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24 Sentences With "clopping"

How to use clopping in a sentence? Find typical usage patterns (collocations)/phrases/context for "clopping" and check conjugation/comparative form for "clopping". Mastering all the usages of "clopping" from sentence examples published by news publications.

Many will arrive on horseback, clopping down dirt roads clad in wolfskin and fox fur.
One of their terms of art is "clopping," which means masturbating to a pornographic rendering of an MLP character.
Mixed with the sounds of strumming guitars and palmas — the rhythmic clapping of flamenco — was the clopping of hooves.
Battlefield 1's horses can take a blast from a tank turret to the face and keep clip-clopping on.
"Our presence alone prevents crime and makes people feel safer," he said, clip-clopping through the park the other day.
Before this cute cowpoke was wrangling in reality television she was just another pony enthusiast clip-clopping through Los Angeles, California.
With archers clopping by on horses, and the smokey aroma of grilling meat, the meadow site evoked a nomadic encampment from a bygone era.
Rewind to the 1700s, though, and the Bowery was thronged with clopping stagecoaches and a string of inns and taverns catering to travelers and mobile tradesmen.
Fording the river on our mounts and clip-clopping along a narrow trail on the edge of a 40-foot cliff was an adventure in its own right.
Many of the coachmen working on Monday, standing on a busy stretch of sidewalk made loud by clopping hooves, voiced concerns that the deal would severely curtail their business.
For generations, they have drifted across Jammu and Kashmir with flocks of sheep and goats, and horses and dogs, threading their way through rugged mountain valleys and clip-clopping down crowded roads.
Everything from the surprise party for Tom (Chris Zylka) to Kevin clopping around town on a horse felt just a little too idyllic to be true, giant inflatable Gary Busey balloons and all.
Victorian London rang with the language of horsemanship: the clopping hooves of cabbies, vanners, sweepers, vestry horses, costers' ponies, brewery Shires, bussers, growlers and trammers as well as the riding horses of the gentry.
As we stroll around the streets, water clopping around our heels, it quickly becomes clear that that declaration at the heart of "Big" is entirely accurate; this rain-soaked scene belongs to Fontaines D.C. That debut album Dogrel, due 12 April on Partisan Records, is at turns ferocious and flowery, loud and lyrical, straightened out by a decidedly poetic backbone.
Laine's version also features a whistler and a clip clopping sound.
"Cardigan" is a wistful, slow-burning, folk, soft rock and indie-rock ballad driven by a stripped-down arrangement of a tender piano and a clopping drum sample, over a moody atmosphere. The song is written in the key of C minor and has a moderately fast tempo of 130 beats per minute. Swift's vocal range in the song spans from E3 to A4. The production also encompasses melancholic violins and a buoyant Mellotron riff.
On the commercial release of the Zorro 1957 Disney TV series' Zorro theme, the lead vocal was by Henry Calvin, the actor who played Sergeant Garcia on the program. The song was written by Jimmie Dodd. The Chordettes sang the single version of the song, complete with the "Sounds of the Z" and the clip clopping of Zorro's horse, which is heard at the song's end. The song hit Number 17 in 1958 according to the Billboard Charts.
"Cardigan" (stylized in all lowercase) is a song recorded by American singer- songwriter Taylor Swift and the second track on her eighth studio album, Folklore (2020), released on July 24, 2020 through Republic Records. It impacted radio stations on July 27, 2020 as the album's lead single. Swift co- wrote the song with its producer Aaron Dessner. "Cardigan" is a slow-burning folk, soft rock and indie-rock ballad with stripped-down instrumentals of tender piano, clopping drums and melancholic violins.
"Budweiser's Clydesdales now come clopping at a cost" USA Today, April 12, 2010 Web page accessed August 22, 2011"Clydesdales: History and Distribution" Busch Gardens web site, accessed June 18, 2008 The three Clydesdale teams that tour internationally are based near the company's brewing facilities in St. Louis, Fort Collins, Colorado, and Merrimack, New Hampshire. The company also buys high-quality Clydesdales from other sources on occasion.Buxengard, Jan Lee. "Locally grown horse turns pro; joins Anheuser Busch family" Bluff County Newspaper Group, February 6, 2007 .
Gumby flower arranging. A character of limited intelligence and vocabulary (a satire on the condescending use of the "man on the street" on TV), he is played here by Terry Gilliam in 2014. On St George's Day, 23 April 2007, the cast and creators of Spamalot gathered in Trafalgar Square under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip- clopping" in time to the Python classic, "Always Look on the Bright Side of Life", for the Guinness World Records attempt.
Mitchell Parish worked with Young around this time, writing the lyrics for Young's version of Hoagy Carmichael's previously instrumental "Stardust". In 1950, The Andrews Sisters recorded the first vocal version of "Sleigh Ride", using the lyrics written by Parish. Although "Sleigh Ride" is often associated with Christmas and appears on Christmas compilation albums, its lyrics mention no holiday (apart from certain recordings, such as those by the Carpenters, Walter Schumann and Air Supply, that substitute "Christmas party" for "birthday party" in the song's bridge). The song is noted for the sounds of a horse clip-clopping, and a whip used to get the horse moving.
The landmark protected building of Synchron Stage Vienna formerly "Synchronhalle" From its construction in the early 1940s until the 1950s, the facility shared its history with the Rosenhuegel-Filmstudios. At that time the "Synchronhalle" hosted as many as ten large orchestra film score projects per year. A remnant of the building's designated use is the preserved "Lenkwil" cinema organ with three manuals that features not only various instrumental timbres but also sound effects such as rolling thunder, car horns, clopping horses, twittering birds and ocean waves. It is the only cinema organ in the world that is still housed in its original scoring stage.
The opening track, "The 1", is driven by a danceable, "bouncy" arrangement of trickling piano, minimal percussion, and electronic accents. Written in the perspective of Swift's friend, the song describes their new-found positive approach to life and past love, confessing they could have been soulmates. The slow- burning "Cardigan" is a folk and soft rock ballad driven by a moody, stripped- down arrangement of clopping drum sample and tender piano; Swift sings from the perspective of a fictional character named Betty, who recalls the separation and enduring optimism of a relationship with a boy named James. She mentions Peter Pan and High Line in the song, and uses cardigan as a simile for a "lingering physical memento" of the relationship.
He described the musical backing on "Baby, You're a Rich Man" as "bursts of sitar music and the clip-clopping of Indian song", which combined to "operate in the manner of classical allusion in Pope", and he admired the lyrics' satirical quality, saying that they were superior to Lennon's Edward Lear- inspired poetry writing. In his feature article on the clavioline for Sound on Sound magazine, Gordon Reid pairs the song with the Tornados' 1962 hit "Telstar" as the two seminal pop recordings made with the instrument. In his assessment of "Baby, You're a Rich Man", Ian MacDonald welcomes the use of clavioline, saying that it evokes "a beguiling joss-stick exoticism", and he praises Starr's drumming as the equal of his performance on the song "Rain". MacDonald bemoans the lack of focus evident in this and other Beatles recordings from the immediate post-Sgt.

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