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68 Sentences With "conventionalism"

How to use conventionalism in a sentence? Find typical usage patterns (collocations)/phrases/context for "conventionalism" and check conjugation/comparative form for "conventionalism". Mastering all the usages of "conventionalism" from sentence examples published by news publications.

Again, some of the conventionalism on Trump's wealth ... he's speaking to this angry, disenfranchised, white, angry male.
As the columnist behind the Audubon Society's The Birdist's Rules of Birding, Lund walks a fine line between comedy and conventionalism at one of the world's oldest environmental organizations.
"The conventionalism states that California is the bluest state because of the rise of the Latino vote; that is true, but that is only half of the story," Madrid said.
I think there was also a part of me that liked tempering my fastidious long-term planning, my conventionalism, my seriousness with their wild spirits, their rejection of every social expectation.
Here are the arguments his supporters are making, per one of Bannon's allies in the White House: Abandon Bannon and move towards squishy conventionalism and you'll forever alienate your diehard base of supporters.
This adds dimensions to their sisterly quest, even if the harmonious emotions and good intentions never fully atone for the conventionalism of the blond-on-blond character design, the tiny waists, pert breasts, jeweled eyes and pale plastic-y skin.
And I love it because it was he was an old uncle, "Reagan is so optimistic", but he was optimistic about the goodness of America, that and I love the fact that he pointed that out because he always was cutting against the conventionalism.
In this chapter, Dworkin begins his three part, 3-tier assessment of law with his criticism of Conventionalism. He differentiated Conventionalism as falling into two different kinds, which are insufficient, in the end, to the needs of contemporary jurisprudence at the end of the 20th century leading to the start of the 21st century. Dworkin ends the chapter asserting the failure of Conventionalism.
An answer to this concern may well be germinally present in Piazza's critical but brief concluding discussion of conventionalism.
The relationship between composer Frédéric Chopin and writer George Sand can be understood as exemplifying free love in a number of ways. Behavior of this kind by figures in the public eye did much to erode the credibility of conventionalism in relationships, especially when such conventionalism brought actual unhappiness to its practitioners.
Without mentioning Russell or Helmholtz, Reichenbach takes general relativity to have refuted both Poincaré's geometrical conventionalism and Kant's geometrical apriorism.
For example, in geometry, Poincaré believed that the structure of non-Euclidean space can be known analytically. Poincaré held that convention plays an important role in physics. His view (and some later, more extreme versions of it) came to be known as "conventionalism".Yemima Ben-Menahem, Conventionalism: From Poincare to Quine, Cambridge University Press, 2006, p. 39.
Carroll's dialogue is apparently the first description of an obstacle to conventionalism about logical truth, later reworked in more sober philosophical terms by W.V.O. Quine.
Ben-Menahem devoted several papers and a book to conventionalism, a position first articulated by Henri Poincaré in the context of geometry. According to conventionalists, many of the assertions we take to express objective truths, are in fact conventions in disguise, derived from definitions or methodological decisions that are not forced on us by logic, mathematics, or empirical fact, and about which we have discretion. Ben-Menahem reads twentieth century science and philosophy from the perspective of the impact of conventionalism on these fields. The pronounced influence of conventionalism, according to her, is manifest in the philosophy of logic and mathematics, the theory of relativity, and the writings of leading twentieth century philosophers including Carnap, Wittgenstein, Putnam, and Quine.
Eventually reunited with his wife, the character fathers a monstrous child, who reaches enormous proportions and, in what is a reversal of happy end conventionalism, defecates on the entire audience.
In particular, Dworkin has characterized law as having the main function of restraining state's coercion. Nigel Simmonds has rejected Dworkin's disapproval of conventionalism, claiming that his characterization of law is too narrow.
Dingler's position is usually characterized as "conventionalist" by Karl Popper and others. Sometimes he is called a "radical conventionalist" (also referred to as "critical voluntarism" in the secondary literature),Peter Janich, Protophysics of Time: Constructive Foundation and History of Time Measurement, Springer, 2012. as by the early Rudolf Carnap. Dingler himself initially characterized it as "critical conventionalism", to contrast it with the "naïve conventionalism" of other philosophers such as Poincaré, but he himself later ceased to call his position conventionalist.
D. Malament, 2005. "Classical General Relativity" (gr-qc/0506065, to appear in Handbook of the Philosophy of Physics, eds. J. Butterfield and J. Earman, Elsevier) online Regarding whether simultaneity in special relativity, the Einstein synchronisation is conventional, Malament argues against conventionalism and is regarded by some as having refuted Adolf Grünbaum's argument for conventionalism. Grünbaum,A. Grünbaum. David Malament and the Conventionality of Simultaneity: A Reply, online as well as Sahotra Sarkar and John Stachel, don't agree, whereas Robert Rynasiewicz sides with Malament.
Conventionalism, as applied to legal philosophy is one of the three rival conceptions of law constructed by American legal philosopher Ronald Dworkin in his work Law's Empire. The other two conceptions of law are legal pragmatism and law as integrity. According to conventionalism as defined by Dworkin, a community's legal institutions should contain clear social conventions relied upon which rules are promulgated. Such rules will serve as the sole source of information for all the community members because they demarcate clearly all the circumstances in which state coercion will and will not be exercised.
From its Biblical and legendary conventionalism Poliziano emancipated himself in his Orfeo, which, although in its exterior form belonging to the sacred representations, yet substantially detaches itself from them in its contents and in the artistic element introduced.
The position of conventionalism states that there is no fact of the matter as to the geometry of space and time, but that it is decided by convention. The first proponent of such a view, Henri Poincaré, reacting to the creation of the new non-Euclidean geometry, argued that which geometry applied to a space was decided by convention, since different geometries will describe a set of objects equally well, based on considerations from his sphere-world. This view was developed and updated to include considerations from relativistic physics by Hans Reichenbach. Reichenbach's conventionalism, applying to space and time, focuses around the idea of coordinative definition.
389, 421. See also Suciu, p.106 During this phase, Macedonski made known his sympathy for the disinherited, from girls forced into prostitution to convicts sentenced to penal labor on salt mines, and also spoke out against the conventionalism of civil marriages.Călinescu, p.524; Vianu, Vol.
In the eighties there was a definite improvement in the scenic design, and second the definite change in orientation from conventionalism to more naturalistic. It was also during this period stage managers were introduced. They were the modern directors and producers. Before, things related to theatre were very chaotic.
The debate on linguistic conventionalism goes back to Plato's Cratylus and the philosophy of Kumārila Bhaṭṭa. It has been the standard position of modern linguistics since Ferdinand de Saussure's l'arbitraire du signe, but there have always been dissenting positions of phonosemantics, recently defended by Margaret Magnus and Vilayanur S. Ramachandran.
4, p. 512. and in 1911 began publication of Ruch Filozoficzny (The Philosophical Movement). There was growing interest in western philosophical currents, and much discussion of Pragmatism and Bergsonism, psychoanalysis, Henri Poincaré's Conventionalism, Edmund Husserl's Phenomenology, the Marburg School, and the social-science methodologies of Wilhelm Dilthey and Heinrich Rickert.
Dordrecht: Kluwer, pp. 187 -231. In the philosophy of physics Sarkar is known for controversially defending the conventionalism of simultaneity in special relativity (with John Stachel)Sarkar, S. and Stachel, J. 1999. Did Malament Prove the Non- Conventionality of Simultaneity in the Special Theory of Relativity? Philosophy of Science 66: 208 -220.
She also has a vague interest and substantial talent for running, which she usually does when overwhelmed. Her favorite food is pizza and her favorite television show is fictional oddity news program Sick, Sad World. Jane's only real dislikes are materialism, conventionalism and commercialism, societal expectations she has condemned. Jane also has a dislike for mathematics.
Sameness of length, to the contrary, must be set by definition. Such a use of coordinative definition is in effect, on Reichenbach's conventionalism, in the General Theory of Relativity where light is assumed, i.e. not discovered, to mark out equal distances in equal times. After this setting of coordinative definition, however, the geometry of spacetime is set.
In this chapter, Dworkin tells his readers that there are three types of law with which he is primarily concerned. These three areas of law are outlined as (a) Conventionalism, (b) Pragmatism (semantic theory), and (c) Law as integrity. Dworkin shall make a primary point of defending Law as integrity throughout the subsequent chapters of his text.
He rejected in the domain of religious dogmas, abstract reasonings and speculative theology in favour of instinctive faith, heart and sentiment. He was one of those close to Bergson who encouraged him to turn to the study of mysticism, explored in his later works. His conventionalism led his works, charged of modernism, to be placed on the Index by the Holy See.
Conventionalism is the philosophical attitude that fundamental principles of a certain kind are grounded on (explicit or implicit) agreements in society, rather than on external reality. Unspoken rules play a key role in the philosophy's structure. Although this attitude is commonly held with respect to the rules of grammar, its application to the propositions of ethics, law, science, mathematics, and logic is more controversial.
The alumni of the Lwów school entered three distinct fields. Some devoted themselves to psychology: Stefan Błachowski (1889–1962), professor at Poznań, entirely; Władysław Witwicki (1878–1948), professor at Warsaw, partly. Others pursued the theory of knowledge: they included Kazimierz Ajdukiewicz (1890–1963), professor at Lwów, and after World War II at Poznań, whose views resembled Neopositivism and who developed an original theory of radical Conventionalism.
Therefore, when one uses a language, even scientific one, a conceptual apparatus, an untranslatable set of meanings, is needed too, and with it a choice of the problems to be settled. For this reason the theory is a form of conventionalism, and it is radical because even simple experiential reports are exposed to these language-wide considerations. Ajdukiewicz discarded this theory as the 1930s progressed.
Hugo Dingler's critical voluntarism in the philosophy of science is a form of conventionalism which posits that theorizing in the sciences starts with an unavoidable free decision of the will.Peter Janich, Protophysics of Time: Constructive Foundation and History of Time Measurement, Springer, 2012. The successor school of Dingler's critical voluntarism is the methodical constructivism of the Erlangen School (cf. also the methodical culturalism of the Marburg School).
In contrast, philosophers should seek general agreements over the relevance of certain logical devices. According to Carnap, those agreements are possible only through the detailed presentation of the meaning and use of the expressions of a language. In other words, Carnap believes that every logical language is correct only if this language is supported by exact definitions and not by philosophical presumptions. Carnap embraces a formal conventionalism.
341 He and his wife were both characters in Ion Vinea's novels Venin de mai ("May Venom") and Lunatecii ("The Lunatics")—Alexandru as Adam Gună, Domnica as wife Iada Gună.Cernat, Avangarda, p.41, 43; Mitchievici, p.339, 343, 344–351, 354 Both novels portray the Bogdans' cultural circle, allude to their influence in making young people reject all conventionalism, and show them promoting vice as virtue.
Building from a mix of insights from the historical debates of absolutism and conventionalism as well as reflecting on the import of the technical apparatus of the General Theory of Relativity, details as to the structure of space-time have made up a large proportion of discussion within the philosophy of space and time, as well as the philosophy of physics. The following is a short list of topics.
Giedymin was convinced that Henri Poincaré's conventionalist philosophy was fundamentally misunderstood and thus underestimated. Giedymin argues that Poincaré was at the origin of much of the 20th century's innovations in relativity theory and quantum physics. Giedymin's standpoint was much influenced by his exposure to Kazimierz Ajdukiewicz's perception of the history of ideas which in defiance of traditional empiricism reviews the philosophy of science of the early 20th century in the light of pragmatic conventionalism.
In his early epistemological system, which he called Radical Conventionalism, Ajdukiewicz analyzed any language as a set of expressions or sentences, with inferential rules of meaning that specify the relation of one expression to another, or to external data. There are three kinds of rules: Axiomatic, Deductive, and Empirical. Following the rules, one can map all knowable sentences of a language. However, some languages' vocabularies can produce disconnected sentences, which are only partly mapped by the meaning rules.
Against the conventionalism that the distinction between nature and custom could engender, Socrates and his philosophic heirs, Plato and Aristotle, posited the existence of natural justice or natural right (dikaion physikon, δίκαιον φυσικόν, Latin ius naturale). Of these, Aristotle is often said to be the father of natural law. Aristotle's association with natural law may be due to the interpretation given to his works by Thomas Aquinas. But whether Aquinas correctly read Aristotle is in dispute.
In a 1905 letter to their parents, João Batista tells that little Júlio "is bad at writing, and a failure in mathematics". His report card at the Colégio Pedro II in Rio de Janeiro records that he once failed an Algebra exam, and barely passed one on Arithmetics. He later attributed these results to the teaching practices of the time, based on "the detestable method of salivation". However, he did give signs of his originality and non- conventionalism in other ways.
Dworkin nonetheless has argued that this justification fails to fit with facts as there are many occasions wherein clear applicable legal rules are absent. It follows that, as he maintained, conventionalism can provide no valid ground for state coercion. Dworkin himself favored law as integrity as the best justification of state coercion. One famous criticism of Dworkin's idea comes from Stanley Fish who argues that Dworkin, like the Critical Legal Studies movement, Marxists and adherents of feminist jurisprudence, was guilty of a false 'Theory Hope'.
Pierre, Marcel, Jean-Jacques and Jacques Guerlain at the Vallée Coterel, Les Mesnuls, 1956. :"Jacques Guerlain emblematised taste, refinement, education, ambiance and a love of dogs and horses," wrote Guy Robert, former president of the French Society of Perfumers.Robert, Guy. Les Sens Du Parfum. Paris: OEM, 2000. Print. In contrast to François Coty, Ernest Daltroff or Paul Parquet, autodidactic perfumers who revolutionised early 20th century perfumery, Jacques Guerlain distinguished himself by his shrewd discernment and wary conventionalism, no doubt informed by the weight of family heritage.
Donald C. Williams, 11 March 1960 Williams was at the height of his career in the 1940s and 1950s. During this period the type of metaphysics he pursued was unpopular and ridiculed by logical positivism, ordinary language philosophy, and the later Wittgenstein. He was among a select few whose work in metaphysics persisted and made an impact on later philosophers. In addition, he fought back on various occasions – first against logical positivism and its verificationist theory of meaning and conventionalism about the a priori, and second against Wittgensteinian critiques of metaphysics.
Kohlberg's stages of moral development have been read as creating a hierarchy of increasing moral complexity,Society and the Highest Stage of Moral Development ranging from the premoral at the bottom, through the midrange of conventionalism, up to the apex of self- selected morality.Jane Loevinger, Ego Development (1976) p. 119-20 In similar fashion, Robin Skynner viewed moral ideas (such as the 'myths' of Charis Katakis) as being interpretable at different levels, depending on the degree of mental health attained;R. Skynner/J. Cleese, Life and how to survive it (1994) p.
This resulted in a fear of them and thus a development of defense mechanisms to avoid confronting them. Authoritarian personality types are persons described as swinging between depending on yet resenting authority. The syndrome was theorized to encompass nine characteristics; conventionalism, authoritarian submission, authoritarian aggression, anti-intraception (an opposition to subjective or imaginative tendencies), superstition and stereotypy, power and toughness, destructiveness and cynicism, sex obsession, and projectivity. The authoritarian personality type is suggested to be; ethnocentric, ego-defensive, mentally rigid, conforming and conventional, adverse to the out of the ordinary, and as having conservative political views.
17 Păun contributed to the "Group of Five"'s volume Éloge de Malombra ("Malombra's Eulogy"). It was in part a tribute to the 1942 film and the character played by Isa Miranda, echoes of which, according to Hasan, may also be discerned in Păun's ink drawings (see Friedman's analysis of the Éloge in Yaari, ed.). The imposition of a communist regime, occurring in stages after 1946, was a bitter disappointment for the surrealist group. They found themselves confronted with socialist realism, political censorship, and erotic conventionalism: some of the group's members were prevented from publishing until the liberalization of 1964.
Luis Cernuda could say: "Your verse is like nothing else." And in effect his style brings unpublished stylistic novelties such as the inverted simile (Swords like Lips) or the equivalent disjunctive nexus (Destruction or Love), the hyperbole adds, the uncoded dream symbol, enriching without question the stylistic possibilities of the Spanish poetic language, just as Garcilaso, Góngora and Rubén Darío, each one a great renovator of lyric language, did in the past. The poet celebrates love as a natural, ungovernable force that breaks down all human limitations and criticizes the conventionalism with which society attempts to conquer it.
Within the Málaga School of Painting, Martínez de la Vega represented "vanguardism without rupture", and he was the most closely connected to the new European artistic tendencies of the time. Since he did not travel much, biographers speculate that he was influenced by the new movements through illustrated art magazines and contact with more internationally connected colleagues. Throughout his career he rejected landscape painting (which was popular at the time) and narrative conventionalism. Sauret and Chaves distinguish three different artistic periods in his career: \- From 1863 to 1877, under the academical influence of Federico de Madrazo, he developed a romantic style, with a carefully drawn trace and classical composition.
Fish claims that such mistake stems from their mistaken belief that there exists a general or higher 'theory' that explains or constrains all fields of activity like state coercion. Another criticism is based on Dworkin's assertion that positivists' claims amount to conventionalism. H. L. A. Hart, as a soft positivist, denies such claim as he had pointed out that citizens cannot always discover the law as plain matter of fact. It is however unclear as to whether Joseph Raz, an avowed hard positivist, can be classified as conventionalist as Raz has claimed that law is composed "exclusively" of social facts which could be complex, and thus difficult to be discovered.
He developed a Right-wing Authoritarianism (RWA) scale based on the traits; authoritarian submission, authoritarian aggression, and conventionalism. Altmeyer (1996) suggested that those who score high on the F-scale have a low ability for critical thinking and therefore are less able to contradict authority. Altmeyer's theories also incorporate the psychodynamic point of view, suggesting that authoritarian personality types were taught by their parents to believe that the world was a dangerous place and thus their impulses lead them to make impulsive, emotional and irrational decisions. The beliefs and behavior of an authoritarian are suggested to be easily manipulated by authority instead of being based on internal values.
VII–XIV, XXIV The young author had a special appreciation for the 19th century national poet, Mihai Eminescu. Familiar with Eminescu's entire poetic work, he was one of the young poets who tried to reconcile Eminescu's Neoromantic, ruralizing, traditionalism with the urban phenomenon that was Symbolism.Cernat, p. 11, 36; Tomescu (2005), p. 230–231. Of the traditionalist poems he composed under such influences, the few explicitly patriotic ones have been deemed "extreme in their conventionalism" by Cernat: "Totuși, poezia patriotică", in Observator Cultural, Nr. 100, January 2002 While Fondane continued to credit Minulescu's radical and jocular Symbolism as a main influence on his own poems, this encounter was overall less significant than his enthusiasm for Eminescu;Tomescu (2005), p.
His habilitation thesis at the University of Rostock, Das Wesen der Wahrheit nach der modernen Logik (The Nature of Truth According to Modern Logic), was published in 1910. Several essays about aesthetics followed, whereupon Schlick turned his attention to problems of epistemology, the philosophy of science, and more general questions about science. In this last category, Schlick distinguished himself by publishing a paper in 1915 about Einstein's special theory of relativity, a topic only ten years old. He also published Raum und Zeit in der gegenwärtigen Physik (Space and Time in Contemporary Physics), which extended his earlier results by applying Poincaré's geometric conventionalism to explain Einstein's adoption of a non-Euclidean geometry in the general theory of relativity.
Luca Ion Caragiale (; also known as Luki, Luchi or Luky Caragiale; 3 July 1893 – 7 June 1921) was a Romanian poet, novelist and translator, whose contributions were a synthesis of Symbolism, Parnassianism and modernist literature. His career, cut short by pneumonia, mostly produced lyric poetry with cosmopolitan characteristics, distinct preferences for neologisms and archaisms, and willing treatment of kitsch as a poetic subject. These subjects were explored in various poetic forms, ranging from the conventionalism of formes fixes, some of which were by then obsolete, to the rebellious adoption of free verse. His poetry earned posthumous critical attention and was ultimately collected in a 1972 edition, but sparked debates among literary historians about the author's contextual importance.
Consequently, Poincaré's extension of the relativity principle of relative motion into the dynamics of the electron resided in electromagnetic theory, and not in mechanics...Poincaré came closest to rendering electrodynamics consistent, but not to a relativity theory." p. 217: "Poincaré related the imaginary system Σ' to the ether fixed system S'". Miller (1996) argues that Poincaré was guided by empiricism, and was willing to admit that experiments might prove relativity wrong, and so Einstein is more deserving of credit, even though he might have been substantially influenced by Poincaré's papers. Miller also argues that "Emphasis on conventionalism ... led Poincaré and Lorentz to continue to believe in the mathematical and observational equivalence of special relativity and Lorentz's electron theory.
In several papers, Elie Zahar (1983, 2000) argued that both Einstein (in his June paper) and Poincaré (in his July paper) independently discovered special relativity. He said that "though Whittaker was unjust towards Einstein, his positive account of Poincaré's actual achievement contains much more than a simple grain of truth". According to him, it was Poincaré's unsystematic and sometimes erroneous statements regarding his philosophical papers (often connected with conventionalism), which hindered many to give him due credit. In his opinion, Poincaré was rather a "structural realist" and from that he concludes, that Poincaré actually adhered to the relativity of time and space, while his allusions to the aether are of secondary importance.
Sir Karl Popper in 1990 Karl Popper accused Plato of trying to base religion on a noble lie as well. In The Open Society and Its Enemies, Popper remarks, "It is hard to understand why those of Plato's commentators who praise him for fighting against the subversive conventionalism of the Sophists, and for establishing a spiritual naturalism ultimately based on religion, fail to censure him for making a convention, or rather an invention, the ultimate basis of religion." Religion for Plato is a noble lie, at least if we assume that Plato meant all of this sincerely, not cynically. Popper finds Plato's conception of religion to have been very influential in subsequent thought.
Such indications, too, of landscape as are to be found are of the classical type, not conventional in the sense of medieval conventionalism, but still attempting to follow nature, even if in an imperfect fashion; just as in the Pompeian and other frescoes of the Roman age. Of even greater value from an artistic point of view are the miniatures of the Vatican manuscript of Virgil, known as the Vergilius Vaticanus, of the early 5th century. They are in a more perfect condition and on a larger scale than the Ambrosian fragments, and they therefore offer better opportunity for examining method and technique. The drawing is quite classical in style, and the idea is conveyed that the miniatures are direct copies from an older series.
Cutting Ball Theater is a San Francisco-based theater company that experiments with theatrical form, beyond naturalism and conventionalism, to tell relevant stories that embolden and engage audiences. They are active citizens of our Tenderloin neighborhood and provide a theater educational program that introduces Tenderloin and Bay area youth to both experiencing and creating theater.Member Companies section of Theatre Bay Area New works performed by Cutting Ball include Bay Area premieres by American playwrights Will EnoReview of "Lady Grey in ever lower light" in San Francisco Chronicle, March 19, 2011 and Eugenie Chan.Review of "Bone to Pick" and "Diadem" in San Francisco Chronicle, January 22, 2011 The company was founded in 1999 by theater artist Rob Melrose and Artistic Director Paige Rogers.
Berlin Circle was created in the late 1920s by Hans Reichenbach, Kurt Grelling and Walter Dubislav and composed of philosophers and scientists such as Carl Gustav Hempel, David Hilbert and Richard von Mises. Its original name was Die Gesellschaft für empirische Philosophie, which in English may be translated as "the society for empirical philosophy". Together with the Vienna Circle, they published the journal Erkenntnis ("Knowledge") edited by Rudolf Carnap and Reichenbach, and organized several congresses and colloquia concerning the philosophy of science, the first of which was held in Prague in 1929."Berlin Circle" entry in the Internet Encyclopedia of Philosophy The Berlin Circle had much in common with the Vienna Circle, but the philosophies of the circles differed on a few subjects, such as probability and conventionalism.
His work is grounded in reality and he criticises poets, such as Juan Ramón Jiménez, who try to escape from or ignore reality. In the words of Villena, "Cernuda defends liberty, anti- conventionalism, joy, faithfulness to your own destiny, the individual leading the way for other people, a blend of stoicism and epicureanism." He goes on to compare the satirical poems in Cernuda's final collection to those of Persius, Juvenal and Quevedo as they are not merely personal attacks but also defences of a moral code that is different from that held by the person being attacked, a different set of ethics.Villena intro to edition of Las Nubes p 49 Towards the end of his life, Cernuda was gratified to learn that a younger generation of Spanish writers were taking an interest in his work.
Diniz possessed a poetic temperament, but his love of imitating the classics, whose spirit he failed to understand, fettered his muse, and he seems never to have perceived that mythological comparisons and pastoral allegories were poor substitutes for the expression of natural feeling. The conventionalism of his art prejudiced its sincerity, and, inwardly cherishing the belief that poetry was unworthy of the dignity of a judge, he never gave his real talents a chance to display themselves. His Anacreontic odes, dithyrambs and idylls earned the admiration of contemporaries, but his Pindaric odes lack fire, his sonnets are weak, and his idylls have neither the truth nor the simplicity of Quita's work. As a rule Diniz's versification is weak and his verses lack harmony, though the diction is beyond cavil.
In 2005, Stenner published The Authoritarian Dynamic, which is an investigation into authoritarian personality types and how they become politically activated. She posits that prior research on authoritarianism has suffered primarily from tautological assertions and has otherwise failed to produce a coherent theory which is consistent cross-nationally, and which can successfully account for how authoritarian expressions fluctuate with diverse sociopolitical conditions. In particular, she asserts that Bob Altemeyer's right-wing authoritarianism (RWA) scale is best understood as a measure of expressed authoritarianism, and that other measures are needed to assess authoritarian predispositions. To this end, she rejects Altemeyer's "social learning" interpretation and instead argues that authoritarianism is a dynamic response to perceived external threats; not a static personality type based only on the traits of submission, aggression and conventionalism.
In June 1920, the University of Cambridge honoured him with the degree of Doctor of Letters. In order that he might devote his full-time to the great new work he was preparing on ethics, religion, and sociology, the Collège de France relieved Bergson of the duties attached to the Chair of Modern Philosophy there. He retained the chair, but no longer delivered lectures, his place being taken by his disciple, the mathematician and philosopher Édouard Le Roy, who supported a conventionalist stance on the foundations of mathematics, which was adopted by Bergson.See Chapter III of The Creative Evolution Le Roy, who also succeeded to Bergson at the Académie française and was a fervent Catholic, extended to revealed truth his conventionalism, leading him to privilege faith, heart and sentiment to dogmas, speculative theology and abstract reasoning.
A Personal Journey with Martin Scorsese Through American Movies is a 1995 British documentary film of 225 minutes in length, presented by Martin Scorsese and produced by the British Film Institute.Rotten Tomatoes In the film Martin Scorsese examines a selection of his favorite American films grouped according to four different types of directors: the director as storyteller; the director as an illusionist such as D.W. Griffith and F. W. Murnau, who created new editing techniques among other innovations that made the appearance of sound and color possible later on; the director as a smuggler such as filmmakers Douglas Sirk, Samuel Fuller, and Vincente Minnelli, who used to hide subversive messages in their films; and the director as an iconoclast, those filmmakers attacking social conventionalism such as Charles Chaplin, Erich von Stroheim, Orson Welles, Elia Kazan, Nicholas Ray, Stanley Kubrick, Arthur Penn, and Sam Peckinpah.
Worrall, J. and Zahar, E. (2001), "Ramseyfication and Structural Realism", Appendix IV in E. Zahar, Poincare's Philosophy: From Conventionalism to Phenomenology, Chicago and La Salle (IL): Open Court. Ramsey-style epistemic structural realism is distinct from and incompatible with the original Russellian epistemic structural realismVotsis, I. (2004), The Epistemological Status of Scientific Theories: An Investigation of the Structural Realist Account, University of London, London School of Economics, PhD Thesis, p. 122. (the difference between the two being that Ramsey-style ESR makes an epistemic commitment to Ramsey sentences, while Russellian ESR makes an epistemic commitment to abstract structures, that is, to (second-order) isomorphism classes of the observational structure of the world and not the (first-order) physical structure itself).Votsis, I. (2004), The Epistemological Status of Scientific Theories: An Investigation of the Structural Realist Account, University of London, London School of Economics, PhD Thesis, pp.
The Carolingian Pepin the Short conquered Narbonne from the Arabs in 759 after which it became part of the Carolingian Viscounty of Narbonne. He invited, according to Christian sources, prominent Jews from the Caliphate of Bagdad to settle in Narbonne and establish a major Jewish learning center for Western Europe.Trigano – The Conventionalism of social Bonds and the Strategies of Jewish Society in the Thirteenth Century; Byrd – The Jesus Gene: A messianic Bloodline, the Jews and Freemasonry accessdate=2012-02-16 In the 12th century, the court of Ermengarde of Narbonne (reigned 1134 to 1192) presided over one of the cultural centers where the spirit of courtly love was developed. Narbonne in the late 19th century In the 11th and 12th centuries, Narbonne was home to an important Jewish exegetical school, which played a pivotal role in the growth and development of the Zarphatic (Judæo-French) and Shuadit (Judæo-Provençal) languages.
The work of Gustave Courbet and the Barbizon school are logical developments from it, as is the late nineteenth century Symbolism of such painters as Gustave Moreau, the professor of Henri Matisse and Georges Rouault, as well as Odilon Redon. Academic painting developed at the Ecole des Beaux-Arts was the most successful with the public and the State : highly trained painters like Jean-Léon Gérôme, William Bouguereau and Alexandre Cabanel painted historical scenes inspired by the antique, following the footsteps of Ingres and the neoclassics. Though criticized for their conventionalism by the young avant-garde painters and critics, the most talented of the Academic painters renewed the historical genre, drawing inspiration from multiple cultures and techniques, like the Orient and the new framings made possible by the invention of photography For many critics Édouard Manet wrote of the nineteenth century and the modern period (much as Charles Baudelaire does in poetry). His rediscovery of Spanish painting from the golden age, his willingness to show the unpainted canvas, his exploration of the forthright nude, and his radical brush strokes are the first steps toward Impressionism.

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