106 Sentences With "contempo" | Random Sentence Generator

A: My first job was at age 14 at Contempo Casuals.

According to Bravo, Madrazo owns Contempo Models, the largest modeling agency in Latin America.

" Variety wrote, "This slacker prince forms a sinkhole at the center of adaptor-helmer Michael Almereyda's otherwise compelling contempo update.

Digiday reports that companies like Cybrid Media and Contempo are handling the brokerage of deals for sites like Mic, Rolling Stone, Slate and Knowable.

The Contempo collapses to half its thickness so it's easy to roll under a bed or tuck against the side of the hotel room closet.

All I wanted was to be able to stroll into Delia's and Contempo Casuals and walk out with armfuls of shopping bags like my slimmer friends.

Cher and Dionne Davenport were the chic California teenagers that I yearned to dress like and whose shopping habits I aspired to live out: Calvin Klein, Contempo Casual, Fred Segal, Boulmiche.

At age 10, she showed up to school "in thigh-high stockings, a plaid miniskirt from Contempo Casuals and loafers, and ... [with] a feather-topped pen," she told the Business of Fashion.

The second President Bush was in the White House; Lindsay Lohan had a career, and Paris Hilton was parading around in flimsy, thousand-dollar halter dresses that would've looked more at home on a Contempo Casuals sales rack.

And thanks to the founder himself, in partnership with Urban Outfitters, you can now buy a pair of his famous SLINKY platforms (now called the SCRUNCHY) or the new, equally as 90s-inspired CONTEMPO sandals by simply signing onto UrbanOutfitters.com.

For much of the 1990s, Wet Seal enjoyed growth through the acquisition of chain Contempo Casuals and the launch of line Arden B. But it then fell victim to the rise of fast-fashion, causing it to file for its first bankruptcy in 2015.

Lifting the story from the manor houses of 19th-century England and plunking it down in Beverly Hills, the epicenter of "contempo-casual" teenage cool, Heckerling managed to preserve the spirit and satirical wit of Austen's novel while simultaneously penning the vernacular of the decade.

If your contempo-big can also offer a little post-up game, particularly the ability to make plays off the catch when diving in the pick-and-roll and pass from the low block when the defense collapses on him, well, then your cake is very nicely iced.

Sono state in poche a voler mettere a repentaglio la loro fonte di sostentamento per raccontarci le loro storie perché la flessibilità e l'opportunità di prendersi cura delle proprie famiglie e, nel contempo, di lavorare, per loro hanno comunque un valore, anche se la paga è misera e non sono tutelate in alcun modo.

Le elezioni politiche dello scorso marzo hanno portato al potere un nuovo governo populista formato da due partiti, il MoVimento 5 Stelle e la Lega, e il "decreto dignità" proposto è inteso a limitare la prevalenza dei contratti di lavoro a breve termine e il trasferimento all'estero dei posti di lavoro da parte delle aziende, semplificando nel contempo alcune norme in materia tributaria.

Food and drug administration (fda) in q4 of 2016 * Plans to seek feedback on dynamo data from fda * Strategic decisions include closing bravura, a phase 3 study of duvelisib, contempo, a phase 1b/2 study of duvelisib * Also expects to report topline data from duo, predicated on results of an interim analysis, in q3 of 2016 * Infinity regains worldwide rights to duvelisib following mutual agreement with abbvie to end collaboration Source text for Eikon: Further company coverage: (Bengaluru Newsroom: +1-646-646-8780)

He used to front a band called Contempo from 1997 until 2001.

The Fender Contempo Organ is a type of combo organ made by Fender.

In November 2000 Contempo announced they had left London Records after months of a mutually tense relationship. After these events, Contempo released a six track EP called "This Is Contempo", which featured the ska song "Ain't Going Out Tonight" on their own label "Nu-Suburban Sounds". Another album, "Contempo – The Demos", was a bootleg CD featuring demos of what would become Hard-Fi tracks: "Better Do Better", "Can't Get Along (Without You)", "Living for the Weekend", "Move On Now" and "Unnecessary Trouble". Archer asked his publishers for some money to record new songs that he had written, but they terminated his contract instead.

Contempo Magazine is a monthly print and daily online American magazine published in McAllen, Texas.

Man-Amplified is the fifth studio album by Clock DVA, released in 1991 by Contempo Records.

"Living for the Weekend" began as a demo with Archer's previous band "Contempo" before they had split up. At this time, Hard-Fi drummer Steve Kemp was drumming for the Contempo. Contempo apparently played the song a couple of times in Portsmouth before it was re-recorded with Hard-Fi. The song is a typical Hard-Fi song lyrically, about having no money, a dead end job and, as the song title suggests, just living for the weekend.

Sign is the seventh studio album by Clock DVA, released on 3 August 1993 by Contempo Records.

Contempo (1929) written by his wife Ruth Vassos with images by Vassos launched career as a modernist artist. Contempo is best understood as an exploration of American society during a moment of great transformation in which the American tempo is celebrated as "a certain sharp staccato rhythm almost like a riveting machine that exists nowhere else in the world," as Ruth Vassos wrote.John and Ruth Vassos, Contempo (E.P. Dutton) The book also critiques the institutions of mass culture and commercial society.

Digital Soundtracks is the sixth studio album by Clock DVA, released on 11 December 1992 by Contempo Records. "E-Wave" is dedicated to Klaus Kinski.

Vickers 20-22 The magazine would continue to run through 1934. In 1933, Abernethy became involved in a feud with his former co-editor, Buttitta. This feud, possibly started by the inclusion of Abernethy's wife as an editor, involved Buttitta setting up a rival Contempo in the nearby city of Durham, North Carolina. Abernethy defended the "true" Contempo in a series of printed statements in the magazine.

That was followed by a stock swap for Thalhimers of Richmond, Virginia in August 1978. Alternate Link via ProQuest. Contempo Casuals was a May 1979, takeover. Alternate Link via ProQuest.

2 on the national charts in December 1949 and remained on the charts for twelve weeks until March 1950. In addition to Mercury, Hayes recorded and produced songs for ABC, Decca, Columbia and finally Contempo Records. After leaving Contempo in 1964, Hayes pursued a further career in television making several appearances on The Ed Sullivan Show and The Robert Q. Lewis Show. Hayes also was a regular guest on Arthur Godfrey's television and radio series between 1958 and 1972.

He designed an official poster and 360-foot-long mural for the 1984 Los Angeles Olympic Games; illustrations for Esquire, Rolling Stone, Billboard; and branding and logos for Fatburger, Contempo Casuals, and Broadway Deli.

The labels licensed R&B; recordings from independent US labels for release in the UK, and Contempo had hits with Tami Lynn's "I'm Gonna Run Away From You", and Dorothy Moore's "Misty Blue" and "Funny How Time Slips Away". Robert Lyons, "Contempo", Record Labels of the 70s. Retrieved 14 July 2020 Abbey also worked as European A&R; and promotions manager for Atlantic and Stax Records, promoting such artists as Aretha Franklin, Isaac Hayes and the Staple Singers to British and European audiences. Bob Killbourn, "Picking Up the Reins", Blues & Soul, #1095.

Combat Shock is the third studio album by Swamp Terrorists, released in 1993 by Alfa International and Contempo Records. A music video for "Pale Torment" was produced for four thousand dollars and televised by MTV Brasil and MTV Europe.

RTÉ ConTempo Quartet (Bogdan Sofei,Ingrid Nicola - violins; Andreea Banciu - viola; Adrian Mantu - cello) is the resident string quartet to RTÉ, since 2013 and are Ensemble in residence to The Galway Music Residency since 2003 and former Quartet in Residence to Royal Academy of Music London. The RTÉ ConTempo Quartet shot to fame winning a world record of 14 International Prizes including London International String Quartet Competition and is one of Europe's most successful quartets, internationally recognised for its beauty of sound, clarity of texture and integrity of interpretation within an unusually wide and varied range of repertoire.

A Stroll in the Pork is a 1992 EP released by Raymond Watts (as PIG) Originally released in the United States by Concrete Records and in the United Kingdom by Contempo Records. Re-released in 1998 in Japan by Blue Noise Records.

In 1976, Dover Books published Contempo, Phobia and Other Graphic Interpretations with a foreword by P.K. Thomajan.Danielle Shapiro, John Vassos: Industrial Design for Modern Life (2016, University of Minnesota Press). In 2009, Dover Books republished Phobia with an introduction by David A Berona.

Billboard magazine called the song "a Pussycat Dolls- inspired contempo jam, high on hooks and of-the-moment production. Well done, if in the most generic sense.""Single Reviews: Chris Daughtry, Avril Lavigne, Brooks & Dunn, Nelly Furtado, Hinder". Billboard. 24 November 2006. About.

Slant Magazine. Retrieved on 2011-04-17. Alfred Soto of The Village Voice noted "no more drama, but plenty of (occasionally excellent) melodrama", adding that "as her acting chops diminish, her command over plush, slightly jagged Contempo r&b; improves".Soto, Alfred (December 11, 2007).

Boston Metro Opera was a semi-professional American opera company based in the Greater Boston area of Massachusetts. The company specialized in contemporary works and operated from 2008 to 2015. It also sponsored and ran the Boston- International Contempo Festival and its associated International Composers' Competition.

The ratio of advertising to content is maintained. HTML text of the online version is translated to Spanish with gadgets placed on many pages. About 10% of the internet readership is from northern Mexico. Contempo Magazine Blog is consistently the highest ranked active Conservative Hispanic blog on Google.

B1 MetFront. A gated community in the area opened on of land in 2008. La Sierra, a development on the same size of acreage and adjacent to the original one, was being developed as of 2017. Contempo Builders, operated by David Bohorquez, a Venezuelan American, developed both properties.

Contempo Magazine added a weekly internet talk radio program in August 2008 (currently on sabbatical). OpenCongress, a website project of the Sunlight Foundation and the Participatory Politics Foundation, both of which are non-profit and non-partisan, has listed articles by Contempo Magazine blog as being useful articles for Congressional bills regarding veterans, the Texas border fence, Senator John Cornyn, the economic crisis, and freedom of religion. The target demographic is affluent Hispanic Baby boomers households of professionals, business owners, and wealthy homeowners ages 30 to 55. Although fashion is a major feature of the magazine the intended demographic is to catch male readers as well with articles in technology and computers.

Accessed August 28, 2011. The property was then turned into a furniture factory, whose owners redeveloped into an upscale mall, Contempo Plaza, in 2015. The 1926 Passaic Textile Strike led by union organizer Albert Weisbord saw 36,000 mill workers leave their jobs to oppose wage cuts demanded by the textile industry.

Power has created works for RTÉ, ConTempo Quartet, Sonar Quartet and Ultrasound Berlin. Her compositions have been performed by the RTÉ National Symphony Orchestra, Ensemble Modern and Quiet Music Ensemble. She is involved in Irish group Sounding the Feminists. Power has also been the composer in residence in Cork, Galway and Berlin.

Its follow-up, "Just You and Me", reached no. 78 on the R&B; chart, and she also released an album, Love Trip. In 1976, the single "Let It Flow" (no. 76 R&B;) was released on the Contempo label, owned by John Abbey, the founder and editor of Blues & Soul magazine.

Blue Dog Records was an independent London record label located in offices above the original Barfly Club (The Falcon, Camden). Started in 1997 by Nick Moore and Jeremy Ledlin it was licensed and distributed by Richard Branson’s V2 Records, and had a mostly guitar band roster of artists including The Crocketts, Daytona, Contempo, Murry the Hump, Sona Fariq and Super J Lounge. Many of the acts who released their first singles on Blue Dog were then snapped up by bigger labels, with Sona Fariq signing to Warners, Contempo signing to London, Murry the Hump signing to Beggars Banquet, and Crashland to Independiente/Sony. The label dissolved in 2000 due to funding cuts from V2 Records and the label's main artist The Crocketts transforming into The Crimea.

Catastrophe Ballet is the second studio album by American rock band Christian Death. It was released in 1984, through record label Contempo. Besides founder Rozz Williams, the lineup on the album is completely different from the band's debut, Only Theatre of Pain, and is the first record to feature future band leader Valor Kand.

Milton Avant Abernathy (February 24, 1911 – April 21, 1991)U.S., Social Security Applications and Claims Index, 1936-2007; U.S., Social Security Death Index, 1935-2014 was an American journalist, magazine editor, business owner, and stockbroker, best known for his time spent editing the literary journal Contempo: A Review of Books and Personalities from 1931-1934.

Over 100 publications (magazines, newspapers) have highlighted her work in feature articles and/or cover art work, including LandEscape Art Review, Art Reveal, Magazine 43, Contempo Annual, Saatchi Art's The Women-Only Edition of Invest In Art – Women's History Month, Blink Ink, iō Literary Journal, The Woven Tale Press, Apero and the New Mexico Bar Bulletin.

Anthony Buttitta (26 July 1907 in Monroe, Louisiana - 11 August 2004 in New York City SSDI Number: 064-12-7291; Issue State: New York; Issue Date: Before 1951), the son of poorly educated parents, recent immigrants from Sicily. He published his first plays and stories in the later 1920s as an undergraduate at Louisiana State Normal College and the University of Texas. Subsequently, at the University of North Carolina, he was one of the group of friends who founded the avant garde Intimate Bookshop and the literary magazine Contempo (1931–34). The magazine led to him meeting and corresponding with such writers as Sherwood Anderson, Ezra Pound, George Bernard Shaw, and William Faulkner. In 1932 he edited a special Contempo issue devoted to Faulkner’s work, now much coveted by Faulkner collectors.

The 1970s brought changes to the organizations of WMU. In October of that year, WMS, YWA, Girls' Auxiliary, and Sunbeams were changed to Baptist Women (BW), Baptist Young Women (BYW), Acteens, Girls in Action (GA), and Mission Friends.WMU profile of Alma Hunt Change in publications followed as Contempo, Accent, Discovery, Aware, and Dimension were introduced into the WMU publications family.

One supporter claimed no one took his Communism seriously.Meador 34-35 It is certain that Abernethy had some level of communist involvement. Besides his association with the left-leaning Contempo magazine, Abernethy also made a trip to the Soviet Union in 1935.Vickers 28 There is the possibility that he ran a press in the back of the Intimate Bookshop.

The magazine is owned by Contempo Magazine, Inc., and was established in January 2008. It regularly features original articles about fashion, home improvement, entertainment, technology, computers, health care, personal finance, travel, pets, food and dining, restaurant reviews, and people stories that are relevant to the Rio Grande Valley of Texas. Many of the stories deal with the Reynosa–McAllen metropolitan area along the Mexico–U.

In 1973, He wrote and produced a solo LP, Abyss, released on Contempo, a London label owned by John Abbey, founder of Blues and Soul magazine. Thomas formed his own label, Osceola Records, in 1979. Beginning in the 1970s, Thomas provided background vocals for various acts, including Gary Wright, David Essex, Voyage, Mikael Rickfors, Lloyd Cole & The Commotions, Madness, Miguel Bosé, Blue Mercedes, and Kevin Rowland.

In 2004, two theaters were opened exclusively to show erotic movies under the name of Contempo Cinema. According to the owners, the movies shown are not pornography but rather films such as Last Tango in Paris, Basic Instinct and Wild Orchid, which do not have explicit sex scenes meriting an XXX rating. The new venues have about 200 seats each with a bar, restaurants and film store.

However, subsequent singles on a variety of labels, including covers of "Black Ivory" on Today/Perception Records, failed to repeat the success.hamilton, Andrew, J.J. Barnes e-guide.com. Retrieved March 2011 On the recommendation of his friend, Edwin Starr, Barnes moved to England in the 1970s, becoming very popular. Starr had arranged for Barnes to appear on a series of shows which led to him signing a deal with Contempo Records.

He was born in London. In 1966 he founded the magazine initially called Home of the Blues, but soon renamed as Blues & Soul. The magazine became the leading black music journal in the UK, and Abbey remained its editor until the late 1970s. Bob Killbourn, "Picking Up the Reins", Blues & Soul, #1095. Retrieved 13 July 2020 Abbey founded Action Records in London in 1968, and Contempo Records in 1973.

After years as a construction permit (including briefly being WJMS-FM), WIMI went on the air Thursday, November 13, 1975. Initially, the station ran Drake-Chenault's "Hitparade" format (later Contempo 300); the station used Drake programming well into the 1980s and eventually morphed into an adult hits format. In 2017, the station switched from a variety AC format to all classic rock. Local personalities include Bill Swift and Sam Erspamer.

After a short hiatus, Bowes began work on music once more and Julia rejoined Attrition in 1990. A compilation of songs from previous releases was released by Projekt Records in the US, introducing Attrition to US audiences. "A Tricky Business" was released in 1991 on Italy's Contempo Records and marked a new era for the band. These US releases were complemented with European editions on German labels Hyperium and Trisol.

Two singles were released on Abbey's Contempo label in the UK and Germany, with limited success. Ironically, given the duo's disputes, one of the last singles by Sam & Dave was a cover of The Beatles "We Can Work It Out." Sam & Dave also briefly retired in 1977, with Dave working at a Pontiac dealership in New Jersey and Sam working at an Austin, Texas, law firm as a process server.

The EP's opening track, "Best Hugs", is a "shimmery adult-contempo synth-glide" that is an "ode to another person's girlfriend", while second song "WWYD?" contains a "cocktail bar" feel with "canned" horn accompaniment that features "amateurish rapping" from DRAM. The third and final track, "Sundress", features a prominent, funky bassline and was considered to be influenced by Prince. The release was called "inspired by hugs, carwashes, construction workers and Twitter" with witty lyrics.

Last accessed: February 13, 2011. Variety also received the film favorably: "Director-cowriter James Foley has given this near-perfect adaptation of a Jim Thompson novel a contempo setting and emotional realism that make it as potent as a snakebite...Lensed in the arid and existential sun-blasted landscape of Indio, Calif, the pungently seedy film creates a kind of genre unto itself, a film soleil, perhaps."Variety. Film review. Last accessed: February 13, 2011.

Abernethy's association with leftwing causes dates back to at least his time writing for the student journal at North Carolina State University. Contempo would oftentimes feature left-leaning reviews, articles, and literature, further suggesting his association with leftwing ideas. Abernethy would eventually be accused of Communist activities in the 1950s. Initial response in the town was negative, though he would later receive quite a bit of support from locals who defended him.

That is also the reason she started to work in modeling so young. She then moved to Mexico City where she got the opportunity of working for the famous model agency Contempo. Through this agency, Anette got the opportunity of hosting a TV program called Hollywood DF. In 1996, Anette was offered a role in the telenovela Al Norte del Corazon for TV Azteca. She rejected the proposal, fearing of being typecast for the role she was offered.

Major Lance's Greatest Hits Recorded Live at the Torch is an album by soul artist Major Lance released in 1973 on the Contempo label. It was recorded live in front of a sell-out audience at the Torch, Tunstall, Stoke-On-Trent, on 9 December 1972 and has been described as "perhaps the best Northern soul album ever made", Biography at The Northern Soul Nightshift and "a one-off gig when everything came together in perfect harmony".

According to Variety, "Kozole creates a mood of affectionate cynicism, with shrewd subtexts tallying foibles of contempo society" (Eddie Cockrell). ;Forever (Za vedno) Forever (2008) is a minimalist, full-length feature film Kozole shot in six nights in his own apartment. The film was premiered at the Rotterdam International Film Festival 2008 and won the Golden Sun award for best film at the European Film Festival in Skopje, Macedonia. The story of Forever develops in almost real time.

The University of Chicago Contemporary Chamber Players (also called Contempo, CCP, or Contemporary Chamber Players of the University of Chicago) is an American ensemble dedicated to the performance of contemporary classical music. It was founded in Chicago in 1964 by the American composer Ralph Shapey. Its artistic director is the composer Shulamit Ran. The ensemble has presented the world premieres of over 80 compositions, by composers including Roger Sessions, John Harbison, Ralph Shapey, George Perle, Shulamit Ran, and John Eaton.

After an eventful trip, the group arrived and Faulkner was immediately set upon by publishers trying to sign him (due to the success of his novel Sanctuary, and the possible folding of his current publisher). To help him escape, Abernethy accompanied Faulkner on a trip to the South. This trip provided quite a boon for Contempo, as Abernethy invited the author to stay with Buttitta and him in Chapel Hill. This led to Faulkner allowing them access to his rejected manuscripts.

Feeley has appeared at such festivals as the Guitar Festival of Ireland, Bath International Guitar Festival, the Dundee International Guitar Festival, and the Wirral International Guitar Festival. He has won numerous awards including the Special Award for interpretation in the 1984 Mauro Giuliani competition, Italy. He has appeared as a soloist with The American Symphony Orchestra at Carnegie Hall, the RTÉ National Symphony Orchestra, the Ulster Orchestra, the Irish Chamber Orchestra and the Contempo Quartet. He performs regularly in duet with the flautist William Dowdall.

Most of the sculptures are abstract and cryptic pieces, with each year's accessions coming from both new artists and familiar ones. The trails lead visitors by works such as Contempo Rustic, a couch fashioned from slabs of rock and metal, or Mbari House, a house-shaped granite-and-metal totem to peace and friendship. Since 1998, the institute has sponsored an annual Bridges and Connections International Sculpture Symposium. Artists are invited to visit Brookline for two weeks to create sculptures for permanent display at the institute.

The business gradually expanded and Abbey set up an associated record label called Contempo Records, which released the UK's first 12-inch singles. Abbey moved to Atlanta, Georgia in the mid-1970s and established Ichiban Records, while the editorship of the magazine was taken over by Bob Killbourn in 1979. Another important contributor, David Nathan, began writing for Blues & Soul in the early 1970s, first in London, then from 1975 as the magazine's principal New York correspondent."David Nathan", Rock's Backpages (Retrieved 11 June 2015).

Brian McCollum of the Rome News-Tribune called "If You Had My Love" one of the year's most "infectious" singles. Amy Sciarretto of PopCrush praised it as a "silky- smooth", "confident" song that "established her as more than just an actress who was 'dabbling' in music [...] Her voice may be thin, but she chose a song that worked with her vocal limitations. It's [a] semi-synthy, mid-tempo, contempo R&B; pop that's flawlessly executed." A reporter from the International Business Times called the song "radio-friendly".

Archer first met Mick Jones when he was with Contempo. The band were looking for a producer when one of the members of the record company recommended Jones, to which the band agreed."Mick Jones & Richard Archer." The Independent on Sunday (London, England) (9 March 2008)A Scan of "Mick Jones & Richard Archer" from The Independent on Sunday (London, England) (9 March 2008) After working on the band's first record for a year, things did not turn out as planned due to problems with the record company.

In his review for Variety critic Peter Debruge stated that Hosoda's direction "appeals to the hard-to-please teen crowd by taking mind-bending ideas and planting them within a relatable contempo context." He also praised the CG animation in the OZ sequences. Peter Hartlaub of the San Francisco Chronicle praised Hosoda's style and said that it "adds enough dimensions to his characters and kinetic battles that the serene real world seems like a dream state." He also likened Hosoda's style to that of Hayao Miyazaki and Nintendo.

Yassassin is an EP of the band Litfiba produced by Contempo records. The vinyl works like other prayers, has never been reissued on CD, is there any way to say that all tracks have been reproposed: Electrica danza was published in the collection CD King of silence, while the other two tracks were reiterated in the individual Forbidden always 33 rpm. The two versions of "Yassassin" (track one and three) are different from each other, the track is a long-play version of 7 minutes while the third is 4 ½ minutes.

After the release of Sign and related singles, Clock DVA toured Europe (line-up: Newton & Baker with Andrew McKenzie and Ari Newton) and Newton relocated to Italy. However, their Italian record label at the time, Contempo, folded which caused a number of problems. Collective, an anthology album and a box set was released in 1994. Newton began working on new material with Brian Williams, Graeme Revell (from SPK) and Paul Haslinger but continued problems with record labels eventually caused Newton and Clock DVA take a long break from the music scene.

Original station call letters were WFHR-FM, which signed on August 1, 1946, at 104.7 MHz, moving to the present position of 103.3 MHz, October 1948, simulcasting its AM sister station. In early January 1968, the call letters WWRW were assigned, with a Beautiful/Easy Listening music format in place within a few weeks. WWRW still simulcasted some programming, including major news blocks with WFHR-AM through the early 1970s. In early August 1975, the elevator music format was abandoned for Drake-Chenault's "Hit Parade", later "Contempo 300", an Adult Contemporary format.

Their gig in Arezzo was recorded, filmed and entirely broadcast by the TV music channel "VideoMusic". At the end of 1991 TB issued a 3 tracks EP on 12" entitled "Auto Da Fe'". This genuinely produced and marketed 12" sold 1,100 copies in Italy alone and only a few copies found their way to other European countries or overseas. The unexpected success of this first release helped the band to get their first deal with DUNE Records, the Contempo manufactured label of Pankow's Paolo Favati - certainly the most acclaimed producer for electronic music in Italy.

These antiquaries are exhibits of pre-Columbian art of Latin America, painting and sculpture from the 17th and 18th century mostly from Mexico, Peru and Brazil. The Museo de Arte Contempo has small but impressive exhibits of modern Uruguayan painting and sculpture. There are also other types of museums in the city. The Museo del Gaucho y de la Moneda, located in the Centro, has distinctive displays of the historical culture of Uruguay's gauchos, their horse gear, silver work and mate (tea), gourds, and bombillas (drinking straws) in odd designs.

'Dedicated to preserving the history and memory of the television dance show.' A similar lower-budget Friday evening dance show called Contempo was initially The Scene's replacement in 1988; it was hosted by several different personalities from WGPR radio, and featured local artists. However, lackluster ratings caused the show's cancellation in early 1990, and eventually it was replaced by The New Dance Show, which was hosted by R.J. Watkins and aired until 1996. The station was also home to horror show host Ron "The Ghoul" Sweed during the late 1970s, and was Detroit's affiliate for the 1970s version of the NHL Network.

However, it was not commercially successful, and her career at one point became confused with that of "the real" Doris Duke, a white heiress, who began performing with a gospel choir in New Jersey. Having remarried, and using the name Doris Logan, she temporarily retired to bring up her young children, before undergoing another divorce. In 1973, Duke recorded unsuccessfully for Bob Shad's Mainstream label, before being signed to the British Contempo label in 1974. Her subsequent album Woman, recorded in London and arranged by Gerry Shury, received good reviews but few sales, and thereafter she retired from the music business.

"Yesterday Was a Lie" at Variety.com (December 16, 2009). The review's lede reads in toto: > Caught somewhere between 1940s film noir and digitally spiffy contempo fare, > "Yesterday Was a Lie" toys with time in story and style, putting a hard- > boiled dame at the center of a clunky David Lynchian cosmic mystery as the > search for a missing notebook leads to grand (yet underwhelming) revelations > about the nature of reality. James Kerwin's conceptually ambitious low- > budget debut offers stunning black-and-white HD cinematography, a sultry > jazz score and a refreshingly high-minded script, but feels hopelessly > amateurish in the acting department.

Hard-Fi finally saw success with their debut album Stars of CCTV reaching No. 1 in the UK Albums Chart and followed up with another No. 1 record Once Upon a Time in the West. The band went on to be nominated for the prestigious Mercury Prize in 2005 and BRIT Awards among others. Archer wrote all the songs on the albums, while the "Hard to Beat" single featured a track called "Stronger" which he had originally written with Contempo. In 2010, Archer recorded vocals for a track produced by Swedish DJ Axwell, entitled "Think About It" at the time.

After the last tour Dave, Andy Wally and Eddie went on to become Edison Lighthouse. In 1970, Toney released a single, "Down on My Knees", on Capricorn Records, but the tune did not chart; three more singles, all flops, followed on Capricorn, which dropped the singer in 1973. Toney's career was tenuous in America, but the British love for Northern soul resulted in a second wind. Later in the 1970s, he was signed to the British record label Contempo Records for six singles and an album, yet none of these sold well, and in the 1980s Toney left the secular industry to focus on gospel again.

This was the band's favourite song to perform live, as lead singer Richard Archer said, "'Hard to Beat' is going crazy at the moment. We were in Bristol yesterday and I was wondering if my voice was going to last on tour, but the crowd sings it for me, so that's going well. But the most fun playing is probably 'Unnecessary Trouble', that's always a good laugh, and 'Living for the Weekend' is the last number, so is a high energy one, but after last night, Hard To Beat."Hard Fi Interview - INTERVIEWS - I Like Music The B-Side "Stronger" was originally performed by Richard Archer's previous band Contempo.

After studying with Shapey, he invited Ran to follow in his path of music education. In 1973, at the age of 26, Shulamit Ran joined the faculty at University of Chicago, where she eventually was named the Andrew MacLeish Distinguished Service Professor in the Department of Music, she also became the artistic director of Contempo (formerly the Contemporary Chamber Players). Ran, whose students included Melinda Wagner, Suzanne Sorkin, Jonathan Elliott and Jorge Liderman, retired from her position at the University of Chicago in June 2015. She also became a member of the American Academy of Arts and Letters, and the American Academy of Arts and Sciences.

House became one of the centers of the exploding Austin scene and drew considerable local and national attention as a hotbed of musical and artistic action. Sluggo! provided inspiration to other writers and entrepreneurs to found and publish their own fanzines including Xiphoid Process and Contempo Culture from Austin, and a myriad of others throughout Texas. Sluggo!'s topical format also served as a model to the staff at Search & Destroy Magazine from San Francisco to expand their horizons and begin the RE/Search magazine with issues devoted to a single topic. Sluggo! was a primary ambassador of the 1970s Austin punk/new wave scene throughout Texas, the nation and overseas.

March settled on his nom de plume after sending out a number of different stories under different pseudonyms; the one that got published first decided his literary name. "The Holly Wreath" was his first publication; it appeared under the name of William March in The Forum, a literary magazine from New York, in September 1929. The Forum would publish more of his stories, as did Contempo: A Review of Books and Personalities, Prairie Schooner, and other literary magazines. His stories were included in two annual anthologies of short fiction, Edward O'Brien's The Best American Short Stories and the O. Henry Prize Stories, in 1930, 1931, and 1932.

Soon after transferring to UNC-Chapel Hill, Abernethy joined with several other college students (Phil Liskin, Shirley Carter, Vincent Garoffolo, and Anthony Buttitta) to start a literary magazine known as Contempo. The magazine started as a small publication accepting free submissions. It would eventually publish many of the major authors of the day, including Sherwood Anderson, Ezra Pound, Langston Hughes, William Faulkner, William Carlos Williams, Hart Crane, James Joyce, and others. Abernethy co- edited the magazine with Anthony Buttitta (following the departure of the other three editors by the fall of 1931), and Minna K. Abernethy (his wife, and co-editor following Buttitta's departure).

Keith Jarrett in Antibes, France, 2003 Jarrett recorded a few solo pieces live under the guidance of Miles Davis at Washington's music club The Cellar Door in December 1970. These were done on electric pianos (Rhodes and Contempo), which Jarrett was loath to perform on. Most parts of these recorded sets were released in 2007 on The Cellar Door Sessions featuring four improvisations by Jarrett. Jarrett's first album for ECM, Facing You (1971), was a solo piano date recorded in the studio. He has continued to record solo piano albums in the studio intermittently throughout his career, including Staircase (1976), Invocations/The Moth and the Flame (1981), and The Melody at Night, with You (1999).

In the years to come, other records including Mine To Kill (Southern Records, 1989), Live Danger (TVOR Records, 1991) and Too Tough to Burn (Contempo Records, 1992) were released, but none of them sold as respectively as the first two recordings on Toxic Shock. During their tours in the U.S. Raw Power have shared the stage with the Circle Jerks, Adolescents, D.O.A., Bad Brains, Agnostic Front, Minor Threat, Dead Kennedys, Suicidal Tendencies, among many others. In 1986 in a small club in Seattle, Washington, Washington, Guns N' Roses opened for Raw Power. In 1995 they recorded the Fight album for Godhead Records, trying to achieve a sound more akin to their live shows.

July 15, 2003. Stephen Thomas Erlewine of AllMusic wrote the album, "is what teen pop should sound like in 2003... a very good modern bubblegum album"; he said that it was influenced by Avril Lavigne but that Duff "has a sweeter, more appealing voice than Avril, and the rest of the record follows her cheerful charisma, resulting in a charmingly effervescent listen". However, Slant magazine said that Duff "has decided to ride the Avril wave" and noted that, like Lavigne, Duff enlisted The Matrix to produce and write some of the tracks. Blender magazine called it "a masterfully executed tour through contempo mall-pop, '80s new-wave bubblegum and girl-power affirmations".

After working in radio and TV for years, he formed American Agency with his cousin, and later Arnold started his own business, Gene Arnold & Company, to produce advertising and marketing for new and popular companies like Merry Go Round, Deb Shops, Barbara Moss, and Jean Nicole. Arnold, also was chosen to appear in thousands of radio and TV spots and infomercials as "himself" acting as the spokesman or voice. Included are well-remembered spots for Philadelphia's famed Melrose Diner, for LifeCall (famous for the line, "I've fallen and I can't get up!"), for Beta Vision Productions, Craftmatic adjustable beds, and Brazil Contempo Leather, featuring Terry Arnold wearing black gloves and sensuously stroking leather furniture.

During his tenure with Davis, Jarrett played both Fender Contempo electronic organ and Fender Rhodes electric piano, alternating with Chick Corea; they can be heard side by side on some 1970 recordings: for example, on the August 1970 Isle of Wight Festival performance preserved in the film Miles Electric: A Different Kind of Blue and on Bitches Brew Live. After Corea left in 1970, Jarrett often played electric piano and organ simultaneously. Despite his growing dislike of amplified music and electric instruments within jazz, Jarrett continued with the group out of respect for Davis and because of his desire to work with DeJohnette. Jarrett has often cited Davis as a vital influence, both musical and personal, on his own thinking about music and improvisation.

Outside of his recent collaborations with traditional musicians, Flynn's music continues to be performed by major international classical musicians and ensembles around the world including the New Juilliard Ensemble, ConTempo Quartet, Dublin Guitar Quartet, guitarist John Feeley and saxophonist Gerard McChrystal. Violinist Irina Muresanu released the first recording of Flynn's solo violin work "Tar Éis an Caoineadh" on her 2018 album "Four Strings Around the World" on Sono Luminus and she regularly performs it in her concerts. The recording and her performances of the work have been acclaimed in the Boston Globe, Limelight and many other publications. Flynn has had radio specials dedicated to his music on WNYC New York's New Sounds show hosted by John SchaeferNew Sounds: New Irish Music. WNYC.

Retrieved on 25 June 2014 Grundman is also the first Spanish composer who has received two prizes from the Boston Metro Opera. His monodrama "Four Sad Seasons Over Madrid" for Soprano, Violin, Piano and String Orchestra received in 2014 the BMO Concert Award; and his monodrama "God's Sketches" for String Quartet, Soprano and Mallets has received the BMO Director's Choice Award."Boston Metro Opera International Contempo Festival" Boston Metro Opera. Retrieved on 25 June 2014 In addition, many of his music has been nominated directly or included in award nomination albums, like in 2013 the award nomination as Best Classical Album for "God's Sketches" performed by Brodsky Quartet, Susana Cordón and Jaime Fernández Soriano at 5th Spanish Independent Music Awards.

He became a favorite artist of the UK Northern soul scene, and performed frequently in the UK. Early recordings from Barnes, such as "Please Let Me In" and "Real Humdinger", were re-released in the UK on the Tamla Motown label to cater for the buyers of Northern soul records. In the 1970s, Contempo Records released seven singles and an album, Sara Smile from Barnes, all without chart success. In the 1980s, he released five more records including a version of the Northern soul favorite by Frank Wilson, "Do I Love You (Indeed I Do)". His song "Chains of Love", originally the B-side to his 1967 hit "Baby Please Come Back Home", achieved further renown when it was covered by the Dirtbombs on their Ultraglide in Black album in 2001.

Since its founding, The Second City Theater has inspired other comedy troupes such as Saturday Night Live, as well as serving as an incubator for artists such as Alan Arkin, Mike Nichols, Harold Ramis, Bill Murray, Mike Myers, Stephen Colbert, Tina Fey, Jack McBrayer, and Steve Carell. In 1964, Professor Ralph Shapey founded the University of Chicago Contemporary Chamber Players, one of the oldest and most successful professional new music groups in the nation. The Contemporary Chamber Players, also known as "contempo", has given over eighty world premieres of established and emerging composers. While teaching on the Committee on Social Thought, Professor Saul Bellow wrote several best- selling novels, including Herzog in 1964 and Humboldt's Gift in 1975, for which he was awarded the 1976 Pulitzer Prize for Fiction and Nobel Prize in Literature.

"Leader of the Pack" was released as a single by Red Bird Records, a Leiber and Stoller label, and the song hit number one on the Billboard Hot 100 on November 28, 1964. On Cashbox's R&B; chart, it went to number 8. In the United Kingdom, the single was refused airplay by the BBC, probably due to its death theme, although some have speculated that it was considered likely to encourage violence between mods and rockers. It charted three times on the UK Singles Chart: number 11 in 1965; number 3 in 1972 (by which time the BBC ban had been lifted); and once again at number 7 in 1976, when its sales figures as a reissue on two different labels (Charly and Contempo) were combined to arrive at its chart position.

David Nathan was born in London, and at the age of 16 set up the UK's first fan club for singer Nina Simone. In 1966, with Dave Godin and Robert Blackmore, he established Soul City, in Deptford, South London, claimed to be the first record store outside the US specialising in American rhythm and blues and soul music. David Nathan profile at Rock's Backpages. Accessed 20 June 2011 The shop also started a record label in 1968, to release US R&B; singles in the UK. Soul City Records at Ska2Soul. Accessed 20 June 2011 In 1970, he began working in London for Contempo International, which owned Blues & Soul magazine. He moved to New York City in 1975 as contributing editor for Blues & Soul, leaving the company in 1981 when the magazine's ownership changed.

The magazine also had their own record label (also called Contempo), releasing music from the 1970s which, starting in 1984, played at a club previously known as Whisky-A-Go-Go, founded by Rene Gelston in Wardour Street, Soho (which would later become known as The Wag). Norman Jay's show was a collaboration with DJ Judge Jules and featured a mainly urban soundtrack from the 1970s and 1980s mixed with early house music. Tracks similar to "rare grooves" had begun to see a following in the 1970s Northern soul movement, which curated a collection of rare and obscure soul records for play in dance clubs. The rare groove scene began when DJs presented an eclectic mix of music, that placed a particular emphasis on politically articulate dance-funk recordings, connected to the US Black Power movement.

Abernethy also founded or co-founded a bookstore known as the Intimate Bookshop in 1931. The bookstore, which developed in tandem with the magazine, and served as its headquarters, would outlast both Contempo and Abernethy's ownership. Initially an operation run out of his college dorm room, the bookshop moved to a second floor location in the Tankersly Building in Chapel Hill,Meador 9-11 and eventually to the Patterson Building on July 25, 1932.Meador 12 The bookstore was supposedly started using a combination of Abernethy's collection of avant-garde books and review-books used for the magazine.Buttitta 11 Abernethy may have had other eccentric methods of collecting books. Stories exist of Abernethy, whose mission was to sell everything from the “Manifesto to the Bible,” possibly buying 10,000 copies of the Communist Manifesto and selling them for 10 cents each.

The Geffen Playhouse was built in 1929 as the Masonic Affiliates Club, or the MAC, for students and alumni at UCLA. One of the first 12 structures built in Westwood Village, it was designed by architect Stiles O. Clements. Its courtyard fountain is a piece from Malibu Potteries; the two patterns can be seen on and in Malibu Potteries founder Rhoda May Knight Rindge's daughter's house, the Adamson House, which Clements designed (the same year he designed the Geffen) and for which Rindge provided the tile. The pattern on the lower tier of the Geffen's fountain appears in the Adamson House dining room, while the pattern on the upper tier can be seen on the east exterior face of the dining room, bordering a Moorish arch window. Originally named the Contempo Theatre, and later the Westwood Playhouse, the property was purchased by UCLA in 1993.

For every laugh-out-loud moment, or eccentric touch, there are equal moments of reflection and pause [...] Despite an uncertain start in establishing a consistent comic tone, pic builds into an engaging, light character comedy, played somewhere between the Ealing tradition and contempo regional comedy." In The Guardian, Peter Bradshaw rated the film three out of a possible five stars and added, "This genial comedy, directed by Nigel Cole, with an excellent, tightly constructed script by Tim Firth and Juliette Towhidi, accentuates the positive. There's lots of wit and pluck and not much heartbreak," and Mark Kermode of The Observer said, "When the film succeeds, as it does magnificently in the first two-thirds, one can only marvel at the miracle of a world in which such plotlines could literally land on a producer's doorstep with the morning papers. When it fails, it is the film's acknowledgment of its own big-screen inevitability that is to blame.

Deborah Young describes in The Hollywood Reporter that the "territories are bound to appreciate the realism and muscular shooting by a woman director and crew (shades of Kathryn Bigelow and Zero Dark Thirty) on location in northern Afghanistan" and that "the immediacy and tension with which Aladag conveys the daily life of the soldiers is something to take home". Guy Lodge writes in the Variety that the film "is a sensitive corrective to more partisan war dramas" and that the "film's visual palette, as well as its marriage of classic melodrama with contempo grit, is most strongly reminiscent of Susanne Bier's earlier work; if seen in the right places, it’s slick enough to potentially secure her an English-language assignment". Fionnuala Halliganut wrote in Screen Daily that Inbetween Worlds is a "nuanced story, stylishly shot with a good deal of integrity", which '"should attract international arthouse audiences intrigued by the added weight of a German military presence in a modern battle zone".

While most famous for his extensive musical career but has worked in other fields between touring and recording. In the 90's he was an intern for Harpers Bazaar fashion magazine in New York, and worked for several fashion retail companies including Old navy, Gap, Contempo Casuals, Claire's, Urban Outfitters, Abercrombie and fitch, Pacific Sunwear, Steve Madden and Hot topic. In 2009, Darlington maintained a blog he titled Sunglasses&Sugar; in which he conducted interviews with many famous and semi- famous people from various walks of life which included Mark Pirro of Tripping Daisy and the Polyphonic Spree, Cliffy Huntington of the Huntingtons, Joe Queer of the Queers, Zach Blair of Rise Against and Hagfish band, Phanie Diaz of Girl in a coma, Tish Ciravolo of Daisy Rock Guitars, Boz Boorer of Morrissey's band, singer Alice Bag, Brendan B. Brown of Wheatus, singer Brijitte West of the band NY Loose, Darley Newman, host of Equitrekking, and Julie Schablitsky of Time Team America. In late 2009, the blog was discontinued and deleted, but the interviews were all archived online by Times Beach magazine.

Flutes and saxophones are used often to replace the usual keyboards and mellotron of other progressive works. In spite of the good critical praise received, the band broke up in 1974. Corrado Rustici, after a brief stint with the Osanna, and lengthy tenure with Nova, started a successful career as a solo musician and producer. Gianluigi Di Franco collaborated with percussionist Toni Esposito in the early 1980s; later dedicated himself to musicotherapy researches.Cesare Rizzi, Fulvio Beretta Enciclopedia del Rock Italiano 8879660225- Page 244 "Gianluigi Di Franco, da parte sua (Capri 1953) si occupa di musicoterapia in un ospedale psichiatrico prima di tornare in scena negli '80 come cantante di Kalimba de luna e As Tu As (Tony Esposito) e Radio Africa (Tullio De Piscopo).... DISCOGRAFIA Cervello (1) MELOS (Ricordi 1973, Contempo 1991 CD) Corrado Rustici (2) NOVA / BLINK (Ariston 1976, ..." In 2017, three of the original members, Antonio Spagnolo, Giulio D’Ambrosio and Corrado Rustici performed a concert in Tokyo with new band members Virginio Simonelli (lead vocals), Sasà Priore (keyboards) and Davide De Vito (drums).

The project Edain Danse was set aside and in July 1987 the new Twenty Four Hours (Edain Danse + Paolo Lippe) released their first song, "The Bastards",Free download of "The Bastards" a long psychedelic ballad with clear Floyd references. This song was performed until the last concert of 1994, the closing track of all live performances of the band, and was published on their most successful album, Oval Dreams that French Musea released in 1999 (later re-released by the Russian label MALS in 2009), and that Velut Luna reprinted remixed in 2012 on vinyl version. Today the first version of "The Bastards", recorded on July 1987 has been remastered from the original analog tape and is available on Jamendo too The new era was not easy, but at the end of the eighties the dark phenomenon was giving way in favor of a psychedelic revival, which apparently seemed to favor the group. However, none of the labels of Italian psychedelia (Electric Eye, Toast Records, Contempo Records) seemed interested in the sound of the band.