Major sales have popped up across the online marketplace, often coquettishly quarantine-themed.
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"A Gun Show" almost coquettishly advertises its underlying uncertainties and flirts with its own impotence.
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She smiled coquettishly in her berry-colored lipstick, her face a floating mask above the white orb of the flash.
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One thing I like most about Victoria's statues is that she did not pose coquettishly or aim to please the eye.
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Huma Abedin posed for pictures, somewhat coquettishly, while Tracee Ellis Ross bewildered Andrew Garfield by greeting him in a mock-Cockney accent.
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Gleefully batting her eyes coquettishly and dramatically turning her head from side to side, Hadid enthusiastically belts out the tune's all-too-appropriate first line with a teasing wink.
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A FRENCHWOMAN'S GUIDE TO SEX AFTER SIXTY (Greystone, paper, $53), by the psychotherapist Marie de Hennezel, immediately catches your attention because the cover shows a woman of a certain age glancing coquettishly over the bedsheets.
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Decked out in vinyl coats and mod minis, Christine traversed the city, attending her fittings or studies or dates, occasionally staring coquettishly into the camera as she lamented the pressures of maintaining such an active lifestyle.
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In the season finale, we see Claire coquettishly sitting behind the desk of the Oval Office—perhaps testing it out—before she walks out of the White House and leaves Frank in the middle of his campaign.
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The series of photographs begins with the artist dressed in a Roman-style toga, which she gradually sheds and rewraps into a billowy loincloth, vamping coquettishly, until she ends with her arms raised in mimicry of the Crucifixion.
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Handke's political project in his literary work is more spiteful, devoting his significant prowess to the sly blurring of moral categories in what a German commentator in 19963 dubbed "a coquettishly playful relativisation" of the moral complicity of Serbians in the Milosevic-led massacre of nearly 200,000 people in Bosnia.
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With powerful female voices thriving in every area of industry, with a strong woman poised to become our next president, isn't it about time we abolished these antiquated dating rules that say men should be the pursuers and the providers, while women coquettishly accept or decline their advances — and their money — as if we are property to be bought?
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Gordy himself wrote the musical's book.) As Diana Ross, Gordy's love interest and one of his biggest discoveries, Allison Semmes, who understudied the role in the show's first go-round (and played the famously ousted Supreme, Florence Ballard), exudes a mixture of calculating ambition and youthful naïveté, coquettishly keeping an eye on the main chance even as a teenager.
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Dressed in black velvet gloves, a hip-length petticoat, and bunched fishnets, her stilettos coquettishly impaling the air, Eichelberger playfully balances on a lone chair as "Minnie the Maid" (1981); contrasting Minnie's lacquered, open-mouthed grin is the portrait "Ethyl Dressed as a Man," a close-up of Eichelberger in a buzz cut and pin-striped suit jacket, looking plain-faced and introspective.
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The Una Chula I is an 1885 painting by Luna depicting a street woman from Madrid who is turning her head flirtatiously. The Madrileña is naughtily and alluringly looking back at the spectator. Her head is skewed coquettishly with a complicit facial appearance. The female's façade, body, and bosom are "playful" and indicating a pretense of "sexual promise".
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He also is given dry clothes by Martin, namely the work clothes of the miller, who is in town and is only expected back in the evening. Gerius' strict master forester Tymoleon followed the apprentice foresters who undertook the trip without his permission and wants to surprise them here. Pauline, in the miller's dress, saves the eleven by coquettishly captivating Tymoleon and tempting him to kiss her. Müller conscientiously takes photos of this, and the Eleven take the opportunity make fun of their superiors kissing.
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The initial idea for the film came from a specific reference to a cousin Angélica, in a scene from Ana and the wolves (Spanish: Ana y los lobos), director Carlos Saura's previous work.Willem, Carlos Saura Interviews, p. 17 In Ana and the wolves there is an inconsequential bit of dialogue that occurs in the private conversation between the family matriarch and the title character. The old woman speaks of a certain cousin Angélica who, as a small child, coquettishly played with one of her sons.
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Enraged at herself for having made herself so vulnerable and for behaving so coquettishly, she dismisses Corthell, Landry, and Jadwin all at once. Jadwin, a man of persistence who is accustomed to getting what he wants, refuses to give up. Soon enough, Laura agrees to marry him. When her sister asks her if she truly loves Jadwin, Laura admits that though she "love[s] to be loved" and loves that Curtis is wealthy and willing to provide for her whatever she desires, she is not sure if she loves the man himself.
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Seela is known for an expressive vocal range, "one moment she rasps like a Jersey deli queen, the next she's cooing coquettishly."Raoul Hernandez, " Seela, Something Happened," Austin Chronicle March 3, 2000. This is evident in her solo work and when delivering jazz standards with the Jazz PharaohsJay Trachtenberg, "Old Man Time, Lament, One," Austin Chronicle April 23, 2004. or with TOrcH where she has been credited with "unswerving hipness" succeeding where others have failed "in melding her own style with those from the past."Michael Pronko, " Concert Previews, LIVE Torch," Japan Times May 8, 2005.
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Pressured by his mother to help find a caller for Laura, Tom invites Jim, an acquaintance from work, home for dinner. The delighted Amanda spruces up the apartment, prepares a special dinner, and converses coquettishly with Jim, almost reliving her youth when she had an abundance of suitors calling on her. Laura discovers that Jim is the boy she was attracted to in high school and has often thought of since, though the relationship between the shy Laura and the "most likely to succeed" Jim was never more than a distant, teasing acquaintanceship. Initially, Laura is so overcome by shyness that she is unable to join the others at dinner, and she claims to be ill.
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Fully cognizant of his identity, she coquettishly led her brother to the bed, making him believe that it was the night they could finally consummate. However, once again, with the help of The Forces That Be, at the last moment, she made sure that he was unable to enjoy the night with his older sister as his wife. From night to night, inn to inn, and bed to bed, she and The Forces That Be did not allow her younger brother to have a single night of pleasure with her even though she was his wife. All throughout their journey, though, he never allowed his desires to make him forceful or aggressive nor did he pursue for a reason for her rejection of his advances.
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He likens the song to "Under the Sea", and adds "the mambo is suitably energetic and, once again, acrobatically choreographed by Josh Bergasse". He also comments on Katharine McPhee's "much-remarked-upon blankness" in the song: "her eyes go a little dead... and her whole soul seems to wink out, as if covered by some protective nictating membrane", and adds that "the peak of the song takes her atop a spinning desk, where she looks mighty uncomfortable". He compares the makeover aspect of the song to Evita's "Rainbow High", and adds that sometimes the song was as "lyrically strained" Tim Rice's work, citing: "accenting the word 'the' to keep the rhythm, rhyming obsessively and ostentatiously, strenuously saying nothing and saying it repeatedly, and contracting words to cheat metrical death (e.g., fac'try for factory)", as ways in which "this number trades coquettishly in lyrical hedges that really push [his] buttons".
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In some villages, where the headman is an enthusiast for the pastime, > a trained band performs weird and wonderful step dances to the sound of the > drum. At a big dance, the trained band occupies the inner ring round the > fire, while the common folk, men and maids, in separate rings move round in > great circles in opposite ways. All are dressed for the occasion in their > best, bearing in their hands weird ornaments of wicker work, with garlands > of flowers on their necks and in their hair, feather ornaments humorously or > coquettishly placed. Seen in the glow of a huge log fire, glinting on the > shining beads and barbaric ornaments of the dancers, with the throb of the > drums and the beat of many feet moving in unison to the wild music of the > voices in chorus, a Madia dance is a spectacle not easily forgotten, but > lingers as a characteristic scene when other details have faded out of the > memory.
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