Curiously, the topics Lion, Brick, and Colorfulness were also listed there — apparently, my clicks belie some subconscious penchants.
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These molecules can affect the size and colorfulness of plants, and also play a crucial role in bee development.
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Besides accuracy, we edit clues for the level of difficulty appropriate to the day of the week on which the puzzle will appear; then for colorfulness, freshness, sense of fun.
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Though Cochran died in 2005, Vance did meet him at a party as a young actor, recalling being "thrilled" by his "colorfulness," from his bright, impeccably tailored suits to his personality.
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The team went back and added a bit of dialogue and playful details to further illustrate the colorfulness of its characters, with more backstory and eye-catching flourishes of environmental storytelling.
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In their colorfulness and use of photography these pieces represent a new course for Mr. Johnson, and combine aspects of the work of Richard Prince and Julian Schnabel with his own sense of urgency.
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Laughs come from the way Zorn half-fits into the real world: No one in Orange County seems to notice his size and colorfulness, except for his son, who sees him as a mortal embarrassment.
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Besides accuracy, we edit clues for the level of difficulty appropriate to the day of the week on which the puzzle will appear, then for colorfulness, freshness, sense of fun — all the things that make for a good crossword.
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In order to get you into the spirit of the season, we brought in Thump's team in Brazil to bring you the most exciting music from South America to get a small taste of the festivities and colorfulness of the event.
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They are used as commercial aquarium fish because of their size and colorfulness.
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Brightness and colorfulness are absolute measures, which usually describe the spectral distribution of light entering the eye, while lightness and chroma are measured relative to some white point, and are thus often used for descriptions of surface colors, remaining roughly constant even as brightness and colorfulness change with different illumination. Saturation can be defined as either the ratio of colorfulness to brightness or that of chroma to lightness.
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For example, the Merry Cemetery has gained notoriety for the colorfulness of the tombs that make it up.
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In addition, a colorfulness M parameter exists alongside the chroma C. It is defined as , where FL is dependent on the viewing condition.
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Brightness is the subjective appearance of how bright an object appears given its surroundings and how it is illuminated. Lightness is the subjective appearance of how light a color appears to be. Colorfulness is the degree of difference between a color and gray. Chroma is the colorfulness relative to the brightness of another color that appears white under similar viewing conditions.
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This allows for the fact that a surface of a given chroma displays increasing colorfulness as the level of illumination increases. Saturation is the colorfulness of a color relative to its own brightness. Hue is the degree to which a stimulus can be described as similar to or different from stimuli that are described as red, green, blue, and yellow, the so-called unique hues. The colors that make up an object’s appearance are best described in terms of lightness and chroma when talking about the colors that make up the object’s surface, and in terms of brightness, saturation and colorfulness when talking about the light that is emitted by or reflected off the object.
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Unlike these, many off-black colors possess a hue and a colorfulness (also called saturation). Colors often considered "shades of black" include onyx, black olive, charcoal, and jet; these colors and other variations of black are shown below.
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Hue can typically be represented quantitatively by a single number, often corresponding to an angular position around a central or neutral point or axis on a color space coordinate diagram (such as a chromaticity diagram) or color wheel, or by its dominant wavelength or that of its complementary color. The other color appearance parameters are colorfulness, saturation (also known as intensity or chroma), lightness, and brightness. Usually, colors with the same hue are distinguished with adjectives referring to their lightness or colorfulness, such as with "light blue", "pastel blue", "vivid blue", "cobalt blue". Exceptions include brown, which is a dark orange.
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The CIE 1931 xy chromaticity space, also showing the chromaticities of black- body light sources of various temperatures, and lines of constant correlated color temperature Chromaticity is an objective specification of the quality of a color regardless of its luminance. Chromaticity consists of two independent parameters, often specified as hue (h) and colorfulness (s), where the latter is alternatively called saturation, chroma, intensity,In modern terminology the word "intensity" may refer to lightness, not to colorfulness. or excitation purity. This number of parameters follows from trichromacy of vision of most humans, which is assumed by most models in color science.
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This mountain dance unites love, courage, respect for women, toughness, competition, skill, beauty, and colorfulness into one performance. The dance starts out with a flirting couple. Unexpectedly, another young man appears, also seeking the hand of the woman. Vigorous fighting between the two men and their supporters ensues.
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The makeup of the test was 15 academic questions, 10 lifestyle, 15 pop culture and 10 wordplay. Beginning in 1987, the number of pop culture questions was reduced to 5 and wordplay to 2. Those who passed the test at an audition were invited to play a mock game to evaluate their stage presence and colorfulness.
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On The Price Is Right he first wore pastel jackets made in Hong Kong, and with the encouragement of Barker turned them into a staple of the show. Preferring Thai silk for its colorfulness, he traveled to Bangkok several times a year to have new clothing custom-made. He would also frequently travel to Thailand as the official ambassador to Chiang Mai.
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The basic challenge for any color appearance model is that human color perception does not work in terms of XYZ tristimulus values, but in terms of appearance parameters (hue, lightness, brightness, chroma, colorfulness and saturation). So any color appearance model needs to provide transformations (which factor in viewing conditions) from the XYZ tristimulus values to these appearance parameters (at least hue, lightness and chroma).
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Varieties of the color orange may differ in hue, chroma (also called saturation, intensity, or colorfulness) or lightness (or value, tone, or brightness), or in two or three of these qualities. Variations in value are also called tints and shades, a tint being an orange or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.
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Varieties of the color red may differ in hue, chroma (also called saturation, intensity, or colorfulness) or lightness (or value, tone, or brightness), or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a red or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.
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Varieties of the color yellow may differ in hue, chroma (also called saturation, intensity, or colorfulness) or lightness (or value, tone, or brightness), or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a yellow or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.
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No longer did art serve only the monarchy's needs. Her freedom, colorfulness and charms were injected into the Rococo style (which she was the face behind) which soon dominated the arts. Despite her triumph in Paris, she returned to her home in Grand Canal, Venice in 1721. Carriera, with her sister Giovanna in tow, visited Modena, Parma, and Vienna, and was received with much enthusiasm by rulers and courts.
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With these series of events the organizers are keen to put an emphasis on the colorfulness of the Hungarian Puppet art, on its own institutions and independent companies and also on the actors who are valuable parts of the productions. On this day the professional and amateur companies, educational institutions and one man shows get the chance to introduce themselves and entertain their audience outside of the buildings of puppet theaters.
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Colored paper with blue on top Blue skies Varieties of the color blue may differ in hue, chroma (also called saturation, intensity, or colorfulness), or lightness (or value, tone, or brightness), or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a blue or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.
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Observing field model. Not drawn to scale. In colorimetry, CIECAM02 is the color appearance model published in 2002 by the International Commission on Illumination (CIE) Technical Committee 8-01 (Color Appearance Modelling for Color Management Systems) and the successor of CIECAM97s. The two major parts of the model are its chromatic adaptation transform, CIECAT02, and its equations for calculating mathematical correlates for the six technically defined dimensions of color appearance: brightness (luminance), lightness, colorfulness, chroma, saturation, and hue.
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Tone is a general term, typically used by painters, to refer to the effects of reducing the "colorfulness" of a hue.; painters refer to it as "adding gray". Note that gray is not a color or even a single concept but refers to all the range of values between black and white where all three primary colors are equally represented. The general term is provided as more specific terms have conflicting definitions in different color models.
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The Super NES version of The Magical Quest Starring Mickey Mouse was generally well received by critics. Most reviewers praised the details and colorfulness of the graphics and the animations in the game, some reviewers even calling it some of the best graphics on the system to date. Especially the bosses and backgrounds were noted for their graphical appearance. The outfit system was also well received and many critics thought it added depth to the gameplay.
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Members of the family Theraphosidae, the tarantulas, to which Brachypelma belongs, are generally large compared to other spiders, and are commonly seen as "objects of dread". Tarantulas do not use webs for capturing their prey, relying on their venom and their size and strength. Brachypelma species are noted for their large size, colorfulness and docility in captivity. Larger species of Brachypelma, such as B. smithi, have body lengths in the approximate range with legs up to long.
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A 2019 study found that while the brightness of the yellow pigment of the ears did not vary significantly between adults and juveniles, the yellow chroma (colorfulness relative to brightness) of the ears did differ with age. Adult bats had higher yellow chroma in their ears than did juveniles. The yellow of the nose-leaf, however, had more variation. Adult males' nose-leaves are a brighter yellow than those of adult females; juveniles of each sex did not differ in nose-leaf brightness.
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Animal skulls, tails, feathers, horns, pumpkins, ribbons and bells are used to add colorfulness to the scene. The festivity begins with a gathering of villagers who chose actors for the mystery. The procession of berikas – accompanied by sounds of bagpipes (stviri) – move door-to-door to pick wine, honey, floor, meat and other victuals served by hosts. The main characters in the procession are a "bride" called Kekela (კეკელა) and a groom who, after a series of attempts, persuades Kekela to marry her.
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Another artist in Italy considered a magic realist is Felice Casorati, whose paintings are rendered with fine technique but often distinguished by unusual perspective effects and bold colorfulness. In 1925, Rafaello Giolli summarized the disconcerting aspects of Casorati's art — “The volumes have no weight in them, and the colors no body. Everything is fictitious: even the living lack all nervous vitality. The sun seems to be the moon ... nothing is fixed or definite.” Other German artists who worked within this style are Alexander Kanoldt and Carl Grossberg.
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He is also fascinated with the colorfulness of western sexuality and, in particular, the way in which American films continually find new and more poignant ways of exhibiting women's beauty. In Chapter Ten, Kaname, walking alongside O-hisa with the Old Man toddling behind, is struck by the image of a dark old house. The passage that follows provides enchanting musings as to what might actually be going on behind the house's curtains, deep in the shadows beyond its latticework, as readers are given the opportunity to glance briefly into Kaname's world of fantasy.
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The Wizard of Oz garnered mixed-to-positive reviews upon its release, with Associated Press calling it the best film-to-video-game adaptation ever. The presentation was the most common highlight in reviews, especially the graphics, although its music was also positively received by some reviewers. The Associated Press praised its "excellent" animation, "detailed original background graphics and BIG character graphics." Data Carvey of GamePro expressed admiration for the colorfulness, Mode 7 effects, multi-layered scrolling backgrounds, and the "distinctive details" and personality of the "somewhat stiff-moving" character sprites.
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A color solid is the three-dimensional representation of a color model, an analog of the two-dimensional color wheel. The added spatial dimension allows a color solid to depict an added dimension of color variation. Whereas a two- dimensional color wheel typically depicts the variables of hue (red, green, blue, etc.) and lightness (gradations of light and dark, tints or shades), a color solid adds the variable of colorfulness (either chroma or saturation), allowing the solid to depict all conceivable colors in an organized three- dimensional structure.
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TSL color space is a perceptual color space which defines color as tint (the degree to which a stimulus can be described as similar to or different from another stimuli that are described as red, green, blue, yellow, and white, can be thought of as hue with white added), saturation (the colorfulness of a stimulus relative to its own brightness), and lightness (the brightness of a stimulus relative to a stimulus that appears white in similar viewing conditions). Proposed by Jean-Christophe Terrillon and Shigeru Akamatsu, TSL color space was developed primarily for the purpose of face detection.
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After the success of their fifth studio album, Mylo Xyloto (2011), which sold more than 8 million copies worldwide and spawned the hit singles "Paradise" and "Princess of China", Coldplay planned to release a more stripped-down record. Frontman Chris Martin claimed that the album is about "life itself and all its glorious colorfulness", while critics noted that it was inspired in Martin's divorce from actress Gwyneth Paltrow deemed it a "breakup album". Martin elaborated: > Up to a certain point in my life I wasn't completely vulnerable and it > caused some problems. If you don't let love in then you can't really give it > back.
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At the edges they were framed with aluminium panels and the upper side was covered with PVC film, which glowed reddish from the depth. On the one hand, the room was given a simple sobriety by the rectangular shape of the floor objects and the metallic appearance of the aluminium panels. At the same time, the reddish shimmer of the color radiation into the room gave it an "emotionally heightened color colorfulness". (In German "emotional gesteigerte Farbigkeit".) While the visitor walks around the installation, he sees the color change in different shades of red and yet cannot recognize where the light actually comes from.
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In 1927 Kasimir Malevich had created a 3-page scenario in manuscript with explanatory color drawings for an "Artistic-Scientific film" entitled Art and the Problems of Architecture: The Emergence of a New Plastic System of Architecture, an instructional film about the theory, origin and evolution of suprematism. Initially there were plans to have the film animated in a Soviet studio, but Malevich took it along on a trip to Berlin and ended up leaving it for Hans Richter after the two had met. The style and colorfulness of Rhythmus 25 had convinced Malevich that Richter should direct the film. Due to circumstances the scenario did not get into the hands of Richter before the end of the 1950s.
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The purpose of it is sensation, and that it generally provides in the colorfulness of its detail and in the flood of menace toward the end." Variety called the film "one of Alfred Hitchcock's better thrillers" which "combines technical and artistic skills in a manner that makes this an unusually good piece of murder mystery entertainment." Time called it "just possibly the second-most entertaining picture (after The 39 Steps) ever made by Alfred Hitchcock" and a film in which there is "never an instant ... when Director Hitchcock is not in minute and masterly control of his material." The reviewer also noted the "occasional studied lapses of taste and, more important, the eerie sense a Hitchcock audience has of reacting in a manner so carefully foreseen as to seem practically foreordained.
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Planckian locus in the CIE 1931 chromaticity diagram In physics and color science, the Planckian locus or black body locus is the path or locus that the color of an incandescent black body would take in a particular chromaticity space as the blackbody temperature changes. It goes from deep red at low temperatures through orange, yellowish white, white, and finally bluish white at very high temperatures. A color space is a three-dimensional space; that is, a color is specified by a set of three numbers (the CIE coordinates X, Y, and Z, for example, or other values such as hue, colorfulness, and luminance) which specify the color and brightness of a particular homogeneous visual stimulus. A chromaticity is a color projected into a two-dimensional space that ignores brightness.
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This reflection is governed by the object's physical properties such as light absorption, emission spectra, etc. By defining a color space, colors can be identified numerically by coordinates, which in 1931 were also named in global agreement with internationally agreed color names like mentioned above (red, orange, etc.) by the International Commission on Illumination. The RGB color space for instance is a color space corresponding to human trichromacy and to the three cone cell types that respond to three bands of light: long wavelengths, peaking near 564–580 nm (red); medium-wavelength, peaking near 534–545 nm (green); and short- wavelength light, near 420–440 nm (blue). There may also be more than three color dimensions in other color spaces, such as in the CMYK color model, wherein one of the dimensions relates to a color's colorfulness).
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Felder's music has often been noted for its virtuosic instrumental writing, integration and juxtaposition of contrasting stylistic influences, unpredictable and often explosive energy, and remarkable directness. In Neue Musikzeitung's review of the 1995 Bridge Records release, "The Music of David Felder", they offer an overview of the contrasts and stylistic forces at play in Felder's musical works, > It would be possible to extract a philosophy from the unbroken thread > appearing through the chamber music-like five pieces represented as an > example: the dazzling antagonism between dangerous and graceful activity, > and static, distanced tranquility; the complexity and virtuosity in the > handling of the ensemble and instrument; finally, the varied harmonic > "colorfulness". Immediate access to this music that does not compromise or > subordinate to a "saleable" idiom is undeniable; as well, its unique > strength/power and vitality creates a sound-aesthetic full of sensual > eruptions. This is especially true for the two pieces for chamber orchestra > Three Lines from "Twenty Poems" (1987) and Journal (1990).
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The resulting mixtures in RGB color space can reproduce a wide variety of colors (called a gamut); however, the relationship between the constituent amounts of red, green, and blue light and the resulting color is unintuitive, especially for inexperienced users, and for users familiar with subtractive color mixing of paints or traditional artists' models based on tints and shades (). Furthermore, neither additive nor subtractive color models define color relationships the same way the human eye does. For example, imagine we have an RGB display whose color is controlled by three sliders ranging from , one controlling the intensity of each of the red, green, and blue primaries. If we begin with a relatively colorful orange , with sRGB values , , , and want to reduce its colorfulness by half to a less saturated orange , we would need to drag the sliders to decrease R by 31, increase G by 24, and increase B by 59, as pictured below.
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The activist collective Gay Shame formed in New York City in 1998. The movement drew on the feeling, shared by many queer scholars of the time, that the transformative potential of gay pride had been exhausted and that the term had instead become synonymous with assimilation and the commodification of gay and lesbian identity. Contrasting the exuberance, colorfulness, and flamboyance typically associated with Gay Pride events, the tongue-in-cheek image of a silent, orderly march through the backstreets, such as that presented by queer theorist José Esteban Muñoz in his 1999 book Disidentifications, asserted that, for many, the feelings of shame and self-loathing equated with life in the closet persisted into the present moment. The movement was born at a very specific historical moment in which the city’s image was being remade from the top-down. Mayor Giuliani’s “Quality of Life” campaign mobilized the police force against small offenses and petty crimes, such as public urination, marijuana possession, and public drunkenness.
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