Cosmic space cadets dance like freaks, caught in starry-eyed moments.
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Carol Danvers, the cosmic space commander and the Avengers' last hope against Thanos.
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Back in the spring, the cosmic space witches in A Wrinkle in Time got the cinematic treatment they deserved with Ava DuVernay's visually stunning adaptation.
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Kirby dynamic, muscular art, rich in cosmic space fantasy, also became the bedrock Marvel style, which all the other artists were told to imitate, with one big exception: Steve Ditko.
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"One could call it a Lo-Fi minimal wavish version of cosmic space jazz and anything closely related to it... from spiritual soul, g-funk, ethiopian jazz to ambient and everything in between," he said.
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Tabitha Nikolai, self-described as a "trashgender gutter elf" from Salt Lake City, offers a tour through a luxury mansion that houses a Borgesian library, a sexology institute, and opens up onto vistas of cosmic space.
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"Do we always have to get from foreigners what originated in our boundless homeland and died in loneliness and neglect?" lamented biologist Alexander Chizhevsky in his foreword to spaceflight visionary Konstantin Tsiolkovsky's 13 treatise The Rocket into Cosmic Space.
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"Across cosmic space and time, you&aposre going to have winners — who managed to see what was going on and figure out a path through it — and losers, who just couldn&apost get their act together and their civilization fell by the wayside," Frank said.
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I thought > that it was about time to come up with a song that actually sent this all > up, which was 'Silver Machine'. 'Silver Machine' was just to say, I've got a > silver bicycle, and nobody got it. I didn't think they would. I thought that > what they would think we were singing about some sort of cosmic space travel > machine.
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Konstantin Tsiolkovsky published the first work on space travel, which was inspired by Russian cosmism and the writings of Jules Verne. At the beginning of the 20th century, there was a burst of scientific investigation into interplanetary travel, fueled by the creativity of fiction writers such as Jules Verne and H. G. Wells as well as philosophical movements like Russian cosmism. Scientists seized on the rocket as a technology that was able to achieve this in real life, a possibility first recognized in 1861 by William Leitch. In 1903, high school mathematics teacher Konstantin Tsiolkovsky (1857–1935), inspired by Verne and Cosmism, published Исследование мировых пространств реактивными приборамиTsiolkovsky's Исследование мировых пространств реактивными приборами - The Exploration of Cosmic Space by Means of Reaction Devices (Russian paper) (The Exploration of Cosmic Space by Means of Reaction Devices), the first serious scientific work on space travel.
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However, the vision of Songbird's betrayal turned out to be true after all. Using a simple opera note to crack the moonstones, Songbird sent Zemo into a whirlwind of cosmic space/time. Just before he was completely sucked into the vacuum, he screamed out that he "would never have hurt a world he worked so hard to save". The limited series Thunderbolts Presents: Zemo - Born Better (2007), written by Fabian Nicieza and drawn by Tom Grummett, explores the history of the Zemo barony.
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In mathematics, particularly topology, a cosmic space is any topological space that is a continuous image of some separable metric space. Equivalently (for regular T1 spaces but not in general), a space is cosmic if and only if it has a countable network; namely a countable collection of subsets of the space such that any open set is the union of a subcollection of these sets. Cosmic spaces have several interesting properties. There are a number of unsolved problems about them.
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Every contractible space is simply connected. ;Coproduct topology: If {Xi} is a collection of spaces and X is the (set-theoretic) disjoint union of {Xi}, then the coproduct topology (or disjoint union topology, topological sum of the Xi) on X is the finest topology for which all the injection maps are continuous. ;Cosmic space: A continuous image of some separable metric space. ;Countable chain condition: A space X satisfies the countable chain condition if every family of non-empty, pairswise disjoint open sets is countable.
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Despite this, the husband was still responsible for treating the partner with kindness, consideration, and understanding. The second aspect was that the Chinese house was a cosmic space. The house was designed as a shelter to thwart away evil influences by channeling cosmic energies (qi) through means of incorporating Feng shui (also known as geomancy). Depending on the season, astral cycle, landscape's configuration of hills, rocks, trees, and water streams, and the house's arrangement, orientation, and details of roofs or gates, an arbitrary amount of energy would be produced.
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The Master and Margarita die; Azazello brings their souls to Satan and his retinue (awaiting them on horseback on a Moscow rooftop), and they fly away into the unknown, as cupolas and windows burn in the setting sun, leaving Earth behind and traveling into dark cosmic space. The Master and Margarita will spend eternity together in a shady, pleasant region resembling Dante Alighieri's Limbo, in a house under flowering cherry trees. Woland and his retinue, including the Master and Margarita, become pure spirits. Moscow's authorities attribute its strange events to hysteria and mass hypnosis.
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Kishev’s life and art constitute a fusion of East and West and Spain has had a marked impact on his work. Kishev specialises in oil painting on canvas and monotype on paper and with a masterly use of colour and light. He is a prolific artist and his paintings cover a wide range of themes, which appear in a cyclical rhythm in series such as: Destines, Cosmic Space, Homeland, Voice of the Artist, Nostalgia for Nature and many others where the overriding goal is to forge the relationship between the real and the abstract.
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Along with Konstantin Tsiolkovsky's earlier work, The Exploration of Cosmic Space by Means of Reaction Devices, which was not widely disseminated outside Russia, Goddard's report is regarded as one of the pioneering works of the science of rocketry, and 1750 copies were distributed worldwide. Goddard also sent a copy to individuals who requested one, until his personal supply was exhausted. Smithsonian aerospace historian Frank Winter said that this paper was "one of the key catalysts behind the international rocket movement of the 1920s and 30s." Goddard described extensive experiments with solid-fuel rocket engines burning high-grade nitrocellulose smokeless powder.
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The Upanishad opens with the declaration that a body is a composite of pṛiṭhvī or earth and four primordial elements (mahābhūṭas) – agni or fire, vayu or air, apas or water, and akasha or cosmic space.KN Aiyar, Thirty Minor Upanishads, University of Toronto Archives, , page 113, Archive It asserts that whatever is hard in any living body is the essence of earth; that which is fluid part is the essence of water; the hot in a body is the essence of fire; that which moves is essence of air; and the openings or pores in the body is of the essence of cosmic space.
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The spacecraft also failed to have a moveable solar panel system, which could track the position of the Sun without requiring the entire satellite to reposition, eventually disrupting the observations process. On 1 August 1983, VPK, the Soviet Military Industrial Commission commissioned an official decision (number 274) titled, "On works for creation of automated interplanetary vehicles for the exploration of planets of the Solar System, the Moon and cosmic space". This document outlined a new impetus for the development of satellites. The new technical proposals submitted in mid-1984 included a gamma-ray telescope designated to register radio waves in the millimetre range.
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Dumitru Mazilu was appointed as ambassador to the international organizations in Vienna, and later, Romania's representative to OSCE from 1994–1997. This saw another surge in Mazilu's diplomatic career. He held various positions of power including vice president of the United Nations Organization for the Development of Industry in 1995, vice president of the United Nations Commission for the peaceful uses of the cosmic space from 1995–1997, the chairman of the Working Group of the General Conference of the International Atomic Energy Agency from 1996–1997, vice president and president of the United Nations Commission on International Trade Law from 1998–2000, member of the International Diplomatic Academy in 2002.
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It is everywhere, within and without, it is immortal. This universal, oneness theme is explained by the Katha Upanishad by three similes, which Paul Deussen calls as excellent. Just like one light exists and penetrates the cosmic space, enveloping and clinging to everything and every form individually, the "one inner Self" of beings exists and dwells in all beings, clings to every form and remains still without, states the Katha Upanishad. Just like one air exists and penetrates the world, enveloping and clinging to everything and every being individually, the "one inner Self" of beings exists and dwells in all beings, clings to every form and remains still without.
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Description of a space station in Hermann Noordung's The Problem of Space Travel (1929). At the beginning of the 20th century, there was a burst of scientific investigation into interplanetary travel, inspired by fiction by writers such as Jules Verne (From the Earth to the Moon, Around the Moon) and H.G. Wells (The First Men in the Moon, The War of the Worlds). The first realistic proposal of spaceflight goes back to Konstantin Tsiolkovsky. His most famous work, "" (Issledovanie mirovikh prostranstv reaktivnimi priborami, or The Exploration of Cosmic Space by Means of Reaction Devices), was published in 1903, but this theoretical work was not widely influential outside Russia.
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The district’s traditional landmark, the Kreuzkirche – which dates back to 1894 – is in particular contrast to its modern landmark, the Sennestadthaus which was planned as the town hall and "crowning glory" of Sennestadt in 1969 and inaugurated in 1975. The District Administrative Office, adult education centre, youth art and music school, a technical college and Sennestadt GmbH moved into the building, instead of the mayor and the town council. First and foremost, the initially contentious building became the community centre of Sennestadt. The front building is especially striking, with its concert hall which is supported by pillars which stand in the water and the Kosmisches Raumelement (‘Cosmic Space Element’) sculpture by the sculptor, Bernhard Heiliger, on the exterior facade.
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Konstantin Tsiolkovsky proposed the use of liquid propellants in 1903, in his article Exploration of Outer Space by Means of Rocket Devices. Tsiolkovsky, Konstantin E. (1903), "The Exploration of Cosmic Space by Means of Reaction Devices (Исследование мировых пространств реактивными приборами)", The Science Review (in Russian) (5), archived from the original on 19 October 2008, retrieved 22 September 2008Robert H. Goddard on March 16, 1926, holding the launching frame of his most notable invention -- the first liquid-fueled rocket. On March 16, 1926, Robert H. Goddard used liquid oxygen (LOX) and gasoline as rocket fuels for his first partially successful liquid-propellant rocket launch. Both propellants are readily available, cheap and highly energetic.
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In 1987 he was elected a Fellow of the American Physical Society "in recognition of twenty-five years of outstanding contributions to theoretical and observational infrared astrophysics and for providing the leadership needed to create a coordinated space astrophysics program for the remainder of the century through the Great Observatory Program" In 1987, he moved from Cornell to be director of the National Air and Space Museum in Washington, DC, where he organised the production of three wide-screen IMAX films, Blue Planet (1990), dealing with Earth, Destiny in Space, dealing with space exploration, and Cosmic Voyage, dealing with cosmic space and time. The latter film, released in 1996, was nominated for a 1997 Academy Award for best documentary.
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The last chapter of Gaudapada Karika has a different style than the first three, and it opens by expressing reverence for all "the greatest of men", who are like the cosmic space through their awareness of nonduality, free from self- contradictions and confusion, and who understand Dharma. Karikas 3–10 repeat some content from previous chapters, but with some word substitutions.For Sanskrit original and translation: RD Karmarkar (1953), Gaudapada Karika, Bhandarkar Oriental Research Institute, Poona, pages 32-33 with footnotes Karikas 11–13 quote the key duality premise of Samkhya school of Hindu philosophy, cross examines it, then asks how and why is cause eternal? The text states that the Samkhya premise "cause is born as its effect" leads to infinite regress, which is not persuasive.
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Tsiolkovsky, early space theorist The first theoretical proposal of space travel using rockets was published by Scottish astronomer and mathematician William Leitch, in an 1861 essay "A Journey Through Space". More well-known (though not widely outside Russia) is Konstantin Tsiolkovsky's work, "" (The Exploration of Cosmic Space by Means of Reaction Devices), published in 1903. Tsiolkovsky's rocketry work was not fully appreciated in his lifetime, but he influenced Sergey Korolev, who became the Soviet Union's chief rocket designer under Joseph Stalin, to develop intercontinental ballistic missiles to carry nuclear weapons as a counter measure to United States bomber planes. Derivatives of Korolev's R-7 Semyorka missiles were used to launch the world's first artificial Earth satellite, Sputnik 1, on October 4, 1957, and later the first human to orbit the Earth, Yuri Gagarin in Vostok 1, on April 12, 1961.
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" Vaclav Nelhybel crafts a supernatural world, describing nebulae, meteors, star clusters and craters on Mars with sounds natural and manipulated to tell the story of cosmic space. Beginning in the early 1970s, the term "space music" was applied to some of the output of such artists as Vangelis, Jean-Michel Jarre, Klaus Schulze and Tangerine Dream, due to the transcendent cosmic feelings of space evoked by the sound of the music and enhanced by the use of the emerging new instrument, the synthesizer,"a quartet of albums, Phaedra, Rubycon, Ricochet and Stratosfear, established the Dream's modus operandi with throbbing, cosmic rubber band rhythms thrumming like galactic space basses through floating mellotron pads, ghost flutes and electronic effects whirling by at hyperspeed. This was the soundtrack for countless planetarium shows... the first electronic music to shed the synthesizers reputation as cold and unfeeling... beyond emotion, into the sensual and the transcendent. It was as if the universe were wrapping you up in a warm velvet glove and showing you the wonders of existence.
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