These fossils underscore that early mammals were not merely cowering at the feet of dinosaurs but boasted a range of body plans and lifestyles.
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"I feel like a draft dodger from the army in which so many of my friends are serving—just lolling about in the country they are making, cowering at home, a coward," Heti writes.
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Setting Native American objects beside 19th-century paintings of European colonists with Indians cowering at their feet serves as a reminder — no label needed — that racial violence was a New World tradition here far in advance of African slavery.
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Old Grand Dad cheerfully offered up a patriotic image of Donald Trump in colonial garb holding up the Liberty Bell and fighting "against the foreign hordes," with caricatures of the Jew, the American Indian, the Mexican, the Chinese and the Irish cowering at his feet.
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"People who see this video will feel a stab of pain: officers wearing law enforcement uniforms brandishing clubs, striking women and children cowering at the foot of a wall, the scene filled with cries," read a commentary published on Monday by The Beijing News.
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Gae Polisner struggled to find a publisher for her new young-adult novel, "The Memory of Things," which opens right after the towers fell and follows a teenager named Kyle as he flees downtown Manhattan and rescues a girl who is cowering at the side of the Brooklyn Bridge.
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The characters have spent a long time cowering at their leader's feet like dogs expecting to get kicked, laughing at his jokes and agreeing with his arguments and hoping not to get banished (or worse), but without any more noble endgame than jockeying to take his place — to become the one who inspires dread as opposed to the ones feeling it.
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Others are there; Johnston's staff, gathered around their wounded and dying commander. Dade is transfixed by the drama of the scene, even as he begins to pass out from his wound. Chapter Four is narrated by Private Otto Flickner, a Minnesota artilleryman. It is the first night of the battle, and Flickner is cowering at the riverbank with hundreds of other deserters.
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"Binkie" Beaumont brought her back to London in N.C. Hunter's "Chekhovian" drama A Day by the Sea, with a cast that included John Gielgud and Ralph Richardson. She joined the Midland Theatre Company in Coventry for Ugo Betti's The Queen and the Rebels. Her transformation from "a rejected slut cowering at her lover's feet into a redemption of regal poise" ensured a transfer to London, where Kenneth Tynan wrote of her technique: "It is grandiose, heartfelt, marvellously controlled, clear as crystal and totally unmoving." In the 1950s, Worth demonstrated her exceptional versatility by playing in the farce Hotel Paradiso in London with Alec Guinness, high tragedy in the title role of Schiller's Mary Stuart, co- starring Eva Le Gallienne, and on Broadway and Shakespearean comedy in As You Like It at Stratford, Ontario.
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