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24 Sentences With "coming into fashion"

How to use coming into fashion in a sentence? Find typical usage patterns (collocations)/phrases/context for "coming into fashion" and check conjugation/comparative form for "coming into fashion". Mastering all the usages of "coming into fashion" from sentence examples published by news publications.

And yet, tales of self-destruction have no expiration date, no coming into fashion or going out of vogue.
At the time Trump was purchasing stacks of his own book, gaming the Times best-seller list was just coming into fashion for desperate writers and publishers.
There is never a second of the fight where Nurmagomedov is not hitting and in some ways his striking on the ground is like the old school infighting which is finally coming into fashion in the standing clinch along the cage.
Separately, in an article he wrote in 1991 for an Afrikaans newspaper in South Africa, De Villiers noted that Monk had stopped shooting photos in 1969, because he saw that Polaroid film was coming into fashion for so-called social photography and he did not like it.
The securities fraud charge against Venkata Meenavalli, 49, of India, was announced 18 months after Longfin shares went on a roller-coaster ride as cryptocurrencies were coming into fashion, rising more than 183-fold over a few days and briefly making the company worth more than $3 billion.
The building's styling is somewhat retardaire, as the Italianate was out of fashion when it was built. However, the styling of the windows gives it a suggestion of Renaissance style, which was then coming into fashion.
Evening trousers can be flat- fronted or pleated today; pleats first coming into fashion in the 1930s. While flat-fronted trousers are more fashionable at present, pleated trousers may be considered more comfortable by men who have wider hips and a narrow waist.
Now, the design was one step ahead! The straightened lines that were just coming into fashion reflected the trend set a year earlier by the prototype MV Agusta 350 Ipotesi. Even the fins and the crankcase got square-shape. Some of the motorcycles were equipped with a Grand Prix type fairing.
His proposed elevation for the south front was in the Palladian style, which was just coming into fashion, and is quite different from all of his built designs. Vanbrugh, drawn in 1819. Vanbrugh's Stone Hall occupies the space between the columns on both floors. Inside, the Vanbrugh hall is monumental with stone arcades all around at two levels.
His religious works were also influenced by the style of van Dyck. His paintings on the subject of the Descent from the Cross follow the composition and palette of Rubens who had produced some influential paintings on this theme. Sacrifice of Isaac His history paintings also show the influence of French classicism, which was then coming into fashion. In these works he paid particular attention to prettiness and a polished finishing.
But later it turned out be a general critique of the economic theory where he emphasized that economics should be objective and independent from values. He wrote that although economists claim to be scientific and objective, their conclusion from their analyses was always politically inclined. The Political Element was translated to German in 1932 and to English in 1953. Gunnar Myrdal was at first fascinated by the abstract mathematical models coming into fashion in the 1920s, and helped found the Econometric Society in London.
Late in his life, at the da Romano court, Uc became a representative of the academic prose style then coming into fashion. In this vein he composed a collection of vidas and razos.Cabré, 131-132. Most of these were written in Italy and the numerous historical errors they contain have been attribute to the time and distance between the lives and events they describe, for, judging by the Italianisms which had crept into Uc's vocabulary by the time they were written, he must have been in Italy a while before he began their composition.
A longer wheelbase supported the "Conduite interieure aérodynamique" with seating for seven, listed at 52,000 francs. Both these were effectively large sedan/saloon bodied cars. There was also a lighter, sportire, and less well-equipped model introduced in March 1932, the Nervasport. A price reduction of 2000 francs was available to any customer prepared to order a Nervastella with the previous year's bodywork, which could have reflected a backlog of unsold cars, or may simply indicate the high cost of the new steel presses needed to form the more subtly shaped less slab-sided car bodies coming into fashion at this time.
Three years later, his team finished an 18-year longitudinal study that showed that, if anything, such exposure was associated with slight beneficial effects, particularly for boys. With the reintroduction of public beaches and pools bathing in Western Europe and the Mediterranean early in the 20th century, exposure of both sexes' areas near their pubic hair became more common, and after the progressive reduction in the size of female and male swimsuits, especially since the coming into fashion and growth in popularity of the bikini after the 1940s, the practice of shaving or bikini waxing of pubic hair off the hem lines also came into vogue.
64 As a result, an aesthetic called that pursued sophisticated simplicity and championed subtle displays of wealth developed, a concept of kimono design and wear that continues to influence kimono to this day. From this point onwards, the basic shape of both men's and women's kimono remained largely unchanged. In the Edo period, the sleeves of the began to grow in length, especially amongst unmarried women, and the became much longer and wider, with various styles of knots coming into fashion, alongside stiffer weaves of material to support them. During the Meiji era, the opening of Japan to Western trade after the enclosure of the period led to a drive towards Western dress as a sign of "modernity".
The style began as part of Neoclassical fashion, reviving styles from Greco-Roman art which showed women wearing loose fitting rectangular tunics known as peplos or the more common chiton which were belted under the bust; providing support for women and a cool, comfortable outfit suitable for the warm climate. The last few years of the 18th century first saw the style coming into fashion in Western and Central Europe (and European-influenced areas). In 1788, just before the Revolution, the court portraitist Louise Élisabeth Vigée Le Brun had held a "Greek supper" where the ladies wore plain white "Greek" tunics.Hunt, 244 Shorter classical hairstyles, where possible with curls, were less controversial and very widely adopted.
In Islam, the removal of unwanted body hair is known as an act of fitrah. According to ethnologist F. Fawcett, writing in 1901, he had observed the removal of body hair, including pubic hair about the vulva, as a custom of women from the Hindu Nair caste. In Western societies, removal of female body hair (except for head hair, eyelashes and eyebrows) has traditionally been considered appropriate when it was visible. In relation to pubic hair, with the reduction in the size of swimsuits, especially since the coming into fashion and popularity of the bikini since 1946, and the elimination of the skirt on swimsuits, the styling of pubic hair has also come into vogue.
In Czechoslovakia, the production of string bags dates back to 1920s to the town of Žďár nad Sázavou/Saar in former Czechoslovakia, present day Czech Republic, when a salesman Vavřín Krčil, representing Jaro J. Rousek company, began to produce string bags under the trademark Saarense (EKV) at the local chateau Ždár. They formerly made hair nets, which had become obsolete due to shorter hairstyles coming into fashion. This led to years of prosperity for the company. The hand made shopping bags were made of artificial silk yarn, woven by women working at home (this was often their second job) or by using child labour, the finished bags were then given to Vavřín Krčil.
Brome's plays are rich with allusions to contemporary conditions that offer miniature snapshots of London life at the time. The Sparagus Garden contains references to the sedan chairs that were then coming into fashion, and to dromedary rides across the frozen River Thames in winter. (During the Little Ice Age, the Thames repeatedly froze over, so extremely that "frost fairs" were held on the surface of the ice. The river was frozen over in the winter of 1634–35.) Consistent with this topicality, Brome's play referred to an actual London asparagus garden; it was located on in Lambeth Marsh near Waterloo — a narrow piece of land running up from the River Thames, roughly opposite the Whitehall Stairs.
Designed to illustrate what could be achieved on different budgets, both rooms were equipped with his Royal Festival Hall chairs, along with newly designed storage units. The economy cabinets were in oak, while the luxury cabinets were made from veneered mahogany on a frame of square-section tubular steel. The Festival acted as a valuable platform for launching Robin Day's pared down 'Contemporary' aesthetic, which was also showcased at the Milan Triennale in 1951. Architects were particularly enthusiastic about his furniture as it was ideally suited to the clean-lined, glass-walled modern buildings that were coming into fashion after the war, not only in the domestic sphere but in the public and commercial domain.
The core group or inner circle being the four Olivier sisters, Justin Brooke, Jacques Raverat, Gwen and Frances Darwin and Ka Cox. The fringe members or outer circle included David Garnett, Geoffrey Keynes, Sybil Pye and Ethel Pye, Dudley Ward, Godwin Baynes, and Ferenc Békássy. Later it would include A. E. H. (Hugh) Popham (1889–1970), a Cambridge diving champion who Bryn would later marry, and Bryn's maternal cousin, Rosalind Thornycroft. alt=painting by Ethel Pye of the Neo-pagans camping on the Beaulieu River in 1910 In 1909, camping and the outdoor life was coming into fashion, and for undergraduates replacing the reading parties, such as the one Margery and Noël attended at Bank in the New Forest at Easter that year.
He was born in Meppel in the Netherlands on 8 May 1843, the son of Eva (van Minden) and Joseph Henoch Duveen, who were both from Dutch Jewish families. His grandfather, Henry Duveen, who had first settled in Meppel during the Napoleonic Wars, was the youngest son of Joseph Duveen of Giessen, army contractor to the King of Saxony; Napoleon's repudiation of the debts of the Saxon forces ruined this Duveen, whose twelve sons were then driven to seek their fortunes in different countries. Joseph left Meppel in 1866 and settled in Hull, starting as a general dealer. He possessed a good knowledge of Nanking porcelain, then coming into fashion; cargo loads of this had been brought to Holland by the early Dutch traders with China.
A teacher at Harrow School, E. E. Bowen, said: :His bicycling feats were one common subject of interest between us. Bicycles were just coming into fashion when he went to the University; he was an enthusiast in the use of them and an admirable performer; and when he appeared in riding costume at Harrow, with his tall figure mounted on the enormous machine that he rode, it was a sight to see. He kept up the amusement for many years: for two or more he was certainly the best bicyclist in England, and his delight in success only shewed in more than common relief the charming modesty with which he carried his honours. The cycling historian Jim McGurn said: :Keith-Falconer came from an aristocratic family in the Scottish Highlands.
Lier Tambour lace refers to a family of lace made by stretching a fine net over a frame (the eponymous Tambour, from the French for drum) and creating a chain stitch using a fine hook to reach through the net and draw the working thread through the net. The chain-stitch embroidery was used extensively in the East--Persia, India, and China--many centuries ago but is thought not to have come to Europe until the seventeenth century. Little of it is heard of until the 1760s when translucent muslins from India, perhaps already tamboured with sprigs, were coming into fashion. The Ladies Waldegrave by Sir Joshua Reynolds In the second half of the eighteenth and the early nineteenth century, tambouring was a fashionable pastime for ladies of the French and English courts.

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