Preparing for future eruptions, whether they are caldera-forming colossuses or something far smaller, is a fact of life for the people who live in the area.
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That's unremarkable in Trumplandia, where such colossuses as Education Secretary Betsy DeVos ($1 billion) and Commerce Secretary Wilbur Ross (around $700 million, according to financial disclosure forms) reign.
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Around noon, everyone involved—the teenage colossuses in their uniforms and the khaki masses there to commodify them—went outside to a big white tent and ate burgers.
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It doesn't address ones posed by Twitter, Facebook, and other social media as new colossuses of communications: About seven of every 21949 American adults used at least one social media site in 21987.
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For 21st Century Fox, which is controlled by Rupert Murdoch, such a sale would amount to an acknowledgment that it cannot compete against media colossuses like AT&T and Comcast, which owns NBCUniversal.
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"You and I are unconstrained colossuses on this planet and it's just all the small people and the haters who want to keep this relationship down," the former official said of Putin's likely pitch.
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Dozens of biotech companies with similar products in the pipeline, from small startups to agrochemical colossuses like Monsanto and Dupont are watching, eager to find out if the Arctic Apple will be a bellwether for the next generation of GMOs, or just another science project skewered on the altar of public opinion.
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But while the audiences who've embraced the wall-crawler of the Marvel Cinematic Universe -- as played by Tom Holland, creatively steered by filmmakers Joe and Anthony Russo (in the crossovers) and Jon Watts (in two solo adventures) and overseen by Marvel's uber-producer Kevin Feige over five films in three years, with Sony financing the "Spider-Man" titles -- may be the ones who stand to miss out on the most if Sony and Disney do walk away from their landmark pact that allowed for synergistic sharing, there's plenty at risk for the two Hollywood colossuses as well.
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As Britain was unable to maintain the size of her wartime fleet after the end of the Second World War, several Colossus-class ships were placed into reserve,Ireland, Aircraft Carriers of the World, p. 74 while work on the Majestic class was initially halted at the end of the war, then restored to a low-priority status.Hobbs, HMAS Melbourne – 25 Years On, p. 5 Demands for fiscal cutbacks, combined with the rapid obsolescence of the carriers by the development of jet aircraft, saw four of the eight Colossuses and all five completed Majestics sold off to other nations.
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The impracticality of shore-based repair establishments in the Far East and Pacific theatres of the Second World War saw a requirement for aircraft maintenance carriers.Ireland, Aircraft Carriers of the World, p. 177 Instead of building new ships from scratch, two under-construction Colossuses, and , were marked for conversion as they would enter service quicker, and could be converted back into operational aircraft carriers if required, a need which never arose. Both ships were completed before the end of the war, with Pioneer sailing to the Pacific in company with the 11th Aircraft Carrier Squadron; ' had repaired 24 aircraft since her arrival in the Pacific.
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Based on documentary record, Duquesnoy received the commission for the St. Susanna in mid-December 1629, months after he had received his first payment for his work on the St. Andrews. The cardinal protector of the confraternity of the Baker's guild was Cardinal Biscia, a bibliophile and patron of the arts who served also in the Congregazione della Fabbrica of St. Peter, which commissioned Duquesnoy's St. Andrew and the other three colossuses in St. Peter. It is possible that Biscia recommended Duquesnoy to the Bakers after assisting at the unveiling of the St. Andrew's model in St. Peter on December 10, 1629. Duquesnoy took delivery of the marble for the St. Susanna on January 31, 1630.
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Often in the national media, critics associate the People's Salvation Cathedral and the Palace of the Parliament, the two colossuses of Romania's capital that share the same courtyard. As the largest Orthodox church in the world, next to the world's heaviest and second largest administrative building in the world, French newspaper Le Figaro, named it "a pharaonic project", "worthy of the megalomania of Nicolae Ceaușescu". A Romanian newspaper said that the People's Salvation Cathedral will be the most expensive building built in the country after the Romanian Revolution of 1989. Another Romanian newspaper said that the politicians of the Romanian government depend on support from the Romanian Patriarchate in the election campaign, and estimates that when the cathedral will be fully completed, the value of the cathedral in the real estate market will be over €1 billion.
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