hammond and Hazlewood received cowriting credits and a percentage of the royalties. Hammond said Radiohead were "honest" about having reused the composition, and so the songwriters agreed to take only "a little piece" of the royalties. In January 2018, American singer Lana Del Rey said on Twitter that Radiohead were taking legal action against her for allegedly plagiarising "Creep" on her 2017 track "Get Free", and had asked for 100% of publishing royalties instead of Del Rey's offer of 40%.
|
|
While studying for the latter, he was also teaching Pacific Northwest History at Waluga Junior High School in Lake Oswego, Oregon and started publishing articles about the Pacific Northwest. He then moved south to become a school librarian in Medford, Oregon. However, while teaching, Webber had noticed a lack of publications on Northwestern history. After a while, he therefore switched careers to writing and research about this and related topics, writing or cowriting (often with his wife) a total of 86 books between 1967 and 2003, on topics such as the Oregon Trail, Japanese attacks on the Northwest during World War II, the Oregon coast and other features of Northwestern history such as the DeAutremont attempted train robbery and the rise and decline of Bayocean.
|
|
McBride received the "Television: Comedy/Variety - Special" Writers Guild of America Award in 1984 for cowriting The American Film Institute Salute to John Huston with producer George Stevens, Jr. He has also received four other WGA nominations, two Emmy nominations, and a Canadian Film Awards nomination. The French edition of Searching for John Ford, titled A la recherche de John Ford, published in 2007, was chosen the Best Foreign Film Book of the Year by the French film critics' association, le Syndicat Français de la Critique de Cinéma. A documentary feature on his life and work, Behind the Curtain: Joseph McBride on Writing Film History, written and directed by Hart Perez, had its world debut in 2011 at the Tiburon International Film Festival in Tiburon, Marin County, CA, and was released on DVD in 2012.
|
|
Jerwa's comic book career began in 2003, when he submitted a script to Devil's Due Publishing that was accepted, and was eventually published in G.I. Joe: Frontline #11–14. Soon afterwards, he became the main writer on G.I. Joe: A Real American Hero and also wrote several G.I. Joe miniseries. On May 18, 2006, Brandon was featured on episode #24 of the Game Show Network's I've Got a Secret; his secret being that in honor of his work on the G.I. Joe comics, Hasbro used his face as the basis for the G.I. Joe action figure Dragonsky. In 2006 and 2007, Jerwa began writing for Dynamite Entertainment, working on the series Highlander, cowriting the first four issues with Michael Avon Oeming before moving on to a prolific run on Battlestar Galactica.
|
|
After "Video Games", Lowry split off from Robopop and reemerged under a new alter ego Sterling Fox. In 2013, Sterling cowrote the dance crossover hit "Take Me Home" by Cash Cash, which was certified gold in the US and reach #5 in the UK. In 2014, Sterling produced and cowrote the #1 iTunes hit single "Wasted Love" for The Voice Season 7 finalist Matt McAndrew. As a vocalist, Fox has worked on a number of electronic collaborations, including cowriting and singing the song "Shame on Me" from Avicii's album True and also writing and singing the song "Talk to Myself" from Avicii's 2nd album Stories. In 2015, he cowrote the Adam Lambert single Ghost Town with Max Martin, which would go on to become certified Gold in the US. He also added the whistle part to the hook.
|
|
After the tour ended, Asthana and Gendel went back to school, the former earning a master's degree in public health from Boston University in 2002, while the latter moved to Los Angeles to study at the Southern California Institute of Architecture. Goddess stuck with music, cowriting “Amsterdam” in 2003 for Guster, fellow alumni of Tufts University; working with Bleu on two tracks for the Boston power-pop singer's Electric Light Orchestra pastiche, Alpacas Orgling (2006); contributing a song to the Nickelodeon series Yo Gabba Gabba!; and producing and/or playing in the Rudds, the Silver Lining, Jenny Dee & the Deelinquents, and other Boston bands. In May 2011 Asthana, Goddess, and Gendel reunited for festival appearances in Belgium, France, and Spain (with Samantha Wood Goddess, Tony's wife and Shivika's college roommate, on keyboards), plus two gigs in the Boston area.
|
|
"Jäälilled" was written by Nurmsalu's partner Tarmo Kask, while "Kevad on alati alles" was written by Estonian poet Aapo Ilves; the music for both songs was composed by Nurmsalu, Pajusaar, and Pille Piir. Nurmsalu returned to Eesti Laul once more, being announced as one of the semi-finalists for its 2019 edition in November 2018 with the song "Soovide puu"; the song became the first entry Nurmsalu had written, cowriting it with Pajusaar and Ilves. Nurmsalu qualified from the first semi-final on 31 January 2019 as a second-round qualifier; she did not receive high enough scores from the professional jury or Estonian public in the initial round, but was one of two entries saved by the public as a first semi-final wildcard. She then advanced to the final on 16 February, where she placed eighth in the competition.
|
|
In 1993, after revisiting songwriting as a hobby, Douglas attended a songwriters’ seminar in Austin and he played his song “Little Rock” for producer/publisher Paul Worley, who decided to take some of Tom's songs back to Nashville with him. One of his first cuts, "Little Rock," recorded by Collin Raye, made it to the country top ten in 1994, peaking at #2. "Little Rock" was nominated for Song of the Year by the Country Music Association in 1994, and received a "Million-Air" award from Broadcast Music Incorporated (BMI) for receiving one million spins on country radio. Douglas then signed with Sony/ATV Music Publishing in June 1994, and returned to Nashville, Tennessee in 1997. Douglas topped the charts again in 1998 with his second number-one hit, “The Gift”, as recorded by and co-written with Jim Brickman. In 2001, Douglas started cowriting for Tim McGraw, and wrote the Number One singles "Grown Men Don't Cry" and "Southern Voice," as well as the Top Five songs "My Little Girl" (which also became the end title for the Fox film, “Flicka” in 2006) and "Let It Go." He cowrote on McGraw's 2015 album Damn Country Music As well.
|
|
The manager can assist singers, songwriters, and instrumentalists in molding a career, finding music producers, and developing relationships with record companies, publishers, agents, and the music-loving public. They should carefully consider when certain contributions have been made which would also entitle them to cowriting credits, Executive Producer credit, or Producer credit should they become involved in songwriting, financing works, or actually producing demos and recordings, and should carefully know these jobs and these fees should be considered either as separate from the contract, in addition to the contract, or as free to the musician as clarified in emails and the contract. The duties of an active music manager may include supporting the band's development of a reputation for the musician(s) and building a fan base, which may include mastering and launching a demo CD, developing and releasing press kits, planning promotional activities, creating social network identities for bands, and booking shows. A music manager may be present during recording sessions and should support the artist during the creative process while not interfering between the artist and the producer, but musicians may also find valuable feedback in the extra pair of ears and this should be carefully considered as well.
|
|