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19 Sentences With "contextualises"

How to use contextualises in a sentence? Find typical usage patterns (collocations)/phrases/context for "contextualises" and check conjugation/comparative form for "contextualises". Mastering all the usages of "contextualises" from sentence examples published by news publications.

The annual ESMO Congress, held every year is attended by 25,000 participants. The congress presents the latest scientific developments in basic, translational and clinical cancer research and contextualises new findings for practical implementation in every day patient care.
Narrative contextualises abstract concepts and provides a scaffold for the transfer of knowledge within specific contexts and environments.Fiore, S., Metcalf, D., & McDaniel, R. (2007). Theoretical foundations of experiential learning. In M.L. Silberman (Ed.), The Handbook of Experiential Learning (33-58).
Its membership is predominantly Māori and Polynesian, intergenerational, and from all levels of the socio-economic sections of New Zealand society. Brian Tamaki is himself Māori, and the church has been identified as part of the Māori cultural renaissance of recent years.Peter Lineham contextualises Destiny Church as a part of a broader cultural phenomenon in "Wanna be in my gang? ". The Listener.
Being Human attempts to outline both the capabilities and the restrictions network communication can bring. The project has been exhibited in various forms of new media from video festivals to international shows. From 2007, Abrahams' work delves into and contextualises how people react and form relationships in distributed online groups, for example in Huis Clos / No Exit and Angry Women. She has collaborated with a number of artists including Mark River, MTAA, Nicolas Frespech, Igor Stomajer and Antye Greie.
He did this by depicting schoolboys as Christian's companions on his pilgrimage and contextualises Bunyan's allegory perfectly. In the left-hand window Christian starts off on his journey carrying his "burden" on his back as he walks forward, leaving the "City of Destruction" for the "Celestial City", and face the temptations ahead. Schoolboys are depicted as his fellow pilgrims. In the right-hand window, Mr Valiant hands on the sword to one of the schoolboy pilgrims.
Luxembourg was where Edward Steichen was born in 1879, in Bivange. The exhibition was first presented in the Castle in 1994 after restoration of the prints. The layout of the inaugural exhibition at MoMA is followed in order to recreate the original viewing experience, though necessarily adapted to the unique space of two floors of the restored Castle. Since further restoration of the photographs and displays in 2003 it now incorporates a library and contextualises The Family of Man with historical material and interpretation.
Napoleon's Egyptian campaign (1798–1801) inspired Egyptomania. During the nineteenth-century, Napoleon's Egyptian campaign (1798–1801), combined with the translation of the Rosetta Stone, led many Europeans to become fascinated with Egyptian art, architecture, science and religion, a fascination that became known as Egyptomania. Egyptomania caused to mummies becoming an "enduring theme in Western fiction". In his Horror Literature through History: An Encyclopedia of the Stories that Speak to Our Deepest Fears: Volume 1, Matt Cardin contextualises "Lot No. 249" as an example of Egyptomania.
The only members of the cabinet office to be spared a midterm exit were the Vice President and Minister of Home Affairs, Moody Awori, and the Attorney General whose position is constitutionally protected. A new cabinet of Kibaki loyalists, including MP's from the opposition, termed the Government of National Unity (GNU), was thereafter appointed, but some MP's who were offered ministerial positions declined to take up posts. IRIN News. 11 July 2006 A report by a Kenyan Commission of Inquiry, the Waki Commission, contextualises some issues.
In December 2016, Labour adopted the working definition. It was formally accepted at the 2017 Labour Party Conference. In July 2018, the Labour Party National Executive Committee (NEC) adopted without a vote a definition of antisemitism based on the IHRA definition, although it removed or amended four out of eleven examples of what allegedly constitutes antisemitism, added an additional three examples and amended points showing how criticising Israel can be antisemitic. Labour said the wording in the code of conduct "expands on and contextualises" the IHRA examples.
If this was the poet, then it would establish that one of his functions was as notary for the abbey, an institution which possessed and managed a vast portfolio of territory across Scotland.The scholar John MacQueen contextualises this record of the poet as a notary in Scotland against the Act of 1469 which gave James III power to appoint notaries public over and above the rights of the Pope and the Holy Roman Emperor and the consequent expulsion of notaries appointed by the Emperor Frederick III of Germany.
From October to November 2010, she exhibited Ara: A New Face of the Old World at the 198 Gallery in London. As a photographer her work has been published in France, UK, China, India and Bangladesh, in magazines and newspapers including Songlines, Le Monde, and L'Parisian. In September 2010, her first book The Legend of Ara was published, the book is a photographic poetic narrative of a mythical character. Her approach to photography contextualises people, places and environments and as an artist she considers herself a Visual-Anthro-Mythologist.
Engelhardt's history is interspersed with cameo appearances by other figures from German cultural history, such as Hermann Hesse, Thomas Mann and Franz Kafka. The first of Kracht's novels not to be narrated in the first-person, the omniscient narrator informs us of the protagonist's thoughts and contextualises Engelhardt's life within the broader scope of twentieth-century history. Imperium created a stir in Germany even before its publication. Writing in Der Spiegel, critic Georg Diez suggested that the novel "above all shows the author's proximity to extreme right-wing ideas".
Although Aesop is portrayed as Greek, and dressed in the short Greek tunic, the all-black production contextualises the story in the recent history of South Africa. The former slave, we are told "learns that liberty comes with responsibility as he journeys to his own freedom, joined by the animal characters of his parable-like fables."Cape Argus, 31 May 2010 One might compare with this Brian Seward's Aesop's Fabulous Fables (2009), which first played in Singapore with a cast of mixed ethnicities. In it Chinese theatrical routines are merged with those of a standard musical.
This perspective contextualises the historical, political and indigenous cultural dynamics that shaped both the written and oral forms of literature (orature) of Africa past and present. If African orature depends on community and social setting, it can be said that ore "grows out of tradition and keeps tradition alive".Simon Gikandi, Encyclopedia of African Literature, Routledge, 2003, p. 570. Present-day spoken-word and performance poetry, with its multidimensional forms of expression incorporating song, story-telling narratives, rhythm, rhyme, verse, movement/dance plus the modern media forms of digital recording, composition and video projection, can be viewed as logical evolutions of the ancient indigenous oral traditions.
Maeder has worked as an editor and producer for the Swiss radio station SRF and has been working as a curator and researcher at the Institute for Computer Music and Sound Technology (ICST) of the Zurich University of the Arts ZHdK since 2005. Maeder furthermore works since 2016 as a research assistant at the Swiss Federal Institute for Forest, Snow and Landscape Research WSL. In his research at the ICST, Maeder is working on data sonification of ecophysiological and climatic processes and studying the acoustic and aesthetic requirements for making them perceptible. Maeder contextualises his scientific and artistic work in the fields of Acoustic and Soundscape Ecology.
This prestigious literary heritage contextualises the survival of nearly one hundred riddles in the tenth-century Exeter Book, one of the main surviving collections of Old English verse. The riddles in this book vary in subject matter from ribald innuendo to theological sophistication. Three, Exeter Book Riddle 35 and Riddles 40/66, are in origin translations of riddles by Aldhelm (and Riddle 35 the only Old English riddle to be attested in another manuscript besides the Exeter Book). Unlike the pithy three-line riddles of Symphosius, the Old English riddles tend to be discursive, often musing on complex processes of manufacture when describing artefacts such as mead (Exeter Book Riddle 27) or a reed-pen or -pipe (Exeter Book Riddle 60).
The case Overseas Tankship (UK) Ltd v Morts Dock and Engineering Co Ltd (The Wagon Mound) [1961] AC 388 is comparable on its commentary on reasonable foreseeability to Chapman v Hearse. The obiter dicta from Overseas Tankship (UK) Ltd v Morts Dock and Engineering Co Ltd (The Wagon Mound) [1961] AC 388 argued that a reasonable man, concerned for the safety of others would avoid the risk of putting others in harms way.Overseas Tankship (UK) Ltd v Morts Dock & Engineering Company Ltd [1961] UKPC 2 (18 January 1961). In relation to Chapman v Hearse, it contextualises how the appellant should have considered the implications of his actions on others and whether the end result of the appellants negligence (the death of Dr Cherry) was truly reasonably foreseeable.
Whether the corpse of such a gladiator could be redeemed from further ignominy by friends or familia is not known.. Dis Pater and Jupiter Latiaris rituals in Tertullian's Ad Nationes, 1.10.47: Tertullian describes the offering of a fallen gladiator's blood to Jupiter Latiaris by an officiating priest – a travesty of the offering of the blood of martyrs – but places this within a munus (or a festival) dedicated to Jupiter Latiaris; no such practice is otherwise recorded, and Tertullian may have mistaken or reinterpreted what he saw. The bodies of noxii, and possibly some damnati, were thrown into rivers or dumped unburied;. Kyle contextualises Juvenal's panem et circenses – bread and games as a sop to the politically apathetic plebs (Satires, 4.10) – within an account of the death and damnatio of Sejanus, whose body was torn to pieces by the crowd and left unburied.
Recently he has begun to work on the question of the ethics of reconciliation: drawing on the South African experience he has carried out a pioneering work in the context of Cyprus. The study focused on the experiences, historical and contemporary, of two generations – fifty-year- olds who were in the prime of their youth in the early 1970s and their “children” who were born after 1974. The study he conducted, as well as his interventions, marked a paradigm shift on Cypriot sociological thinking, as well as peace thinking in general: whilst recognising that “ethnicity matters”, it contextualises it but most importantly it relativises this particular “hard variable” as one in six. This allows for a shift forward the debate on the institutional, structural and process-related factors across and beyond an essentialised and reductionist notion of ethnic community.

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