109 Sentences With "conservatoires" | Random Sentence Generator

Il serait préférable, disent-ils, d'investir davantage dans l'éducation musicale à l'école ou dans les conservatoires.

Critics of such programs argue that while initiatives that reach a few thousand people yield positive if limited results, more should be invested in music education in schools or "conservatoires," or public music academies.

A dilettante is also someone self-taught, an autodidact, which is interesting to think about in a field such as pop music, for instance: The entire history of pop music is one that's been shaped and innovated by amateurs, by people teaching themselves music in their bedrooms or in pub backrooms—not in music conservatoires.

Conservatoires UK, also known as CUK, is a group that represents eleven British conservatoires.

In conjunction with UCAS, Conservatoires UK runs a clearing house for undergraduate and postgraduate music courses at seven of its member institutions called UCAS Conservatoires (formally CUKAS). Only the Guildhall School of Music and Drama does not accept applications through this system. UCAS Conservatoires allows applicants to submit one online application when applying to conservatoires, rather than a separate application for each institution (as was previously the case).

Leeds Conservatoire is partnered with Berklee College of Music as part of the Berklee International Network. Leeds Conservatoire is also a member of Conservatoires UK and partner of the European Association of Conservatoires.

Festivals, concert halls, conservatoires, education agencies and leading orchestras have adopted BONELAB projects. His students regard him as a hero.

Several students in his class have joined the Conservatoires nationaux supérieurs of Paris and Lyon, and the Brussels and Geneva conservatories.

He also introduced Turkish composers via foreign language services of TRT. In 1981 he received the honorary title of state artist of Turkey. In the 1980s, he released a number of albums with compositions from Turkey. He also took part in the formation of three new conservatoires in Turkey, namely those of İzmir, Bursa and Çukurova conservatoires.

Jean-Baptiste Puech is a French actor. He graduated from the Maison des Conservatoires in 1998 and the Royal Scottish Academy of Music and Drama in 2000.

He completes diplomas in fugue, harmony, counterpoint and musical analysis, and then obtains the Gold Medals in guitar, chamber music and musical theory at the Conservatoires of Avignon and Montpellier.

He is known to be an Honorary Professor of the Beijing and Kiev Conservatoires. An Honorary Advisor to the Chinese- Russian Association for the Study of Strategy “One Belt and One Way”.

Rev Henry George Bonavia Hunt FRSE FRAS FLS (1847–1917) was the founder of the Trinity College of Music in London, one of the London conservatoires of music and an "International Examining Institution".

The front facade of the Royal College of Music This list of music schools in the United Kingdom includes all tertiary level conservatoires, vocational music schools and specialist music schools for school-aged children.

Many of the college's staff also teach at Junior Trinity, a Saturday music school for exceptional young musicians who are keen on pursuing a musical career. Junior Trinity offers instrumental and vocal tuition for children and young people ages 5–19, along with GCSE and A-Level courses in Music and Music Technology for older students. Many students of Junior Trinity often continue their musical studies at top conservatoires and universities across the country. Trinity was the first music college to create such a department, and many conservatoires have now followed in Trinity's steps.

The first two conservatoires in the CMADQ network were for music and were established in Montreal in 1943 and Quebec City in 1944. During the 1950s the organization founded additional schools for the theatre arts in both those cities, followed by four additional music conservatoires in 1967 in Chicoutimi, Hull, Trois- Rivières, and Val-d'Or. The seventh and last school for music to be added was in Rimouski in 1973. Many of Canada's most successful musicians and artists of the theatre of the 20th and 21st centuries have been trained or taught at these schools.

Hanan Aboulmagd. The Cairo Conservatoire was preceded by, but should not be confused with, several other smaller Cairo institutions with similar names, such as the conservatoires of Ignaz Tiegerman and Joseph Szulc. They teach piano, violin, and all other instruments.

With the booming apparition of digital media contents, and digital industries medici.tv’s main goal is to give easier access to classical music, legally from amateurs to experts. medici.tv is also a resource for the education sector as it streams to university libraries, colleges and conservatoires.

In 1965 he was made director of the Conservatoire Municipal Agréé de Musique et de Danse de Noisy le Sec, and was Manager of the Association des Conservatoires de Seine-Saint-Denis from 1970–2000, as well as of the Fédération des Unions de Conservatoires, which is a member of the European Union of Music Schools. From 1964-1972, he was Manager of the Union of French conductors and from 1975 was Professor of conducting at the Centre Polyphonique de Paris, and then in Seine-Saint-Denis from 1980. He was made a Knight of the Order of the Lion of Finland in 1999.

At 11, Gitlis (Jitlis) entered the Conservatoire de Paris in the class of Jules Boucherit, and graduated in 1935.In the context of French Conservatoires, first prize, second prize and so on are the same as A and B grades, i.e. the highest level. Winning first prize meant graduation.

In 1987, Stroppa founded the composition and computer music course at the International Bartók Festival in Szombathely, Hungary. Following teaching posts at the conservatoires of Lyon and Paris, Stroppa currently is Professor of Composition at the State University of Music and Performing Arts Stuttgart, where he succeeded Helmut Lachenmann in 1999.

The Prince Claus Conservatoire () is one of the nine conservatoires in the Netherlands. It is a constituent of the Hanze University of Applied Sciences in Groningen. Students normally specialize in one instrument within the classical or jazz music division. Students can also train to become conductors, composers, and music teachers.

He has also performed and recorded as a harpsichordist in solo and chamber music and conducted and otherwise trained student groups at conservatoires. Trevor Pinnock won a Gramophone Award for his recording of Bach's Brandenburg Concertos with the European Brandenburg Ensemble, an occasional orchestra formed to mark his 60th birthday.

15 Ohio Light Opera produced the work in 1996.Clarke, Kevin. "Offenbach and Opera Rara" , Operetta Research Center, 19 March, 2018. Retrieved 14 March 2019 In London there have been productions by the students of two conservatoires: the Guildhall School of Music and Drama (1988), with Susannah Waters as Edwige,Forbes, Elizabeth.

Several of his compositions won prizes. Starting 1970 Loevendie taught composition at several Dutch conservatoires. Among his many students were Svitlana Azarova, Matthias Kadar, Vanessa Lann, Peter van Onna, Robin de Raaff, Victor Varela, Sinta Wullur and Evrim Demirel. As a performer, he participated in the ensembles Consort, Brevisand the Theo Loevendie Quintet.

The Royal Northern College of Music (RNCM) is a conservatoire located in Manchester, England. It is one of four conservatoires associated with the Associated Board of the Royal Schools of Music. In addition to being a centre of music education, RNCM is one of the UK's busiest and most diverse public performance venues.

The HEMU bachelor's and master's degrees are accredited by the Swiss government and the Music and Performing Arts division of the University of Applied Sciences Western Switzerland (HES- SO), Switzerland's largest institution of constituent schools and colleges involved in research, higher education, and professional training. HEMU is a member of the European Association of Conservatoires.

The Music Academy was founded in 1980, as part of the "Veljko Vlahović" University (today's University of Montenegro). The Academy was located in Podgorica until 1996, when it was moved to the building of the former Embassy of the United Kingdom in Cetinje. In November 2006, the Academy became a full member of the European Association of Conservatoires (AEC).

Gerard Kockelmans (May 5, 1925 in Meerssen - September 7, 1965 in Beek), was a Dutch composer, conductor and music teacher. He studied at the conservatoires of Maastricht, The Hague and Utrecht, where Kees van Baaren, Sem Dresden and Henri Geraedts were among his teachers. He mainly wrote choral music. Other works comprise masses, motets, chamber music and songs.

London Arts Orchestra (LAO) is a UK-based symphony orchestra devoted to cross- arts performance. It was founded in 2009 by Edward Farmer and David Williams. David stepped down from his role as a conductor in 2012 and now assumes the position of chairman for the orchestra. LAO's concerts feature artists, dancers, actors, comedians, designers and talented young professionals from London's music conservatoires.

"Professor of Music at Oxford", The Times, 19 June 1946, p. 6 In 1955 Armstrong was appointed principal of the Royal Academy of Music. The Times later commented on this period: As well as his concern for the well- being of his students and staff, Armstrong worked to develop links between the RAM and conservatoires of music in other European countries.

124/2009, which established the new definition frameworks for the subjects taught in Conservatoires of music. These decrees set up two new subjects: "Discipline interpretative del jazz, delle musiche improvvisate e audiotattili" (Jazz, improvised and audiotactile music interpretative disciplines) identifyied with the code CODM/06; "Storia del jazz, delle musiche improvvisate e audiotattili" (History of jazz, improvised and audiotactile music).

Folk and classical music of Armenia was taught in state-sponsored conservatoires during the Soviet days. The Sayat-Nova Armenian Folk Song Ensemble was founded in Yerevan in 1938. Currently directed by Tovmas Poghosyan, the ensemble performs the works of prominent Armenian gusans such as Sayat-Nova, Jivani, and Sheram. In 1939, the Armenian National Academic Theatre of Opera and Ballet was opened.

Currently a piano faculty at NYU Steinhardt and Mannes School of Music, Andjaparidze has taught at DePaul University, SUNY, Moscow and Tbilisi State Conservatoires and conducted masterclasses worldwide. She is founder and artistic director of advanced piano performance study program AmerKlavier. Andjaparidze is a recipient of the International Friendship Order, the Order of Honor, and the People's Artist of Georgia title.

Renáta Göncz was born in 1991 in the Hungarian countryside, in Ajka. She has learnt piano from the age of 7. Multiple conservatoires would have liked her to admit but she decided to continue her musical studies with singing. Her last amateur success has proven her right: she won the 1st prize of the Jenő Ádám Vocal Competition and two special prizes in addition.

Conservatoire students perform regularly in the conservatoire's concert venues, and also nationally often at Symphony Hall Birmingham and Birmingham Town Hall and internationally under such conductors as Sir Simon Rattle, Pierre Boulez, Sakari Oramo, Mirga Grazinyte-Tyla, Paul Spicer and Jeffrey Skidmore. The conservatoire collaborates with other schools of music, colleges, academies and conservatoires worldwide, including participating in the Erasmus student and staff exchange programme.

Prystawski served on juries or as an assessor for the Montreal International Music Competition, the Conservatoires du Quebec, the Canada Council, CBC music competitions, the City of Ottawa and various music festival competitions. Doctor of the University, University of Ottawa, 2001. Director, Sylva Gelber Foundation 1998 – . Prystawski retired from the National Arts Centre Orchestra in 2006 after conflicts with its music director, Pinchas Zukerman.

Tunis holds some of the most prestigious musical institutions in the country. The Rachidia was founded in 1934 to safeguard Arab music, and in particular to promote Tunisian and malouf music. The group is made up of 22 members, both instrumental players and choral musicians. Musique et conservatoires (Municipalité de Tunis) The Musical Troupe of the City of Tunis was created in 1954 by Salah El Mahdi.

The School's pupils are funded largely by the Government's Music and Dance Scheme, along with the School's own scholarship funds. It has a consistent success in national and international competitions and has an extensive programme of outreach and community work. The majority of pupils progress to music conservatoires although a small number each year elect to go to University to study both music and non-musical subjects.

On 7 November 2005, for instance, on the occasion of the joint initiative of the Association of German Orchestras, the German Jeunesses Musicales and the Association of German Conservatoires, the Stuttgart State Orchestra and the Youth Orchestra of Baden-Wuerttemberg launched the "tutti pro" orchestra partnership. Other partnerships were formed during concert tours abroad. Logo of the LvdM e.V. To enter the "LJO Pool" musicians have to pass an audition.

Conservatoire de Paris The 19th arrondissement marks the northeast suburbs of Paris. It contains the Conservatoire de Paris, Cité de la Musique, Cité des Sciences et de l'Industrie, and the neighbourhood of La Villette, which contains the Grande halle de la Villette and Parc de la Villette. The Conservatoire, a prestigious music and dance school. was established in 1795, and in 1946 it was split into two Conservatoires.

Dayas lost his parents at an early age. He studied organ and composition and moved to Germany in 1881. After studies with Liszt, he taught at European conservatoires, including Helsinki (1890–1893), where his daughter, the pianist and pedagogue Karin Dayas (1892–1971) was born. After that he worked as a piano teacher in Germany, New York and finally as a professor at Royal Manchester College of Music.

Derby School of Music is an independent private music school originally established in 1885, based in Derby, England. It offers private tuition on musical instruments and music theory, and provides grade examinations with all the major music exam boards in the UK including; ABRSM, London College of Music, Trinity College of Music, Rockschool, Victoria College of Music. Pupils can take these qualifications on to advanced study at conservatoires or universities.

Fischer was rector of the Felix Mendelssohn College of Music and Theatre from 1948 to 1973. He initiated the International Johann Sebastian Bach Competition, Leipzig in 1964 and served as the president of the competition until 1973. Fischer was president of the "Association Européene de Conservatoires, Academies de Musique et Musik-Hochschulen" between 1968 and 1974. As a performer he played with the Gewandhausorchester, Leipzig and the Staatskapelle Dresden and made several recordings.

Paul Vidal was born in Toulouse, and studied at the conservatoires there and in Paris, under Jules Massenet at the latter. He won the Prix de Rome in 1883, one year before Claude Debussy. On 8 January 1886, in Rome, Vidal and Debussy performed Franz Liszt's Faust Symphony at two pianos for Liszt himself, an after-dinner performance that Liszt apparently slept through. The following day they played Emmanuel Chabrier's Trois valses romantiques for Liszt.

The Hochschule opened on 1 February 1856 and is one of the oldest German conservatoires. Francesco Morlacchi, Carl Maria von Weber and Richard Wagner made reference to the necessity of establishing institutional training for musicians in Dresden. On 1 February 1856, a violinist of the Royal Orchestra, Friedrich Tröstler, founded the first music school in Dresden. In 1881 the title "royal" was granted, and it changed its name to "Royal Conservatoire", although it was a private institution.

Solistes de Musique Ancienne, also known as Solistes, is a London-based ensemble specialising in Baroque music. Solistes, founded in 2010 by conductor Joel Newsome, draws its members from London conservatoires, and young professional classical musicians at the start of their careers. It performs as both an orchestra and choir, together or separately, using minimal force in performance, and often with one musician per part. Soloists are provided from within the group rather than by external invitation.

The Royal Irish Academy of Music (RIAM) in Dublin, Ireland, is one of Europe's oldest music conservatoires, specialising in classical music and the Irish harp. It is located in a Georgian building on Westland Row in Dublin. An institution which offers tuition from age 4 up to doctorate level, the RIAM has taught music performers and composers who have gone on to acclaim on the world stage. It is an associate college of the University of Dublin, Trinity College.

He became a friend of Benjamin Britten who was a fellow student of composition under John Ireland. Later he studied at conservatoires in Siena and Santiago de Compostela. Much of his career was spent as first violinist for the London Philharmonic, although he also played chamber music in many of the world’s important music venues. Benjamin Britten wrote a Fantasy Scherzo for piano trio, retitled "Introduction and Allegro" (unpublished) dedicated to Remo Lauricella and Bernard Richards.

Charlotte Milligan was born in Omagh, Co Tyrone on 17 March 1864 to Methodist parents, Seaton Milligan (1837–1916) and Charlotte Burns (1842–1916). Fox was the eldest of eleven children, with nine surviving including Alice Milligan and Edith Wheeler. All nine children enrolled at Methodist College, Belfast which provided a privileged and exceptional education. She studied classical piano and composition at the Royal College of Music in London and the Conservatoires of Frankfurt and Milan.

Leon has directed plays for numerous key theatre companies globally. He has also conducted Masterclasses, workshops and seminars at theatre companies, conservatoires and universities worldwide. His work has been in the UK, USA, Canada, Scotland, Ireland, Holland, France, Spain, Russia, Chile, Japan, Thailand, Singapore, Taiwan, Brazil, Hong Kong, China, Philippines and Greece. His work as a Director has involved major theatre companies such as the Abbey Theatre, Dublin, Stratford Festival Theatre, Canada, Bungaku-za Theatre Company, Tokyo among many others.

Dupont was born in Ensival, Verviers. He studied the violin at the Liège and Brussels conservatoires and won a Belgian Prix de Rome for composition in 1863. After a four-year study trip around Europe, he was made leader of the Warsaw Opera House in 1867 and of the Imperial Theatre of Moscow in 1871. He returned to Brussels in 1872 and settled there as professor of harmony at the Conservatoire and leader of the orchestra at the Théâtre de la Monnaie.

Chevallier studied piano at the Conservatoires of Nancy and Strasbourg (class of Hélène Boschi) then with Bruno Rigutto in Paris. She then continued her training at the Royal Conservatory of Brussels with and Guy Van Waas. She received a First Prize for piano and chamber music. It was during a masterclass given by Jos van Immerseel that she was fascinated by the fortepiano and therefore interested, as musician and researcher, in the historical contexts of the instruments and their technical evolution.

He began studying piano at the age of five, giving his USSR debut performance with an orchestra just two years later. He won several prizes while at the Vilnius School of Music, including the First Prize at the Virtuosi per Musica di Pianoforte International Competition in Ústí nad Labem (Czech Republic) in 1991. This was followed by more awards at international music competitions in Lithuania, Poland and Russia. Chaimovich is a graduate with honors from a few conservatoires of music.

Issie has been awarded commissions by the Philharmonia Orchestra, The Orchestra of the Age of Enlightenment, Bohuslän Big Band, The PRS Foundation for New Music, Delta Sax Quartet, 4th Dimension String Quartet, Voice of the North, North Cheshire Wind Orchestra, Vortex Foundation Big Band, Swiss Gemeinderat of Unterägeri, Trinity College of Music’s Contemporary Jazz Ensemble, Conservatoires UK Big Band and Youth Music with performances often featuring artists such as Anders Bergcrantz, Tim Garland, Mark Lockheart, Joe Locke, Dennis Rollins, Carl Rütti, Steve Waterman and Annie Whitehead.

The festival took place annually over 12 days in late May, and staged a range of events featuring orchestral and classical virtuosos, jazz, folk, roots and world musicians, with collaborations and commissioned works. The musicians included established and emerging artists, students from a wide range of conservatoires, universities and colleges, and local musicians, both professional and amateur. The programme was supported with films, talks, multi media events, music theatre, exhibitions, dance and site specific projects. In 2013, the Bath International Music Festival celebrated its 65th anniversary.

Since 2008 Tigran Maytesian has been appointed a Professor at the Lemmens Institute (Lemmensinstituut - Conservatory of the Catholic University Leuven, Belgium) to conduct two classes: solo violin and chamber music. Alongside his performance career he has concentrated on the pedagogical activities and successfully prepared several students for international solo violin and chamber music competitions. Besides teaching at the Lemmens Institute in Leuven, Belgium he regularly conducts master classes in conservatoires and music schools in Belgium, Russia, Armenia, Kazakhstan, for both solo violinists and chamber musicians.

In his later years, Walton formed friendships with younger composers including Hans Werner Henze and Malcolm Arnold, but although he admired their work, he did not influence their compositional styles. Throughout his life, Walton held no posts at music conservatoires; he had no pupils, gave no lectures and wrote no essays.Kennedy, passim After his death, the Walton Trust, inspired by Susana Walton, has run arts education projects, promoted British music and held annual summer masterclasses on Ischia for gifted young musicians.The Times, 15 September 1984, p.

The Royal Northern College of Music also awarded the diploma GRSM (Manchester), and the Guildhall School of Music and Drama, awarded the GGSM diploma. The mainline British conservatoires of music phased out the professional graduate diplomas during the 1990s in favour of a BMus model. Trinity College London awarded the last GTCL diploma in 1997. The LTCL diploma, open to all students of the college in either instrumental teaching or performing was usually taken by examination in the second year of the GTCL course.

There are also departments for musical theatre performance and jazz. The Academy collaborates with other conservatoires worldwide, including participating in the SOCRATES student and staff exchange programme. In 1991, the Academy introduced a fully accredited degree in Performance Studies, and in September 1999, it became a full constituent college of the University of London, in both cases becoming the first UK conservatoire to do so. The Academy has students from over 50 countries, following diverse programmes including instrumental performance, conducting, composition, jazz, musical theatre and opera.

These plans were swiftly carried out and the school's first day of classes occurred on 17 January 1944 with Pelletier also serving as this school's first director. Most of the conservatoire's original faculty were also teachers at the CMQM and commuted back and forth between the two schools during its early years. Originally the CMADQ was only concerned with musical education, but Pelletier felt that Quebec needed conservatoires for studies in theatre as well. He proposed the idea to the Quebec government and was met with resistance.

The purpose was to let Franz study at the famous Conservatoire de Paris, but Cherubini told them that foreigners weren't admitted. (Long after this piece of unintentional satire, Liszt would always scorn the conservatoires and their products). So Adam continued to teach his son, with a rigid schedule of practising Bach and other composers on the piano, with transposition of fugues and other daily technique improving exercises. After resigning from the Esterhazys' service Adam spent most of his time as the manager of his son's career, with tours in many European countries.

The GTCL professional graduate diploma of Trinity College of Music, London (awarded by Trinity College London), together with a number of other professional graduate diplomas from the British Conservatoires of Music, fulfil special requirements for Qualified Teacher Status, under the Education (School Teachers' Qualifications) (England) 2003. Those awarded the professional graduate diploma are entitled to use the post-nominal letters GTCL or GTCL (Hons), as appropriate, and to wear the appropriate academic dress: black bachelors' gown with hood of purple silk of full Cambridge shape, all edges bound with violet silk.

The Royal Birmingham Conservatoire is a music school, drama school and concert venue in Birmingham, England. It provides professional education in music, acting and related disciplines up to postgraduate level, and is a centre for scholarly research and doctorate-level study in areas such as performance practice, composition, musicology and music history. It is the only one of the nine conservatoires in the United Kingdom that is also a faculty of a university, in this case Birmingham City University. It is a member of the Federation of Drama Schools.

At the same time as the Tchaikovsky competition, he was also awarded a prize from the Union of Soviet Composers for his performance of Russian music. From 1971 to 1975 he taught at Boston University and he was Head of the cello department of New England Conservatory. From 1977 to date, he lives in the United Kingdom, where he still is a professor of cello at the Guildhall School of Music and Drama in London. He performs regularly and leads cello masterclasses at music festivals and in state conservatoires throughout the world.

Since early 2013, he is a founding member of the KYKLOS international ensemble. He has given Masterclasses on piano performance, body language and the Psychology of live interpretation at Trinity College of Music, Birmingham City University, Megaron Halls, Manhattan School of Music, Kutztown University and at numerous conservatoires in Greece and the United Kingdom. In April 2010, Lazaridis was invited as member of the jury for the 1st Sussex International Piano Competition. Since September 2010, he has held the post of artistic director at the Thessaloniki Concert Hall "Megaron" (www.tch.gr).

Its members include libraries in higher education institutions (not only universities but also higher education colleges and specialist schools and conservatoires); the British Library and the National Libraries of Ireland, Scotland and Wales; and libraries in national museums and other specialist institutions. SCONUL is governed by its members whose Representatives meet twice a year, and between meetings by an elected Executive Board. SCONUL is a registered charity. The SCONUL Executive Director, from 13 September 2010, is Ann Rossiter and the SCONUL office is based at 102 Euston Street, London, UK, NW1 2HA.

However, he won the ear of Premier Maurice Duplessis and ultimately his influence led to the establishment of the CMADQ's first school for the theatre arts, the Conservatoire d'art dramatique du Québec à Montréal in 1954 under the directorship of Jan Doat. The establishment of the Conservatoire d'art dramatique du Québec à Québec followed four years later. The CMADQ went on to establish four more music conservatoires in 1967. The Conservatoire de musique du Québec à Trois-Rivières was originally established as a preparatory school for conservatoire bound students in 1964.

After graduating from the Latvia Conservatoires in 1989 as a drama theatre director, Martinsons worked with Latvian musicians as an independent director/producer of music video clips. His first music video clip, "This is My Car" by the band Jumprava, was the first independent video in Latvia’s history and it received the best video award from [reference] in 1989/1990. Since 1991, Māris has lived in Lithuania, where together with a partner he founded the production company “ARTeta” (1994). ARTeta has become a leading production company and the biggest studio complex (300, 600 and 900 sq meters big pavilions) in the Baltic States.

There are more opportunities now for students to specialise in jazz whether at basic learner level or at major conservatoires around the country, such as the Royal Academy of Music, Guildhall School of Music, Trinity College of Music and Middlesex University in London, Birmingham Conservatoire and Leeds College of Music. Jazz music education and artist development is also undertaken by the organisation Tomorrow's Warriors, founded in 1991 by Janine Irons and Gary Crosby, with alumni going on to win several awards.Piotr Orlov, "Jazz's New British Invasion", Rolling Stone, 2 March 2018."Tomorrow's Warriors – WINNER: Parliamentary Award for Jazz Education 2017".

Marco Stroppa studied piano, composition, choral direction and electronic music at the conservatoires of Verona, Milan and Venice. From 1980 to 1984, Stroppa collaborated with the Centro di Sonologia Computazionale of the University of Padua, before moving to the United States, where he continued his studies at the Massachusetts Institute of Technology supported by a grant from the Fulbright Foundation until 1986. At MIT he took courses in cognitive psychology, computer science and artificial intelligence. At the invitation of Pierre Boulez, Stroppa moved to Paris where he led the department for musical research at Ircam from 1987 until 1990.

TVYO also performed Mu Ara, a piece it commissioned from the popular composer Geoffrey Palmer. In recent years, the orchestra has performed all of Tchaikovsky's last three symphonies and in 2009 and 2011-2017 was invited to perform at the National Festival of Music for Youth in Symphony Hall, Birmingham. In 2013, the orchestra gave two memorable performances of Shostakovich's 5th Symphony. The orchestra often forms a stepping stone for students into a musical career, and many students from the orchestra also play in National Youth ensembles and go on to study music at conservatoires or universities.

After World War II in 1951 the school is broken up into the primary and secondary music school (the present- day "Vatroslav Lisinski" School of Music) and the university-level academy named Zagreb Academy of Music (Muzička akademija u Zagrebu), which originally had seven departments. In 1967 the Academy established its Musicology Institute which later grew into an additional department in 1974, and five years later the Academy was incorporated into the University of Zagreb in 1979. The Academy is the only Croatian member of the European Association of Conservatoires (AEC), the main European association of colleges and university schools of music.

Vincent d'Indy called Chabrier "that great primitive ... a very great artist".Poulenc, p. 75 In The Oxford Companion to Music (2011), Denis Arnold and Roger Nichols write that Chabrier's lack of a formal musical education at one of the major conservatoires allowed him the freedom to "bypass the normal paths of French music of the 1860s, and to explore a new harmonic idiom and especially a novel way of writing for the piano".Arnold, Denis and Roger Nichols "Chabrier, Emmanuel", The Oxford Companion to Music, Oxford University Press, 2011 Chabrier's musical language introduced several striking features.

The International Festival of Patras takes place every summer, with a program consisting mostly of plays—both ancient drama and modern theatre—as well as various musical events. Patras has also a very strong indie rock scene with critically acclaimed bands such as Raining Pleasure, Abbie Gale, Serpentine, Doch an Doris and others. In addition, there are several conservatoires and music schools, including one devoted exclusively to Byzantine music, several orchestras and choirs. There are also a number of dance schools, and there are plans to set up a dance theatre within the context of the Patras Municipal and Regional Theatre.

Russill was appointed Head of Church Music by the Royal Academy of Music in 1987, in order to found Britain's first conservatoire church music department. In 1997 he was appointed Head of Choral Conducting at the Academy, leading the UK's first specialist postgraduate choral conducting course. He has given choral conducting masterclasses for the Royal College of Organists, the Cathedral Organists' Association, the Assistant Cathedral Organists' Association, the Conference of Catholic Directors of Music, and the Music Masters' and Mistresses' Association. He has also been a guest professor at the conservatoires in Stockholm, Helsinki, Düsseldorf and Strasbourg.

Birmingham School of Art, now part of the Birmingham Institute of Art and Design Birmingham City University (BCU) in particular has a significant role in higher education in the arts in Birmingham. The Royal Birmingham Conservatoire, now part of the university, was formed as the Birmingham School of Music in 1859 and formerly constituted in 1886. It is one of only nine conservatoires in the United Kingdom and the only one which is also a university faculty. The conservatoire has strong links with the City of Birmingham Symphony Orchestra whose former conductor, Sir Simon Rattle, is the conservatoire's president.

In the UK, a graduate diploma is a short course, with a value of 80–120 UK credits (equivalent to 40–60 ECTS credits), that is normally studied by students who have already graduated in another field. Graduate diplomas are distinguished from graduate certificates by having a longer period of study, equivalent to two thirds of an academic year or more. Until the 1990s, the British conservatoires of music offered three year undergraduate courses to some of their students, leading the award of the Graduate Diploma, e.g. GRSM, GTCL, equivalent to a university first degree in music.

The First Prize came with a bursary that allowed the recipient to stay at the Villa Medici in Rome for two years and to travel for up to three more years. On his return from Rome in 1926, Bousquet took up an appointment as the director of the Conservatoire de Roubaix, a position he held until his death. In the 1930s he was a founder of the Association des Directeurs d'Écoles et Conservatoires de Musique Nationaux and later became its honorary president. In 1934 he was awarded the Légion d'honneur for his artistic career and military service.

In 1955 he placed his student Mohamed Saâda in charge of the ensemble, which at that time included the best artists, and later merged with the ensemble of Radio Tunis. Musique et conservatoires (Municipalité de Tunis) This group contributed to the rise to stardom of numerous Tunisian singers, including Oulaya. The Association of Arab Orchestra of the City of Tunis began its activities at the end of April 1982, as a workshop linked to the cultural center of the city. It worked on promoting Arab music, on music education and training, and on cooperation with various partners both in Tunisia and abroad.

He visited and lived in London, Dublin and Brussels and interviewed important jazz personalities, such as the heads of the jazz departments at the conservatoires (e.g. the royal academy of music and the guildhall London) or club managers. These interviews as well as various concerts and lessons he took during this research gave him an understanding of the various (jazz)music outcomes and structures on jazz across Europe. He was always able to keep connections made during this time active, which for example resulted in Markus being interviewed by Linley Hamilton of BBC radio. They talked about the Transitions Organ Duo as well as Markus’s research activities.

The Royal College of Music is a conservatoire established by royal charter in 1882, located in South Kensington, London, UK. It offers training from the undergraduate to the doctoral level in all aspects of Western Music including performance, composition, conducting, music theory and history. The RCM also undertakes research, with particular strengths in performance practice and performance science. The college is one of the four conservatories of the Associated Board of the Royal Schools of Music and a member of Conservatoires UK. Its buildings are directly opposite the Royal Albert Hall on Prince Consort Road, next to Imperial College and among the museums and cultural centres of Albertopolis.

His most recent works have been premiered at Kings Place, London; Mediarte Festival, Monterrey; Sonorities festival, Belfast; Southbank Centre and Southbank Centre's Purcell Room, London; Centro Nacional de las Artes, Mexico City; Gare du Nord, Basel; Visiones Sonoras Festival, Morelia; Venice Biennale. Since 1995, he has taught composition, theory and analysis, electro acoustic composition and new technologies; between 1999 and 2002, he joined the Centro Tempo Reale, Florence, Italy, to work and accomplish Luciano Berio’s project for Basic Musical Literacy for children via the use of New Technologies. He has been invited to lecture in special courses, advanced seminars, and master classes in several conservatoires and universities worldwide.

In 1968 he arranged the manufacture of accordions with nothing but free-bass layouts to accommodate newcomers, as free-bass accordions would otherwise always include standard bass. In some Russian, Canadian and European music conservatoires, free bass accordion is considered a serious instrument for study and there is now a large modern repertoire for it. Free bass accordion is taught at the undergraduate and post-graduate levels at the National Autonomous University of Mexico in Mexico City. In the United States, free bass instruments are much less well known despite attempts to popularize them by Palmer and Hughes and the Giulietti Accordion Company in the 1960s and 1970s.

Music has been a prominent subject in schools and other learning institutions in Europe for many centuries. Such early institutions as the Sistine Chapel Choir and the Vienna Boys Choir offered important early models of choral learning, while the Paris Conservatoire later became influential for training in wind band instruments. Several instructional methods were developed in Europe that would later impact other parts of the world, including those affiliated with Zoltan Kodaly, Carl Orff, Émile Jaques-Dalcroze, and ABRSM, to name but a few. Notable professional organizations on the continent now include the Europe regional branch of the International Society for Music Education, and the European Association of Conservatoires.

The college was founded in 1883 to replace the short-lived and unsuccessful National Training School for Music (NTSM). The school was the result of an earlier proposal by the Prince Consort to provide free musical training to winners of scholarships under a nationwide scheme. After many years' delay it was established in 1876, with Arthur Sullivan as its principal. Conservatoires to train young students for a musical career had been set up in major European cities, but in London the long-established Royal Academy of Music had not supplied suitable training for professional musicians: in 1870 it was estimated that fewer than ten per cent of instrumentalists in London orchestras had studied at the academy.

EFNYO considers it as our major duty to deal with cultural political matters and policy changes relevant to both music education and the music profession. Our objectives are to guarantee a healthy environment for training new generations of musicians and to ensure adequate economic and social structures for cultural organizations and audiences throughout the EU. EFNYO organises at least one General Assembly for its members and networking partners. EFNYO board members regularly participate in international conferences, such as the annual meetings of the Association Européenne des Conservatoires, Culture Action Europe, the European Music Council and conferences of European Orchestras Associations. EFNYO also offers a range of activities including managers training programmes and workshops of musicians.

During the Soviet era, Armenian folk music was taught in state-sponsored conservatoires — in 1978, influential kanon player and composer Khachatur Avetisyan founded the folk music department of the Komitas State Conservatory of Yerevan. Traditional instruments include the qamancha, kanon (box zither), dhol (double-headed hand drum, see davul), oud (lute), duduk, zurna, blul, sring, shvi, pku, parkapzuk, tar, dmblak, bambir, and to a lesser degree the saz. Other instruments often used include the violin and clarinet. The duduk is considered to be Armenia's national instrument, and among its well-known performers are Margar Margaryan, Levon Madoyan, Vache Hovsepyan, Gevorg Dabaghyan, and Yeghish Manukyan, as well as Armenia's most famous contemporary duduk player, Djivan Gasparyan.

The National Youth Wind Orchestra of Great Britain (NYWO) was originally named The British Youth Wind Orchestra when founded by clarinettist Eric McGavin in 1968. Stephen Dodgson(Chairman), Andrew McGavin, Robert Montgomery and Leonard Salzedo established it as a charity on 1 January 1986 and registered it with the Charity Commission on 28 February 1986. Formed as the British Youth Wind Orchestra by Eric McGavin (Musical Director 1968–1970) and Harry Legge (Principal Conductor 1968–1989), it was renamed, National Youth Wind Orchestra of Great Britain (NYWO) in 1986. Almost 5,000 young players have enjoyed music making in the orchestra, progressing to study at the UK's conservatoires and working in orchestras, ensembles and organisations music industry.

Caius Boat Club is the college's boat club, with the men's 1st VIII remaining unbeaten in the seasons of 2010/11 and of 2011/2012, and (as of 2019) is currently in possession of both the Lent and May Bumps headships. Caius Jazz takes place most terms in the college bar, inviting 'some of the most illustrious names in the contemporary scene' and a house band of students studying at London conservatoires to play in the college bar. In recent years Steve Fishwick, Sam Mayne, Ian Shaw, Barry Green, Gareth Lockrane, and Paul Jarvis have all been featured. The Caius May Ball is an all-night party in June, held every two years.

Somewhat confusingly, instructors at many music conservatoires in the UK are known as professors; for example 'professor of violin'. This designation is quite different from the standard British use of the term and has more in common with the American usage, where the term is applied to any instructor at a college or university. Related to this usage, small-town music teachers, even if they held no degrees, were sometimes called "professors" in years past in the United States. In the United Kingdom and Ireland the term 'professor' is properly and in formal situations given to singing and instrumental tutors in the music colleges / conservatories of music, usually the older and more august ones: The Royal College of Music, Royal Academy of Music, Trinity College of Music.

Master of Performance (often abbreviated to MPerf) is a postgraduate degree awarded by some conservatoires in the United Kingdom. Often offered alongside the more common Master of Music degree, the MPerf develops one's musical skills to a high professional level through intensive and specialised training. Students can specialise in instrumental, vocal or compositional study which is then augmented by advanced study in music theory, aural skills and professional development. The Royal College of Music sees its MPerf degree as a less intensive undertaking to its sister MMus degree, due to the lack of research modules in the former qualificaiton whereas the MPerf degree at the Guildhall School of Music and Drama is more intensive than their MMus and requires an additional year of study.

The Academy was founded in 1888 by the eminent Polish composer Władysław Żeleński thanks to his artistic connections and patronage of Princess Marcelina Czartoryska, a concert pianist and former pupil of Frédéric Chopin. Until 1945 it operated as a conservatory under the name of Conservatory of the Music Society or, the Cracow Conservatory. During the partitions of Poland, as the region of Lesser Poland and Kraków was ruled by the Austrian Empire – in the late 18th century, it was necessary to gain the consent of the Austrian administration and meet the imperial requirements set for all conservatoires. The newly opened school was inspected by Joseph Dachs and Johann Fuchs, both professors of the Vienna Conservatoire, and received their enthusiastic opinion.

The University of Glamorgan merged with the University of Wales, Newport in 2013 to form the University of South Wales, so RWCMD is now part of the University of South Wales Group. The college provides education and training in the performing arts and technical theatre, with approximately two-thirds of its 550 students studying music-related courses and the rest studying drama and technical theatre related courses. It was the first, and is one of only two All-Steinway conservatoires in the UK, along with Leeds College of Music. A £22.5m expansion of the College was opened in 2011, including two new performance venues (Richard Burton Theatre and Dora Stoutzker Hall), a new front of house area and rehearsal studios.

Priestley helped transcribe Duke Ellington's Black, Brown and Beige and Creole Rhapsody for Cohen, and formed his own Special Septet featuring Digby Fairweather and Don Rendell. His compositions include Blooz For Dook (published in his 1986 book Jazz Piano 4), The Whole Thing (recorded by the National Youth Jazz Orchestra in 1997) and Jamming With Jools (a 1998 examination piece for the Associated Board of Royal Schools of Music, based on a live broadcast with Jools Holland). He is also known for broadcasting work on the BBC as well as London Jazz FM, and his weekly series for BBC Radio London influenced the renewed interest in jazz in the 1980s. Priestley taught jazz piano at Goldsmiths College from 1977 until 1993, and has taught jazz history for various other universities and conservatoires over the years.

VOKS bulletin - Soviet Ministry of Culture 1955 "Many young Estonian musicians are completing their musical education at the conservatoires of Moscow and Leningrad. As an example we may cite the talented conductor, Roman Matsov, who came to Leningrad from Tallinn, before the war, " During the Second World War his family emigrated to Australia and his sister in Australia found out that he was still alive only by seeing news of a concert.Nikolay Efremovich Andreyev A Moth on the Fence 2009 p254 "Another mutual friend, Irina, had emigrated with her family to Australia and was looking for her brother, a musician, Roman Matsov, whom she eventually found by contacting the Estonian Conservatoire. She had learnt that he had survived" However, later he was criticised for scheduling the works of Mahler.

The university has five Centres of Research Excellence, which are the main focus of its research activity. Following the 2008 Research Assessment Exercise conducted by the Higher Education Funding Council for England, the Birmingham Post reported that more than 70 per cent of research work submitted by Birmingham City University—including in business and management studies, education, English, social work and social policy, and town and country planning—was "officially recognised as of an international standard", and 15 per cent of that work was "rated as world leading". Its art and design submission was among the ten highest ranked in the country, and Birmingham Conservatoire was rated one of the top three conservatoires, and the best outside London. The university was ranked sixty-third based on average assessment scores.

Ahmet Adnan Saygun, one of the most prominent composers and musicologists of Turkey who is also known as the composer of first Turkish opera, Özsoy had a close relationship with Prof. İhsan Doğramacı who is regarded as one of the most important philanthropists promoting music in Turkey Gülsin Onay and a leading figure for Turkish educational and health system as founder of two foremost universities of Turkey, Hacettepe and Bilkent Universities. Saygun had dedicated his two works to Doğramacı who pioneered the foundation of ethnomusicology departments at Turkish conservatoires for which Saygun had asked for many years.Kahramankaptan- OperaTürkiye Upon this and the establishment of Bilkent University Faculty of Music and Performing Arts which was seem as a promising and encouraging music school by Saygun, he left his estatew and works to Bilkent University.

These were followed in 2016 by the "Florence Principles," seven basic principles for doctorates in the arts laid out by the European League of Institutes of the Arts, which have been endorsed by the European Association of Conservatoires, the International Association of Film and Television Schools, the International Association of Universities and Colleges of Art, Design and Media, and the Society for Artistic Research. In some countries like China and Japan, a recipient of doctorate in disciplines such as engineering and pharmacy where professional degrees (for example, EngD and PharmD) are usually awarded in the western countries, is called a PhD regardless. It is not uncommon that the person's title or diploma be translated into English as PhD in (that discipline). In these countries, the distinction between professional doctorates and PhDs is less significant.

When a number of conservatoires became affiliated to or constituent colleges of universities, the graduate diplomas were gradually replaced by the award of the BMus degree to all successful students. A graduate diploma should not be confused with a postgraduate diploma, which is a master's degree-level qualification in the UK. Historically, this has not always been the case, with postgraduate diploma and graduate diploma used interchangeably, but the Quality Assurance Agency now makes a clear distinction between these titles. Some institutions have renamed courses as a result, e.g. The College of Law renamed the official title for its law conversion course from Postgraduate Diploma in Law to Graduate Diploma in Law as, although the law conversion course is studied postgraduately, the contents of the course are only undergraduate in nature.

2012 - The wisdom of bees For Jean Lambert- wild, training and the act of handing over knowledge enable a collective engagement towards a common future. His taste for pedagogy and actor training leads him to regularly teach as a guest lecturer in regional Conservatoires in France. He is also a visiting lecturer at universities and arts schools in France and abroad (Sorbonne – Paris IV; UTC Université de Technologie de Compiègne; UTBM of Belfort-Montbéliard, the ENSATT – École Nationale des Arts et Techniques du Théâtre, Lyon; in the Arts Department of the University of Texas in Austin; CalArts University - The Center for New Performance in Los Angeles, California Institute of the Arts; Iamas University of Technology, Tokyo; the Maison des Artistes of Baguida, Togo…). In 2013, he chaired the examining board at Institut supérieur des arts de Toulouse.

Under the direction of the Ministère de la Culture et de la Communication (Ministry of Culture and Communication) these Écoles Supérieures deliver a higher education degree for professional actors: the Diplôme National Supérieur Professionnel de Comédien. The Académie is located at Saint-Priest-Taurion, 15 km from Limoges, in an environment that facilitates focused and intense training. The Académie cultivates an international dimension, with, among other things, partnerships and exchange programmes between the Académie and conservatoires or national theatre schools in Russia, Canada, Georgia and Japan. This international dimension will be solidified in the future by cooperation programmes developed with French-speaking countries. Jean Lambert-wild sees the Académie de l’Union as the breeding ground for Théâtre de l’Union, but also as the future of theatrical creation and a place for future expressions of collective freedom.

He has given advanced master classes and courses in universities and conservatoires internationally, including in the United States, the former USSR, China, Japan, Korea and Europe. In Italy he has organised and held advanced vocal courses and seminars in Turin, (Teatro Regio, Conservatorio G.Verdi), Sienna (Accademia Chigiana), Parma (Festival Verdi), Rome (Università La Sapienza), Tolentino (Teatro Vaccaj), Napoli (Conservatorio S.Pietro a Majella), Catania (Istituto Bellini), and Milan (Conservatorio G.Verdi). He is often invited to sit on judging panels in international competitions such as the Hugo Wolf International Lied Competition in Vienna, Austria and Stuttgart, Germany, and was, in 2005, the jury chairman for the 2005 Renata Tebaldi Competition in San Marino. As an author, he has written many essays and articles regarding vocal art and has edited the new teachers' edition of The Practical Method of Italian Singing by Nicola Vaccai.

At first comfortably off, he divided his time between Paris and country homes in Villers-sur-Mer and the Côte d'Azur, but after the onset of World War I his circumstances were gradually reduced; he had to sell one of his houses and in 1915 began working as a lecturer and teacher. Partly because of his constant advocacy of younger composers and new styles, he was never successful in his attempts to gain a permanent teaching position for himself, though he was an examiner for many institutions (e.g. the Conservatoires of Brussels, Rheims and Marseilles). His application to be professor of counterpoint and fugue at the Paris Conservatoire in 1926 was rejected 20 votes to 2 (the two being Albert Roussel and Maurice Emmanuel), but from 1935 to 1939 he was allowed to teach fugue and modal polyphony at the Schola Cantorum.

Claude Champagne (left) and Wilfrid Pelletier (right) at the opening of the Conservatoire de musique du Québec à Montréal in 1943. During the late 1930s and early 1940s, Canadian composer Claude Champagne put together a large report on music education. This report was presented to the Quebec government by Champagne and conductor Wilfrid Pelletier with the hopes of establishing Canadian institutes of higher learning for music. The report closely examined music education in Europe as well as in Canada and plans were soon formed to establish a network of state- subsidized schools which would be modelled after European conservatoires, particularly the Conservatoire de Paris. On 29 May 1942 The Conservatory Act ('Loi du conservatoire') was passed by the Legislative Assembly of Quebec, which allocated a $30,000 budget to form the CMADQ's first school, the Conservatoire de musique du Québec à Montréal (CMQM).

Gérando was the top selected candidate for a composition curriculum at the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP). He won the top prize for composition at the Paris Conservatory in 1993. He studied composition under Alain Bancquart, writing and analysis under Michel Philippot, orchestration under Gérard Grisey, musical computing under Tristan Murail, and electroacoustics under Guy Reibel and Laurent Cuniot. In 1994, Stéphane de Gérando was the top selected candidate for a Composition PhD at the CNSMDP where he took master classes with Pierre Boulez, Karlheinz Stockhausen, Franco Donatoni, Emmanuel Nunes, Henri Dutilleux. He won the International Award at the Contemporary Music Festival of Darmstadt (1994), « Prix de l’Association des Anciens Elèves et Elèves des Conservatoires Nationaux Supérieurs de Musique et d’Art Dramatique de Paris » (1991), the « Prix Académique de la SACEM » (1995), and was the laureate of the « Fondation Sasakawa » in 1993 and 1994.

Because of the relatively late emergence of theatre directing as a performing arts profession when compared with for instance acting or musicianship, a rise of professional vocational training programmes in directing can be seen mostly in the second half of the 20th century. Most European countries nowadays know some form of professional directing training, usually at drama schools or conservatoires, or at universities. In Britain, the tradition that theatre directors emerge from degree courses (usually in English literature) at the Oxbridge universities has meant that for a long time, professional vocational training did not take place at drama schools or performing arts colleges, although an increase in training programmes for theatre directors can be witnessed since the 1970s and 1980s. In American universities, the seminal directing program at the Yale School of Drama produced a number of pioneering directors with D.F.A. (Doctor of Fine Arts) and M.F.A. degrees in Drama (rather than English) who contributed to the expansion of professional resident theaters in the 1960s and 1970s.

Bassano has been Music Director of the Oxford University Sinfonietta – whose broad repertoire spans from Biber to Birtwistle – The Virtuosi of the Mannheim Court, The City of Rochester Symphony Orchestra, the professional choir, The Gentlemen of the Chappell, The Equale Baroque Players, Wendover Choral Society, City of Cambridge Brass Band and Oxford Touring Opera. He has appeared as guest conductor with the Britten-Pears Orchestra, Brook Street Band, Orquestra da Camara de Cascais e Oeiras, Corelli Chamber Orchestra, Helsinki Philharmonic, Eton College Symphony Orchestra, Hong Kong Academy Wind Orchestra, Imperial College Symphony Orchestra, Royal Melbourne Philharmonic Choir, National Youth Wind Orchestra, Royal Philharmonic, Royal College of Music Symphony Orchestra and Sinfonietta, Royal Oman Symphony, State Symphony Orchestra of Mexico, Ulster Youth Orchestra, Vaasa City Orchestra as well as at many conservatoires, choirs and bands around the world. He studied trombone and singing at the Royal College of Music 1965–68. As a trombonist, he was a member of London’s Philharmonia Orchestra for 27 years but retained a commitment to the performance of wider musical genres than just the symphonic, including early music on original instruments.

Bassano returned to the Royal College of Music as professor of trombone in 1978, he was appointed Head of Brass Faculty and Staff Conductor in 1993, a position he held until 2004. He has given masterclasses at the Paris Conservatoire, Sibelius Akademy (Helsinki), Hong Kong Academy, Royal Swedish Academy, Canberra, Melbourne and Sydney Conservatoires and has been a guest lecturer at Cambridge, Duke, Edinburgh, Indiana, Open, Oxford, Tokyo University of the Art, Queen's, Salford, Trinity and York Universities. He has written numerous articles for the British musical and national press – including The Daily Telegraph, The Guardian, The Independent and The Times – and presented research on the Bassano Family,24/1/2006 ~ Oxford University Coloquia Lecture ~ Moths, Mulberries and Mountains: Symbolism in the Iconography of the Bassano Family Beethoven,Les trois Equale et leurs adaptations pour l'enterrement de Beethoven; La revue de Association Beethoven France et Francophonie No.6 - 2e semestre 2006 Byrd,Sundrie Songs; International William Byrd Conference; Duke University 17–19 November 2005 ShakespeareShakespeare's Jewish Friends; Jewish Historical Society of England 23 April 1998 and Veronese.A Second Miracle at Cana: Recent Musical Discoveries in Veronese's Wedding Feast; Historic Brass Society Journal Vol.