499 Sentences With "clavier" | Random Sentence Generator

"I used to not have directors and officers [liability] insurance," Clavier says.

"Clavier," at least, is probably the "best" version of this approach yet.

Has playing "The Well-Tempered Clavier" in your ensemble affected your take on Beethoven?

Learn tips and tricks on fund raising from Uncork Capital's managing partner, Jeff Clavier.

It recomposed J.S. Bach's The Well-Tempered Clavier into procedural poetry, and then into music.

TC: You've spoken often with your investors Albert Wenger (USV) and Jeff Clavier (SoftTech VC).

When we delve into "The Well-Tempered Clavier," we're a little closer to his workshop.

"We're usually dealing with the first layer of management, and it's mostly with the CEO and founders," says Clavier.

The four-person firm is run by two men, Jeff Clavier and Andy McLoughlin, and one woman, Stephanie Palmeri.

Yet Clavier said fundraising was easier than ever for SoftTech, even in the face of some uncertainty about the market.

For a while I wasn't listening to much music at all, with the exception of [Bach's] The Well-Tempered Clavier.

At Riverside, Mr. Lind commanded the clavier, or console keyboard, of the world's heaviest carillon, with the largest single bell.

" Unsurprisingly, Clavier suggests a far better strategy is to "get out sooner, when there's more time for a proper exit.

Past judges have included Jeff Clavier (Uncork Capital), Eileen Burbidge (Passion Capital), Sonali De Rycker (Accel) and Roelof Botha (Sequoia Capital).

Clavier says that McLoughlin — who made 36 angel investments before joining SoftTech, including in Postmates — has sponsored and source numerous deals.

Neuilly-sur-Seine is also the hometown of French actors Christian Clavier, Thierry Lhermitte, Gerard Jugnot, and politician Marine Le Pen.

Jeff Clavier is managing partner and founder at Uncork Capital, with portfolio companies that include Eventbrite, SendGrid, Fitbit, Vungle and Mint.com.

Episode 9 of Westworld, entitled "The Well-Tempered Clavier" basically confirmed every major theory to hit the internet since the show's inception.

You know, when we started, there were just a handful of [seed] funds [including those of] Ron Conway, Mike Maples, Jeff Clavier.

If the bullet from "Well-Tempered Clavier" grazed Bernard's cortical shield, as Lutz says, he is now suffering from full-on brain damage.

"The challenge is there's too much money at all stages," said Jeff Clavier, founder and managing partner of the venture firm Uncork Capital.

Selections from Bach's "The Well-Tempered Clavier" sit alongside the premiere of George Lewis's "Timelike Weave" on Wednesday and Berio's "Rounds" on Thursday.

This week we recorded as a trio: Connie Loizos holding down the studio with our guest, the ever-present Jeff Clavier of Uncork Capital.

Clavier said that it isn't, that instead it will rely on external resources to help with due diligence and to learn along the way.

The harpsichordist Mahan Esfahani will give two recitals, pairing selections from Bach's "Well-Tempered Clavier" with contemporary works, including a commission by George Lewis.

We talked on Friday with Uncork founder Jeff Clavier about the firm, which is currently writing first checks that range from $750,000 to $2 million.

In a call with Clavier and Palmeri yesterday, both suggested that little will change at SoftTech, despite that it's managing more money than in past years.

Former judges include Brian Pokorny (SV Angel), Roelof Botha (Sequoia Capital), Beth Seidenberg (Kleiner Perkins Caufield & Byers), Aileen Lee (Cowboy Ventures) and Jeff Clavier (SoftTech VC).

So without any further ado: We're thrilled to announce that Jeff Clavier, Sarah Guo, Caryn Marooney and Ali Partovi will be joining us at the event.

"MakersPlace has already partnered with thousands of incredible digital artists selling their unique artwork, a testament to the easy-to-use platform they've built," said Uncork Managing Partner Jeff Clavier.

Judges: Anna Fang (ZhenFund), Patricia Nakache (Trinity Ventures), Shawn Carolan (Menlo Ventures), Charles Hudson (Precursor Ventures), Rob Coneybeer (Shasta Ventures), Jeff Clavier (SoftTech VC) 5:55 PM – 6:00 PM

Schwab and Clavier are both board members at the National Venture Capital Association, which has lobbied with lawmakers in Washington D.C. in support of programs like the International Entrepreneur Rule.

Even now, though, he rarely finds himself putting a record on after a day's work, telling me that Bach's "Well-Tempered Clavier" is the only thing he really listens to.

When AngelList launched syndicates, most of the people with the tenure and track record I had decided to become VCs–Reid Hoffman, Josh Kopelman and Jeff Clavier, to name a few.

Read More Amazon's next catalyst Jeff Clavier, a prominent venture investor in early-stage start-ups, moved his main office from Palo Alto to San Francisco because of a lack of investment opportunities.

At that time YC Safe wasn't out yet, so we worked with standard convertible notes docs provided by the law firm and Jeff Clavier put them into a priced round (very standard docs and processes).

Bach is represented by the Partita No. 214 in E minor and excerpts from the second book of the "Well-Tempered Clavier"; Chopin, by a ballade, a barcarolle and an assortment of nocturnes and mazurkas.

Indeed, the show has come up with a sort of simple equation for how consciousness is formed, one that is played out, again and again, in "The Well-Tempered Clavier," the first season's penultimate episode.

Other times, board members are instead told an alternative version of the truth, and they "usually have no way of knowing until it turns up in the numbers, or the engineering team quits en masse," says Clavier.

In this week's episode, available here, Crunchbase editor-in-chief Alex Wilhelm, TechCrunch's Silicon Valley editor Connie Loizos and Jeff Clavier of Uncork Capital chat about $100 million rounds, Stripe's mega valuation and Pinterest's highly anticipated IPO.

An engraved portrait that a German artist made of Buchinger, in 1710, includes thirteen surrounding vignettes that picture him at tables, bearing his instruments and props, but just one depicts him in action, playing a hammered clavier.

At the end of "Clavier," I think I have a fairly full theory of what's happening on the show (which I'll share at the very end of this review), but it increasingly feels pointless to even speculate.

Back in January, we told you that SoftTech VC, a San Francisco-based seed-stage fund founded 11 years ago by investor Jeff Clavier, had promoted two of its senior investors to full partners: Andy McLoughlin and Stephanie Palmeri.

The Startup Battlefield contestants, approximately 20 in number, pitch for six minutes each, including a live demo, followed by a six-minute Q&A with our elite judges — investors like Roelof Botha, Jeff Clavier, Cyan Banister, Kirsten Green and Aileen Lee.

Take investor Jeff Clavier, who began sprinkling tiny amounts of money across what appeared to be a new crop of capital-efficient startups back in 2004 and soon after launched a firm, SoftTechVC, where Hudson would become a partner in 2013.

It would be hard not to, after hearing the wry homage to Bach in "Prelude and Ant Fugue — With a Crab Canon" (1982), a madcap reimagining of the first prelude from "The Well-Tempered Clavier" that's dismissed with an abrasive, scurrying fugue.

This year, those experts include Noramay Cadena, co-founder and managing director, MakeInLA; Jeff Clavier, managing partner, SoftTech VC; Helen Greiner, founder and CTO, CyPhy Works; Brian Krzanich, CEO, Intel; Jen McCabe, director, Foxconn; Greg Revelle, CMO, Best Buy and many more!

"Remember," the now-revealed Arnold tells Dolores near the end of "Clavier," as he attempts to push her to darker truths, and it's a beautiful summation of the show's deepest philosophy: Holding onto a memory is a deeply subversive, even revolutionary act.

According to Clavier, she's been spearheading SoftTech's investments in marketplaces, consumer services, education technology and digital health and has brought 218 deals to the firm, including the social marketing startup Niche, acquired by Twitter in 240, and the still-private behavior feedback platform ClassDojo.

These startups made their way to the finale to demo in front of our final panel of judges, which included: Cyan Banister (Founders Fund), Roelof Botha (Sequoia Capital), Jeff Clavier (Uncork Capital), Kirsten Green (Forerunner Ventures), Aileen Lee (Cowboy Ventures) and Matthew Panzarino (TechCrunch).

The scenes in which he holds a skipping rope for a girl—and, at the end, skips by himself, with a slow hop of his hooves, to a Prelude from Bach's "Well-Tempered Clavier"—are a rebuke to the carnal swagger of Picasso's minotaurs.

They include Stevie Wonder singalongs (lyrics provided) around Harlem hosted from a truck with a piano and speakers on its bed, Thievery Corporation's Natalia Clavier performing under the Manhattan Bridge during the World Cup match between Denmark and her native Argentina, and much more. Overwhelmed?

Sorting through all the revelations in "The Well-Tempered Clavier" on one viewing is a fool's errand for your humble recapper, given the multiple timelines, the tricks of memory, the Arnold unveilings and the other narrative loop-de-loops attempted in this bewildering hour.

SoftTech VC, a San Francisco-based seed-stage fund founded 22 years ago by investor Jeff Clavier, has promoted two of its senior investors to full partners, a move seemingly geared to bolster the firm as it seeks to raise a $22 million in fresh capital.

"We won't see as many unions this year, it's definitely going to be a harder fundraising environment for entrepreneurs over the next few years," warned Jeff Clavier, founder and managing partner at seed-stage fund SoftTech VC. Given the cautious backdrop, venture capitalists are becoming more selective.

That's the story at a lot of places, from accelerators like Y Combinator or 500 Startups, to former super angels like Jeff Clavier, whose newly rechristened Uncork Capital (formerly SoftTech VC) increased its fund size from $12 million 10 years ago to $100 million last year.

"My arms are falling apart," he confessed on the 20th day as he took a break from playing preludes and fugues from "The Well-Tempered Clavier" to a small crowd ranging in age from toddlers to older adults who had paid the suggested $10 admission charge.

ANGELA HEWITT For the third season of what she's described as a four-year odyssey through Bach's keyboard works, this stylish pianist begins with Book II of "The Well-Tempered Clavier" and moves on, in May, to the toccatas and a selection of the English Suites. Oct.

MAHAN ESFAHANI Talented but divisive, with a tendency to disparage his fellow harpsichordists — including Jean Rondeau, who plays at Weill Recital Hall at Carnegie Hall in March — this chronology-hopping artist pairs selections from Bach's "The Well-Tempered Clavier" with works by George Lewis, Luciano Berio and Tristan Perich at the Miller Theater.

Before Bach went to Leipzig, in 1723, he had been contentedly ensconced in Cöthen, some forty miles to the northwest, where a music-loving prince elicited such instrumental tours de force as the first book of the "Well-Tempered Clavier," the English Suites, and the music for solo violin and solo cello.

SETH COLTER WALLS Bach composed the 48 preludes and fugues of the "The Well-Tempered Clavier" for "the use and profit of the musical youth," as he wrote on the title page of Book I. He would have been gratified that many students were part of the roster of pianists who performed almost all these pieces over three hours — starting with Samuel Fisher.

But it was closer to 83:30 — after Avi Stein had played miniatures from Bach's "Clavier-Übung," and New York Baroque Incorporated had performed works by Telemann and Johann Philipp Krieger — when the Bach so beloved of St. Paul's audiences announced his presence with the opening of Cantata No. 170, "Vergnügte Ruh" ("Delightful Rest"), a warm bath in his best lullaby mode.

Recitalists include the pianist Paul Lewis; Julia Fischer, playing Bach's complete works for solo violin; the pianist Piotr Anderszewski, in selections from the second volume of Bach's "Well-Tempered Clavier"; the bel canto tenor Lawrence Brownlee, singing a selection of songs that inspired him when he was young; the virtuoso pianists Garrick Ohlsson and Kirill Gerstein, in a dual concert; and the avant-garde cellist Jay Campbell.

Clavier also said that while fully half of the fund will go into startups that sell cloud software to businesses, Uncork plans to invest roughly 10% of the fund in consumer deals; roughly 10% in hardware; roughly 10% in marketplaces and 20% in so-called frontier tech — whether it be augmented reality or virtual reality or space or robotics or blockchain-related deals or bioinformatics and synthetic biology.

The highlights are endless but include Bach's "Well-Tempered Clavier" performed at the corners of the 2212/08003 Memorial Plaza during the evening rush hour; Mozart's "Requiem" at the National September 20800 Memorial at noon; the premiere of Pete M. Wyer's "Twilight Chorus (for Humans)," in which a choir singing birdsong will spread around the Brooklyn Botanic Garden; a program of Minimalism at Pier 215 in Riverside Park South; and a kayak flotilla making its way up the Gowanus Canal playing a new piece by Elliott Sharp. makemusicday.

Lovely Rita, sainte patronne des cas désespérés is a French film directed by Stéphane Clavier in 2003. The film stars his brother, Christian Clavier.

Clavier is a Walloon municipality located in the Belgian province of Liège. On January 1, 2006, Clavier had a total population of 4,172. The total area is 79.12 km² which gives a population density of approximately 53 inhabitants per km². The municipality consists of the following sub-municipalities: Clavier proper, Bois-et-Borsu, Les Avins, Ocquier, Pailhe, and Terwagne.

Drey Sonaten, fürs Clavier: als Doppelstücke für zwo Personen mit vier Händen by was published in 1782.Drey Sonaten, fürs Clavier: als Doppelstücke für zwo Personen mit vier Händen at Munich Digitization Center website.

She is best known for her role as Ginette in Les Visiteurs (1993). From 1976 to 2001 Marie-Anne was married to actor Christian Clavier. They have one child, a daughter Margot Clavier (b. 1983).

He became a priest under James Hardin George of the American Episcopal Church. On 11 February 1970, George consecrated Clavier as a bishop and appointed him as a suffragan. Later that year, George resigned and Clavier served as primate for the next six years. Harold L. Trott became primate in 1976, only to leave office in 1981 with Clavier once again taking the position as primate.

Petri], [1991?], cat. no. M1591 [from BA18] :::6. Clavier-Ubung I: Partiten Nos.

Tornaco Castle is a castle in Vervoz, in the municipality of Clavier, Belgium.

Stéphane Clavier (born 14 March 1955) is a French screenwriter and film director.

He apparently held Atrin (fr) in Clavier, Liège, on the boundary with Huy.

Clavier was called up to the Guadeloupe squad for the 2009 CONCACAF Gold Cup.

Some 20 years later Bach compiled a second book of the same kind, which became known as The Well- Tempered Clavier, Part Two (in German: Zweyter Theil, modern spelling: Zweiter Teil). Modern editions usually refer to both parts as The Well-Tempered Clavier, Book I (WTC I) and The Well-Tempered Clavier, Book II (WTC II), respectively. The collection is generally regarded as being among the most important works in the history of classical music.

In 1995, after allegations that he had attempted to have sexual relations with some female parishioners, Clavier resigned his position at the Deerfield Beach Anglican congregation and, in July 1995, the house of bishops subsequently declared that he had abandoned his vows and deposed him. The local standing committee refused to pursue charges against him.page 7 Clavier later joined the Episcopal Church as a priest. Clavier serves as an editor of The Anglican Digest.

If I Was She () is a 2004 French-Belgian television drama film directed by Stéphane Clavier.

The Clavier Concerto in G minor, BWV 1058 is an arrangement of this concerto with harpsichord.

The first complete recording of the Well-Tempered Clavier was made on the piano by Edwin Fischer for EMI between 1933 and 1936.Gramophone, "Bach's Well-Tempered Clavier" The second was made by Wanda Landowska on harpsichord for RCA Victor in 1949 (Book 1) and 1952 (Book 2).Bach Cantatas Website, "Well-Tempered Clavier Book I, BWV 846–869 Recordings – Part 1" Helmut Walcha, better known as an organist, recorded both books between 1959 and 1961 on a harpsichord.Helmut Walcha: Johann Sebastian Bach – The Well- Tempered Clavier Books 1 & 2 at Daniel Chorzempa made the first recording using multiple instruments (harpsichord, clavichord, organ, and fortepiano) for Philips in 1982.

María Auxiliadora Clavier (1934 – 2015), also called Maruja Clavier, was one of the first Venezuelan nuclear oncologists. She was a founder of the Dr. Raúl Vera Vera Oncology Unit, at the time a novel setting to provide comprehensive care to cancer patients in the country using nuclear medicine.

Clavier previously played for Portuguese side SC Freamunde and Angers SCO, helping them gain promotion from the Championnat National to Ligue 2 in the 2006–07 season.Championnat National final standings 2006–07 On 4 April 2012, Clavier signed a contract with V-League side, Dong Tam Long An FC.

"Anatomy of a Fugue". J. S. Bach, concluding bars of the Fugue in C major from The Well-Tempered Clavier, Book I, BWV 846 J. S. Bach, concluding bars of the Fugue in C major from The Well- Tempered Clavier, Book I, BWV 846 Pedal points are also used in other polyphonic compositions to strengthen a final cadence, signal important structural points in the composition, and for their dramatic effect. Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well-Tempered Clavier, Book I, bars 1–2 Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well-Tempered Clavier, Book I, bars 1–2.

1-3, BWV 825-827 [ed. Petri], 1990, cat. no. M1592 [from BA9] :::7. Clavier-Ubung I: Partiten Nos.

Clavier had five children. Two of her sons, Eduardo and Antonio Benavides, went on to pursue careers as Venezuelan oncologists.

His keyboard music is in typical galant style, though also shows influences of Bach's Well-Tempered Clavier. Published in Arnstadt.

Track 2 ends with a complete performance of Bach's Prelude in G major from the Well-Tempered Clavier Book 1.

L'Opération Corned Beef is a French film directed by Jean-Marie Poiré. It was filmed during the summer of 1990 and was released on February 6th, 1991. It was the fifth collaboration between screenwriters Jean-Marie Poiré and Christian Clavier. The film also brought actors Christian Clavier and Jean Reno together, before their appearance in Les Visiteurs.

Das Wohltemperierte Klavier, I [The Well-Tempered Clavier, I] (BV B 25, part 1) :::[For details see Busoni-Ausgabe, Vol. 1.] ::VI.

The subject of the fugue in c-sharp minor from The Well-Tempered Clavier Book I is cruciform. See also: Cross motif.

Anthony Forbes Moreton "Tony" Clavier (born 19 April 1940) was the Archbishop of the American Episcopal Church/Anglican Church in America. He was born in Yorkshire, England. Clavier entered the Bernard Gilpin Society, Sands House in Durham in 1958, leaving a year later to take a job as a teacher. In 1961, he was ordained a minister of the Countess of Huntingdon's Connexion.

Agricola is also noted in Bach studies as one of the copyists for both books of the Well-Tempered Clavier and the St. Matthew Passion.

The piece is in A major and is marked Allegro. A strong presence of J. S. Bach's Well-Tempered Clavier suggests a miniature Bachianas Brasileiras .

Gérard Depardieu was initially asked to play "Le Squale", though in the end he refused. (he nevertheless shot Les Anges gardiens with Jean-Marie Poiré and Christian Clavier 4 years later). Other actors were considered, such as Daniel Auteuil (who was shooting Lacenaire), Thierry Lhermitte, Gérard Lanvin, Pierre Arditi Gilles Botineau, Christian Clavier, Splendid Carrière!, Christian Navarro editions, 2016, preface by Patrice Leconte, , and Bernard Giraudeau.

The Toccatas for Keyboard, BWV 910–916, are seven pieces for clavier written by Johann Sebastian Bach. Although the pieces were not originally organized into a collection by Bach himself (as were most of his other keyboard works, such as the Well Tempered Clavier and the English Suites etc.), the pieces share many similarities, and are frequently grouped and performed together under a collective title.Schulenberg 2006, 97.

La Soif de l'or (Thirst for gold) is a 1993 French comedy film directed by Gérard Oury. It features Tsilla Chelton, Christian Clavier and Catherine Jacob.

Pierre Clavier (born January 17, 1980 in Lunéville) is a French professional football player. Currently, he plays in the Championnat de France amateur for US Raon-l'Étape.

Tippett, Michael (1995). Tippett on Music, p.77. Oxford University. . Ludus Tonalis was intended to be the twentieth-century equivalent to J.S. Bach's The Well-Tempered Clavier.

On December 17, 2019, Christian Clavier, who portrayed the Jurisconsult in season five of the television series, confirmed that he would reprise his role in the film.

The piece is in E minor and is marked Allegro non troppo. A strong presence of J. S. Bach's Well-Tempered Clavier suggests a miniature Bachianas Brasileiras .

"The Well-Tempered Clavier" was viewed by 2.09 million American households on its initial viewing. The episode also acquired a 1.0 rating in the 18–49 demographic.

In 1993, Chernobrivets completed his master thesis in art history ("Style and subject- matter. On functional analogies". Based on the material of clavier music by George Frideric Handel).

For example, the Prelude to his Partita for solo violin in E Major was transposed down to D Major with the solo violin part given to the organ, with oboes, trumpets, tympani, and strings added to provide the Sinfonia for his Cantata No.29. His Concerto for clavier and strings in F Minor was adapted with the treble line of the clavier arranged for solo violin. And, of course, Bach arranged many concertos by other composers (notably Vivaldi) for organ or harpsichord. As the keyboard works are not specified for harpsichord, being written for the "clavier" (literally, "keyboard") any suitable keyboard instrument can be used to perform it and be historically legitimate.

In the first two installments in the franchise, protagonists Asterix and Obelix are played by actors Christian Clavier and Gérard Depardieu. Depardieu is the only actor to appear in all four films, with Clavier being replaced by Clovis Cornillac for the third film and by Edouard Baer for the fourth. Apart from Depardieu and Clavier, the only other actors to appear in more than one film are Sim, who plays the village's oldest resident, Geriatrix, in the first and third film, and Jamel Debbouze, who plays Egyptian architect Edifis in the second and third films. All other roles who reappear during the series are played by a different actor in each film.

The character is named in the title of a Wallace Stevens poem, "Peter Quince at the Clavier", which is written in the first person as if spoken by Quince.

Christian Jean-Marie Clavier (; born 6 May 1952) is a French actor, screenwriter, film producer and director. He became widely popular after starring in two hit comedy series: Patrice Leconte's Les Bronzés and Les Visiteurs directed by Jean-Marie Poiré. He furthered his popularity by taking a role of Asterix in the screen adaptations of the comic books by Albert Uderzo and René Goscinny. He is the brother of French film director Stéphane Clavier.

Das Wohltemperierte Klavier, II [The Well-Tempered Clavier, II] (BV B 25, part 2) :::[For details see Busoni-Ausgabe, Vol. 2.] :•Ref: Kindermann, p. 465-6; Sitsky, p. 179; Roberge, pp.

Title page of Das Wohltemperierte Clavier, Book I (autograph) The Well- Tempered Clavier, BWV 846–893, is a collection of two sets of preludes and fugues in all 24 major and minor keys, composed for solo keyboard by Johann Sebastian Bach. In Bach's time Clavier (keyboard) was a generic name indicating a variety of keyboard instruments, most typically a harpsichord or clavichord – but not excluding an organ. The modern German spelling for the collection is ''''' (WTK; ). Bach gave the title ''''' to a book of preludes and fugues in all 24 major and minor keys, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study".

"These are thoughtful, considered performances; you feel Mr. Cole has a reason for everything he does." Review of Cole's recording of Bach's The Well-Tempered Clavier, book II in Gramophone Magazine, June 1963. "…unfailing musicality, control of partplaying, complete accuracy, admirably firm rhythm, and an avoidance of all posturing and pretentiousness (would that the same could be said for all other Bach players!)" Review of Cole's recording of Bach's Well-Tempered Clavier book I in Gramophone Magazine, November 1962.

In 2014, they raised $2 million in seed funding led by SoftTechVC. Jeff Clavier, Managing Partner of SoftTechVC, also sat on Shippo's Board of Directors. On September 2016, Shippo announced a Series A round of $7 million led by Union Square Ventures with Albert Wenger joining their board, as Jeff Clavier steps off. In October 2017, Shippo announced that it had raised an additional $20 million in a round of Series B funding led by Bessemer Venture Partners.

The Professional Secrets of Dr. Apfelgluck or Les secrets professionnels du Dr Apfelglück is a 1991 French comedy film directed by Alessandro Capone, Stéphane Clavier, Thierry Lhermitte, Mathias Ledoux and Hervé Palud.

In 1900 she married Prof. Wilbert Lewys, director of the Virgil Practice Clavier musical schools of London and Berlin. Abbie Beeson Lewys died on April 8, 1925, in San Francisco, where she lived.

Nicolas Jouenne of Le Figaro said, "And you must admit that the two actors stick to their characters perfectly! Although he has not adopted the unmistakable look of Jack Palmer, Christian Clavier is shown in a relatively convincing interpretation while retaining far from his usual bidding a bit boring. Facing him, Jean Reno turns out perfect in solitary independence leader and blood, in addition to the Corsican accent!""L'Enquête corse : Clavier et Reno sous le soleil" (in French), Le Figaro, 21 October 2008.

In 1965 he associated himself with Archbishop Gerard George Shelley of the Old Roman Catholic Church, only to leave and be ordained again by Hugh George de Willmott Newman of the Catholic Apostolic Church. He remained with that church until 1967 when he left for America. Upon arriving in America, Clavier joined the Anglican Orthodox Church, staying with it until he returned to England and the Catholic Episcopal Church there. In 1969 Clavier returned to the United States once again, seemingly to stay.

In 1741 or 1742 another Clavier-Übung volume was published, the Aria with diverse variations for double manual harpsichord, later known as the Goldberg Variations, BWV 988\. Not thus numbered in the print it was the fourth Clavier-Übung publication. This publication does not carry a reference to Johann Gottlieb Goldberg: the music was published over half a century before the perhaps exaggerated anecdote involving Goldberg was printed in Forkel's biography of Bach. ;Publication : The work was published by Balthasar Schmid in Nürnberg.

The Prelude and Fugue in G-sharp minor, BWV 887, is the eighteenth prelude and fugue in the second volume of The Well-Tempered Clavier by Johann Sebastian Bach. It was written in 1738.

The structure of the novel refers to Bach's Well-Tempered Clavier (alternate "major key" Aomame and "minor key" Tengo story lines forming 48 chapters of Books 1 and 2) and Goldberg Variations (Book 3).

Part of the title page of Robert Birchall's 1810 English edition of Johann Sebastian Bach's Well-Tempered Clavier Robert Birchall (c. 1750 – 19 December 1819) was an English music seller, publisher, and instrument dealer.

J.S. Bach's The Well- Tempered Clavier, an earlier set of 48 preludes and fugues, is widely held to be the direct inspiration for Shostakovich's cycle, largely based on the work's composition history (see below). References to and quotations from Bach's cycle appear throughout the work.Mazullo, p. 27 For example, Shostakovich begins his C major prelude, the first piece in the cycle, with exactly the same notes that Bach uses in his own C major prelude, BWV 846, which likewise begins The Well-Tempered Clavier.

J.S. Bach's The Well-Tempered Clavier, which covers all 24 major and minor keys. There is a long tradition in classical music of writing music in sets of pieces that cover all the major and minor keys of the chromatic scale. These sets typically consist of 24 pieces, one for each of the major and minor keys (sets that comprise all the enharmonic variants include 30 pieces). Well- known examples include Johann Sebastian Bach's The Well-Tempered Clavier and Frédéric Chopin's 24 Preludes, Op. 28\.

Empire of the Wolves (French: L'Empire des loups) is a 2005 movie directed by Chris Nahon, written by Christian Clavier, Jean-Christophe Grangé, Chris Nahon and Franck Ollivier, and starring Jean Reno, Arly Jover, and Jocelyn Quivrin.

Mozart studied from this book, and it remained influential into the nineteenth century. Haydn, for example, taught counterpoint from his own summary of Fux and thought of it as the basis for formal structure. Bach's most famous fugues are those for the harpsichord in The Well-Tempered Clavier, which many composers and theorists look at as the greatest model of fugue. The Well-Tempered Clavier comprises two volumes written in different times of Bach's life, each comprising 24 prelude and fugue pairs, one for each major and minor key.

Title page of Clavier-Übung I The Partitas, BWV 825–830, are a set of six harpsichord suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as Clavier-Übung I in 1731, the first of his works to be published under his own direction. They were, however, among the last of his keyboard suites to be composed, the others being the six English Suites, BWV 806-811 and the six French Suites, BWV 812-817, as well as the Overture in the French style, BWV 831.

First page of Bach's original print of BWV 686 from his Clavier- Übung III Hans Kotter ( – 1541) composed the "earliest extant organ setting of a Protestant chorale", an intabulation. 17th-century chorale preludes include works by Johann Pachelbel, Johann Heinrich Scheidemann, Friedrich Wilhelm Zachow and Christian Geist., Bach Cantatas website, retrieved June 2020. Johann Sebastian Bach set the chorale preludes twice in his Clavier-Übung III, in BWV 686 and BWV 687, the first with six voices, including a double pedal with the cantus firmus in the tenor voice at half the speed ("augmentation").

Clavier began playing football in the youth system of SAS Épinal. He made his professional debut in Ligue 2 at age 16, after the club decided to bring in players from the under-17 team to the senior side.

The Music Teachers National Association (MTNA) and the National Piano Foundation (NPF) began to provide training on teaching in groups, and journals such as American Music Teacher, Piano Quarterly, Keyboard Companion, and Clavier began publishing articles related to teaching in groups.

Uncork Capital is a venture capital firm in Palo Alto, California founded by Jeff Clavier. Considered one of the most active established seed funds in Silicon Valley, it has invested in companies such as Postmates, Eventbrite, Fitbit, SendGrid, and Survata.

However, in 2012 it reported 45,000 readers. Edward L. Salmon, Jr. chaired the publication's board for 41 years. After his death, his daughter, Catherine S. Salmon, and Tony Clavier served as an editorial committee. In 2020, Fred Robinson became editor.

Johann Sebastian BachPartita for keyboard No. 4 in D Major, BWV 828, Op. 1 No. 4 is a keyboard suite by Johann Sebastian Bach composed between 1726–1729. It is the fourth suite in his Clavier-Übung I, Op. 1.

In his Clavier-Übung III, he dedicated two pieces to the chorale, a chorale prelude with five voices and a fughetta for single manual, BWV 678-679. Bach also wrote the first of the catechism chorale preludes, BWV 635, for the Orgelbüchlein.

Fortepiano by Paul McNulty after Walter & Sohn, ca. 1805 All of Mozart's mature concertos were concertos for the piano and not the harpsichord. His earliest efforts from the mid-1760s were presumably for the harpsichord, but BroderBroder, N. 1941. Mozart and the "clavier".

Prelude and Fugue in C Minor, BWV 847, is a keyboard composition written by Johann Sebastian Bach. It is the second prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.

Most of the pieces included are better known as parts of The Well-Tempered Clavier and the Inventions and Sinfonias. The authorship of most other works is debated: particularly the famous Little Preludes BWV 924–932 are sometimes attributed to Wilhelm Friedemann Bach.

The Prelude and Fugue in F minor, BWV 881, is a keyboard composition written by Johann Sebastian Bach. It is the twelfth prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.

Asterix and Obelix: God Save Britannia is the fourth live action Asterix film, and was released in October 2012. It is based on the comic book Asterix in Britain. Edouard Baer replaced Clovis Cornillac (who had replaced Christian Clavier) in the role of Asterix.

He is mainly associated with the keyboard repertoire of J.S. Bach (the complete Well-Tempered Clavier and Art of Fugue i.a.), but he is also known for his performances of Haydn, Chopin, Debussy, some Mozart and Schumann, and contemporary works like those of Shostakovich.

Retrieved 29 June 2015. Amongst the label's larger-scale classical music projects were Bach's complete Well- Tempered Clavier recorded between 1972 and 1975 by organist Louis Thiry (ARN 468306) and the complete piano works of Emmanuel Chabrier recorded by Alexandre Tharaud in 1998 (ARN 368722).

He asked his students to study the music of Johann Sebastian Bach, especially The Well-Tempered Clavier, the Goldberg Variations, and The Art of Fugue, considering these piano pieces essential for every serious pianist. Among his students were pianists Benny Green and Oliver Jones.

Feltsman's discography includes six albums of clavier works of J.S. Bach, recordings of Beethoven's last five piano sonatas, solo piano works of Franz Schubert, Chopin, Liszt, Brahms, Olivier Messiaen, and Valentyn Sylvestrov, as well as concerti by Bach, Chopin, Tchaikovsky, Sergei Rachmaninov, and Sergei Prokofiev.

Prelude and Fugue in C sharp Major, BWV 848, is a keyboard composition written by Johann Sebastian Bach. It is the third prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.

In 2013, a second successful Kickstarter funded the creation of a new edition of Bach's Well-Tempered Clavier. Once again, the score underwent public review on MuseScore.com, and was recorded by Kimiko Ishizaka, with both score and recordings released into the public domain in 2015.

Marie-Anne Chazel, companion of Christian Clavier, who suggested Jean Reno for the role of "Le Squale". The producer Alain Terzian, in an interview with Première, narrated the hiring of Jean Reno: Jean-Marie Poiré believes in this duo, mixing two different generations, that of Le Splendid (with Christian Clavier) and that of The Big Blue (with Jean Reno). Catherine Jacob had to refuse the part of Marie-Laurence Granianski because she was already cast in Merci la vie, directed by Bertrand Blier. Ironically, she received a César Award nomination for Best Supporting Actress alongside Valérie Lemercier who was cast as Marie-Laurence Granianski.

Roger Carel voiced him in the original French in all animated versions from 1967 to 2014. After Carel's retirement, Christian Clavier took over for 2018's Secret of the Magic Potion. His English voice was provided variously by Lee Payant, Sean Barrett, Jack Beaber, Bill Oddie, Henry Winkler, Craig Charles, Leslie Clack, Paul Giamatti, Ken Kramer, Jack Whitehall, and Brian Bowles. In the live-action adaptations of the series made since the late 1990s, Asterix was played by Christian Clavier (Asterix and Obelix take on Caesar and Asterix & Obelix: Mission Cleopatra) then Clovis Cornillac (Asterix at the Olympic Games) and Édouard Baer (Asterix and Obelix: God Save Britannia).

Kirkpatrick 1938 The title page, shown in the figure above, reads in German: > Clavier Ubung / bestehend / in einer ARIA / mit verschiedenen Verænderungen > / vors Clavicimbal / mit 2 Manualen. / Denen Liebhabern zur Gemüths- / > Ergetzung verfertiget von / Johann Sebastian Bach / Königl. Pohl. u. Churfl. > Sæchs. Hoff- / Compositeur, Capellmeister, u.

He moved to England permanently in 1935. He gave radio broadcasts of the complete sonatas of Beethoven and Schubert, the complete Well-Tempered Clavier (Bach), and the complete Années de pèlerinage (Liszt). He was President of the British Liszt Society for many years, until his death.

After Bach is a solo album by pianist Brad Mehldau. It consists of five compositions from Johann Sebastian Bach's Well-Tempered Clavier interspersed with pieces by Mehldau that were inspired by them. The performances were recorded in 2017 and released by Nonesuch Records the following year.

Prelude and Fugue in C major, BWV 870, is a keyboard composition written by Johann Sebastian Bach. It is the first prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues in every major and minor key.

The last verse of the hymn is the closing chorale of cantata . The melody was also used as a cantus firmus for two chorale preludes in his Clavier-Übung III: BWV 684, a four-part setting for two manuals and pedal; and BWV 685 for single manual.

The Prelude and Fugue in B-flat minor, BWV 891, is a keyboard composition by Johann Sebastian Bach. It is the 22nd prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer. It was composed in 1738.

Well temperament (also good temperament, circular or circulating temperament) is a type of tempered tuning described in 20th-century music theory. The term is modeled on the German word wohltemperiert. This word also appears in the title of J.S. Bach's famous composition "Das wohltemperierte Klavier", The Well-Tempered Clavier.

The Prelude and Fugue in C minor, BWV 871, is a keyboard composition by Johann Sebastian Bach. It is the second prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer. It was composed in 1738.

The book contains many references to music, both popular and classical. The title itself refers to The Children's Bach, a collection edited by Australian music educator E. Harold Davies., foreword The collection consists of 20 simple Bach pieces for piano, selected mostly from the Clavier-Book for Anna Magdalena.

This is the first prelude from The Well-Tempered Clavier, Book 1, with bars 16–20 omitted, most likely in order to make the piece fit in two pages. #Keyboard suite in D minor, BWV 812. This is the first French Suite. #Keyboard suite in C minor, BWV 813.

Betty Oberacker is an American pianist and piano pedagogue. Internationally renowned for her interpretations of traditional and contemporary repertoire as both a soloist and a chamber musician, she has performed in several European countries as well as abroad (Israel, Asia, Australia, Mexico, and the United States). She has worked as a professor of piano and chamber music at the Ohio State University and the University of California, Santa Barbara. Oberacker has recorded for several record labels such as Century (Schönberg's Pierrot Lunaire), MIT Great Performances Archives ( A Bach Commemorative Recital), Clavier Records (Bach's Well-Tempered Clavier), MMC (Diemer's Piano Concerto), Orion (Chamber Music of Emma Lou Diemer), and VMM Records (John Biggs' Variations on a Theme of Shostakovich).

The edition of Bach's 48 Preludes and Fugues (The Well-Tempered Clavier) in two volumes, published in 1924 for the Associated Board of the Royal Schools of Music, still in print (in revised form) and in use today, was prepared by Professor Donald Tovey, but was fingered throughout by Harold Samuel.

Leipzig: Hoffmeister und Kühnel. 1802, pp. 59–60 and likewise his orchestral music and larger vocal compositions remained unperformed. Performances of Bach's music were mostly limited to private salons such as those of Sarah Itzig Levy and Gottfried van Swieten, where for instance Beethoven played excerpts of the Well-Tempered Clavier.

She produced two books of Score-Reading Exercises for the Novello Primer Series and published several of her own compositions. Daymond was also a keen sportswoman. Toward the end of her life, she learned Bach’s Well-Tempered Clavier by heart so she would have them with her when she was blind.

Reno and Clavier reprised their roles in a sequel in 1998, the American remake Just Visiting in 2001 and a second sequel in 2016. The castle of Ermenonville, in Oise département, served as decoration for the castle of Montmirail in the current time and the Cité de Carcassonne for medieval period.

It also is home to the Chao Research Center Archives, which keeps various institutional records related to Bok Tower. Inside the bell chamber is a playing room that houses a clavier, or keyboard, that is used for playing the carillon bells. Recitals are given daily from the 60-bell carillon set.

She is a contributor to the Musical Times (London), Clavier, and other music publications. She has been an adjudicator for the National Endowment for the Arts and has served on juries for the Gilmore Foundation, the American Piano Association, the Boston Amateur Pianists Competition, and the Hilton Head International Competition.

The middle section of "Dressed to Kill", after the guitar solo, cites Johann Sebastian Bach's "Prelude in C minor (BWV 847)" from The Well- Tempered Clavier (Book 1, 1722). The intro of "The Damnation Game" cites Carl Philipp Emanuel Bach's Solfeggietto in C minor (H 220, Wq. 117: 2) (1766).

Composer Rica Narimoto experiments with the sound icon during the writing period at Iron Composer 2015. Piano bowed with unrosined medium thread. The sound icon is played in several ways. The primary technique is to bow the strings, a tradition which dates back to instruments like the bowed clavier and the hurdy gurdy.

Kirnberger temperament is an irregular temperament developed in the second half of the 18th century by Johann Kirnberger. Kirnberger was a student of Johann Sebastian Bach, held great admiration for his teacher and was one of his principal proponents.Ledbetter, David (2002). Bach's Well-Tempered Clavier: The 48 Preludes and Fugues, p. 48. .

The thirty bells weigh 4,754 pounds. The largest bell is three feet in diameter and weighs 924 pounds. The smallest bell is eight inches in diameter, weighing 18 pounds. Delicate in tone, the instrument is played manually with fists and feet from the clavier which is located at the top of the tower.

He was also a radio commentator and a noted recorder of indigenous music. In 1933, Davies edited "The Children's Bach", a collection of 20 simple Bach pieces for piano, selected mostly from the Clavier-Book for Anna Magdalena. Beloved by both music students and teachers, the collection is still is in print.

The most obvious connection of Bach's Well-Tempered Clavier with Ariadne Musica is Bach's use of Fischer's subject in one of the fugues: Opening bars of the E major fugue from Ariadne musica. The six-note subject of the E major four- voice fugue by Fischer (opening bars pictured above, subject highlighted) is used by Bach as the subject of the E major fugue from the second volume of the Well-Tempered Clavier, BWV878/2, also in four voices: The beginning of Bach's E major fugue from the second volume of the Well-Tempered Clavier. Fischer's piece is quite short (although not as short as, for instance, the 8 bar E Phrygian fugue from the same collection) and written predominantly using long note values; Bach's fugue is much more complex, with dense counterpoint and also much longer - although Fischer's subject makes it into one of the few pieces from the WTC that feature a significant amount of whole and half-notes in all voices. The same six-note subject is found in two 17th century keyboard compositions by the famous Johann Jakob Froberger: Fantasia No. 2 and Ricercar No. 4.

From Concerto for Piano and Orchestra no.5, BWV 1056 in F minor/f-Moll/en fa mineur II – Largo (3’ 00) 2\. From Concerto for Piano and Orchestra no.1, BWV 1052 in D minor/d-Moll/en ré mineur I – Allegro (7’ 45) 3\. From Concerto for Piano and Orchestra no.3, BWV 1054 in D major/D-Dur/en ré majeur II – Adagio e piano sempre (6’ 09) 4\. From Concerto no.3, BWV 974 (After Alessandro Marcello, Oboe Concerto opus 1, in D minor/d-Moll/en ré mineur) II – Adagio (5’ 03) 5\. Aria from Goldberg Variations, BWV 988 (3’ 07) From The Well-Tempered Clavier, book 1 (Das Wohltemperierte Klavier, Teil 1) (le Clavier bien tempéré, livre 1) 6\.

Johann Sebastian Bach's The Well- Tempered Clavier, two complete sets of 24 Preludes and Fugues written for keyboard in 1722 and 1742, and often known as "the 48", is generally considered the greatest example of music traversing all 24 keys. Many later composers clearly modelled their sets on Bach's, including the order of the keys. It was long believed that Bach had taken the title The Well-Tempered Clavier from a similarly-named set of 24 Preludes and Fugues in all the keys, for which a manuscript dated 1689 was found in the library of the Brussels Conservatoire. It was later shown that this was the work of a composer who was not even born by 1689: Bernhard Christian Weber (1712–1758).

Krieger's contemporaries praised his contrapuntal skill, evident in the extant fugues and ricercars. Johann Mattheson was particularly impressed with Krieger's double fugues, remarking that he knew nobody who surpassed Krieger in this form, except Handel. Handel himself admired and studied Krieger's work, even taking a copy of Anmuthige Clavier- Übung with him to England.

Movie poster. The Corsican File () is a 2004 French comedy film directed by Alain Berbérian. It is based on the comic book of the same name, one of the stories from the Jack Palmer series by René Pétillon. The film is produced by Gaumont and Legend, and written by Christian Clavier and Michel Delgado.

The Prelude is similar to the Well-Tempered Clavier (the second book of which dates from around the same time as this work), in which there are many arpeggios. There is a pause in the motion, when just before the coda, there is a fermata over a third-inversion seventh chord with a rich suspension.

Christian Michael (c. 1593 - 29 August 1637) was a German organist and composer active in Saxony. Born in Dresden, he matriculated at Leipzig in 1609 and succeeded his brother Samuel as organist at the Nicholaikirche in 1633. His principal work is Tabulatura, darinnen etzliche Praeludia, Toccaten und Couranten uff das Clavier instrument gesetzt (Braunschweig, 1639).

In 1988, Clavier magazine commissioned two pieces for piano which were included in that publication. His works have also been performed on CBC Radio. Bouchard has also served as an adjudicator for the Associated Manitoba Arts Festivals. He published two books: Distant Voices: Memoirs of My Youth and Afterthoughts: A Career in Music Recollected.

La chapelle Saint-Hubert. Vervoz is a Belgian hamlet of the municipality of Clavier in the Walloon region, in the province of Liège. It is close to the borders of the three provinces of Liège, Namur and Luxembourg and lies near the village of Ocquier. The hamlet is on the ancient Roman road Tongres-Arlon.

However, hundreds more were lost when Zittau was destroyed by fire in 1757, during the Seven Years' War. Krieger's keyboard music places him among the most important German composers of his time.Samuel, Grove. The two published collections, Sechs musicalische Partien (1697) and Anmuthige Clavier-Übung (1698), contain harpsichord suites, organ toccatas, fugues, ricercars, and other works.

In Europe around 1940, the first cam switch from Ghielmetti, Solothurn / Switzerland, began to replace conventional roller switches. Switches could also be supplied as auxiliary current control switches with corresponding circuits. They were marketed under the trade name Ghielmetti-Clavier. In September 1948, Kraus & Naimer (of Vienna) produced C15 (15 A), the first company-owned cam switch.

The firm was founded in 2004 by angel investor Jeff Clavier when he transitioned his portfolio into a formal venture firm. Partners include Andy McLoughlin, formerly of Huddle, and Stephanie Palmeri. As of 2014, the firm had invested in over 150 early stage start-ups. In 2017, the firm changed its name from SoftTech VC to Uncork Capital.

The commentator Diether Stepphun refers to its "cheerfully contemplative and gallant wit, with all the experience of human and musical maturity".Stepphun, Diether (1983). Notes to Orfeo CD C 1051 831 A Gounod's Ave Maria gained considerable popularity. It consists of a descant superimposed over a version of the first prelude of Bach's The Well-Tempered Clavier.

He has also published educational apps for children with Fluxtech. His business book, Rebranding Branding: Branding for the New Millennium, co-written with Darren Taylor, was published by Clavier Press in 2017. He has published numerous articles, including a My Turn essay in Newsweek in January 2008. He has twice received the State of Ohio Individual Artists Fellowship.

A bar from J.S. Bach's "Fugue No.17 in A flat", BWV 862, from Das Wohltemperierte Clavier (Part I), an example of contrapuntal polyphony. The two parts, or voices, on each staff may be distinguished by the direction of the stems. , , , & separately. Part- writing (or voice leading) is the composition of parts in consideration of harmony and counterpoint.

Born in Paris, Levinas was a student of Olivier Messiaen at the Conservatoire de Paris.Célestin Deliège: Cinquante ans de modernité musicale: de Darmstadt à l'IRCAM (Sprimont: Mardaga, 2003), p. 902. As an interpreter he made several recordings, mostly for Adès. Amongst these are works by Beethoven, Fauré, Skriabin, Schubert, and the complete Well-Tempered Clavier by J.S. Bach.

Opening of the prelude Opening of the fugue Prelude and Fugue in B minor, BWV 893, is a keyboard composition by Johann Sebastian Bach. It is the 24th and final prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer. It was composed in 1738.

Earl Wilberforce "Wire" Lindo (7 January 1953 – 4 September 2017),Earl Lindo, clavier de The Wailers, est mort à l’âge de 64 ans, lesinrocks.com; accessed 5 September 2017. sometimes referred to as Wya, was a Jamaican reggae musician. He was a member of Bob Marley and the Wailers and collaborated with numerous reggae artists including Burning Spear.

Though the specific instrumentation is not given for any of the works, they are all strictly manualiter, as none of them call for pedal parts. Like Bach's other clavier works, these toccatas are frequently performed on the piano. Because of some of the organ-like textures, the pieces are sometimes performed on the organ.Schulenberg 2006, 99.

Through his friend Mizler and his Leipzig printers Krügner and Breitkopf, also printers for Mattheson, like others Bach would have had advance knowledge of the content of Mattheson's treatise. Concerning counterpoint, Mattheson wrote: Whatever Bach's personal reaction, the contrapuntal writing of Clavier-Übung III provided a musical response to Scheibe's criticisms and Mattheson's call to organists. Mizler's statement, cited above, that the qualities of Clavier-Übung III provided a "powerful refutation of those who have ventured to criticize the music of the Court Composer" was a verbal response to their criticisms. Nevertheless, most commentators agree that the main inspiration for Bach's monumental opus was musical, namely musical works like the Fiori musicali of Girolamo Frescobaldi, for which Bach had a special fondness, having acquired his own personal copy in Weimar in 1714.

When Nannerl was 7, she began keyboard lessons with her father, while her three-year-old brother looked on. Years later, after her brother's death, she reminisced: > He often spent much time at the clavier, picking out thirds, which he was > ever striking, and his pleasure showed that it sounded good.... In the > fourth year of his age his father, for a game as it were, began to teach him > a few minuets and pieces at the clavier.... He could play it faultlessly and > with the greatest delicacy, and keeping exactly in time.... At the age of > five, he was already composing little pieces, which he played to his father > who wrote them down. Carmontelle, c.1763 These early pieces, K. 1–5, were recorded in the Nannerl Notenbuch.

Schott published the concerto in 1848.(score edition) Bach 1848Hofmeister 1848, p. 151Schneider 1907, p. 106 The Bach Gesellschaft published the concerto in 1869 as No. 8, "Concert in A moll für Flöte, Violine und Clavier mit Begleitung von Zwei Violinen, Viola und Continuo" (Concerto in A minor for flute, violin and keyboard with an accompaniment of two violins, viola and continuo), pp.

Williams sees this as a sort of polonaise. The characteristic rhythm in the left hand is also found in Bach's Partita No. 3 for solo violin, in the A major prelude from the first book of The Well- Tempered Clavier, and in the D minor prelude of the second book. Heinz Niemüller also mentions the polonaise character of this variation.

2 Anton Bruckner was born near Enns and worked in Kronstorf and St Florian. Between 1843 and 1845, he was the pupil of Leopold von Zenetti in Enns.Paul-Gilbert Langevin, Anton Bruckner - apogée de la symphonie, pp. 17, 306 He visited his master up to three times a week to study figured bass using The Well-Tempered Clavier by Johann Sebastian Bach.

Alfred Publishing Co., Inc., 1992 This work is a series of rising and falling arpeggios in various chord progressions from C minor. In addition, its opening bars recall the chord structure of the opening bars of the second prelude of the first book of The Well-Tempered Clavier by Johann Sebastian Bach. It is often referred to as the “Ocean” etude.

The order within published collections, such as the Clavier- Übung, was maintained. Questions of authorship were addressed in several ways. A number of anonymous works were listed in the final section (Krebs-WV 9xx) that have been attributed to Krebs but cannot be verified. There are also a number of works that are ascribed to Krebs and other composers in various sources.

In November 2011, AWC Fine Wine purchased the top lot at the Hospices de Beaune wine auction in Beaune, France. Known as La Pièce de la Président, the lot consisted of 460 litres of Corton red wine from the Clos du Roi Grand Cru vineyard. The lot was auctioned off by actor Christian Clavier and model Inès de la Fressange for €110,000.

Austbø's recordings include works by Olivier Messiaen (complete works for piano), Claude Debussy (complete works for piano), Alexander Scriabin (complete piano sonatas), Erik Satie, Johannes Brahms, Robert Schumann, Leoš Janáček (complete works for piano), and Edvard Grieg (complete Lyric Pieces). Austbø was also an initiator and director of the LUCE project, which was founded to realize Scriabin's Clavier à lumières.

Gavotte from French Suite No. 5 The French Suites, BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. The French Suites: Embellished version. Bärenreiter Urtext Although Suites Nos. 1 to 4 are typically dated to 1722, it is possible that the first was written somewhat earlier.

Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few other noteworthy producers of electric pianos include Baldwin Piano and Organ Company and the Wurlitzer Company. Early electric piano recordings include Duke Ellington's in 1955 and Sun Ra's India as well as other tracks from the 1956 sessions included on his second album Super Sonic Jazz (a.k.a. Super Sonic Sounds).

Simkovitch was born in 1954 to a family of Serbian origin. She rose to fame by portraying Madame Bellefeuille in the television series Les Filles d'à côté and Les Nouvelles Filles d'à côté. In 1991, she appeared alongside Christian Clavier in the film L'Opération Corned-Beef. In 1992, she appeared in the Antoine de Caunes television program Nulle part ailleurs.

French in Canada has a second regulatory body, named the Office québécois de la langue française (OQLF), an agency of the Government of Quebec, which is independent of the Académie. It tends to produce neologisms to replace anglicisms. It created the portmanteaus courriel (e-mail) from courrier (mail) and électronique (electronic), and clavardage (chatting) from clavier (keyboard) and bavardage (chatter), for example.

Clive, 33. In addition to Beethoven's works, Birchall printed various glees, country dance books, and Italian vocal works. He also published works by George Frideric Handel and Johann Sebastian Bach, including the first English edition of the Well- Tempered Clavier in 1810 edited by Samuel Wesley and Charles Frederick Horn. After Birchall's death, his employee Christopher Lonsdale took over the firm.

The Colt Clavier Collection was located in Bethersden, Kent, housed in a community of demonstration houses built by the Colt family. Most of the instruments were housed in a purpose-built building located next to the corporate business office, but each of demonstration house also features an instrument. A few of the instruments were formerly on loan to museums in Germany and Switzerland.

6 & 21[ (score) ::(c) (Nach Bach), p. 25. :::[exercise based on Prelude No.1, BWV 846, from the Well-Tempered Clavier, Book I] (Sitsky, p 203) ::(d) [see Part 3, section (m) "Appendix to tutorial V."] ::(e) (Nach Beethoven). Allegretto, pp. 26-27. :::[exercise based an excerpt of the Waldstein sonata (beginning at bar 61 of the Rondo Allegretto; score).

"The Well-Tempered Clavier" is the ninth episode in the first season of the HBO science fiction western thriller television series Westworld. The episode aired on November 27, 2016. The episode was lauded by critics in particular to Arnold's revelation and Jeffrey Wright and Anthony Hopkins's performances during the final scenes. This episode marks the final appearance of Sidse Babett Knudsen (Theresa Cullen).

Isaac Newton proposed that musical tones and color tones shared common frequencies, as did Goethe in his book Theory of Colours. There is a long history of building color organs such as the clavier à lumières on which to perform colored music in concert halls.Peacock, Kenneth. "Instruments to Perform Color-Music: Two Centuries of Technological Experimentation,"Leonardo 21, No. 4 (1988) 397–406.

She recorded Parts I and II of the Well-Tempered Clavier, and a reviewer of Gramophone noted in 2008 the "warm, rounded and perpetually singing sonority" of her playing, but also a tendency to give the material profile and character in the beginning of a piece but not follow through to the end. He described her approach as "intimately scaled and sensitively nuanced".

The soundtrack features the song "Calling You", by Jevetta Steele, and has a track in which the director narrates the story, including the film's missing scenes. The principal piano pieces, performed by Darron Flagg, are preludes from Book I of Bach's The Well- Tempered Clavier: the C major, no. 1, BWV 845; the C major, BWV 846, no. 2; and the D major, no.

Performing also became problematic. In illustrated radio talks recorded in his last few years, his playing is severely affected by a problem with one of his hands. Tovey made several editions of other composers' music, including a 1931 completion of Bach's Die Kunst der Fuge (The Art of Fugue). His edition of the 48 Preludes and Fugues of Bach's The Well-Tempered Clavier, in two volumes (Vol.

In collaboration with Vieuxtemps and Léonard he composed some 50 works for violin and piano, in collaboration with Servais 25 duets for cello and piano. His École moderne du piano was used at Conservatories such as those of Brussels and Paris. He also developed a device for conveying more flexibility to the fingers: ‘le Clavier- déliateur’, a mute keyboard of 25 keys with variable resistance.

The recordings are considered of high quality. Some recordings have also been licensed for notable record labels such as Naxos or Brilliant Classics. Today the catalogue has more than 60 titles. One of the main discographic projects is the recording of the complete works for clavier of Buxtehude and Bohm as performed by Florentine organist and harpsichordist Simone Stella now also released by Brilliant Classics.

A fugue per arsin et thesin these days generally refers to one where one of the entries comes in with displaced accents (the formerly strong beats becoming weak and vice versa). An example is the bass line at bar 37 of no. 17 of Bach's Das Wohltemperierte Clavier. In the past, however, a fugue per arsin et thesin could also mean one where the theme was inverted.

Red Bull Flying Bach is a dance performance by Flying Steps and guest ballerina Yui Kawaguchi / Anna Holmstrom. The work combines breakdance with modern ballet, performed to an electronica adaptation of Johann Sebastian Bach's The Well-Tempered Clavier. The music was arranged by Christoph Hagel and the piece choreographed by Vartan Bassil. The performance has been popular worldwide, and premiered in the United States in June 2014.

Gianluca Luisi (born 1970 in Pescara) is an Italian pianist known for his interpretations of J. S. Bach. whose complete The Well-Tempered Clavier he recorded. Luisi studied at the Rossini Conservatory in Pesaro under the guidance of Franco Scala and, later, at the piano Academy in Imola with Giovanni Valentini, Boris Petrushansky and Piero Rattalino. Luisi now teaches at the Recanati Piano Academy of the Marche.

On April 9, retired Gen. Manuel Andara Clavier, one of many retired military officials who opposed Chávez, reportedly told her, "The table is set. ... Everything is set for the military to let the president know he can't push this country to spill blood."Los Angeles Times, April 21, 2002 Sunday, "He's In, He's Out, He's In", BYLINE: SANDRA HERNANDEZ, SECTION: OPINION; Part M; p.

Panellists attempt to sing a song perfectly in tune while Colin Sell plays wrong notes, changes key and changes tempo. The name is a play on The Well-Tempered Clavier, and the game is identical to an exercise used by the father of the composer Charles Ives to train his son. Points are deducted from players who attempt to sing with their fingers in both ears.

Jean Reno himself made the decision to actually drive the BX 140 km/h on the national, among the flow of normal traffic, with a remote camera attached to the hood of the car and the sound recording equipment installed in the trunk. Also, with Jean Reno performing some "simple" stunts at the wheel of the BX, the fears of Christian Clavier as a passenger were real.

Leehom Wang and Jay Chou were interviewed and asked to comment on each other. Chou also performed a medley piano battle with Nan Quan Mama group member Yuhao Zhan. The medley included segments from Prelude and Fugue No. 2 in C minor in Book 1 of Bach's Well-Tempered Clavier, a capriccio of Chou's song "Reverse Scales" (), and the theme song of Super Mario Bros.

This is the explanation of clefs which begins the Wilhelm Friedemann Klavierbüchlein, in Johann Sebastian's hand. Klavierbüchlein für Wilhelm Friedemann Bach (Bach's original spelling: Clavier-Büchlein vor Wilhelm Friedemann Bach) is a collection of keyboard music compiled by the German Baroque composer Johann Sebastian Bach for his eldest son Wilhelm Friedemann. It is frequently referred to simply as Klavierbüchlein. Johann Sebastian began compiling the collection in 1720.

They are both, in Koechlin's view "in a pleasant and correct style, obviously less rich than those in the Well-Tempered Clavier, and more careful, but whose reserve conceals an incontestable mastery". Adagietto in E minor: An andante moderato, "serious, grave, at once firm and pliant, attaining real beauty" (Koechlin). Improvisation in C minor: Orledge calls this piece a middle period "song without words".Orledge, p.

Michael Haydn (younger brother of Joseph Haydn), whose own Requiem influenced Mozart Mozart esteemed Handel and in 1789 he was commissioned by Baron Gottfried van Swieten to rearrange Messiah (HWV 56). This work likely influenced the composition of Mozart's Requiem; the Kyrie is based on the "And with His stripes we are healed" chorus from Handel's Messiah, since the subject of the fugato is the same with only slight variations by adding ornaments on melismata. However, the same four-note theme is also found in the finale of Haydn's String Quartet in F minor (Op. 20 No. 5) and in the first measure of the A minor fugue from Bach's Well-Tempered Clavier Book 2 (BWV 889b) as part of the subject of Bach's fugue, and it is thought that Mozart transcribed some of the fugues of the Well-Tempered Clavier for string ensemble (K. 404a Nos.

The Game Boy and unreleased NES versions of the game used two classical music pieces throughout. The title screen music is Bach's Fugue No. 2 In C Minor BWV 847 (The Well Tempered Clavier in C), and the gameplay music is Beethoven's Moonlight Sonata. The Game Boy and NES versions' music was arranged by Mark Cooksey. He composed the music in C-Lab Notator for the Atari ST.

"'" (We all believe in one God) is a Lutheran hymn, a paraphrase of the creed, by Martin Luther and first published in Johann Walter's chorale hymnal Eyn geystlich Gesangk Buchleyn. The hymn was used in several musical settings, including Kleine Geistliche Konzerte I, SWV 303, by Heinrich Schütz, and Johann Sebastian Bach's Clavier-Übung III, BWV 680 and BWV 681. The Zahn number of its hymn tune is 7971.

Bach's autograph (1722) of the first prelude of Book I The Prelude and Fugue in C Major, BWV 846, is a keyboard composition written by Johann Sebastian Bach. It is the first prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer. An early version of the prelude, BWV 846A, is found in the Klavierbüchlein für Wilhelm Friedemann Bach.

One of the entrants in the competition was the 26-year-old Tatiana Nikolayeva from Moscow. Though not required by competition regulations, she had come prepared to play any of the 48 preludes and fugues of The Well-Tempered Clavier on request. She won the gold medal. Inspired by the competition and impressed by Nikolayeva's playing, Shostakovich returned to Moscow and started composing his own cycle of 24 preludes and fugues.

Spiegelsaal, now Bachsaal Johann Sebastian Bach worked in Köthen from 1717 to 1723 as Hofkapellmeister of Prince Leopold. Bach's first wife Maria Barbara died in Köthen in 1720. His second wife Ana Magdalena was employed at the court as a singer at the time of their marriage in 1721. Bach worked on important instrumental works during these years, including the Brandenburg Concertos and the first book of The Well-Tempered Clavier.

He authored college textbooks on piano pedagogy and edited collections of classical piano solos. He was himself a piano teacher and had many students over the years. He died of cancer at the age of 49. Decades after his death, his piano compositions are still regularly played at recitals and contests.Martin, Helen (October 1987) "The Man Behind All That Music: Lynn Freeman Olson", Clavier, Vol. 46. No. 8, pp.

"Row, Row, Row Your Boat" (1852) round . A new part can join the singing by starting at the beginning whenever another part reaches any asterisk. If one ignores the sixteenth notes that pass between the main chords, every single note is in the tonic triad—in this case, a C, E, or G. J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 (1722).

These days such instruments are called "revival" style instruments, their features including 'inauthentic' metal frames and robust, heavy construction. These recordings show Kirkpatrick's formidable keyboard technique to full advantage, and, unusually for recordings of the time, he observes almost all of the repeats. His performances of The Well-Tempered Clavier were recorded on both the harpsichord and the clavichord. His later Bach recordings used a reproduction French harpsichord by Hubbard & Dowd.

He suggested taking a position as piano professor at the conservatory in Naples, but it was defeated since an Italian nationality would be necessary. One year later he got an offer from the same conservatory which he refused. Vitale's claim that he published instructive editions of J. S. Bach's "Well Tempered Clavier" and Muzio Clementi's "Gradus ad Parnassum"See: Vitale: Thalberg in Posillipo. has been recently disputed by Chiara Bertoglio.

In 1898, Ennis supported Sir John Stainer in founding an association of musical graduates, the Union of Graduates in Music, the object of which was to prevent trafficking in degrees. Around this time he became an advocate of Virgil's method of teaching piano, and became a lecturer and examiner at the Virgil Piano School in London.Almon Kincaid Virgil (c. 1840–1921), an American inventor, developed a practice clavier (i.e.

As a hymn usually sung every Sunday, it was often the basis for chorale preludes. Among those by Johann Sebastian Bach there are three in Clavier-Übung III (BWV 675, BWV 676 and BWV 677), and three others in the Great Eighteen Chorale Preludes (BWV 667, BWV 668 and BWV 669). He also set the hymn as a four-part chorale (BWV 260, transcribed below).Luke Dahn (2017).

The earliest version was known as the Clavier Melodique ("melodious keyboard"), circa 1831. It was made by Pichenot Jeune ("Young Pichenot"), and was probably one of the first accordions capable of playing a melody. The first recorded factory was that of Napoleon Fourneaux in Paris. The Accordion of Cyril Demian (1829) described in his Austrian (at Vienna) patent application, had 5 pallets with 10 chords (musical triads) available.

Two of the songs on this album, "Two Full Moons and a Trout" and "Red Herring", were major hits in the mid-1990s European dance scene. Most of the songs in this album incorporate a variety of acid sounds. "Red Herring" introduces a loop of a distorted female vocal sample. "Fromage Frais" is a trance version of Prelude No. 1 from the Well Tempered Clavier composed by Johann Sebastian Bach.

The intrepid duo arrive in America and are promptly greeted by the sights, smells, and sounds thereof. The Rev'd Cherrycoke's audience interrupts to discuss the variety of evangelical religions that have sprung up under the ministrations of one MacClenaghan and its reflections on the musical influences of the day. The episode concludes with a demonstration of new musical themes upon a clavier and its effect upon revolutionary impulses.

Some large carillon systems for playing church bells include a pedalboard for the lowest-pitched bells. Carillon pedal keys activate a pull-down coupler that visibly moves the keys of the manual clavier and heavy clappers for the largest bells. These keys resemble the "button keys" of early organs, and are played by the player's toes. Because this non-legato technique involves no sliding, shoes with leather soles are not required.

Particularly highly regarded was the piano trio he formed with the cellist Enrico Mainardi and the violinist Georg Kulenkampff, (who was replaced by Wolfgang Schneiderhan after Kulenkampff's death). Fischer published a number of books on teaching, and one on the piano sonatas of Beethoven. He also made a number of recordings, including the first complete Bach Well-Tempered Clavier for EMI, recorded on the piano from 1933 to 1936.

With the DSO Berlin and Lintu, she also recorded the Schumann Piano Concerto. Her entire 2007–08 season was devoted to complete performances of Bach's The Well-Tempered Clavier in major cities all over the world. Her Hyperion DVD on Bach performance on the piano was released to coincide with the tour. In July 2005, Hewitt launched the Trasimeno Music Festival in Umbria near Perugia, of which she is artistic director.

Just Visiting is a 2001 comedy film that is an American remake of the French film Les Visiteurs. It stars Jean Reno, Christina Applegate, Christian Clavier, Malcolm McDowell, Tara Reid, and Bridgette Wilson. It is about a medieval knight and his serf who travel to 21st-century Chicago, meeting the knight's descendant. Unlike the original film, the remake was not successful in either France or the United States.

Wolfgang Amadeus Mozart's set of six Preludes and Fugues for string trio, K. 404a, contains five fugues transcribed from The Well-Tempered Clavier by Johann Sebastian Bach while the sixth fugue in F minor, is a transcription of one of the Eight Fugues (Falck 31) of Wilhelm Friedemann Bach. The preludes in K. 404a are Mozart's own, except for 4 (from BWV 527) and 5 (second movement from BWV 526).

These include, most importantly, fugues that apparently form a counterpart to ricercar no. 2 from Anmuthige Clavier-Übung, building on variations of the same subject, and two sets of chorale variations: Herr Christ der einig Gottes Sohn and In dich hab ich gehoffet, Herr. Both contain three sections; the third section of the third set is particularly interesting, as it treats the chorale in 6/8 time and a free rhythm.Apel 1972, 666.

Jugnot met Christian Clavier, Thierry Lhermitte, and Michel Blanc when attending the Lycee Pasteur de Neuilly-Sur-Seine. Together, they formed the comedy group Le Splendid. He made his debut on the big-screen in Les Valseuses (1974) and Le Juge et l'Assassin (1976). Jugnot's career kick-started when he starred in Les Bronzés (1978), and Le Père Noël est une ordure (1982), which were two acts from Le Splendid adapted for cinema.

As a performer and recording artist, he became best known for his harpsichord performances of the keyboard music of Bach and Scarlatti, but he also performed and recorded works by other composers, including Rameau, Couperin, Handel, Byrd, and Purcell. He recorded on the clavichord (e.g. Bach's two- and three-part inventions, as well as both volumes of The Well-Tempered Clavier). He recalled playing a clavichord at a house concert in Hamburg, Germany.

Michel Blanc (born 16 April 1952) is a French actor, writer and director. He is noted for his roles of losers and hypochondriacs. He is frequently associated with Le Splendid, which he co-founded, along with Thierry Lhermitte, Josiane Balasko, Christian Clavier, Marie-Anne Chazel and Gérard Jugnot. Michel Blanc has also shown his versatility by appearing in more serious roles, such as the title role in the Patrice Leconte film Monsieur Hire.

The Italian Concerto, BWV 971, originally titled Concerto nach Italienischen Gusto (Concerto in the Italian taste), is a three-movement concerto for two- manual harpsichord solo composed by Johann Sebastian Bach and published in 1735 as the first half of Clavier-Übung II (the second half being the French Overture). The Italian Concerto has become popular among Bach's keyboard works, and has been widely recorded both on the harpsichord and the piano.

Christian Clavier and Jean-Marie Poiré proposed the scenario to producer Alain Terzian one evening over dinner in a restaurant. The producer was immediately enthusiastic but was unsure about the title. He suggested to rebaptise the film Le Squale (after the nickname of the main character), but the authors preferred to retain the original title. Jean-Marie Poiré had great difficulty getting the project started because of his recent failure with Mes meilleurs copains.

The film is produced by Curiosa Films, Ouille Productions and Versus Production, with co-production support from Orange Studio. It reunites Christian Clavier and Gérard Depardieu who previously starred as Asterix and Obelix in two films. It also reunites Blier and Depardieu, who had collaborated on films such as Going Places, Get Out Your Handkerchiefs, Buffet froid and Merci la vie. Filming began on 16 February 2018 and wrapped up on late March.

Andres inaugurated the Steinway piano donated by Georg Solti in a concert at the Liszt Museum in Budapest. The music of Johann Sebastian Bach occupies a special place in his repertoire. Andres Carciente has been the only Venezuelan pianist to have played by heart in concerts the cycle of Bach's 6 Partitas and the Well Tempered Clavier ( Book I,Complete). Venezuelan composer Gonzalo Castellanos Yumar dedicated his Prelude for Piano "Crepitante" to Andres Carciente.

Lautenwerck Lautenwerck The lautenwerck (also spelled lautenwerk), alternatively called lute-harpsichord (lute-clavier), is a European keyboard instrument of the Baroque period. It is similar to a harpsichord, but with gut rather than metal strings, producing a mellow tone. The instrument was favored by J. S. Bach, who owned two of the instruments at the time of his death, but no specimens from the 18th century have survived to the present day.Henning, p.

As of July 2008, Kongregate had raised around $9 million in capital from investments by Reid Hoffman, Jeff Clavier, Jeff Bezos, and Greylock Partners. On July 23, 2010, GameStop announced an agreement to acquire Kongregate. Because of Gamestop's purchase of Kongregate, developers who work through Kongregate can have their content promoted to people who shop at a GameStop store. Kongregate also provides a way for creators of games on Facebook to expand their potential audience.

In J.S. Bach's The Art of Fugue, the first canon is at the octave, the second canon at the tenth, the third canon at the twelfth, and the fourth canon in augmentation and contrary motion. Other exemplars can be found in the fugues in G minor and B major [external Shockwave movies] from J.S. Bach’s The Well-Tempered Clavier, Book 2, both of which contain invertible counterpoint at the octave, tenth, and twelfth.

These included E major as well as E in Phrygian mode and again in Dorian mode, but not E minor per se. They also excluded C/D major, D/E minor, F/G major, G/A minor, and A/B minor. Bach modelled the sequence of his 48 Preludes on Fischer's example."Bach cantatas, Arrangements & Transcriptions of Bach's Works: Arrangements & Works inspired by Well-Tempered Clavier BWV 847–869 & BWV 879–893 (WTC)", Bach-Cantatas.com.

J. S. Bach's Fugue No. 17 in A-flat, BWV 862, from The Well-Tempered Clavier (Part I), an example of counterpoint. The two voices (melodies) on each staff can be distinguished by the direction of the stems and beams.thumbVoice 1Voice 2Voice 3Voice 4 A melody (from Greek μελῳδία, melōidía, "singing, chanting"),. also tune, voice or line, is a linear succession of musical tones that the listener perceives as a single entity.

Young was a critic for a number of newspapers and magazines, including the St. Petersburg Times, the American Record Guide, the Brattleboro Reformer, Music and Vision, Clavier, Piano, and Opera News. Following a stroke in 2013 which left him unable to play, Young retired from performing. He continued to produce recordings for other artists as well as to endorse and advise young aspiring artists about their careers through his group Artistic Spirits Productions. Young died in April 2017.

"People and Places" is a song written by Philip Bailey, Roxanne Seeman and Eric Levi. It is the end-credit song for the #1 French box office film La Vengeance d'une Blonde starring Christian Clavier and Marie-Anne Chazel. It was recorded as a duet between Dee Dee Bridgewater and Philip Bailey, released as a single and club mix version. "People and Places" appears on the soundtrack album three times as single mix, club mix, and instrumental version.

Johann Gottfried Eckard (Eckhardt) (21 January 1735 - 24 July 1809) was a German pianist and composer. Eckard was born in Augsburg. In his youth he became a professional copper engraver and acquired his musical training in his leisure time, mainly from C.P.E. Bach's Versuch über die wahre Art das Clavier zu spielen and its six ‘Probesonaten’. In 1758 the piano and organ manufacturer Johann Andreas Stein took him to Paris, where he lived for the rest of his life.

The term 'aria' was frequently used in the 17th and 18th centuries for instrumental music used for dancing or variation, and modelled on vocal music.Westrup et al. (n.d.), Introduction For example, J. S. Bach's so-called "Goldberg Variations" were titled at their 1741 publication "Clavier Ubung bestehend in einer ARIA mit verschiedenen Verænderungen" ("Keyboard exercise, consisting of one ARIA with diverse variations.") The word is sometimes used in contemporary music as a title for instrumental pieces, e.g.

Clavier's interest in the medicinal power of nuclear medicine was sparked when she translated from English into Spanish the book Physical Foundations of Radiology by Edith Quimby (et. al.), who was one of the founders of this medical specialty. In 1963, Clavier graduated with the first class of radiation oncologists in the country, and the following year she founded the Eastern Chapter of the Society of Oncology in Barcelona, Venezuela. She served as its first president.

Punk rocker Peter Peter and composer Povl Kristian composed the score and formed the temporary band Prisoner to perform the score: Peter playing guitar and Kristian playing the clavier. Kristian also composed the song "Summers got the colour" with text by Lars K. Andersen which was sung by Aud Wilken. Although Povl Kristian did not return to work on the sequels, the "Pusher theme" he wrote with Peter Peter was used in all of the following films.

Serial Bad Weddings 2 () is a 2019 comedy film directed by Philippe de Chauveron. It is a follow-up to Serial (Bad) Weddings. The film is about the Verneuil family, an upper-class Catholic couple portrayed by Christian Clavier and Chantal Lauby from a French province and their three daughters who have married men of different faiths. The film was the highest grossing French production in France in 2019 and the third highest-grossing film of 2019 in France.

She sometimes carries symbolically fertile fruit in her hand. However much the poet may be distracted by lascivious particulars, he does indeed want particulars: A hand that bears a thick-leaved fruit, A pungent bloom against donna's shade. This insistence on particularity is a familiar theme in Stevens. (See his treatment of beauty in "Peter Quince at the Clavier", for example.) Bates reads the poem as Stevens's wish that Florida "were less the harlot and more the sequestered inamorata".

MacGregor broadcasts regularly on television and radio; in 2012 she was the soloist in three BBC Proms, and her performance of Bach's Goldberg Variations was broadcast live from the Albert Hall in 2013. She was the subject of an edition of The South Bank Show in December 2001 and presented her own series Strings, Bows, and Bellows for BBC television. She also filmed Bach's Well-Tempered Clavier for BBC television, as well as appearing in the Great Composers Series.

It was at such Kessler soirees that Chopin heard for the first time works such as Beethoven's "Archduke" Trio.Halina Goldberg, Chopin in Warsaw's Salons, Polish Music Journal, Vol. 2, Nos. 1-2. 1999 Kessler and Chopin became firm friends. Kessler's Études were arranged in a circle of fifths,Ferdinand Gajewski, editorial note to Kessler: Etude in E flat minor, Op. 20, No. 14 unlike Johann Sebastian Bach's The Well- Tempered Clavier, which is arranged in ascending chromatic order.

Nonfunctional analyses are based on structure (rather than function), and are characterized as vertical characterizations or linear analyses. Vertical characterizations include interpreting the chord's root as on the seventh degree (VII) (, ), of F minor (, ). Linear analyses include that of and Schenker was the first to analyze the motif entirely through melodic concerns. Schenker and later Mitchell compare the Tristan chord to a dissonant contrapuntal gesture from the E minor fugue of The Well- Tempered Clavier, Book I (cf. ).

Ave Maria is a popular and much-recorded setting of the Latin prayer Ave Maria, originally published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach. The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of the Prelude No. 1 in C major, BWV 846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722.

The Consulate is located opposite rue Auguste-Vacquerie. When Le Squale (Jean Reno) returned to Paris by plane from Colombia, he landed at Orly West Airport. Later in the film, we find this airport when Le Squale accompanies Graninski for a weekend in Venice with Maryline. The scenes where the Citroën BX rolls on the national road with Jean Reno and Christian Clavier on board take place on Route nationale 12 between the communes of Cherisy and Houdan.

Johann Gottfried Müthel. Johann Gottfried Müthel (January 17, 1728 - July 14, 1788) was a German composer and noted keyboard virtuoso. Along with C.P.E. Bach, he represented the Sturm und Drang style of composition. As far as is known, he was the first to use the term fortepiano in a published work, in the title of his Duetto für 2 Clavier, 2 Flügel, oder 2 Fortepiano (1771), which reflects the rising popularity of the instrument at that time.

Edward Aldwell (January 30, 1938 in Portland, Oregon – May 28, 2006 in Valhalla, New York) was an American pianist, music theorist and pedagogue. He was particularly renowned for his Bach interpretations, and he recorded several albums, most notably the complete Well-Tempered Clavier of Bach for Nonesuch, and Bach's French Suites for Hanssler Classics. He taught at The Curtis Institute of Music in Philadelphia and at the Mannes College of Music in New York City.Stephen Miller (31 May 2006).

Castro-Balbi has been featured with numerous major orchestras and has given over 50 world premiere performances. Castro-Balbi has been a member of many ensembles, most recently as the cellist in the Lin / Castro-Balbi Duo, Caminos del Inka and the Clavier Trio. The Lin / Castro-Balbi Duo has been actively performing since 1996. A sought after ensemble, the cello/piano duo has received critical acclaim for their work throughout Asia, Europe, Latin America and the United States.

The Monodie was composed in 1963 at the request of Jean Bonfils, who was Messiaen's assistant at the church of the Sainte- Trinité, Paris, where he was the main organist. It was written for Bonfils's and Noémie Pierrot's organ method book entitled Nouvelle méthode de clavier. Messiaen presumably didn't have his own organ at the Trinité because of a major refurbishment. It was then published as a part of that book in 1963 by the Schola Cantorum.

The town has long been known to classical music enthusiasts as the place of origin of Johann Sebastian Bach's best-known secular works, including the Brandenburg concertos and the Well-Tempered Clavier. Bach worked in Köthen from 1717 to 1723 as Kapellmeister for Prince Leopold von Anhalt-Köthen. It is also the birthplace of the composer Carl Friedrich Abel who, together with Johann Christian Bach, founded the popular "Bach-Abel Concerts" in London, the first subscription concerts in England.

In 1842 Czerny published an autobiographical sketch, "Erinnerungen aus meinem Leben" ("Memories from My Life"). Other works by Czerny, apart from his compositions, include: his edition of Johann Sebastian Bach's The Well-Tempered Clavier; "Letters to a young lady, on the art of playing the pianoforte" ; his "School of Practical Composition" (published as his Op. 600); his edition of Domenico Scarlatti's sonatas (1840); and "On the proper performance of all Beethoven's works for piano" (1846).Mitchell (1980), p. 141.

Johann Sebastian Bach's Clavier-Übung II was published in 1735, containing two works written for performance on a two-manual harpsichord. In the publication, Bach contrasted a work in Italian style – a Concerto nach Italienischem Gusto (Concerto after the Italian taste, now known as the Italian Concerto), BWV 971, with a work in French style, a suite which he called Ouvertüre nach franzosischer Art (Overture in the French style, also known as the French Overture), BWV 831.

H.) [12 Études caractéristiques, Op. 2, No.1] (score) ::::Chopin, Prélude Es dur. [Op. 28, No.19] (score) ::::Liszt, Vision. [S.139, No.6] ([ score]) ::::Bach-Busoni, Wohltemperiertes Klavier I, Varianten zu den Präludien in D moll und B dur :(c) (Nach Bach), p. 30. ::[exercise based on Prelude No.1, BWV 846, from the Well-Tempered Clavier, Book I] (Sitsky, p 203) :[The following section (d) also appears in the First Edition, Part 3, section (m) (pp.

Friedemann Bach was renowned for his improvisatory skills. It is speculated that when in Leipzig his father's accomplishments set so high a bar that he focused on improvisation rather than composition. Evidence adduced for this speculation includes the fact that his compositional output increased in Dresden and Halle. Friedemann's compositions include many church cantatas and instrumental works, of which the most notable are the fugues, polonaises and fantasias for clavier, and the duets for two flutes.

Jill Crossland is an English pianist, born in Yorkshire. She studied with Ryszard Bakst (a Heinrich Neuhaus pupil) at Chetham's School of Music and the Royal Northern College of Music in Manchester, and with Paul Badura-Skoda in Vienna. She has a preference for Baroque and Classical periods of the repertoire, with a focus on the music by Johann Sebastian Bach, playing it on the piano. She has performed his Well-Tempered Clavier from memory since her student years.

Anmuthige Clavier- Übung (Nuremberg, 1698) was the second collection of keyboard music Krieger published, and it is a much more important work. It comprises 25 pieces: nine preludes, five ricercares, seven fugues, two toccatas, a fantasy, and a chaconne. Ricercares and fugues showcase Krieger's contrapuntal skills which his contemporaries praised. For example, five of the fugues form a sequence in which four subjects are first treated independently (fugues nos. 11–14), and then appear together in a quadruple fugue (fugue no. 15).

In America Leopold Stokowski also tried to do it with his > arrangements for orchestra. This was always the result of "progressive" > efforts to bring Bach closer to the particular period. I have no > philosophical problem with someone playing Bach and making it sound like > Boulez. My problem is more with someone who tries to imitate the sound of > that time ..."Ich bin mit Bach aufgewachsen" (I was reared on Bach), > Barenboim's liner notes for his recordings of Bach's The Well-Tempered > Clavier.

He was awarded by several prizes for that act, including Janáček Premium Award. He received numerous prizes at the piano competitions and as a performer he made himself famous by playing whole cycles of piano music, including complete Bach's Well-Tempered Clavier, Mozart's piano sonatas and pieces by Czech composers. He was also twice awarded by the prestigious Classic prize. As a pianist he believes a lot in importance of musicological research often using original autographs while studying new composition.

For instance, in the late 1980s, he learned Brahms's Paganini and Handel Variations, and in the 1990s, several of Debussy's études and pieces by Gershwin, and works by Bach and Mozart that he had not previously included in his programs. Central to his repertoire were the works of Schubert, Schumann, Beethoven, J. S. Bach, Chopin, Liszt, Prokofiev and Debussy.Monsaingeon, pp. 383–406. He is said to have learned and memorized the second book of Bach's The Well-Tempered Clavier in one month.

Time Travel Is Lonely is the second album by John Vanderslice, released in 2001. Time Travel Is Lonely is a concept album about Vanderslice's fictional brother Jesse Vanderslice as he slowly succumbs to polar madness while living in Antarctica. In the track "Do You Remember," Vanderslice imagines different possible outcomes for the famous Chinese rebel who held back tanks while protesting for Democracy at Tiananmen Square. The song "Interlude 2" is based on the 1st Prelude in C from Bach's Well Tempered Clavier.

Thomas Hodgskin (12 December 1787 – 21 August 1869) was an English socialist writer on political economy, critic of capitalism and defender of free trade and early trade unions. In the late 19th and early 20th centuries, the term socialist included any opponent of capitalism, at the time defined as a construed political system built on privileges for the owners of capital."L'Angleterre a-t-elle l'heureux privilège de n'avoir ni Agioteurs, ni Banquiers, ni Faiseurs de services, ni Capitalistes ?". In Clavier, Étienne (1788).

Suzuki is also currently recording Bach's complete works for solo harpsichord and is one of the few keyboard players to have recorded all four books of Bach's Clavier-Übung (including book 3, which is for organ). He and the Bach Collegium Japan have also recorded the Bach concertos for violin and his Brandenburg Concertos and Orchestral Suites. With his son Masato Suzuki (a harpsichordist, organist, conductor and composer), he and Bach Collegium Japan recently recorded Bach's complete concertos for two harpsichords.

The bowed clavier (', ' or ' in German) is a keyboard instrument strung with gut strings, the tone of which is produced by a steadily revolving, well rosined cylinder powered by a foot pedal, a mechanism similar to that found in the hurdy-gurdy.Dolmetsch Online The ' was illustrated and described by Michael Praetorius in his treatise on musical instruments Syntagma Musicum II, in the section De Organograhia, published 1614-20 in Germany. It was re- invented by Joh. Hohlfeld of Berlin in 1751.

Weißheimer left 106 works, including songs and choral cycles. Even though he tried compositionally to go his own way, he could not emerge from the shadow of his great teacher Liszt, and of Wagner. His operas, his cantatas, and his instrumental music underline this. Even if his "absolute" music pays homage to one of the great string quartet and successful "obligatory violin parts" to Bach's Well-Tempered Clavier, he displays in his other works a clear tendency for program music.

The earliest public use of the pejorative German term Zukunftsmusik seems to date from 1853, when the music teacher and essayist Friedrich Wieck, Clara Schumann's father, used in it three new chapters (written 1852) for his collection of essays Clavier und GesangCf. Introduction by Tomi Mäkelä to Friedrich Wieck – Gesammelte Schriften über Musik und Musiker [...], Tomi Mäkelä, Christoph Kammertöns & Lena Esther Ptasczynski (eds.), Peter Lang, Frankfurt am Main etc. 2019, p. 38f.. Wieck referred to Wagner, Franz Liszt and their followers.

The circle of fifths, whereby each major key is followed by its relative minor key, is a commonly used schema. Angelo Michele Bartolotti used this approach as early as 1640, and it was also adopted by such later composers as Rode, Hummel, Chopin, Heller, Busoni, Scriabin, Shostakovich, Kabalevsky and Kapustin. In J.S. Bach's The Well-Tempered Clavier and some other earlier sets, major keys were followed by their parallel minor keys. The Bach order was adopted by Arensky, Glière, York Bowen and others.

Thierry Lhermitte (; born 24 November 1952) is a French actor, director, writer and producer, best known for his comedic roles. He was a founder of the comedy troupe Le Splendid in the 1970s, along with, among others, Christian Clavier, Gérard Jugnot, and Michel Blanc. The group adapted a number of its stage hits for the cinema, and scored major successes with films such as Les Bronzés (1978), Les Bronzés font du ski (1979), Le Père Noël est une ordure (1982) and Un indien dans la ville (1994).

John Lichfield, Vive l'Empereur In terms of the dispute over whether Napoleon was a visionary, a tyrant, or an imposter, historian Jean Tulard considers the miniseries to be "too soft" on the emperor. However, the series also endows him with some unsavory characteristics, including a certain insensitivity towards the human costs of war. Clavier himself referred to the character he portrays as an intellectual and a true liberal.BBC News, Napoleon series angers Italian party, , October 7, 2002, Anthony Nield of DVD Times criticized the series's pacing.DVDtimes.co.

He has also performed and recorded the Concierto de Aranjuez by Rodrigo and Villa-Lobos guitar concerto with John Williams as the guitar soloist. By the late 1990s, Barenboim had widened his concert repertoire, performing works by baroque as well as twentieth-century classical composers. Examples include: J. S. Bach's The Well-Tempered Clavier (which he has played since childhood) and Goldberg Variations, Albeniz's Iberia, and Debussy's Préludes. In addition, he turned to other musical genres, such as jazz, and the folk music of his birthplace, Argentina.

Each voice then responds with its own subject or answer, and further countersubjects or free counterpoint may be heard. When a tonal answer is used, it is customary for the exposition to alternate subjects (S) with answers (A), however, in some fugues this order is occasionally varied: e.g., see the SAAS arrangement of Fugue No. 1 in C Major, BWV 846, from J.S. Bach's Well-Tempered Clavier, Book 1. A brief codetta is often heard connecting the various statements of the subject and answer.

Ludwig van Beethoven was familiar with fugal writing from childhood, as an important part of his training was playing from The Well-Tempered Clavier. During his early career in Vienna, Beethoven attracted notice for his performance of these fugues. There are fugal sections in Beethoven's early piano sonatas, and fugal writing is to be found in the second and fourth movements of the Eroica Symphony (1805). Beethoven incorporated fugues in his sonatas, and reshaped the episode's purpose and compositional technique for later generations of composers.

This is another two-part hand-crossing variation, in time. The French style of hand- crossing such as is found in the clavier works of Francois Couperin is employed, with both hands playing at the same part of the keyboard, one above the other. This is relatively easy to perform on a two-manual harpsichord, but quite difficult to do on a piano. Most bars feature either a distinctive pattern of eleven sixteenth notes and a sixteenth rest, or ten sixteenth notes and a single eighth note.

Detlef Kraus Detlef Kraus (30 November 1919 - 7 January 2008) was a German pianist. He was an internationally known interpreter of the music of Johannes Brahms. Born in Hamburg, Kraus gave his first concert at the age of 16, playing The Well-Tempered Clavier of Johann Sebastian Bach. His later emphasis was on Brahms, together with conductors like Ferenc Fricsay, Rafael Frühbeck de Burgos, Eugen Jochum, Hans Knappertsbusch, Joseph Keilberth, Kurt Masur, Wolfgang Sawallisch, and Hans Schmidt-Isserstedt, performing in New York City, Tokyo, London, and Berlin.

Con-Soul & Sax is an album by American jazz saxophonist Johnny Hodges and organist Wild Bill Davis featuring performances recorded in 1965 and released on the RCA Victor label.Discogs album entry accessed February 18, 2016 The title is a play on words based on the term "console organ", which is a term for an organ having at least two 61-note manuals and a 25-note radiating pedal clavier. Both the Hammond B-3 and C-3, which Davis played most commonly, are console organs.

Born Marie-Anne France Jacqueline Chazel to the actress Louba Guertchikoff (birth name Louba Louise Pinon, 1919–1999) in Gap, Hautes-Alpes, France. From 1967 Chazel studied at Pasteur College, alongside Michel Blanc, Gerard Jugnot, Thierry Lhermitte and Christian Clavier. After the achievement of her baccalaureate and two years of studies of political sciences, she and her college comrades formed a theatrical troop in 1974 named Le Splendid, joined by Josiane Balasko. Chazel achieved popularity as Gigi in Les Bronzés (1978) directed by Patrice Leconte.

The French group, directed originally by Ward Swingle (who once belonged to Mimi Perrin's French vocal group Les Double Six), began as session singers mainly doing background vocals for singers such as Charles Aznavour and Edith Piaf. Christiane Legrand, sister of Michel Legrand, was the original lead soprano with the group. The ensemble sang some jazz vocals for Michel Legrand. The eight session singers sang through Bach's Well-Tempered Clavier as a sight-reading exercise and found the music to have a natural swing.

It is also notable for the breadth of the repertoire recorded, including music from the 12th to the 21st centuries. The label is also renowned for complete recordings of lieder by Carl Loewe, Robert Schumann, Felix Mendelssohn, Richard Strauss, and Franz Liszt. More recently, Hyperion launched Romantic violin concerto and Romantic cello concerto series. Award-winning Canadian pianist Angela Hewitt OBE recorded a complete cycle of Bach's keyboard works for the label (including the Well-Tempered Clavier twice over), while Christopher Herrick recorded his complete organ works.

Musically, the structural regularities of the Well-Tempered Clavier encompass an extraordinarily wide range of styles, more so than most pieces in the literature. The preludes are formally free, although many of them exhibit typical Baroque melodic forms, often coupled to an extended free coda (e.g. Book I preludes in C minor, D major, and B major). The preludes are also notable for their odd or irregular numbers of measures, in terms of both the phrases and the total number of measures in a given prelude.

His most iconic character is Michel Choupon, an oversexed and philosophical 18-year-old, who starred in the comic Souvenirs d'un Jeune Homme and in the movie P'tit Con. In later years, he became a film director, sometimes with movies based on his comics or on new stories. His most famous film is the 1991 Mon père ce héros with Gérard Depardieu, remade in English as My Father the Hero. Other titles include Le fils du Français with Josiane Balasko and Fanny Ardant, and ' with Christian Clavier.

The earliest electric pianos were invented in the late 1920s; the 1929 Neo-Bechstein electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi- Tone Clavier. A few other noteworthy producers of electric pianos include Baldwin Piano and Organ Company and the Wurlitzer company. Early electric piano recordings include Duke Ellington's in 1955 and Sun Ra's India as well as other tracks from the 1956 sessions included on his second album Super Sonic Jazz (aka Super Sonic Sounds).

Blackwood likened the task to writing a "sequel" to The Well-Tempered Clavier. The Twelve Microtonal Etudes were re-released on CD in 1994, accompanied by two additional compositions of Blackwood's in tunings he explored in the Etudes: Fanfare in 19-note Equal Tuning, Op. 28a, and Suite for Guitar in 15-note Equal Tuning, Op. 33. The fanfare, like the etudes, was performed by the composer on Polyfusion synthesizer. The suite was performed by guitarist Jeffrey Kust on an acoustic guitar with a modified fretboard.

Ludwig van Beethoven wrote his 32 piano sonatas between 1795 and 1822. Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music.Rosen (2002), accompanying note Hans von Bülow called them "The New Testament" of the piano literature (Johann Sebastian Bach's The Well-Tempered Clavier being "The Old Testament"). Beethoven's piano sonatas came to be seen as the first cycle of major piano pieces suited to concert hall performance.

These talks eventually led to the merger of around 33% of the ACC (along with its Archbishop, Louis Falk) with the AEC to form the Anglican Church in America (ACA). Some of the remainder later formed the Anglican Province of America after the resignation of Bishop Anthony F. M. Clavier as bishop ordinary of Diocese of the Eastern United States (ACA).. The diocese and most of its thirty parishes chose to leave the Anglican Church in America and her worldwide affiliate, the Traditional Anglican Communion.

They took them first to the city hall of the 20th arrondissement; the Commune leader of that district refused to allow his city hall to be used as a place of execution. Clavier and Gois took them instead to Rue Haxo. The procession of hostages was joined by a large and furious crowd of national guardsmen and civilians who insulted, spat upon, and struck the hostages. Arriving at an open yard, they were lined up against a wall and shot in groups of ten.

Part of the title page of the first English edition of Johann Sebastian Bach's Well-Tempered Clavier, which Horn edited with Samuel Wesley, published in 1810 Charles Frederick Horn (24 February 1762 – 3 August 1830) was an English musician and composer. Born in Germany, he emigrated to London with few possessions and no knowledge of the English language, yet rose to become a music teacher in the Royal Household. As an editor and arranger, he helped introduce the music of Johann Sebastian Bach to England.

Horn, 83. Horn continued composing numerous pieces, but he is perhaps best known for his work in arranging and editing music—in particular, the works of Bach. In 1807, he published an arrangement for two violins, viola, and cello/piano for 12 of Bach's organ fugues. The next year, he met Samuel Wesley, with whom he would collaborate in editing, arranging, and publishing the first ever complete edition of Bach's six trio sonatas for organ (1809) and the first English edition of the Well-Tempered Clavier (1810).

Lorin Hollander was born in New York City into a Jewish family. His father, Max Hollander, was associate concertmaster of the NBC Symphony Orchestra under Arturo Toscanini. Lorin Hollander was a child prodigy and gave his first public performance at age five playing excerpts of Bach's The Well-Tempered Clavier, and at age eleven, he made his Carnegie Hall debut with the National Orchestral Association. He studied with Eduard Steuermann from age eight and took courses at what is now the Juilliard Pre-College at age eleven.

Johann Sebastian Bach used the hymn tune in several of his chorale preludes for organ. One early setting (BWV 737) can be found in the collection of Neumeister Chorales. There is a four-part setting BWV 636 in his Orgelbüchlein (Little Organ Book). Bach's late Clavier-Übung III (German Organ Mass) contains a pair of settings BWV 682-683: an elaborate one for five voices with the cantus firmus in canon over a trio sonata ritornello; and a shorter four-part setting for single manual.

Dürr wrote standard works on the Bach cantatas (1971) and on The Well-Tempered Clavier, which are of interest not only to specialists, but also to the general public.Johann Sebastian Bach / A Listener's Guide to the Cantatas Books and references In 1957 he published in the Bach-Jahrbuch Zur Chronologie der Leipziger Vokalwerke J. S. Bachs. In 1988 his book on Bach's St John Passion, Die Johannes-Passion von Johann Sebastian Bach, he explored theological aspects as well as the four versions of the work.

The simple style of church music mandated at Leopold's Reformed (Calvinistic) court led to Bach's concentration on instrumental music and secular vocal music during his employment at Köthen. Much of Bach's secular music, including several of the Brandenburg Concerti and Part I of the Well- Tempered Clavier, stem from his years at Köthen. Bach composed a number of secular cantatas, or serenatas, in Leopold's honor; for example Die Zeit, die Tag und Jahre macht, BWV 134a. He also probably composed some music for Leopold to perform.

After hearing from a blind musician who contributed to the Open WTC Kickstarter, MuseScore set up new stretch funding goals to support making music notation more accessible to blind and visually impaired musicians. Though the top goal of automatically converting all scores in the MuseScore.com library to braille was not funded, they did get funding to create braille sheet music for both the Goldberg Variations and the Well- Tempered Clavier. The digital files (for braille terminals & printers) are available for free download, like the standard scores.

Dominique Lavanant achieved fame in the mid-1970s while filming Les bronzés with the acting troupe Le Splendid - (Gérard Jugnot, Josiane Balasko, Michel Blanc, Thierry Lhermitte, Christian Clavier, Marie-Anne Chazel). Her stardom has kept growing ever since. Her filmography includes many successful films: Papy fait de la résistance, La boum, Trois hommes et un couffin, Les bronzés font du ski, Inspecteur la Bavure (alongside Gérard Depardieu). In 1988, she was awarded Best supporting actress for her role in Agent trouble (with Catherine Deneuve).

NBA illustrates its score editions with facsimiles from manuscripts or contemporary editions: for instance NBA Series IV Volume 4 (Clavier-Übung III) contains a facsimile of the title page of the 1739 first edition of that collection. In the meantime, the New Bach Edition (Neue Bach-Ausgabe, abbreviated as NBA) was being published,Johann Sebastian Bach (1685–1750): New Edition of the Complete Works at the Bärenreiter website. offering a new system to refer to Bach's works, e.g. , which is Series IV, Volume 4, p.

Harpsichord performances of various parts of Book I by Martha Goldstein are in the public domain.The portions of Book I performed by Martha Goldstein and in the public domain include the following (all on harpsichord): "Prelude in C major" (BWV 846), Fugue in C major (BWV 846), Prelude No. 2 in C minor (BWV 847), Fugue No. 2 in C minor (BWV 847), ”Fugue No. 4 in C minor” (BWV 849), ”Prelude No. 5 in D major” (BWV 850), ”Fugue No. 5 in D major” (BWV 850), ”Prelude No. 6 in D minor” (BWV 851), ”Fugue No. 6 in D minor” (BWV 851), ”Prelude No. 21 in B major” (BWV 866), and ”Fugue No. 21 in B major” (BWV 866). Such harpsichord performances may, for instance, be tuned in equal temperament,"Book 1 of The Well-tempered Clavier by J.S. Bach – Prelude in C major (BWV 846)", performed on a French harpsichord tuned in equal temperament by Robert Schröter. or in Werckmeister temperament."Book 1 of The Well-tempered Clavier by J.S. Bach – Prelude in C major (BWV 846)", performed on a French harpsichord tuned in Werckmeister temperament by Robert Schröter.

The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three- Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 inventions, which are two-part contrapuntal pieces, and 15 sinfonias, which are three-part contrapuntal pieces. They were originally written as "Praeambula" and "Fantasiae" in the Klavierbüchlein für Wilhelm Friedemann Bach, a Clavier-booklet for his eldest son, and later rewritten as musical exercises for his students. Bach titled the collection: > Forthright instruction, wherewith lovers of the clavier, especially those > desirous of learning, are shown in a clear way not only 1) to learn to play > two voices clearly, but also after further progress 2) to deal correctly and > well with three obbligato parts, moreover at the same time to obtain not > only good ideas, but also to carry them out well, but most of all to achieve > a cantabile style of playing, and thereby to acquire a strong foretaste of > composition. The two groups of pieces are both arranged in order of ascending key, each group covering eight major and seven minor keys.

Cover of Busoni's 1894 edition of Bach's Well-Tempered Clavier. The Bach- Busoni Editions are a series of publications by the Italian pianist-composer Ferruccio Busoni (1866–1924) containing primarily piano transcriptions of keyboard music by Johann Sebastian Bach. They also include performance suggestions, practice exercises, musical analysis, an essay on the art of transcribing Bach's organ music for piano, an analysis of the fugue from Beethoven's 'Hammerklavier' sonata, and other related material. The later editions also include free adaptations and original compositions by Busoni which are based on the music of Bach.

It had several organs, providing ample opportunity to experiment. There was no opera house in Zittau, but Krieger's Singspiels were, nevertheless, performed by the pupils of the city's Gymnasium. Soon after getting the Zittau position, Krieger started publishing his music. The first to appear was Neue musicalische Ergetzligkeit, a large collection of arias and songs for one to four voices, published in 1684 in Frankfurt and Leipzig. Keyboard collections, including Sechs musicalische Partien and Anmuthige Clavier-Übung followed more than a decade later, in 1697 and 1698 respectively, both printed in Nuremberg.

Although certain related keys are more commonly explored in fugal development, the overall structure of a fugue does not limit its harmonic structure. For example, a fugue may not even explore the dominant, one of the most closely related keys to the tonic. Bach's Fugue in B major from Book 1 of the Well Tempered Clavier explores the relative minor, the supertonic and the subdominant. This is unlike later forms such as the sonata, which clearly prescribes which keys are explored (typically the tonic and dominant in an ABA form).

Classique News review of Debussy CD, ClassiqueNews.com, September 15th 2008 Ilić rearranged the order of the Préludes on the album, a controversial choice which he defended in several interviews.In depth interview with Keir Smart, Glasgow, August 2008 Ilić's next album was dedicated to the left-hand Studies on Chopin's Études by Leopold Godowsky.Michael Johnson: "A left-handed complement to Chopin: An interview with Ivan Ilić", Clavier Companion, July–August issue 2011 The disc was the Classical CD of the Week of The Daily Telegraph,Godowsky: 22 Chopin Studies The Daily Telegraph, February 29th 2012.

He then completed his studies in Germany with Klindworth, d'Albert and Stavenhagen. He was the répétiteur at the Festpielhaus, Bayreuth in 1896. He soon made a mark on the music world as one of the important French pianists of his time, open to the music of his time as well as the romantic German repertoire. He gave several major cycles: the 32 sonatas of Ludwig van Beethoven from October to December 1905, at the Salle Pleyel, the complete works of Frédéric Chopin and The Well-Tempered Clavier of Johann Sebastian Bach.

The Prelude and Fugue in G minor, BWV 861, is No. 16 in Johann Sebastian Bach's Well-Tempered Clavier Book I, keyboard music consisting of 24 preludes and fugues in every major and minor key. Bach's G minor fugue is "insistent and pathetic". The subject also appears in his funeral cantata Gottes Zeit ist die allerbeste Zeit (God's time is the very best time).AEF Dickinson The subject of the fugue employs a minor 6th leap in the first measure, then resolves it with a more conventional stepwise motion.

One of the first patents he took out was in 1894 and the following year he gave a talk and demonstration of the instrument at St James's Hall, accompanying music by Frédéric Chopin and Richard Wagner. Further concerts were given in 1895 at St James's Hall and the Free Trade Hall, Manchester with mixed receptions. In about 1910 composer Alexander Scriabin prepared a symphonic work called Prometheus: The Poem of Fire in which he scored both music and a coloured lighting accompaniment. The device used to provide the display was called a clavier à lumières.

Maruja Clavier was born in 1934 in the Anzoátegui State located in the northeastern region of Venezuela. She began her baccalaureate education at the Colegio Nuestra Señora de La Consolación in Barcelona, Venezuela and completed it in Goshen, New York. Upon returning to Venezuela, she revalidated her work at the Liceo Fermín Toro. Later she enrolled at the School of Medicine of the University of Los Andes, and then transferred to the School of Medicine of the Central University of Venezuela, where she graduated as a physician in 1960.

Gérard Jugnot (; born 4 May 1951) is a French actor, film director, screenwriter and film producer. Jugnot was one of the founders of the comedy troupe Le Splendid in the 1970s, along with, among others, his high-school friends Christian Clavier, Thierry Lhermitte, and Michel Blanc. Then Josiane Balasko and Marie-Anne Chazel joined them. The group adapted a number of its stage hits for the cinema and was extremely successful in films such as Les Bronzés (1978), Les Bronzés font du ski (1979) and Le Père Noël est une ordure (1982).

Sarkozysm and Nicolas Sarkozy's presidency is also marked by a major change in political "style" and rhetoric. Sarkozy was considered as a celebrity president during the first year of his term, and his opponents have often criticized his superficial attitudes and "bling bling" style."Air Sarko One", un avion devenu symbole du "bling-bling" présidentiel Sur le site lemonde.fr His close friendship with major businessmen and corporate CEOs (Arnaud Lagardère, Vincent Bolloré, Bernard Arnault) or prominent celebrities (Jean-Marie Bigard, Johnny Hallyday, Christian Clavier) have also been a source of unease with some.

Another similar term used in the United States military is "operator headspace and timing issue" or "OHT," borrowing terminology related to the operation of the M2 Browning machine gun. In Danish it is called a Fejl 40, or "Error 40", indicating that the error was from the device. In Swedish the phrase "skit bakom spakarna" (shit behind the levers) or the abbreviation "SBS-problem" is used. In French it is described as "ICC" problem, (interface chaise-clavier), problem with the keyboard-chair interface, very similarly to the PEBKAC.

For another perspective on this transience see "Peter Quince at the Clavier". The poem may be compared to "Anecdote of Canna", which describes a unique terrace stroll, and to "Of Heaven Considered as a Tomb", which speculates on the other side of death. Attending to the blank-verse syntax, Buttel compares the poem to Infanta Marina for the delicacy of its rhythm, to which it adds the insistent rhythms of a funeral procession. (See also Cortege for Rosenbloom.) Out of the tomb, we bring Badroulbadour; Then in lines three and four, Here is an eye.

The Cornell "Alma Mater" is played at the midday concert, and the "Cornell Evening Song" at the end of the evening concert. Each spring semester potential chimesmasters, "compets", undergo a rigorous ten-week competition to become a chimesmaster. The only requirement to compete is an ability to read music and the energy to climb the 161 steps to operate the playing clavier (there is no mechanical assistance). The first stage of competition requires that compets learn the three traditional Cornell pieces (the "Jenny McGraw Rag," the "Alma Mater," and the "Cornell Evening Song").

Claude Debussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28, or the preludes from Johann Sebastian Bach's Well-Tempered Clavier, Debussy's do not follow a strict pattern of key signatures. Each book was written in a matter of months, at an unusually fast pace for Debussy. Book I was written between December 1909 and February 1910, and Book II between the last months of 1912 and early April 1913.

Prelude and Fugue in E minor, BWV 855, is the 10th prelude and fugue for keyboard (harpsichord) in the first book of The Well Tempered Clavier, composed in 1722 by Johann Sebastian Bach.Work at Bach Digital website The Prelude in E minor, BWV 855a, features as No. 18 ("Praeludium 5") in the 1720 Klavierbüchlein für Wilhelm Friedemann Bach. BWV 855a may also refer to both this Prelude and a Fughetta in the same key, an early version of BWV 855\. Alexander Siloti made a piano arrangement in B minor of the Prelude BWV 855a.

Feinberg was the first pianist to perform the complete The Well-Tempered Clavier by Bach in concert in the USSR. He is most remembered today for his complete recording of it, and many other works from the classical and romantic eras. He also composed three piano concertos, a dozen piano sonatas (private recordings exist of him playing his piano Sonatas 1, 2, 9 and 12), as well as fantasias and other works for the instrument. Pianist Tatiana Nikolayeva said that each of his sonatas was a "poem of life".

Vigneron was a pupil of Jacques Marichal (organist at the Notre- Dame de Paris cathedral). In 2005, after a work of more than four years, he published Bach's The Art of Fugue with a new instrumentation, for brass, woodwind and organ according to the order of Jacques Chailley. As an organist, he has recorded Bach's Well Tempered Clavier with Dimitri Vassilakis and Christine Auger. In 2008, he also recorded the Goldberg Variations on the Grand Kurt Schwenkedel Organ of the Toul cathedral and a new setting of The Musical Offering BWV 1079.

The scenes supposed to take place in Colombia were actually shot in Mexico. During a scene, the Mexican flag is visible on a building. The Saviem SM 7 truck of occupational medicine, which acts as a "submarine" for DGSE agents, is parked in front of 74 avenue d'Iéna at Paris, in the 16th arrondissement, near the Arc de Triomphe. On his arrival to visit his wife Marie-Laurence (Valérie Lemercier) at the Consulate, Jean-Jacques Granianski (Christian Clavier) parks his Citroën BX in front of 74 avenue de Jena.

Together with Staier, Melnikov developed a programme that contrasts excerpts from Bach's Well-Tempered Clavier with Shostakovich's 24 Preludes and Fugues. In chamber music, he has collaborated with cellists Alexander Rudin and Jean- Guihen Queyras, and baritone Georg Nigl, among others. Melnikov's association with the label Harmonia Mundi arose through his regular recital partner, violinist Isabelle Faust, and in 2010 their complete recording of the Beethoven sonatas for violin and piano won both a Gramophone Award and Germany's ECHO Klassik Prize. Their latest CD, featuring chamber works of Weber, was released in January 2013.

While Cordy continued to give concerts and musical compilations were released with her past albums, she was more present on television as an actress. After a two-year break, she was back in 1993, when she appeared in tel Series "Inspecteur Médeuze", next to Francis Perrin, Christophe Bourseiller, Jacques Seiler, and Mouss Diouf. 1994, was a big year for her. First, she starred in the movie La Vengeance d'une blonde, directed by Jeannot Szwarc, and with Christian Clavier, Marie-Anne Chazel, Clémentine Célarié, Thierry Lhermitte, Marc de Jonge, Philippe Khorsand, Angelo Infanti, and Urbain Cancelier.

The term "flutina" is actually a more specific English name for a version of the accordéon diatonique, accordéon mélodique, clavier (keyboard) mélodique, or even accordéon romantique. Instrument makers of the 19th century often invented many distinct names for all these "new" versions of the same instrument. In addition, English musical instrument dealers would switch the brass reeds out of the French instruments, and replace them with steel reeds. Then, these English dealers would stamp their own company name inside the instrument, or the stamp of the specific store that was selling the accordion.

Claude Debussy said "Piano music should only be written for the Bechstein". Edwin Fischer chose a Bechstein piano for his pioneering recording of Bach's The Well Tempered Clavier, as did Artur Schnabel for his cycle of Beethoven's 32 piano sonatas. Both artists were very fond of Bechstein pianos, as were many of the 20th century's leading pianists, such as Wilhelm Kempff, Wilhelm Backhaus, Walter Gieseking and Jorge Bolet. Polish pianist Władysław Szpilman (famous thanks to the movie The Pianist) used a Bechstein piano until 1941 in his family private apartments in Warsaw.

"Charles Rosen, Music and Sentiment (New Haven and London: Yale University Press, 2010), p. 45. Bach, Allemande from Partita 1, bars 13–18 Bach Allemande from Partita 1, bars 13–18 Many passages in Bach's religious works follow a similar expressive trajectory involving major and minor keys that may sometimes take on a symbolic significance. For example, David Humphreys (1983, p. 23) sees the "languishing chromatic inflections, syncopations and appoggiaturas" of the following episode from the St Anne Prelude for organ, BWV 552 from Clavier- Übung III as "showing Christ in his human aspect.

The competition is open to all students under the age of 35 and is held from July 19–21. The winner performs with the Hudson Valley Philharmonic orchestra. The second and third-place winners share a recital. In addition, all three winners receive scholarships to attend the following year’s Piano Summer Institute. In the first portion: One prelude and fugue from J.S. Bach's The Well Tempered Clavier and a major piece of the contestant’s choice (the piece may not be by the same composer as the concerto chosen in the final portion).

The first pipe organ, installed shortly after the cathedral was built, came from France and had one manual and a pedal clavier. The second organ, installed in 1885, was built in England as the gift of parishioner Godfrey Rhodes, featuring great, swell, and pedal organs. The large statue of Saint Cecilia, patroness of sacred music, was placed on the casing in front of the organ in 1906. Because of wear, the Vicariate decided to move the 1885 instrument next door to the Columbus Welfare Building for use during choir rehearsal.

Cover of first edition of Busoni's edition of Bach's The Well-Tempered Clavier, Book I, 1894 1894 saw the publication in Berlin of the first part of Busoni's edition of the music of Johann Sebastian Bach for the piano; the first book of The Well-Tempered Clavier.Dent (1933), p. 348. This was equipped with substantial appendices, including one "On the Transcription of Bach's Organ Works for the Pianoforte". This was eventually to form a volume of the Bach-Busoni Edition, an undertaking which was to extend over thirty years.

Rutter, who composed many works to celebrate Christmas, wrote his own text for Angels' Carol, beginning "Have you heard the sound of the angel voices". The text alludes to several aspects of the Christmas story, with the Latin refrain "Gloria in excelsis Deo" from the angels' song mentioned in the Gospel of Luke narration of the annunciation to the shepherds. The music is in F major, alla breve-time, and marked "Brightly". It begins with two measures of arpeggios by harp or piano, reminiscent of Bach's Prelude in C major from The Well-Tempered Clavier.

They worked on two different B-Boy PlayStation games and they opened a dance school, the Flying Steps Academy Berlin, where they teach the next generation of urban dance. Under the artistic direction of Christoph Hagel, in 2010 they presented the dance performance Red Bull Flying Bach, with breakdance and contemporary dance to the music The Well-Tempered Clavier by Johann Sebastian Bach. This routine was performed at the Bundestag, the 2011 Eurovision Song Contest and the Federal Presidency's Summer Festival, and it was given a special Echo award.WELT online: Bach und Breakdance, 17.

The first public record of the composition is in the 1845 estate auction of Johann Nicolaus Julius Kötschau who had been organist at St. Mary's in Halle. According to the auction record the manuscript was once owned by Wilhelm Friedemann Bach, Johann Sebastian's eldest son, and predecessor of Kötschau as organist in Halle. When Wilhelm Friedemann died in 1784 he left it along with other manuscripts, which included his Clavier-Büchlein, to his distant relative and student Johann Christian. When this Johann Christian died in 1814, Kötschau acquired these pieces from the estate auction.

There he formed close musical friendships with composers Ned Rorem, Noël Lee, Leo Preger and Georges Auric. In the summer 1950 on a Fulbright scholarship, he returned to Italy to study harpsichord under Ruggero Gerlin, longtime associate of Wanda Landowska, at the Naples Conservatory. Under Gerlin's tutelage, he learned to perform the partitas and the two books of the Well-Tempered Clavier of J. S. Bach, the ' of François Couperin, and various sonatas of Domenico Scarlatti. Allanbrook spent two extraordinarily creative years in Italy as composer and performer.

Preludio, fuga e fuga figurata :::4. Introduzione e Capriccio (Paganinesco) :^ Drei Albumblätter (1917–1921) BV 289 :::3. In der Art eines Choralvorspiels :^ Bach: The Well-Tempered Clavier, Parts I and II, BWV 846-893, transcribed for piano by Busoni (1894, 1915) BV B 25 :::Part 1, No. 3, Prelude in C sharp Major, BWV 848 :::Part 1, No. 21 Prelude in B flat Major, BWV 866 :^ Sonatina brevis (no. 5), "In Signo Joannis Sebastiani Magni" (1918) BV 280 :^ Liszt Fantasy on Two Motives from W. A. Mozart's "Le Nozze di Figaro" (S.

This education also included (parts of) the French Suites, (Two-Part) Inventions, (Three-Part) Sinfonias (popularly known as "Inventions"), the first volume of The Well-Tempered Clavier, and the six Trio Sonatas for organ. At the age of 16 he went to Merseburg to learn the violin with his teacher Johann Gottlieb Graun. In addition to his musical training, Friedemann received formal schooling beginning in Weimar. When J.S. Bach took the post of Cantor of the St. Thomas Church in Leipzig (in 1723), he enrolled Friedemann in the associated Thomasschule. (J.

In 1717 the French musician Louis Marchand visited Dresden and so impressed the king-elector that he offered Marchand a lucrative court appointment. The story of what happened next has been much repeated in German sources (though never in French ones), with various embellishments. The key elements appear to be that Volumier, sensing the risk of trouble ahead, organised a keyboard (probably clavier) contest between Marchand and his friend Bach. However, Marchand became nervous at the prospect and early on the morning of the day scheduled for the contest left Dresden, never to return.

Prelude in C Minor, BWV 999, also termed The "Little" Prelude in C Minor, is a piece written by Johann Sebastian Bach sometime between 1717 and 1723. Though originally composed for Lute-Harpsichord (Lautenwerck) it has since been adapted for various instruments, including lute, piano and guitar. It is a pedagogical work much in the spirit of The Well-Tempered Clavier, with which it shares musical characteristics. The piece's true authorship fell into question for decades before being proven to be Bach's by publication of Hans Neemann’s J. S. Bach Lautenkompositionen (1931).

In contrast to other catalogues such as the Köchel catalogue for Mozart's compositions there is no attempt at chronological organization in the BWV numbering, for instance BWV 992 is an early composition by Bach. Exceptionally BWV numbers are also indicated as Schmieder (S) numbers (e.g. S. 225 = BWV 225). Another consequence of the ordering principles of the BWV was that it tore known collections apart, for instance Clavier-Übung III was partly in the organ compositions range (BWV 552 and 669–689), with the four duets listed among the keyboard compositions (BWV 802–805).

Anmuthige Clavier-Übung was the last work Krieger published during his lifetime. It was admired by Handel, who took a copy with him to England and later presented said copy to his friend, one Bernard Granville. The latter added the following note to it: > The printed book is by one of the celebrated Organ players of Germany; Mr. > Handel in his youth formed himself a good deal on his plan, and said that > Krieger was one of the best writers of his time for the Organ. A few pieces not included in the printed collections survive in manuscript copies.

At any point in the fugue there may be "false entries" of the subject, which include the start of the subject but are not completed. False entries are often abbreviated to the head of the subject, and anticipate the "true" entry of the subject, heightening the impact of the subject proper. Example of a false answer in J.S. Bach's Fugue No. 2 in C minor, BWV 847, from the Well-Tempered Clavier, Book 1. This passage is bars 6/7, at the end of the codetta before the first entry of the third voice, the bass, in the exposition.

The term "Clavier Ubung" (nowadays spelled "Klavierübung") had been assigned by Bach to some of his previous keyboard works. Klavierübung part 1 was the six partitas, part 2 the Italian Concerto and French Overture, and part 3 a series of chorale preludes for organ framed by a prelude and fugue in E major. Although Bach also called his variations "Klavierübung", he did not specifically designate them as the fourth in this series.For discussion see Williams (2001, 8), who notes that the Neue Bach-Ausgabe and the Bach Werke Verzeichnis do refer to the variations as "Klavierübung IV".

In 2005 she was named director of the Fondo Nacional de las Artes (National Endowment for the Arts). As a harpsichordist and pianist, Cosachov has performed in concert with Alberto Lysy, Walter Trampler, Jean-Pierre Rampal, Einar Holm, Thomas Tichauer, Andres Spiller, M. Andrée, Bruno Giurana, Peter Thomas and others. Among her outstanding students are Mario Raskin and Oscar Milani. Cosachov has an interest in the work of Johann Sebastian Bach, has conducted seminars on the Goldberg Variations, keyboard work and chamber music and has received good reviews from critics for her full version of Well-Tempered Clavier.

Roberts' recording of the Well-Tempered Clavier, Books 1 and 2, performed on piano, was released in 1999 by Nimbus Records and was well received. Roberts also has recorded Bach's Six Partitas, BWV 825–30, and his French Suites, BWV 812–17. In collaboration with other performers, Roberts released discs of music for one and two pianos by Paul Hindemith and of trios by Frank Bridge. According to Roberts' official home page, he has been the subject of a 40-minute BBC2 documentary, and he "particularly enjoys performing the piano trio repertoire with his sons Andrew and Nicholas".

In 1877, speculating on papers about Indian śrutis, he relaxed the arrangement to permit mapping 22 equal temperament. He also invented a sensitive polariscope working independent of direction. Well Temperament versus Equal Temperament: Marpurg is most likely at the source of a two-centuries misunderstanding that J. S. Bach would have been using the equal temperament for the performance of "Das Wohltemperirte Clavier", because of his publication "Versuch über die musikalische Temperatur", 1776, This misunderstanding was only much later first challenged by Robert Holford Bosanquet in "An Elementary Treatise on Musical Intervals and Temperament" 1876, pp.

Rose received piano lessons from Wolfgang A. Mozart from November 1777 until March 1778. Mozart and his mother were on a trip to Paris, but stayed for some months in Mannheim to study the orchestra. Mozart wrote to his father on 4 November 1777): "Er hat eine tochter die ganz artig clavier spiellt, und damit ich ihn mir recht zum freünde mache, so arbeite ich iezt an einer Sonata für seine Mad:selle tochter". (He has a daughter who plays the piano rather well, and to make him a friend, I work now on a sonata for his mademoiselle daughter).

As the fifth daughter of Joseph Anton Kirchgäßner, a chamber paymaster from Speyer, and his wife Maria Teresa, née Waßmuthin, she began playing the clavier with great skill and expression at the age of 6. At 11 she commenced instruction on the glass harmonica with Kapellmeister Joseph Aloys Schimittbauer (1718–1809) in Karlsruhe, which lasted ten years. In the spring of 1791 she went on her first tour in the company of music journalist and biographer Heinrich Philipp Bossler (1744–1812) and his wife. After that, she traveled throughout Europe for ten years, visiting Prague, Dresden, Leipzig, Berlin, Hamburg, and Magdeburg.

"Peter Quince at the Clavier" is a poem from Wallace Stevens's first book of poetry, Harmonium. The poem was first published in 1915 in the "little magazine" Others: A Magazine of the New Verse (New York), edited by Alfred Kreymborg.Thus the poem is in the public domain in the United States and similar jurisdictions, as it is not affected by the Sonny Bono Copyright Term Extension Act, which extends copyright for works first published after 1922. It is a "musical" allusion to the apocryphal story of Susanna, a beautiful young wife, bathing, spied upon and desired by the elders.

Valentin Schiedermair's solo tours of China, Taiwan and Singapore drew enthusiastic audiences in fifteen major cities. For the second year running the final concert in Taipei finished only after five encores and the University of Shenzhen awarded him a guest professorship in recognition of his contribution to the musical exchange between China and Germany. In 2012 he performed for German National Day at the parliament building in Bonn. He has performed the complete piano sonatas of Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert as well as the 48 Preludes & Fugues of Johann Sebastian Bach's Well Tempered Clavier and Bach's Goldberg Variations.

Bach's autograph of the 4th Fugue of Book I Bach's autograph of Fugue No. 17 in A major from the second part of Das Wohltemperierte Clavier Each set contains twenty-four pairs of prelude and fugue. The first pair is in C major, the second in C minor, the third in C major, the fourth in C minor, and so on. The rising chromatic pattern continues until every key has been represented, finishing with a B minor fugue. The first set was compiled in 1722 during Bach's appointment in Köthen; the second followed 20 years later in 1742 while he was in Leipzig.

She also used a "simplified notational system" called "Dash-a-Notes" in her music primer, Piano Is My Name (1975). In the late 1970s and early 1980s she published numerous composition books, including Savory Suite (1980), The Improper Grasshopper (1980), Cat 'n Mouse Tails (1981), Playful Squirrels (1981), A Day in the Park (1981), Jewish Easy Piano Pieces (1981), My Toys (1982), and Come to the Circus! (1984). Kessler lectured and conducted workshops for music teachers, and wrote articles for such publications as The American Music Teacher, the Christian Science Monitor, Clavier, Massachusetts Music News, and Piano Guild Notes.

Fonck and his co- pilot Lt Lawrence CurtinLawrence W. Curtin; findagrave.com Retrieved August 29, 2017 of the U.S. Navy were joined by a radio operator and a Sikorsky mechanic for the flight. In front of a large crowd at Roosevelt Field the aircraft gathered speed, the auxiliary landing gear broke away, the aircraft failed to get airborne and plunged down a steep slope at the end of the runway and burst into flames. The two pilots escaped injury but the radio operator Charles ClavierCharles Clavier; findagrave Retrieved August 25, 2017 and mechanic Jacob IslamoffJacob Islamoff; findagrave Retrieved August 25, 2017 were killed.

He has issued several recordings (see "Discography"). Wright has been the featured performer on national radio broadcasts by ABC Australia and CBC Radio Canada, as well as local programs on 105.1 K-Mozart in Los Angeles and WQXR in New York City. He has appeared with numerous orchestras including the Houston Symphony, the Calgary Philharmonic, the San Antonio Symphony, Mission Chamber Orchestra, Glacier Symphony, and Brussels Chamber Orchestra.World Concert Artist Directory (link ), retrieved 11/30/2007 Critical praise for Wright's piano playing has appeared in publications including The Washington Post, Clavier, American Record Guide, and the Houston Chronicle.

In 1941 he started ' along with his brother Reimar. During the occupation of Norway by Nazi Germany he was arrested and held at Bredtveit and Grini concentration camp a few months in 1942 and 1943. He was widely known for his interpretation of works by Johann Sebastian Bach, including The Well- Tempered Clavier, which he had studied while being imprisoned, and played at concerts in Oslo, Copenhagen and London in 1947. Among his first performances of contemporary compositions are Klaus Egge's Fantasi i Halling, a piano concert by Harald Sæverud and Johannes Rivertz' piano suite Spill og dans.

Il demanda à toucher l'orgue, ce qui ne lui fut accordé qu'après bien des ce instances de sa part, parce qu'on se méfioit de son talent. Mais à peine eut-il mis ses mains sur le clavier, qu'il étonna tous les auditeurs. Les Jésuites lui témoignerent la tous plus grande affection; ils le retinrent dans leur college, & contribuerent à son éducation, en lui fournissant ce qui étoit nécessaire pour perfectionner ses heureuses dispositions. 'The desire to learn his art led him at a very young age to the capital; but without recommendations or friends, he was soon destitute of all kinds of assistance.

Carole Bouquet was also approached for the role. It was Françoise Menidrey, a casting director, who suggested that Jean-Marie Poiré and Alain Terzian see a performance of the play Un fil à la patte at the Théâtre du Palais-Royal and paying attention to one of the secondary actresses, Valérie Lemercier: Poiré and Terzian were In the play and she was hired for the film. This film marks the first collaboration of the quartet Poiré–Clavier–Reno–Lemercier, who were reunited in Les Visiteurs two years later, in 1993. Many young actresses auditioned for the role of Isabelle Fourreau.

And she is now widely recognized as one of his leading exponents. Of Thomas Kantor's keyboard works, she has already recorded The Well-Tempered Clavier, the Partitas, The Art of the Fugue, the Inventions and Sinfonias and the Goldberg Variations. Her first album was completed at the age of 50. One of the legendary stories is that when Zhu played the Goldberg Variations at a family concert in Paris, an old lady was so deeply impressed and touched by her way of interpreting BACH's music, that she offered a riverside apartment to Zhu at an extremely low price.

Johann Sebastian Bach, 1746 The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade (1740–1750), from earlier works composed in Weimar, where he was court organist. The works form an encyclopedic collection of large-scale chorale preludes, in a variety of styles harking back to the previous century, that Bach gradually perfected during his career. Together with the Orgelbüchlein, the Schübler Chorales, the third book of the Clavier- Übung and the Canonic Variations, they represent the summit of Bach's sacred music for solo organ.

For organ, there are two four-part settings in Samuel Scheidt's 1650 Görlitzer Tabulaturbuch (SSWV 441-540), and chorale preludes by Franz Tunder (Jesus Christus under Heiland, der von uns den Gotteszorn wand), Johann Christoph Bach (No. 38 in 44 Choräle zum Präambulieren), Johann Pachelbel (No. 7 in Erster Theil etlicher Choräle, 1693) and Friedrich Wilhelm Zachow (LV 7, LV 19). Johann Sebastian Bach composed a four-part setting (BWV 363) and four chorale preludes, two as part of his Great Eighteen Chorale Preludes, BWV 665 and 666, and two more as part of his Clavier-Übung III, BWV 688 and 689.

In 1946 he became a U.S. citizen, but he remained very close to Italy, which he frequently visited. In 1958 he won the Concorso Campari with the opera The Merchant of Venice, which was first performed in 1961 at the Maggio Musicale Fiorentino under the baton of Gianandrea Gavazzeni. In 1962 he wrote Les Guitares bien tempérées for two guitars, a set of 24 preludes and fugues in all 24 major and minor keys, for the duo-guitarists Alexandre Lagoya and Ida Presti. This was inspired by The Well-Tempered Clavier by Johann Sebastian Bach, a composer Castelnuovo-Tedesco revered.

Der Auftrag (, subtitled Or, on the Observing of the Observer of the Observers) is a 1986 novella by the Swiss writer Friedrich Dürrenmatt. The first English publication appeared in 1988, translated by Joel Agee. The experimental narrative is divided into twenty-four parts, each one a single sentence spanning many pages. In his foreword to the 2008 English language edition, Theodore Ziolkowski notes that the inspiration for the twenty-four sentence structure came after listening to a recording of Glenn Gould performing the first half of Bach's The Well-Tempered Clavier I, itself a work in twenty-four movements.

The project aims to explore, create and promote music from the Americas and present it to audiences in a unique way through multimedia performances. Most recently as a member of the project, Castro-Balbi was featured with the Fort Worth Symphony playing Osvaldo Golijov's "Mariel" for cello and orchestra. The Clavier Trio was active between 2005-2013 and based in Dallas, TX. Trio members included Castro-Balbi, violinist Arkady Fomin and pianist David Korevaar. The group performed internationally including multiple appearances at Carnegie Hall and received favorable reviews from The Strad and New York Concert Review, among others.

Maurice Cole (1902 - 1990), was an English pianist, teacher and adjudicator who studied privately and at the Guildhall School of Music with Arthur De Greef. Maurice Cole was born in London, England. He was the first pianist to broadcast a recital on the BBC and went on to perform, amongst many other compositions, both books of Bach's Well-Tempered Clavier on the BBC Third Programme. He was professor at the Guildhall School of Music from 1953, was appointed Professor of Pianoforte at the School on two occasions and was a member of the Incorporated Society of Musicians.

International attention grew in 1961 when, aged 20, he performed at his debut concert in Washington, D.C., Bach's 48 Preludes and Fugues from the Well-Tempered Clavier (a work that became one of his specialties). The reviewers were ecstatic. He was already well-known in Brazil as a child prodigy, and his name quickly spread throughout the concert world. Three years later he made his New York debut, followed by engagements with major orchestras in the United States, and recitals throughout the world, including sold-out performances at Carnegie Hall and Avery Fisher Hall (Lincoln Center).

Studie nach Bach (aus "an die Jugend"). Allegro non troppo, pp. 30-31. :::[An endlessly repeating 24-bar loop extracted from the "Fuga figurata" of Book 2 of Busoni's An die Jugend, BV 254 (score). The piece combines themes from the prelude and the fugue of Bach's Prelude and Fugue No.5 in D major (BWV 850) from the Well-Tempered Clavier, Book 1 (score)] ::(b) Nach Schubert, pp. 32-33. :::[16-bar excerpt beginning just before bar 57 of Liszt's transcription of Schubert's song Erlkönig in 12 Lieder von Franz Schubert, S.558/4 (score)] (Sitsky, p 293) ::(c) Aus meinem "Concerto".

A. E. Hawthorn, A Church, a People and a Story, 1953 Vestries for the clergy and choir were erected on the north side of the chancel in 1936. The building is a plain and routine example of Early English style revival, comprising nave, transepts, chancel and western tower. The nave is fairly unusual in that its north and south aisles are not separated from the nave by arcades. The tower contains four bells, played on a clavier and has embattled parapets; access to the church is via the main west door, located in the ground floor stage of the tower.

In May 2011 Grovo announced that it had closed its seed funding from Krishna "Kittu" Kolluri, general partner at New Enterprise Associates; Andy Dunn, CEO and Founder of Bonobos; Mareza Larizadeh of Larizadeh Capital Partners; and, others. On July 17, 2013, Grovo announced a $5.5 million Series A round of venture capital funding. Greg Waldorf, CEO-in-residence at Accel Partners and founding investor and former CEO of e-Harmony, led the financing, which also included Jeff Clavier of SoftTech VC, Greg Sands of Costanoa Venture Capital, and Andy Dunn of Red Swan Ventures. Greg Waldorf joined the Board of Directors.

Davies has cited the works of four composers as motifs in the opera: J.S. Bach's "Prelude and Fugue No. 12 in F minor" (BWV 881) from Book 2 of the Well-Tempered Clavier, Andrea Gabrieli's Edipo Tiranno, "Come furia disperata" from Mozart's Don Giovanni (Donna Anna in act 1, scene 1), and the opening of Schumann's Second Symphony.Liner notes by the composer to the recording of the work, PsaCD1002. The work premiered in a co-production of Muziektheater Transparant and the Psappha ensemble at the St. Magnus Festival, Orkney on 16 June 2000. It was recorded in 2005 with the original cast.

The older Italian sonata form differs considerably from the later sonata in the works of the Viennese Classical masters. Between the two main types, the older Italian and the more "modern" Viennese sonata, various transitional types are manifest in the middle of the 18th century, in the works of the Mannheim composers, Johann Stamitz, Franz Xaver Richter, C.P.E. Bach, and many others. The piano sonata had its inception with Johann Kuhnau, the predecessor of J.S. Bach as cantor of Saint Thomas' Church in Leipzig. Kuhnau was the first to imitate the Italian violin sonata in clavier music.

San Michele Island In October 1969, after close to three decades in California and being denied to travel overseas by his doctors due to ill health, Stravinsky and Vera secured a two-year lease for a luxury three bedroom apartment in Essex House in New York City. Craft moved in with them, effectively putting his career on hold to care for the ailing composer. Among Stravinsky's final projects was orchestrating two preludes from The Well- Tempered Clavier by Bach, but it was never completed. He was hospitalised in April 1970 following a bout of pneumonia, which he successfully recovered from.

Gott ist mein König, BWV 71 (1708). Compositions by Johann Sebastian Bach printed during his lifetime (1685–1750) include works for keyboard instruments, such as his Clavier-Übung volumes for harpsichord and for organ, and to a lesser extent ensemble music, such as the trio sonata of The Musical Offering, and vocal music, such as a cantata published early in his career. Other works, such as several canons, were printed without an indication by which instruments they were to be performed. No more than a few works by Johann Sebastian Bach were printed during his lifetime.

Inspired by J.S. Bach's The Well-Tempered Clavier, Chopin's preludes move up the circle of fifths (rather than Bach's chromatic scale sequence) to create a prelude in each major and minor tonality.Rosen (1995), p. 83. The preludes were perhaps not intended to be played as a group, and may even have been used by him and later pianists as generic preludes to others of his pieces, or even to music by other composers. This is suggested by Kenneth Hamilton, who has noted a 1922 recording by Ferruccio Busoni in which the Prelude Op. 28 No. 7 is followed by the Étude Op. 10 No. 5.

Further entries of the subject follow this initial exposition, either immediately (as for example in Fugue No. 1 in C major, BWV 846 of the Well-Tempered Clavier) or separated by episodes. Episodic material is always modulatory and is usually based upon some element heard in the exposition. Each episode has the primary function of transitioning for the next entry of the subject in a new key, and may also provide release from the strictness of form employed in the exposition, and middle-entries. André Gedalge states that the episode of the fugue is generally based on a series of imitations of the subject that have been fragmented.

The song "Mystery of Love" used the opening material from Bach's "The Well-Tempered Clavier", Book 1: Prelude and Fugue No. 2 in C minor for the keyboard part in the introduction and verse. Several very popular songwriters were used on this album. As well as the aforementioned Springsteen, Vangelis and Jon Anderson, Quincy Jones himself contributed to the writing, as did other names such as Rod Temperton, Merria Ross, John Lang, Richard Page, Bill Meyers, Michael Clark, John Bettis, David Foster, Steve Lukather, Michael Sembello, Dan Sembello and David Batteau. This made it the largest number of songwriters ever to contribute to a Donna Summer album.

Ariadne musica is a collection of organ music by Johann Caspar Ferdinand Fischer, first published in 1702. The main part of the collection is a cycle of 20 preludes and fugues in different keys, so Ariadne musica is considered an important precursor to Johann Sebastian Bach's The Well-Tempered Clavier, which has a similar structure. The title refers to the Greek myth in which Theseus finds his way out of Minotaur's labyrinth using a ball of thread that Ariadne, daughter of King Minos of Crete, gave him. Similarly, the music in the collection can be said to guide the listener through a labyrinth of keys.

From 1981 to 1987 he was the university chaplain at the University of the South at Sewanee, Tennessee. Millsaps was originally consecrated a bishop for the American Episcopal Church on 26 January 1991 in the Chapel of the Cross in Dallas, Texas by Primus Anthony F. M. Clavier of the AEC, assisted by Bishops Mark Holliday, Walter Grundorf, G. Raymond Hanlan, and Norman Stewart. On 3 October 1991 he was sub-conditione consecrated as a bishop in the Anglican Catholic Church by retired Anglican Communion traditionalist bishops Robert W. S. Mercer, Charles Boynton, and Robert Mize. From 2000 to 2010, he was the presiding bishop of the Episcopal Missionary Church.

An image of a claviharp from the 1891 Scientific American The claviharp is a 19th-century musical instrument that combined a harp with a keyboard. Johann Christian Dietz invented the instrument in 1813 CE. His grandfather was one of the first upright piano manufacturers. Struck by what he saw as difficulties and defects of the harp, in 1810, he built an instrument à cordes pincées à clavier, which connected a keyboard to the harp strings. He made the instrument to address limitations of the harp—susceptibility of catgut strings to atmospheric change, inconsistency of sound as finger motion varies, limited diatonic scale (without pedals), and lack of dampers.

According to Falk Schwartz and John Berrie's 1983 article "Sviatoslav Richter – A Discography",Recorded Sound, July 1983. in the 1970s, Richter announced his intention of recording his complete solo repertoire "on some 50 discs". This "complete" Richter project did not come to fruition, however, although twelve LPs worth of recordings were made between 1970 and 1973 and were subsequently reissued (in CD format) by Olympia (various composers, 10 CDs) and RCA Victor (Bach's The Well-Tempered Clavier). In 1961, Richter's RCA Victor recording with Erich Leinsdorf and the Chicago Symphony Orchestra of the Brahms Piano Concerto No. 2 won the Grammy Award for Best Classical Performance – Concerto or Instrumental Soloist.

Johann Sebastian Bach, 1746 The Clavier-Übung III, sometimes referred to as the German Organ Mass, is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739. It is considered Bach's most significant and extensive work for organ, containing some of his most musically complex and technically demanding compositions for that instrument. In its use of modal forms, motet-style and canons, it looks back to the religious music of masters of the stile antico, such as Frescobaldi, Palestrina, Lotti and Caldara. At the same time, Bach was forward-looking, incorporating and distilling modern baroque musical forms, such as the French- style chorale.

As with previous organ works of this type by composers such as François Couperin, Johann Caspar Kerll and Dieterich Buxtehude, it was in part a response to musical requirements in church services. Bach's references to Italian, French and German music place Clavier-Übung III directly in the tradition of the Tabulaturbuch, a similar but much earlier collection by Elias Ammerbach, one of Bach's predecessors at the Thomaskirche in Leipzig. Engraving of the University of Leipzig with the Paulinerkirche, the university church, in the background. In the 1730s both of Bach's friends Mizler and Birnbaum were professors there and Bach's son Carl Philipp Emanuel was a student.

Although Gould's recording studio producers have testified that "he needed splicing less than most performers", Gould used the process to give himself total artistic control over the recording process. He recounted his recording of the A minor fugue from Book I of The Well-Tempered Clavier and how it was spliced together from two takes, with the fugue's expositions from one take and its episodes from another. Gould's first commercial recording (of Berg's Piano sonata, Op. 1) came in 1953 on the short-lived Canadian Hallmark label. He soon signed with Columbia Records' classical music division and, in 1955, recorded Bach: The Goldberg Variations, his breakthrough work.

The American Anglican Church is a Continuing Anglican jurisdiction which was founded early in the history of the Continuing Anglican movement, following controversies in the Episcopal Church over the ordination of women to the priesthood and the adoption of a new Book of Common Prayer. The presiding bishop of the American Anglican Church is John A. Herzog. He attended the Institute of Theology at the (Episcopal) Cathedral of St. John the Divine in New York City and General Seminary. He was ordained to the Diaconate by Bishop Anthony Clavier of the Continuing Anglican movement on December 5, 1982 and to the Priesthood on June 5, 1983.

Frédéric Bataille, Frédéric Bataille (born 17 July 1850 in Mandeure, Franche- Comté - died 29 April 1946 in Besançon, Franche-Comté) was a French educator, poet and mycologist. From 1870 to 1884 he was a schoolteacher in the vicinity of Montbéliard, relocating as an instructor to the lycée at Vanves in 1884. In 1905 he retired from teaching and settled in the city of Besançon.Prosopo Sociétés savantes de France During his career, he was an accomplished poet, publishing books of poetry with titles such as Délassements (1873), Le Pinson de la mansarde (1875), Le clavier d'or (1884), La veille du péché (1886), Poèmes du soir (1889) and Choix de poésies (1892).IDREF.

Since there is no other known clavier four-hand work dated to this time, this work, K. 19d, was generally accepted as authentic and put into the catalogue for Mozart's works. Recently the authenticity of the work has been disputed, with the general consensus of most scholars being that the work was, in fact, not written by Mozart. Since 1993, the Neue Mozart-Ausgabe has removed the piece for the authentic section of "Keyboard music" to "Works of Spurious or Doubtful Authenticity". Theories amongst scholars suggest that the work is one possibly by another of the Mozarts during their London tour, such as Leopold or even Nannerl.

A can of corned beef The movie begins in Bogotá, Colombia. Capitain Philippe Boulier, called 'Le Squale' (The Shark) (Jean Reno), is responsible for monitoring the actions of Augusto Zargas (André Schmit), a former Argentinian colonel and current arms dealer. In order to track the movements of Augusto Zargas, the French secret service (the DGSE) hides a microphone in the engagement ring of Marie-Laurence Granianski (Valérie Lemercier), an interpreter for the consul general, and one of Zargas' associates (Marc de Jonge). But the plan is derailed when Ms. Granianski wants to take a few days off to celebrate her wedding anniversary with her husband, Jean-Jacques (Christian Clavier).

"For him, the piano and other keyboard instruments are always attached to something magical connected with the idea of beauty and the allure of the female, as, for example, in "Peter Quince at the Clavier," Richardson writes, " Accordingly, the machine of ocean, his projection, is now `tranced,' carried away by the rapture of the `uncertain green... as a prelude holds and holds."Richardson, p. 64 Richardson continues: > He imaginatively records both his sensations and those of his wife. The > female is felt by him as "silver petals of white blooms/ Unfolding in the > water," and he, in his maleness, is "feeling sure/ of the milk within the > saltiest spurge.

Notable recordings for the ECM label include music of Janáček and Sándor Veress, major works of Schubert and Beethoven using a period fortepiano, and live recordings of all of Beethoven's piano sonatas, made in Zurich. Between 2004 and 2006 he gave a series of lecture-recitals on the complete Beethoven sonatas in London's Wigmore Hall. His live concert recordings for ECM also include his second traversals of the Bach Partitas and Goldberg Variations. For G. Henle, he provided fingerings for new editions of Bach's The Well- Tempered Clavier (published in 2006) and fingerings and missing cadenzas for a new edition of the Mozart piano concertos (begun in 2007).

Some of the manuscripts that have come down to us are titled "Suites Pour Le Clavecin", which is what probably led to the tradition of calling them "French" Suites. Two additional suites, one in A minor (BWV 818), the other in E major (BWV 819), are linked to the familiar six in some manuscripts. The Overture in the French style, BWV 831, which Bach published as the second part of Clavier-Übung, is a suite in the French style but not connected to the French suites.Although see the discussion of French influences in Hans-Joachim Schulze, The French Influence in Bach's Instrumental Music, _Early Music_ , 13:2, 1985 (J.

In 2019 the carillon was upgraded with a new clavier, a fully replaced transmission and the addition of 2 new bells to add the lowest semitone and a new highest bell. The new lowest semitone bell was called the Ngunnawal bell, in recognition of the first peoples of the Canberra region. This bell weighs just over 5 tonnes and sounds the note G. The other bell added was a new lightest bell to extend the rage of the instrument to nearly 5 octaves. This work was carried out by John Taylor & Co. The work was delayed by the onset of the Coronavirus disease 2019 pandemic.

The single surviving page of the manuscript of "Vor deinen Thron tret ich", BWV 668, recorded by an unknown copyist in the last year of Bach's life. The breadth of styles and forms represented by the Great Eighteen is as diverse as that of Bach's Well Tempered Clavier for the keyboard. The pieces are on a large and often epic scale, compared with the miniature intimacy of the choral preludes of the Orgelbüchlein. Many of the chorale preludes pay homage to much older models in the German liturgical tradition (Georg Böhm, Buxtehude and Pachelbel), but the parallel influence of the Italian concerto tradition is equally visible.

University of Nebraska Press, 1994. Both works open with a declamatory fanfare marked Grave, sharing a distinct combination of dotted rhythms, melodic contour, and texture. Furthermore, the first four notes of the Partita's Andante (G-C-D-Eb, prominently repeated throughout the work) are found in the Pathétique as the first notes of important themes – first in the hand-crossing second subject of its first movement (initially transposed), then in the main theme of the Rondo. It is known that Beethoven was familiar with the works of Bach, studying The Well-Tempered Clavier as a youth and returning to his predecessor's compositional styles later in life.

Amanda Lear's first album, called I Am a Photograph in reference to her former modelling career, was recorded in Munich with a German producer Anthony Monn, and consisted of mainstream disco material, with majority of lyrics written by Amanda Lear herself. In addition to original songs composed by Anthony Monn and Rainer Pietsch, the album included a number of covers: Nancy Sinatra's "These Boots Are Made for Walkin'", "Blue Tango", paired with Lear's self-penned lyrics and a French-language version of Elvis Presley's "Trouble". In addition, "Alphabet" largely incorporated excerpts from Johann Sebastian Bach's The Well-Tempered Clavier. The artwork is credited to Ariola-Eurodisc Studios.

Upon Frederick's accession in 1740, Bach became a member of the royal orchestra. He was by this time one of the foremost clavier players in Europe, and his compositions, which date from 1731, include about thirty sonatas and concert pieces for harpsichord and clavichord. During his time there, Berlin was a rich artistic environment, where Bach mixed with many accomplished musicians, including several notable former students of his father, and important literary figures, such as Gotthold Ephraim Lessing, with whom the composer would become close friends. In Berlin, Bach continued to write numerous pieces for solo keyboard, including a series of character pieces, the so-called "Berlin Portraits", including "La Caroline".

A bar from J.S. Bach's "Fugue No.17 in A flat", BWV 862, from Das Wohltemperierte Clavier (Part I), a famous example of contrapuntal polyphony. Polyphony is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term polyphony is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal.

A harp tuned to C-sharp major has all its pedals in the bottom position. Because all the strings are then pinched and shortened, this is the least resonant key for the instrument. Most composers prefer to use the enharmonic equivalent D-flat major since it only contains five flats as opposed to C-sharp major's seven sharps. However, Johann Sebastian Bach chose C-sharp major for Prelude and Fugue No. 3 in both books of The Well-Tempered Clavier, and Charles-Valentin Alkan chose C-sharp major for Etude Op. 35 No. 9 "Contrapunctus" in Twelve etudes in all the major keys, Op. 35.

Sebastian Gardner shows that the four seasons can be understood as fundamental to Stevens' poetic project, and that a corresponding philosophical project is implicit in his work, assigning different metaphysical import to the aspects of reality brought out in the poetry of each of the seasons.S. Gardner, 1994 The Vivaldi of poets has also been accused of "some hazy notion of an analogy between music and poetry". Whether hazy or not, the notion colors such poems as Harmoniums "Peter Quince at the Clavier" and "Infanta Marina", which Vendler likens to a "double scherzo". She also observes that for Stevens "looking and hearing, imagery and musicality, occupy equal ground".

Historically, keyboard instruments were tuned using just intonation, pythagorean tuning and meantone temperament meaning that such instruments could sound "in tune" in one key, or some keys, but would then have more dissonance in other keys. The development of well temperament allowed fixed- pitch instruments to play reasonably well in all of the keys. The famous "Well-Tempered Clavier" by Johann Sebastian Bach took advantage of this breakthrough, with preludes and fugues written for all 24 major and minor keys. However, while unpleasant intervals (such as the wolf interval) were avoided, the sizes of intervals were still not consistent between keys, and so each key still had its own distinctive character.

In France, a great number of highly characteristic solo works were created and compiled into four books of ordres by François Couperin (1668–1733). Domenico Scarlatti (1685–1757) began his career in Italy but wrote most of his solo harpsichord works in Spain; his most famous work is his series of 555 harpsichord sonatas. Perhaps the most celebrated composers who wrote for the harpsichord were Georg Friedrich Händel (1685–1759), who composed numerous suites for harpsichord, and especially J. S. Bach (1685–1750), whose solo works (for instance, the Well-Tempered Clavier and the Goldberg Variations), continue to be performed very widely, often on the piano.

Lute- harpsichord The piece's exact year of creation is the subject of extensive speculation. The Oxford Dictionary of Music cites the prelude's similarity to the Well-Tempered Clavier (most notably, the sixteenth-note broken chord patterns anchored by a pedal tone ), stating, "c minor bwv999 shows an affinity with the ‘48’, and may thus belong to the Cöthen or early Leipzig period". However, indirect sources, such as IMSLP and Classical Music Archives, place its origin at 1725 and 1720, respectively. These estimates also conflict with the more direct motival parallels between BWV 999 and Prelude and Fugue in C Major, BWV 846, which Bach penned in 1722.

Werckmeister is best known today as a theorist, in particular through his writings Musicae mathematicae hodegus curiosus... (1687) and Musikalische Temperatur (1691), in which he described a system of what we would now refer to as well temperament (named after Bach's opus, "The Well-Tempered Clavier") now known as Werckmeister temperament. Title page of Andreas Werckmeister, Orgelprobe (1698). Werckmeister's writings particularly his writings on counterpoint were well known to Johann Sebastian Bach. Werckmeister believed that well-crafted counterpoint, especially invertible counterpoint , was tied to the orderly movements of the planets, reminiscent of Kepler's view in Harmonice Mundi. According to George Buelow, "No other writer of the period regarded music so unequivocally as the end result of God’s work," .

The Well-Tempered Synthesizer is the second studio album from the American musician and composer Wendy Carlos, originally released under her birth name, Walter Carlos, in November 1969 on Columbia Masterworks Records. Following the success of her previous album, Switched-On Bach (1968), Carlos proceeded to record a second album of classical music performed on a modular Moog synthesizer from multiple composers, including Johann Sebastian Bach, Claudio Monteverdi, Domenico Scarlatti, and George Frideric Handel. Its title is a play on words from Bach's set of preludes and fugues named The Well-Tempered Clavier. Upon its release, the album peaked at No. 199 on the US Billboard 200 chart and was nominated for two Grammy Awards.

He argues instead for finding the tempo from within the music, especially from its harmony and harmonic rhythm. He has reflected this in the general tempi chosen in his recording of Beethoven's symphonies, usually adhering to early-twentieth-century practices. He has not been influenced by the faster tempos chosen by other conductors such as David Zinman and authentic movement advocate Roger Norrington. In his recording of The Well-Tempered Clavier, Barenboim makes frequent use of the right-foot sustaining pedal, a device absent from the keyboard instruments of Bach's time (although the harpsichord was highly resonant), producing a sonority very different from the "dry" and often staccato sound favoured by Glenn Gould.

After Cristofori invented the pianoforte from the harpsichord in 1700, and after it became popular in the decades after 1740, eventually replacing the harpsichord, the piano technique developed tremendously (it was parallel with the piano builders´ progress and piano pedagogy, and as part of it piano fingering changed). There are only few publications about piano fingering. It is mentioned by Carl Philipp Emanuel Bach (son of Johann Sebastian Bach) in his book Versuch über die wahre Art, das Clavier zu spielen (Essay on the True Art of Playing Keyboard Instruments, ) where he dedicated several paragraphs to this topic (see the German original: "Von der Fingersetzung"). The British pianist Tobias Matthay wrote a small book Principles of Fingering ().

Clavinova CVP-303 Player Piano The Clavinova is a long-running line of premium digital pianos created by the Yamaha Corporation. It is similar in styling to an acoustic piano, but with many features common to various keyboards such as the ability to save and load songs, precluded demo songs including original Yahama compositions, the availability of different voices, and, in more recent models, the ability to be connected to a computer via USB or wireless network for music production or interactive piano lesson programs. Its name is a portmanteau of the 2 words "Clavier", meaning "keyboard instrument" and "nova", meaning "new". In 2018, the Clavinova celebrated its 35th anniversary since its invention in 1983.

After a 45-year career, Mercier-Ythier's harpsichords had appeared in over 9000 concerts and 700 recordings. The historic instruments that he had restored were used in concert and for recordings, such as a 2-manual harpsichord by Jean-Henri Hemsch built in Paris in 1755/56, played for Bach's The Well-Tempered Clavier, Book II, by Helmut Walcha in 1974. He prepared the instrument for Bach's complete keyboard works played by Zuzana Růžičková. In 1990, he published a book about harpsichord making history and technique, Les Clavecins, which is cited in other books about the topic such as The Historical Harpsichord and The Harpsichord and Clavichord: An Encyclopedia edited by Igor Kipnis.

Paul Barnes (born 1961) is an American pianist. He concentrates particularly on the work of Liszt; Barnes also has worked extensively with Philip Glass, whose Piano Concerto No. 2 he premiered in 2004 at the Lied Center for Performing Arts. Barnes teaches at University of Nebraska-Lincoln school of music. He also teaches summer courses at the Vienna International Piano Academy. Praised by the New York Times for his “Lisztian thunder and deft fluidity,” and the San Francisco Chronicle as “ferociously virtuosic,” pianist Paul Barnes has electrified audiences with his intensely expressive playing and cutting-edge programming. He has been featured four times on APM’s Performance Today and on the cover of Clavier Magazine.

Examples include Frescobaldi's Fiori musicali (1635), Samuel Scheidt's Tabulatura Nova (1624), works by Johann Jakob Froberger (1616–1667), Franz Anton Maichelbeck (1702–1750), and others. #The range of none of the ensemble or orchestral instruments of the period corresponds to any of the ranges of the voices in The Art of Fugue. Furthermore, none of the melodic shapes that characterize Bach's ensemble writing are found in the work, and there is no basso continuo. #The fugue types used are reminiscent of the types in The Well-Tempered Clavier, rather than Bach's ensemble fugues; Leonhardt also shows an "optical" resemblance between the fugues of the two collections, and points out other stylistic similarities between them.

Cumming's inventory is all that survives of these organs, one having been destroyed in a fire in 1843. There is an existing set of barrels, however, for the chamber barrel organ made by Henry Holland around 1790, formerly in the Colt Clavier Collection and now at Hammerwood Park in Sussex. These contain two concertos HWV 290 and 294 from Op. 4 with elaborate ornamentation supplied by Smith and have been recorded by Erato.Erato, Paris ERA 9274 (1985) Un enregistrement d'epoque, sleevenotes by Olivier Roux Two modern performing editions of the concertos by the organists and musicologists Peter Williams and Ton Koopman provide missing movements and give suggestions for the ad libitum passages, possibly too earthbound according to some commentators.

She was described as friendly, modest and dignified, with good posture and beautiful hands, but she was not regarded as either intelligent or attractive. Her grandmother, Hedwig Eleonora, described her as stubborn, and she was known to demonstrate her dislike of others or of events by simulating illness. She was a talented musician, and when performing with her sister at court concerts, she would play the clavier while her sister sang. Ulrika Eleonora lived most of her life in the shadow of others, outshone by her brother the king, and by her attractive sister. From 1700, she took care of her dominating grandmother, Hedwig Eleonora of Holstein-Gottorp, during her brother's absence in the Great Northern War.

Bach recycled some of the preludes and fugues from earlier sources: the 1720 Klavierbüchlein für Wilhelm Friedemann Bach, for instance, contains versions of eleven of the preludes of the first book of the Well- Tempered Clavier. The C major prelude and fugue in book one was originally in C major – Bach added a key signature of seven sharps and adjusted some accidentals to convert it to the required key. In Bach's own time just one similar collection was published, by Johann Christian Schickhardt (1681–1762), whose Op. 30 L'alphabet de la musique, contained 24 sonatas in all keys for flute or violin and basso continuo, and included a transposition scheme for alto recorder.

In 2000, Berbérian directed Six-Pack, a thriller with Richard Anconina who stalks a serial-killer to the four corners of Paris. Returning in 2002 with the comedy Le Boulet, starring Gérard Lanvin and Benoît Poelvoorde, a prison guard (Poelvoorde) has to team up with a convict (Lanvin) to retrieve a lotto ticket from the latter. Then in 2004, Berbérian paired Christian Clavier and Jean Reno in the comedy, The Corsican File, based on a comic book of the same name by René Pétillon, in which a detective is responsible for locating a man living in Corsica who is owed an inheritance. In 2007, he reunited Gérard Jugnot and Jean-Paul Rouve in L'Île aux trésors.

He first studied early keyboard performance with Margaret Lloyd in Newcastle, Australia, and then with Nancy Salas in Sydney during the 1970s. With Nancy Salas, he presented a series of 12 joint lecture-recitals on the second book of JS Bach's Well-Tempered Clavier at the New South Wales Conservatorium of Music. During the 1980s, he performed on harpsichord and chamber organ with the Sydney Symphony Orchestra and the Australian period-instrument ensemble the Telemann Trio (with Owen Watkins, recorder and Margaret Waugh, cello). During this period, he worked closely with Melbourne instrument-maker Alastair McAllister on harpsichord design and construction, learning from McAllister advanced techniques of voicing, action set-up and the theory of harpsichord scaling and geometry.

Kuhnau's portrait, from a hand-colored 1689 edition of his Neue Clavier-Übung, erster Theil Johann Kuhnau (; 6 April 16605 June 1722) was a German polymath, known primarily as composer today. He was also active as a novelist, translator, lawyer, and music theorist, and was able to combine these activities with his duties in his official post as Thomaskantor in Leipzig, which he occupied for 21 years. Much of his music, including operas, masses, and other large-scale vocal works, is lost. His reputation today rests on his Biblical Sonatas, a set of programmatic keyboard sonatas published in 1700, in which each sonata depicted in detail a particular story from the Bible.

She continued to play the harpsichord and piano in piano concertos in many primary British orchestras and frequently gave solo recitals on both instruments during the post-war era. Dyson undertook tours of Europe with sponsorship with the British Council and frequently broadcast on the BBC for more than three decades, several of which were the maiden performances of works by contemporary artists for early keyboard instruments. She additionally made several recordings for the BBC Archives on instruments from collections like the Colt Clavier Collection and the Victoria and Albert Museum. In the late 1940s Dyson worked with the Leith Hill Musical Festival and served as the festival's librarian, lasting in the role from 1948 to 1960.

Burge also worked with composers such as Ernst Krenek, Luciano Berio, and Karlheinz Stockhausen, and singers including Cathy Berberian and Bethany Beardslee.Contemporary Music Review abstract After leaving the University of Colorado, he chaired the Piano Department at the Eastman School of Music for many years. Over his career, he gave more than 1,000 concerts in the United States, Europe, Asia, Australia and New Zealand, composed more than 100 works, authored the book Twentieth-Century Piano Music (Shirmer Books, 1990), wrote prize-winning columns for Keyboard Magazine, Clavier and The Piano Quarterly. In 1993, Burge moved to San Diego with his wife, Liliane Choney, and served as composer-in-residence for the San Diego Ballet.

And though we now know "Wohltemperierte" to be not > synonymous with "equal-tempered", nevertheless it is from The Well-Tempered > Clavier that we have come to date the practical interchangeability of the > twelve tonalities. For this reason, Souvenir des Ming strives for its > apotheosis through the ‘Ming music’ par excellence of the Bach fugue. Twice > it parades its Baroque antecedents via the time-honoured circle of fifths > sans Pythagorean comma—first, all the way down all twelve steps midway > through Fugue II, and then all the way up towards the final aleatory > stretto, in a juggernaut of cumulative four-bar phrases.Programme brochure > for Shanghai Philharmonic Orchestra concert, Shanghai International Arts > Festival, 17 November 2006.

But his proposal was primitive and not suitable for practical use. The first experiments with radio repeater stations to relay radio signals were done in 1899 by Emile Guarini-Foresio. However the low frequency and medium frequency radio waves used during the first 40 years of radio proved to be able to travel long distances by ground wave and skywave propagation. The need for radio relay did not really begin until the 1940s exploitation of microwaves, which traveled by line of sight and so were limited to a propagation distance of about by the visual horizon. In 1931 an Anglo-French consortium headed by Andre C. Clavier demonstrated an experimental microwave relay link across the English Channel using dishes.

Michael Lebowitz, "Memory-Based Parsing," Artificial Intelligence 21 (1983), 363–404. Other schools of CBR and closely allied fields emerged in the 1980s, investigating such topics as CBR in legal reasoning, memory-based reasoning (a way of reasoning from examples on massively parallel machines), and combinations of CBR with other reasoning methods. In the 1990s, interest in CBR grew, as evidenced by the establishment of an International Conference on Case-Based Reasoning in 1995, as well as European, German, British, Italian, and other CBR workshops. CBR technology has produced a number of successful deployed systems, the earliest being Lockheed's CLAVIER,Bill Mark, "Case-Based Reasoning for Autoclave Management," Proceedings of the Case-Based Reasoning Workshop (1989).

After moving to the United States, Taussig developed a technology tool at the Yamaha Corporation, Musical Sculpting. Using the company’s Disklavier-PRO computer-driven concert grand, the application allowed handicapped pianists to record with minimal use of their fingers. To demonstrate the potential inherent in this novel recording technique Taussig released two albums created entirely without the use of fingers, Bach's The Art of Fugue, (2001) and The Well-Tempered Clavier, book 1 (2002). In 2007 he collaborated with Dr. E. Paul Goldenberg of the Education Development Center (EDC) of Waltham, Massachusetts in the development of a math through music curriculum and they launched a pilot program at an elementary school in Ohio.

In Vineland, both Zoyd Wheeler and Isaiah Two Four are also musicians: Zoyd played keyboards in a '60s surf band called The Corvairs, while Isaiah played in a punk band called Billy Barf and the Vomitones. In Mason & Dixon, one of the characters plays on the "Clavier" the varsity drinking song that will later become "The Star-Spangled Banner"; while in another episode a character remarks tangentially "Sometimes, it's hard to be a woman". In his introduction to Slow Learner, Pynchon acknowledges a debt to the anarchic bandleader Spike Jones, and in 1994, he penned a 3000-word set of liner notes for the album Spiked!, a collection of Jones's recordings released on the short-lived BMG Catalyst label.

Manuscript copy of Der Trost gehöret () Wilhelm Friedemann Bach House (now a museum), where Friedemann lived in Halle Wilhelm Friedemann (hereafter Friedemann) was born in Weimar, where his father was employed as organist and chamber musician to the Duke of Saxe-Weimar. In July 1720, when Friedemann was nine, his mother Maria Barbara Bach died suddenly; Johann Sebastian Bach remarried in December 1721. J. S. Bach supervised Friedemann's musical education and career with great attention. The graded course of keyboard studies and composition that J. S. Bach provided is documented in the Clavier-Büchlein vor Wilhelm Friedemann Bach (modern spelling: Klavierbüchlein für Wilhelm Friedemann Bach), with entries by both father and son.

It contains 29 variations, some of which form pairs, and the first setting of the theme returns and is used as a refrain three times. Toccata mit dem Pedal aus C, the last piece in Anmuthige Clavier-Übung, was described by Willi Apel as "perhaps the only developed toccata written in central Germany before Bach." The toccata starts with a pedal solo, which is followed by a chordal section with recitative breaks, a song-like section in 3/4 time, an interlude, and a fugue whose subject is heard in the pedal twice, requiring alternating feet. Sectional organ works with virtuosic use of pedal were common for north German composers, but no central or south German composers attempted such pieces before Krieger.

Through Joseph Haydn, Eybler met Mozart, who gave him some lessons and entrusted him with the rehearsal of his opera Così fan tutte. Eybler also conducted some performances of Così fan tutte. On May 30, 1790, Mozart wrote a testimonial for the young Eybler: "I, the undersigned, attest herewith that I have found the bearer of this, Herr Joseph Eybler, to be a worthy pupil of his famous master Albrechtsberger, a well-grounded composer, equally skilled at chamber music and the church style, fully experienced in the art of the song, also an accomplished organ and clavier player; in short a young musician such, one can only regret, as so seldom has his equal." Mozart and Eybler remained friends to the end.

This parallels the first measure of Handel's theme, which ascends from B to C to D to E. The following melodic line of the second measure resembles the second measure of Handel's theme in general trajectory (Brahms's theme is also strikingly similar to the subject of Fugue VI from Felix Mendelssohn's Six Preludes and Fugues, Op. 35, also in B major). Julian Littlewood observes that the fugue has "a dense contrapuntal argument which recalls Bach more than Handel". Denis Matthews adds that it is "more redolent of one of Bach's great organ fugues than any in The Well-Tempered Clavier, with inversions, augmentation and double counterpoint to match, and a great peroration over a swinging dominant pedal-point".Matthews, p. 35.

Kirkpatrick also played modern music, including Quincy Porter's Concerto for Harpsichord and Orchestra, Darius Milhaud's Sonata for Violin and Harpsichord, the Double Concerto for Harpsichord, Piano with Two Chamber Orchestras by Elliott Carter, and the Set of Four for Harpsichord (or Piano) by Henry Cowell. Both the Carter and Cowell pieces were inspired by Kirkpatrick and dedicated to him. He also performed and recorded the Manuel de Falla Harpsichord Concerto and played the piano in a recording of the Stravinsky Septet. In addition to his biography of Scarlatti published in 1953 and his book Interpreting Bach's Well-Tempered Clavier: A Performer's Discourse of Method published posthumously by Yale University in 1984, he also wrote a memoir Early Years which was published posthumously in 1985 by Peter Lang.

She was regularly sought by pianists for lessons from countries such as Japan, America, Canada, Brazil and Spain, among others. She was among the virtuoso performers at famous festivals, such as at Strasbourg, Wiesbaden, Haarlem, Prades, Gulbenkian, Majorca, Costa del Sol, Sintra, Espinho, Costa Verde, etc. Her prestige led to invitations to join judging panels at international contests such as those at Berlin, Berna, Vianna da Motta, Palma de Mallorca, Canada, Maria Callas (Athens), Luís Costa (Porto) and the Portuguese Covilhã, Musical Youth and João Arroyo contests, among others. Highlights of her wide-ranging discography include the complete recording of the 1st book of JS Bach’s “Well Tempered Clavier”; and also Beethoven’s “Concerto no. 4” and the “JS Bach Live Recording” (Porto 2001).

Akkerman wrote "Elspeth of Nottingham" after driving around England for a holiday in 1967, stopping in a town in the Cotswolds where he first heard Julian Bream play the lute which inspired him to learn the instrument. Akkerman requested to include birdsong on the recording; Vernon suggested to include sounds of cows mooing and the song's title, the "Elspeth" being an old Scottish variant of the name Elizabeth. "Carnival Fugue" borrows from Johann Sebastian Bach's The Well-Tempered Clavier before venturing into cool jazz territory, then culminates in a rock finale with piccolo improvisations and a hint of Calypso rhythms on guitar. "Anonymus II" borrows its theme from "Anonymus" from the band's first album and features a solo spot for all four members, lasting 26 minutes.

His output as a composer was not large, but included a large number of very well built choruses including 3 Madrigali (1957), Trois piéces en concert for clavier (1945), wind quintet Playing in the woods (1947) and the musical adventure play Alice in Wonderland (1951), based on the book by Lewis Carroll. From 1967 to 1977, he wrote 4 works which featured the harp. They were inspired by Benjamin Britten and were written for the harp player Osian Ellis. In addition, he wrote music for theater, radio, theater, film and even the winning song of the Dansk Melodi Grand Prix in 1965, For din skyld (For Your Sake), with text of Poul Henningsen and sung by Birgit Brüel in the Eurovision.

For the last, "the bustle of counterpoint is set aside as stark voicings gain warmth, sparse lines hover in space and a wistful melody lingers in the air". Between these two, Mehldau plays four preludes and one fugue from Bach's The Well-Tempered Clavier; each is followed by one of his own compositions that is an interpretation of the Bach piece. One is of the Prelude No. 3 in C-sharp major, which features the pianist "resetting Bach's original riff in a jerky 5/4 rhythm and taking it into a harmonically adventurous labyrinth. Similarly, a romantic, rubato-heavy reading of the F minor Prelude and Fugue is followed by a dreamlike meditation on some of the themes hinted at in Bach's original".

Chopin's 24 Preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Mallorca, where he spent the winter of 1838–39 and where he had fled with George Sand and her children to escape the damp Paris weather. In Majorca, Chopin had a copy of Bach's The Well-Tempered Clavier, and as in each of Bach's two sets of preludes and fugues, his Op. 28 set comprises a complete cycle of the major and minor keys, albeit with a different ordering. The manuscript, which Chopin carefully prepared for publication, carries a dedication to the German pianist and composer Joseph Christoph Kessler.

In short order, the site exponentially increased in traffic and popularity. In 2007, a Series A round of venture capital investing led by AGF Private Equity granted Curse US$5 million, and in 2009, Curse disclosed an additional Series B round led by Ventech Capital, AGF Private Equity, and SoftTech VC (Jeff Clavier) in the amount of US$6 million, bringing total funding for that year (with an additional US$3 million in revenue) to $11 million. As the funding for Curse increased, it proceeded to develop several high-profile sites in-house, while acquiring larger sites with already established communities and content, particularly for MMO games such as RuneScape."Online Gaming Portal 'Curse' Acquires MMO-Champion (And Its 7 Million Uniques)".

Crochet worked for many years with the Boston Symphony Orchestra, then with many other orchestras in Germany, among others, with the Bavarian Radio Symphony Orchestra and the NDR Radiophilharmonie.Biography of Évelyne Crochet As a university professor, she has taught at various American universities (Brandeis, Rutgers, Boston, the Georgia State University) and the New England Conservatory of Music in Boston). Her repertoire spans three centuries, from baroque to modern. She has played among others the piano works of Gabriel Fauré and in 2006, recorded The Well-Tempered Clavier, parts I and II. Music critic Richard Dyer in The Boston Globe compared her interpretation with those of Daniel Barenboim and Vladimir Ashkenazy, and defined it as "the most satisfactory" of all contemporary interpretations.

Bach's interest in all types of art led to influence from poets, playwrights and philosophers such as Friedrich Gottlieb Klopstock, Moses Mendelssohn and Gotthold Ephraim Lessing. Bach's work itself influenced the work of, among others, Haydn, Mozart, Beethoven and Felix Mendelssohn. During his residence in Berlin, Bach composed a setting of the Magnificat (1749), in which he shows more traces than usual of his father's influence; an Easter cantata (1756); several symphonies and concert works; at least three volumes of songs, including the celebrated Gellert Songs; and a few secular cantatas and other occasional pieces. But his main work was concentrated on the clavier, for which he composed, at this time, nearly two hundred sonatas and other solos, including the set ' (With Varied Reprises, 1760–1768).

Michael Lebowitz, "Memory- Based Parsing ," Artificial Intelligence 21 (1983), 363-404. Other schools of CBR and closely allied fields emerged in the 1980s, which directed at topics such as legal reasoning, memory-based reasoning (a way of reasoning from examples on massively parallel machines), and combinations of CBR with other reasoning methods. In the 1990s, interest in CBR grew internationally, as evidenced by the establishment of an International Conference on Case-Based Reasoning in 1995, as well as European, German, British, Italian, and other CBR workshops. CBR technology has resulted in the deployment of a number of successful systems, the earliest being Lockheed's CLAVIER,Bill Mark, "Case- Based Reasoning for Autoclave Management," Proceedings of the Case-Based Reasoning Workshop (1989).

On the afternoon of 26 May, after six hours of heavy fighting, the regular army captured the Place de la Bastille. The National Guard still held parts of the 3rd arrondissment, from the Carreau du Temple to the Arts-et-Metiers, and the National Guard still had artillery at their strong points at the Buttes-Chaumont and Père-Lachaise, from which they continued to bombard the regular army forces along the Canal Saint- Martin.Milza, 2009a, p. 410 A contingent of several dozen national guardsmen led by Antoine Clavier, a commissaire and Emile Gois, a colonel of the National Guard, arrived at La Roquette prison and demanded, at gunpoint, the remaining hostages there: ten priests, thirty-five policemen and gendarmes, and two civilians.

Rieger organ. A pedalboard (also called a pedal keyboard, pedal clavier, or, with electronic instruments, a bass pedalboard) is a keyboard played with the feet that is usually used to produce the low-pitched bass line of a piece of music. A pedalboard has long, narrow lever-style keys laid out in the same semitone scalar pattern as a manual keyboard, with longer keys for C, D, E, F, G, A and B, and shorter, higher keys for C, D, F, G and A. Training in pedal technique is part of standard organ pedagogy in church music and art music. Pedalboards are found at the base of the console of most pipe organs, pedal pianos, theatre organs, and electronic organs.

Haas's concert repertoire includes works by Johann Sebastian Bach, César Franck, Charles Widor, Max Reger, Marcel Dupré, Maurice Duruflé, Olivier Messiaen, and contemporary compositions by Paul Hindemith and Max Baumann. With the support of her husband, professor of musicology Peter Krams, she recorded all of Max Reger's organ works for the MD&G; label between 1988 and 1990 including arrangements of Bach's Well-Tempered Clavier for organ. Haas has also taught, including as Professor of Organ at the Robert Schumann Academy in Düsseldorf, where she taught pupils to use their feet "as if they were Speedy Gonzales". Much of her professional career was spent in Frankfurt am Main, where she was the organist at St. Leonhard's Church (1956-1980) and then in Niederrad (1980-1992).

The backstory takes place in 12th-century England, where Count Thibault Malféte (Jean Reno) is about to marry Princess Rosalind, the daughter of the reigning King. At the wedding banquet, by mistake, an enemy known as the Earl of Warwick gives Thibault a potion which makes him hallucinate (and which was actually intended for Rosalind by a witch hired and paid by the Earl), and under its influence, he kills his own bride believing she is a ferocious monster. While under sentence of death, he asks his servant, André Le Paté (Christian Clavier) to find a wizard (Malcolm McDowell) to help him. The wizard gives him a potion that will send him back to the moment before he killed Princess Rosalind.

He was born in Wörlitz near Dessau, Saxony-Anhalt on 6 July 1739. Encouraged to study violin, Rust was taught early on by his older brother, Johann Ludwig Anton, who was an accomplished musician with J.S. Bach's orchestra and played as a violinist in Leipzig. Rust also studied piano, particularly the works of Johann Sebastian Bach; he was able to play his collection of preludes and fugues in all keys Das Wohltemperierte Clavier from memory at the age of 13 or 16, according to other sources. His father, a princely Kammerrat and bailiff, died in 1751, and he moved with his mother and brother to Gröbzig. He attended the Lutheran gymnasium in Cöthen beginning in 1755, and from 1758 took law at University of Halle.

In 1838, together with his family moved to Brussels and continued his studies at the Brussels Conservatory with François-Joseph Fétis (counterpoint), Charles Bosselet (harmony), Jean- Baptiste Michelot (clavier) and Christian Friedrich Girschner (organ). For the first time he was noticed by the general public, accompanying the violinist Charles Auguste de Bériot on the piano as part of the young Pauline Viardot's concert tour. Samuel, who won the Belgian Prix de Rome in 1845 by the cantata "Vendetta", went to Rome through Germany and Austria, met on the road with Felix Mendelssohn, Giacomo Meyerbeer and Ferdinand Hiller. In Rome, he worked on the opera Giovanni da Procida and the Second Symphony, premiered by Fétis in Brussels in 1849 after the return of Samuel.

The excerpt below, bars 7–12 of J.S. Bach's Fugue No. 2 in C minor, BWV 847, from the Well-Tempered Clavier, Book 1 illustrates the application of most of the characteristics described above. The fugue is for keyboard and in three voices, with regular countersubjects. This excerpt opens at last entry of the exposition: the subject is sounding in the bass, the first countersubject in the treble, while the middle-voice is stating a second version of the second countersubject, which concludes with the characteristic rhythm of the subject, and is always used together with the first version of the second countersubject. Following this an episode modulates from the tonic to the relative major by means of sequence, in the form of an accompanied canon at the fourth.

To make the music run smoothly, it may also have to be altered slightly. When the answer is an exact copy of the subject to the new key, with identical intervals to the first statement, it is classified as a real answer; if the intervals are altered to maintain the key it is a tonal answer. J.S. Bach's Fugue No. 16 in G Minor, BWV 861, from the Well-Tempered Clavier, Book 1. The first note of the subject, D (in red), is a prominent dominant note, demanding that the first note of the answer (in blue) sound as the tonic, G. A tonal answer is usually called for when the subject begins with a prominent dominant note, or where there is a prominent dominant note very close to the beginning of the subject.

The theatre building on Rue du Faubourg-Saint-Martin Le Splendid is a café- théâtre company founded by a collection of writers and actors in the 1970s - Christian Clavier, Michel Blanc, Gérard Jugnot, Thierry Lhermitte (four childhood friends who knew one another from the Lycée Pasteur in Neuilly-sur- Seine), Josiane Balasko, Marie-Anne Chazel, Bruno Moynot and Claire Magnin. The members of the company went on to become some of the most significant actors and directors in French cinema from the 1980s onwards and have collectively won many César awards. Anémone, Dominique Lavanant and Martin Lamotte have often worked with the troupe on stage and in films, but are not part of the collective. The café-théâtre was located in the rue des Lombards in the 4th arrondissement of Paris.

But the range extends all the way to preludes and fugues from Bach's Well-Tempered Clavier, which are found on an album alongside the piano composition Monogramme by Alfons Karl Zwicker. Today, it is part of the label's philosophy to "accompany a band or an artist over several years and to offer them the opportunity to introduce themselves with different projects at different intervals."Widmer quote n. Zeh, Jazz Podium 5/2004 Thus, the label has developed among others John Wolf Brennan's five solo albums for piano as well as his exhibition were published by the label I.N.I.T.I.A.L.S.This exhibition goes back to 1991, see Interview with Brennan, Concerto 4/2006 In doing so, the label focuses on building up the musicians over a longer period of time without restricting their artistic freedom.

The Latin term itself—"harsh" or "difficult" (duriusculus) "step" or "passage" (passus)—originates in Christoph Bernhard's 17th century Tractatus compositionis augmentatus (1648–49), where it appears to refer to repeated melodic motion by semitone creating consecutive semitones. The term may also relate to the pianto associated with weeping. In the Baroque, Johann Sebastian Bach used it in his choral as well as his instrumental music, in the Well-Tempered Clavier, for example (the chromatic fourth is indicated by a red bracket), : 400px In operas of the Baroque and Classical, the chromatic fourth was often used in the bass and for woeful arias, often being called a "lament bass". In the penultimate pages of the first movement of Beethoven's Ninth Symphony, the chromatic fourth appears in the cellos and basses.

With the application of notes inégales to the evenly notated eighth notes in the Fischer, the work even more comes alive as the French dance that is the Chaconne. Fischer's collection of suites published as Musicalischer Parnassus are also strongly evident of Muffat's amalgamated stylistic influence, and Fischer's compositions also foreshadow the complexity of Bach. Bach knew the works of Fischer and numerous fugue themes from the Well Tempered Clavier are taken from Fischer's own earlier collection preludes and fugues, some note for note. Fischer's most famous suite in D minor – Uranie from his collection of very French influenced suites found in the collection Musicalischer Parnassus – feature and Allemande and Courante that "need" notes inégales; and with the application of notes inégales Fischer's strong artistic compositional hand become even more evident.

The main title music was derived from two traditional Romanian panpipe pieces: "Doina: Sus Pe Culmea Dealului" and "Doina Lui Petru Unc" with Romanian Gheorghe Zamfir playing the panpipe (or panflute) and Swiss born Marcel Cellier the organ. Australian composer Bruce Smeaton also provided several original compositions (The Ascent Music and The Rock) written for the film. Other classical additions included Bach's Prelude No. 1 in C from The Well-Tempered Clavier performed by Jenő Jandó; the Romance movement from Mozart's Eine kleine Nachtmusik; the Andante Cantabile movement from Tchaikovsky's String Quartet No. 1, Op. 11, and the Adagio un poco mosso from Beethoven's Piano Concerto No. 5 "Emperor" performed by István Antal with the Hungarian State Symphony Orchestra. Traditional British songs God Save the Queen and Men of Harlech also appear.

Costa's playing was more than just one- handed lines: during a period when the typical approach to jazz piano was to concentrate on right-hand solos while adding only basic left-hand support, Costa used both hands in creating his own vigorous sound.Wilson, John S. (June 16, 1977) "Records: Clavier to Jazz Piano" The New York Times, p. 68. His piano playing on the informally recorded album Fuerst Set is typical of his style; it was later described by critic Whitney Balliett: > Each improvisation resembled an excellent drum solo in its rhythmic > intensity, pattern of beats, and elements of surprise. Costa liked to use > octave chords in the left hand and single-note lines in the right, and he > liked to thunder endlessly down in the lower registers of the piano.

Much of the musical repertoire written for harpsichord and organ from the period circa 1400–1800 can be played on the clavichord; however, it does not have enough (unamplified) volume to participate in chamber music, with the possible exception of providing accompaniment to a soft baroque flute, recorder, or single singer. J. S. Bach's son Carl Philipp Emanuel Bach was a great proponent of the instrument, and most of his German contemporaries regarded it as a central keyboard instrument, for performing, teaching, composing and practicing. The fretting of a clavichord provides new problems for some repertoire, but scholarship suggests that these problems are not insurmountable in Bach's Well-Tempered Clavier (). Among recent clavichord recordings, those by Christopher Hogwood (The Secret Bach, The Secret Handel, and The Secret Mozart), break new ground.

The clavier sonatas of Domenico Scarlatti form a separate and distinct species, written mostly in one movement, in song form, and in homophonic style. Scarlatti's sonatas represent a transitional type between the older and the Viennese sonata. In Italy, a distinction was made in older times between the sonata da chiesa (church sonata), written in fugal style, and the sonata da camera (chamber sonata) which was really a suite mixed with sonata elements, not derived from the dance. The crucial elements that led to the sonata form were the weakening of the difference between binary and ternary form; the shift of texture away from full polyphony (many voices in imitation) to homophony (a single dominant voice and supporting harmony); and the increasing reliance on juxtaposing different keys and textures.

The music of Final Fantasy V has also appeared in various official concerts and live albums, such as 20020220 music from FINAL FANTASY, a live recording of an orchestra performing music from the series including "Dear Friends". "Opening Theme", "Waltz Clavier", "Town Theme", and "Main Theme of FINAL FANTASY V" were played by the Tokyo Philharmonic Orchestra in their second Orchestral Game Concert in 1992 as part of a five concert tour, which was later released as a series of albums. Additionally, "Main Theme of FINAL FANTASY V" was performed by the New Japan Philharmonic Orchestra in the Tour de Japon: Music from Final Fantasy concert series. The Black Mages performed "Clash on the Big Bridge" at the Extra: Hyper Game Music Event 2007 concert in Tokyo on July 7, 2007.

Van Swieten, during diplomatic service in Berlin, had taken the opportunity to collect as many manuscripts by Bach and Handel as he could, and he invited Mozart to study his collection and encouraged him to transcribe various works for other combinations of instruments. Mozart was evidently fascinated by these works and wrote a set of transcriptions for string trio of fugues from Bach's Well- Tempered Clavier, introducing them with preludes of his own. In a letter to his wife Constance, dated in Vienna on 20 April 1782, Mozart recognizes that he had not written anything in this form, but moved by her interest he composed one piece, which is sent with the letter. He begs her not to let anybody see the fugue and manifests the hope to write five more and then present them to Baron van Swieten.

II. LITURGICAL YEAR A: From Advent to Pentecost This segment of "Liturgical Year A" incorporated twelve organ Preludes and Fugues and Das Orgelbüchlein, the collection of chorales preludes outlining the Liturgical Year. III. THE LUTHERAN MASS This segment centered on the development of liturgical and theological thought that crystallized during the Protestant Reformation. Drawing from Bach’s collection of chorales from Clavier-Übung III, sometimes referred to as “The Lutheran Mass,” each Vesper service focused on a particular segment of the Protestant worship service, doctrine, article of faith. IV. LITURGICAL YEAR B: From Advent to Pentecost The last segment of the Liturgical Year incorporated remaining Preludes, Toccatas, Fantasias with corresponding Fugues, as well as miscellaneous organ pieces and chorale preludes by J. S. Bach, arranged to follow the cycles of The Liturgical Calendar, from Advent to Pentecost.

The market place and Frauenkirche in Dresden, c 1750, by Bernardo Bellotto Silbermann organ in the Frauenkirche, Dresden on which Bach performed on December 1, 1736, a week after its dedication November 25, 1736 saw the consecration of a new organ, built by Gottfried Silbermann, in a central and symbolic position in the Frauenkirche, Dresden. The following week, on the afternoon of December 1, Bach gave a two- hour organ recital there, which received "great applause". Bach was used to playing on church organs in Dresden, where since 1733 his son, Wilhelm Friedemann Bach, had been organist at the Sophienkirche. It is considered likely that for the December recital Bach performed for the first time parts of his as yet unpublished Clavier-Übung III, the composition of which, according to Gregory Butler's dating of the engraving, started as early as 1735.

The 1955 interpretation is highly energetic and often frenetic; the later is slower and more deliberate—Gould wanted to treat the aria and its 30 variations as a cohesive whole. Gould revered J.S. Bach, stating that the Baroque composer was "first and last an architect, a constructor of sound, and what makes him so inestimably valuable to us is that he was beyond a doubt the greatest architect of sound who ever lived".In "Bach the Nonconformist"; Roberts (ed.), 100 He recorded most of Bach's other keyboard works, including both books of The Well-Tempered Clavier and the Partitas, French Suites, English Suites, Inventions and Sinfonias, keyboard concertos, and a number of toccatas (which interested him least, being less polyphonic). For his only recording at the organ, he recorded about half of The Art of Fugue, which was also released posthumously on piano.

Though largely ignored since Reicha's death, they were highly influential during his lifetime and left their mark on the quartets of Beethoven and Schubert,Ron Drummond: "The String Quartets of Anton Reicha – Introduction" much as Bach's Well-Tempered Clavier was ignored by the public but well known to Beethoven and Chopin. Reicha also wrote prolifically for various kinds of ensembles other than wind quintets and string quartets, including violin sonatas, piano trios, horn trios, flute quartets, various works for solo wind or string instruments accompanied by strings, and works for voice. He also wrote in larger-scale genres, including at least eight known symphonies, seven operas, and choral works such as a Requiem. Much of Reicha's music remained unpublished and/or unperformed during his life, and virtually all of it fell into obscurity after his death.

Starting piano lessons at an early age, Hudson also played organ at his church and his uncle's funeral parlour, and performed country songs on the accordionPp67-68, Chapter two "Who Do You Love: Ronnie Hawkins & The Hawks" in Jason Schneider's book "Whispering Pines: The Northern Roots of American Music... From Hank Snow to The Band" ECW Press Toronto 2009 First Edition hardcover Classically trained in piano, music theory, harmony and counterpoint, Hudson wrote his first song at the age of eleven and first played professionally with dance bands in 1949, at the age of twelve. He attended Broughdale Public School and Medway High School before studying music (primarily Bach's chorales and The Well-Tempered Clavier) at the University of Western Ontario. During this period, he grew increasingly frustrated with the rigidity of the classical repertoire, leading him to drop out after a year.

The underlying music is J.S. Bach's first prelude from The Well-Tempered Clavier, but at double the normal speed, with each phrase repeated interminably in a minimalist manner that parodies Glass. On top of this mind-numbing structure is added everything from jazz phrases to snoring to heavily harmonized versions of "Three Blind Mice" to the chanting of a meaningless phrase ("Koy Hotsy-Totsy," alluding to the art film Koyaanisqatsi for which Glass wrote the score). Through all these mutilations, the piece never deviates from Bach's original harmonic structure. The humor in P. D. Q. Bach music often derives from violation of audience expectations, such as repeating a tune more than the usual number of times, resolving a musical chord later than usual or not at all, unusual key changes, excessive dissonance, or sudden switches from high art to low art.

The very same year, she performs at the Salle Pleyel as "Mi Bémol" in "Le Clavier Fantastique", the children's opera of Graciane Finzi from Jules Verne. Marie Oppert, au Théâtre du Châtelet Her career takes off in 2014, when she first plays the young Alice from Lewis Carroll in the show "Alice, la Comédie Musicale"Alice, la Comédie Musicale directed by Marina Pangos, which then leads her to be Geneviève in "The Umbrellas of Cherbourg" from Jacques Demy and Michel Legrand at the Théâtre du Châtelet, together with Vincent Niclo, taking with success over the part crafted by Catherine Deneuve in 1964, in the movie from the same name. Alongside her start in the acting profession, she succeeds in her exams of 2015 with the baccalaureate, and joins with enthusiasm the curriculum of the Marymount Manhattan College in New York City.

Age to Age is the fourth studio album, and sixth album by Christian music singer Amy Grant, released in 1982 on Myrrh Records. Age to Age was Amy Grant's breakthrough album, finally earning her serious recognition within the burgeoning Contemporary Christian music community as it ushered her into stardom, and also contributed to the creation of the mold for the modern Contemporary Christian music star. The hit success of the album's first two singles, "Sing Your Praise to the Lord," featuring a piano intro based on J.S. Bach's "Fugue No. 2 in C Minor" from The Well Tempered Clavier, Book 1, and "El Shaddai," saw its sales take off, selling well over a million copies. It became the first Christian music album by a solo artist to be certified gold in 1983, and the first ever platinum Christian music album in 1985.

Thiry recorded the complete organ works of Olivier Messiaen in 1972 at St. Pierre Cathedral in Geneva for Calliope. The composer Olivier Messiaen wrote about him: The recording was awarded the Prize of the Président of the Republic, the Shock of Le Monde de la musique and the Grand Prix du Disque of l'Académie Charles Cros). It was reissued in 2018. In Thiry's obituary in Le Monde, Marie-Aude Roux described the recording as "still considered one of the great achievements in the history of records" ("toujours considéré comme l'une des grandes réalisations de l'histoire du disque"). Silbermann organ of Église Saint-Thomas in Strasbourg Thiry also recorded works by Bach, the Well Tempered Clavier at the Église Réformée d’Auteuil in 1975, and in 1993 The Art of Fugue at the organ of the Église Saint-Thomas in Strasbourg, built by Johann Andreas Silbermann in 1741.

She received her first piano instruction from her mother, who had learned the Berlin Bach tradition through the writings of Johann Kirnberger, a student of Johann Sebastian Bach.Todd (2010) Thus as a 14 year old, Mendelssohn could already play all 24 preludes from Bach's The Well-Tempered Clavier from memory alone, and she did so in honour of her father's birthday in 1819.Hayman (2017) Beyond inspiration from her mother, Mendelssohn may also have been influenced by the role-models represented by her great-aunts Fanny von Arnstein and Sarah Levy, both lovers of music, the former the patroness of a well-known salon and the latter a skilled keyboard player in her own right.Citron (1994), After studying briefly with the pianist Marie Bigot in Paris,Mendelssohn (1987) Mendelssohn and her brother Felix received piano lessons from Ludwig Berger and composition instruction from Carl Friedrich Zelter.

Unlike the English Suites, for example, wherein each opens with a strict prelude, the Partitas feature a number of different opening styles including an ornamental Overture and a Toccata. Although each of the Partitas was published separately under the name Clavier-Übung (Keyboard Practice), they were subsequently collected into a single volume in 1731 with the same name, which Bach himself chose to label his Opus 1. Unlike the earlier sets of suites, Bach originally intended to publish seven Partitas, advertising in the spring of 1730 upon the publication of the fifth Partita that the promised collected volume would contain two more such pieces. The plan was then revised to include a total of eight works: six Partitas in Part I (1731) and two larger works in Part II (1735), the Italian Concerto, BWV 971, and the Overture in the French style, BWV 831.

Taubman directed the Dorothy Taubman Institute of Piano at Amherst College in Massachusetts from 1976 to 2002.Richard Dyer, Boston Globe, "Dorothy Taubman teaches piano without pain", August 13, 1995 (pay site). She was formerly a professor at Temple University and at the Aaron Copland School of Music in Queens College, and was featured in numerous articles and interviewed in the Boston Globe, The New York Times, and the Los Angeles Times; and the Piano Quarterly, Piano and Keyboard, and Clavier magazines. Taubman was noted for her work with injured musicians: including the American pianist Leon Fleisher, who was forced to play with only one hand for many years due to injuries he sustained playing the piano; the piano teacher Edna Golandsky, who was Taubman's principal teaching assistant and associate director of the Institute;Jan Herman, Los Angeles Times, "More than the Sound of Music", November 7, 1997.

As the term was used in the 17th century, "Well tempered" meant that the twelve notes per octave of the standard keyboard were tuned in such a way that it was possible to play music in all major or minor keys that were commonly in use, and it would not sound perceptibly out of tune . alt=Cover of "Orgelprobe" 1681 Well temperament is called "Wohltemperiert", in the German language. This wording was first used by Werckmeister in the subtitle of "Orgelprobe" 1681: "Unterricht, Wie durch Anweiß und Hülffe des Monochordi ein Clavier und zu stimmen sei, damit man nach heutiger Manier alle modos fictos in einer erträglichen und angenehmen harmoni vernehme". The facsimile of the cover on the right is copied from page 18 of: "A Passable and Good Temperament; A New Methodology for Studying Tuning and Temperament in Organ Music", from Johan Norback.

Oxford University Press has published numerous of his keyboard editions, including his anthology, A First Harpsichord Book. He was also noted for his record reviews and articles in such periodicals as The International Classic Record Collector, The International Piano Quarterly, Gramophone Early Music, Goldberg, Early Music America, the internet music magazines Music & Vision and Stereo Times, Stereophile, Audio, FI, Schwann/Opus, Stereo Review, The American Record Guide, Clavier, Opus, Chamber Music Magazine, Early Keyboard Studies Newsletter, and The Yale Review, as well as having written for The Washington Post, the New York Post, and the New York Herald Tribune. He was also involved in compiling A Harpsichord Resource Book for Greenwood Press, and editing the harpsichord and clavichord volume of a three-volume set – Encyclopedia of Keyboard Instruments, of which the harpsichord and clavichord volume was published in 2007, Routledge published the set – vol.1 The Piano (2003); vol.

2, "Music of the Seventeenth and Eighteenth Centuries". Oxford University Press. Hermann Keller describes the effect of this cadence as follows: "the splendour of the end with the famous third inversion of the seventh chord, who would not be enthralled by that?"Hauk, Franz and Iris Winkler (translated by Regina Piskorsch-Feick), 2001, from liner notes p.4 for recording by Franz Hauk, Johann Sebastian Bach Organ masterworks, Guild Music Ltd GMCD 7217 Chopin's Fantaisie, Op. 49, composed over a century later in 1841, features a similar harmonic jolt: Chopin Fantaisie in F minor, Op. 49 Chopin Fantaisie in F minor, Op.49 A deceptive cadence is a useful means for extending a musical narrative. In the closing passage of Bach’s Prelude in F minor from Book II of the Well-Tempered Clavier, the opening theme returns and seems headed towards a possible final resolution on an authentic (perfect) cadence.

In 1971, Leonhardt and Harnoncourt undertook the project of recording the complete Bach cantatas; the two conductors divided up the cantatas and recorded their assigned cantatas with their own ensembles. The project, the first cycle on period instruments, ended up taking nineteen years, from 1971 to 1990. In addition, Leonhardt recorded Bach's St Matthew Passion, Mass in B minor, Magnificat, and the complete secular cantatas, as well as the harpsichord concertos, Brandenburg concertos, and most of his chamber and keyboard music; he recorded Bach's Goldberg Variations (three times), Partitas (twice), The Art of Fugue (twice), The Well-Tempered Clavier, French Suites, English Suites (twice), Inventions and Sinfonias, and many other individual works for the harpsichord, clavichord, or organ. To the surprise of some of his associates,Rudolf Rausch, "Gustav Leonhardt" Ad Parnassum: A Journal of Eighteenth and Nineteenth Century Instrumental Music 10(19) April 2012, p.

" She gave it a score of 9.1 out of 10. Scott Tobias of The New York Times wrote in his review of the episode; "The experience of watching "The Well-Tempered Clavier" did underline the unique ambition of Westworld, which is appreciable even when the ins and outs of the show are confusing." Zack Handlen of The A.V. Club wrote in his review, "As the show finally starts showing its cards, it means getting to see the relationships that have been hiding right out in the open, and those relationships are, in their way, just as thrilling as the fireworks they set off." He gave the episode an A-. Liz Shannon Miller of IndieWire wrote in her review, "Thanks to Game of Thrones, we're somewhat conditioned to expect epic mayhem from the penultimate episodes of an HBO series, but Westworld, as usual, proves committed to developing its own models.

Comparison of Bach's Prelude No. 1 in C major (BWV 846) with Chopin's Étude Op. 10, No. 1 The étude, like all études by Chopin, is in ternary form (A–B–A), recapitulating the first part. The first part of the middle section introduces chromaticism in the left hand octave melody while the second one modulates to the C major recapitulation via an extended circle of fifths. James Huneker states that Chopin wished to begin the "exposition of his wonderful technical system" with a "skeletonized statement" and compares the étude to a "tree stripped of its bark." Excerpt of harmonic reduction (bars 41–49: circle of fifths leading to recapitulation) after Carl Czerny Its harmonies resemble a chorale and its relationship to Bach's Prelude No. 1 in C major (BWV 846) from The Well-Tempered Clavier has been noted by musicologist Hugo Leichtentritt (1874–1951), among others.

Johann Sebastian Bach introduced an innovation in fingering for the organ and the clavier. (A similar, although according to Bach's son Carl Philipp Emanuel Bach less radical, innovation was introduced by François Couperin, at roughly the same time in 1716, in his book L'art de toucher le clavecin.) Prior to Bach, playing rarely involved the thumb. Bach's new fingering retained many features of the conventional fingering up until that point, including the passing of one finger under or over another (playing many of Bach's works requires such fingering, especially passing the third finger over the fourth or the fourth finger over the fifth.), but introduced the far greater use of the thumb. Modern fingering also uses the thumb to a similar extent, and involves the passing of the thumb under the other fingers, but does not, as Bach's did, generally involve the passing of any other fingers over or under one another.

The orchestral accompaniment consists of two characteristic woodwind parts, strings and continuo.Der Gerechte kömmt um BWV deest; BC C 8 (= BC D 10/3) at : "traverse flute I, traverse flute II, oboe I, oboe II, violin I, violin II, viola, basso continuo" If both attributions are correct (the original to Kuhnau, the arrangement to Bach) this seems the only instance of Bach adopting music of his predecessor. Kuhnau's ideas were however more easily adopted by his successor: there is the imitation of Kuhnau's style in the final chorus of Bach's very first cantata for Leipzig, there are the links to Kuhnau in Bach's Magnificat (SSATB chorus, Christmas interpolations) and there are the similarities in both their Clavier-Übung publications. Harsh judgements have been passed on the quality of Kuhnau's music: Spitta, after describing various aspects of where he sees Kuhnau's choral music wanting, concludes: "Kuhnau did not understand the world, nor did the world understand him..."Spitta, o.c. pp.

The tonalities of the six Partitas (B major, C minor, A minor, D major, G major, E minor) may seem to be random, but in fact they form a sequence of intervals going up and then down by increasing amounts: a second up (B to C), a third down (C to A), a fourth up (A to D), a fifth down (D to G), and finally a sixth up (G to E). This key sequence continues into Clavier-Übung II (1735) with the two larger works: the Italian Concerto, a seventh down (E to F), and the Overture in the French style, an augmented fourth up (F to B). Thus this sequence of tonalities customary for 18th-century keyboard compositions is complete, beginning with the first letter of his name (B in German is Bach's "home" key of B) and ending with the last letter (H in German is B) while including both A and C along the way.

Each concert associates a work of Gouvy with works of other composers. This mix is most often based on highlights of the musical scene or on other topical issues as the 10th anniversary of the twinning between Hombourg-Haut and San Giorgio di Pesaro in 2016 (with an Ouverture of Rossini, the 4th symphony of 4Mendelssohn and the 1st symphony of Gouvy (both symphonies have been composed in Italy).Concert programme available on the website of Radio Mélodie Participating vocal groups, artists and orchestras include conductors like Pierre Cao, Jacques Mercier, Joachim Fontaine, soloists like Jean-Efflam Bavouzet, Françoise Pollet, Jean-Pierre Wallez… ; choirs like the Choir of the monks of Saint- Alexander Nevski monastery, the female Choir Rimsky-Korsakov of Saint- Petersburg, Oxford Voices, Psalette de Lorraine… ; chamber music ensembles like Ricercare or the Chamber Orchestra of the Grand Duchy of Luxembourg (KMVL)Concert programme on the official website of Hombourg-Haut....; string quartets (Quatuor Varèse, Quatuor Denis Clavier) etc.

However, the increase of power and variety obtainable by two performers instead of one offers a legitimate inducement to composers to write original music in this form, and the opportunity has been by no means neglected, although cultivated to a less extent than might have been expected. The earliest known printed works for the pianoforte à quatre mains were published in Dessau about 1782, under the title Drey Sonaten füre Clavier als Doppelstücke fur zwey Personen mit vier Handen von C. H. Müller. However, before this, Ernst Wilhelm Wolf, the musical director at Weimar in 1761, had written one or more sonatas for two performers, which were published after his death. So far as is known these were the first compositions of their kind, although the idea of the employment of two performers (but not on one instrument) may have originated with Johann Sebastian Bach, who wrote three concertos for two harpsichords, three for three, and one for four, all with accompaniment of stringed instruments.

Galuppi's skill as keyboard player is well documented. Hillers Wöchentliche Nachrichten in 1772 made this mention of Galuppi's reputation in Saint Petersburg: "Chamber concerts were held every Wednesday in the antechamber of the imperial apartments, in order to enjoy the special style and fiery accuracy of the clavier playing of this great artist; thus did the virtuoso earn the overall approval of the court."Hiller, Johann Adam, Wöchentliche Nachrichten und Anmerkungen, die Musik betreffend (Leipzig, 1772) It is no surprise that a number of Galuppi's keyboard works should make it into print during his lifetime, including two sets of 6 sonatas, published in London as opus 1 (1756) and opus 2 (1759) respectively.Franco Rossi, Catalogo tematico delle composizioni di Baldassare Galuppi (1706–1785) – Parte I: Le opere strumentali, Edizioni de I Solisti Veneti, Padova, 2006 Felix Raabe mentions the round number of 125 "sonatas, toccatas, divertimenti and etudes" for keyboard, based on Fausto Torrefranca's 1909 thematic catalogue of Galuppi's cembalo works.

Castro-Balbi is the cellist of the Lin / Castro-Balbi Duo, of the music project Caminos del Inka and formerly of the Clavier Trio. Among other distinctions, he is the winner of the Aldo Parisot Prize at Yale, the Salon de Virtuosi Award in New York, and of the Carlos Prieto International Cello Competition. Castro-Balbi is Associate Professor of Cello at the Texas Christian University School of Music in Fort Worth, Texas, where he also the founding artistic director of the TCU Cello Ensemble, the biennial TCU Cellofest, and of the Faculty & Friends Chamber Music Series, receiving the Dean's Research and Creativity Award and the College of Fine Arts Award for Distinguished Achievement as a Creative Teacher and Scholar. In addition to his work at TCU, he conducts master- classes and lectures at Beijing's Central Conservatory of Music, The Juilliard School, Paris Conservatoire, Leipzig's Hochschule, the University of Colorado at Boulder, the University of Texas at Austin and at the Yale School of Music.

Today musicians who play in cafes or restaurants will sometimes play transcriptions or arrangements of pieces written for a larger group of instruments. Other examples of this type of transcription include Bach's arrangement of Vivaldi's four-violin concerti for four keyboard instruments and orchestra; Mozart's arrangement of some Bach fugues from The Well-Tempered Clavier for string trio; Beethoven's arrangement of his Große Fuge, originally written for string quartet, for piano duet, and his arrangement of his Violin Concerto as a piano concerto; Franz Liszt's piano arrangements of the works of many composers, including the symphonies of Beethoven; Tchaikovsky's arrangement of four Mozart piano pieces into an orchestral suite called "Mozartiana"; Mahler's re-orchestration of Schumann symphonies; and Schoenberg's arrangement for orchestra of Brahms's piano quintet and Bach's "St. Anne" Prelude and Fugue for organ. Since the piano became a popular instrument, a large literature has sprung up of transcriptions and arrangements for piano of works for orchestra or chamber music ensemble.

"The Well-Tempered Clavier" was written by Dan Dietz and Katherine Lingenfelter, and was directed by Michelle MacLaren. It is the only episode of the season to not be written by either Jonathan Nolan or Lisa Joy, but rather by individuals who had worked with the two of them in their previous endeavors (Dietz with Nolan on Person of Interest and Lingenfelter with Joy on Pushing Daisies). According to MacLaren, several of the most memorable scenes in the episode were created with clever practical effects in lieu of digital effects, including some of the transitions between Dolores' past and present, the Man in Black's escape from the noose, and Maeve and Hector's sex scene in a burning tent. The tent scene was filmed on a Santa Clarita studio backlot by placing Thandie Newton and Rodrigo Santoro at a safe distance from the open end of half a tent which had been treated with a special glue in advance to ensure controlled fire spread.

Title page of Bach's Opus 1 (Clavier-Übung I, 1731), the only time he seems to have used an opus number Apart from indicating his first published keyboard composition as Opus 1, Bach didn't use opus numbers, so Bach's works can't be listed by opus number. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA sequence of publication) – overall lists covering all of Bach's compositions in order of first publication are however not a way Bach's compositions are usually presented. Listing Bach's works according to their time of composition can't be done comprehensively: for many works the period in which they were composed is a very wide range. For Bach's larger vocal works (cantatas, Passions,...) research has led to some more or less generally accepted chronologies, covering most of these works: a catalogue in this sense is Philippe (and Gérard) Zwang's list giving a chronological number to the cantatas BWV 1–215 and 248–249.

Blues on Bach is an album by American jazz group the Modern Jazz Quartet recorded in 1973 and released on the Atlantic label.Modern Jazz Quartet discography accessed June 1, 2012 The album includes five John Lewis arrangements of pieces by Johann Sebastian Bach, interspersed with four original blues pieces "on" [the name] "Bach" -- in keys (and with titles) that spell out in order the name B-A-C-H. The five pieces arranged from Bach originals are: "Regret?" from "The Old Year Has Now Passed Away"; "Rise Up in the Morning" from "Sleepers Wake"; "Precious Joy" from "Jesu, Joy of Man's Desiring"; "Don't Stop This Train" from a selection in "Klavierbüchlein für Wilhelm Friedemann Bach"; and "Tears from the Children" from the Prelude 8 in E-flat minor from Book I of "The Well-Tempered Clavier"). For the four blues pieces, the "spelling" of the titles follows the system Bach and his German contemporaries used, in which the letter B indicates B-flat, and the letter H is B-natural.

Imitation featured in both instrumental and vocal music of the Renaissance. In the following passage from a Ricercar by Andrea Gabrieli, the instruments at first imitate at a distance of two beats. Towards the end of the episode, bars 11–12, the imitation becomes closer, at a distance of only one beat:Andrea Gabrieli Ricercare del 12o tonoAndrea Gabrieli Ricercare del 12o tono The fugues of J.S.Bach contain a variety of examples of imitation. The fugue in Bb minor BWV 867, from Book 1 of the Well-tempered Clavier opens with a subject that is imitated at the interval of a fifth higher and at a distance of four beats:Bach Fugue XXII in B flat minor BWV 867, openingBach Fugue XXII in B flat minor BWV 868, opening Later, the theme is imitated through all five parts at the distance of just one beat:Bach Fugue XXII in B flat minor BWV 869, closing barsBach Fugue XXII in B flat minor BWV 869, closing bars This type of closely followed imitation is characteristic of fugues as they build towards a conclusion.

Josef and his wife, being childless, could give young Anton their full attention: Josef taught him violin and piano, his wife insisted on his being taught French and German, and he was also taught the flute. In 1785 the family moved to Bonn, where Reicha became a member of the Hofkapelle of Max Franz, Elector of Cologne, playing violin and second flute in the court orchestra under his uncle's direction. The young Beethoven entered the Hofkapelle as violist and organist in 1789 and Reicha befriended him. Christian Gottlob Neefe, one of the most important figures in the musical life of the city at the time, may well have instructed both Reicha and his gifted piano pupil Beethoven in composition and introduced them to the works of Johann Sebastian Bach, such as The Well-Tempered Clavier. From about 1785 Reicha studied composition secretly, against his uncle's wishes, composing and conducting his first symphony in 1787 and entering the University of Bonn in 1789, where he studied and performed until 1794, when Bonn was attacked and captured by the French.

If a file plays at a fixed tempo, its map is a horizontal line (e.g., measures 38 and 39 in this part of a MIDI sequencer’s display of the end of J.S. Bach's prelude #8 from Book I of the Well-tempered Clavier): 800px But, if the tempo fluctuates as a function of time, such as in accelerando, allargando, or rubato, the line is respectively an upward- or downward-climbing one, or in the latter case, a complex curve, as seen here in measures 35 and 36 at left, or the ending in measures 40 and 41. In most music, aesthetics demand that this flow of events not be linear, but fluctuate according to the expression the music intends to convey. Hence, a very emotional piece such as the preceding is excerpted from, although playing at a base tempo of MM=50 — which means 50 quarter notes per minute, holding back or lunging forward according to expressive impulse can result in a tempo map similar to that seen above: It flexes tempo down for the intermediate cadence at left, and again for the final allargando at the right.

For him, the first four preludes and fugues from Book I of Bach's The Well-Tempered Clavier represented water, fire, earth and air respectively, and he conceived many others in a poetical light. He taught Luigi Cherubini's methods for counterpoint, and used Hector Berlioz's orchestral treatise.David Drew, Canonic Studies and Time Pieces on the Motif FB-AG, in Latham, Alison and Alexander Goehr, eds, Sing, Ariel: Essays and Thoughts for Alexander Goehr's Seventieth Birthday; p.48; Retrieved 10 June 2013 Through his former pupil Wilhelm Kienzl's intercession with Ferruccio Busoni's father, Busoni studied harmony, counterpoint, orchestration and composition with Mayer from November 1879 to April 1881, being just 15 when he completed his formal studies with honours.Marc-André Roberge, Ferruccio Busoni (1866-1924), in Larry Sitsky, ed., Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook; Retrieved 9 June 2013 Mayer taught Busoni that "the widest possible culture makes the artist", a motto Busoni wrote on his 430-page treatise on composition he had written out in longhand during his studies with MayerClassical Archives, Busoni: 24 Preludes, Op. 37; Retrieved 9 June 2013 and later transmitted to his own pupils.

The repertoire of Mikhail Kollontay includes: “The Well-tempered Clavier” of J.S. Bach (volumes 1 and 2; State Radio recordings 1978, 1992, 1995; “Russian Disc” 1991; 2002; 2018); late sonatas of J. Haydn; sonatas of W.A. Mozart; works of L. van Beethoven (including op. 106, recordings of the State Radio 1983, 1992); F. Chopin (four ballades, etudes op. 25, sonata in B-minor, etc.), F. Liszt (Sonata in B minor, "Christmas Tree," etc.); P.I. Tchaikovsky (Piano concerto No. 1, “The Seasons of the Year,” etc.); works of M.I. Glinka (recording of the All-Union Radio, 1986; SWR, Baden-Baden, Germany, 2001); A.S. Dargomyzhsky (recording of the All- Union Radio, 1987); M.A. Balakirev (CD, 1995, a Saison Russe Recording); M.P. Mussorgsky (recording of all piano compositions, Moscow State Conservatory, 2000; recording of “Pictures at an Exhibition” and participation in a TV film dedicated to this composition, 1992, NHK, Japan); Komitas; Yu.M. Butsko (“Dythyramb” for piano and orchestra, “Melodiya” recording, 1989; Sonata in four fragments, All-Union Radio recording, 1983), B.A. Tchaikovsky, A.A. Bouzovkin, V.G. Arzoumanov, V.V. Ryabov (CD, 2007, Lighthouse). Performs various solo programmes in Russia and abroad.

For example, in the keyboard prelude in A major from J.S. Bach’s The Well-Tempered Clavier, Book 1, the following passage, from bars 9–18, involves two lines, one in each hand:Bach's prelude in A from WTC1 bars 9–18 Bach's Prelude in A from WTC1 bars 9–18 When this passage returns in bars 26–35 these lines are exchanged:Bach's Prelude in A from WTC1 bars 25–36 Bach's Prelude in A from WTC1 bars 25–35 J.S. Bach’s Three-Part Invention in F minor, BWV 795 involves exploring the combination of three themes. Two of these are announced in the opening two bars. A third idea joins them in bars 3–4. When this passage is repeated a few bars later in bars 7–9, the three parts are interchanged:Bach's three-part Invention (Sinfonia) in F minor BWV 795, bars 1–9Bach's three-part Invention (Sinfonia) BWV 795, bars 1–9 The piece goes on to explore four of the six possible permutations of how these three lines can be combined in counterpoint. One of the most spectacular examples of invertible counterpoint occurs in the finale of Mozart’s Jupiter Symphony.

Louise died in 1962, and her (second) husband Jeff Hanson continued publication of fine editions, but moved the company's focus to producing high-quality recordings. Jeff Hanson died the following year but Margarita M. Hanson, his second wife, continued to run the publishing business until 1996. Under her guidance, the 25-volume Polyphonic Music of the Fourteenth Century was published, followed by the Magnus Liber Organi and Le Grand Clavier series, much with the substantial collaboration and financial assistance of the University of Melbourne.current publications of Éditions de l'Oiseau-Lyre Margarita retired in 1995, and control of the company was passed to Davitt Moroney, a harpsichordist and music scholar who had been with the firm since 1981. Following Davitt Moroney’s departure in 2001, Kenneth Gilbert became Président délégué, bringing the seven-volume Magnus Liber Organi series to conclusion. A number of new editions were also released, including Louis Couperin’s Organ works and revised reprints of earlier Oiseau-Lyre editions. Les Éditions de l’Oiseau-Lyre ended its presence in Europe in 2013, reverting to the parent holding, Lyrebird Press, at the University of Melbourne. The Hanson-Dyer collection is now in the Louise Hanson-Dyer Music Library at the University of Melbourne, Australia.

Gary Cooper studied organ and harpsichord at Chetham's School of Music, the John Loosemore Centre, and was an organ scholar at New College, Oxford, where he graduated with First Class Honours.GoldbergWeb In 1990 while still a student at Oxford, he co-founded New Chamber Opera, and has conducted many of their performances, including a complete recording of Rameau's cantatasGriffiths (7 April 2000) and a new production of Handel's rarely performed opera, Orlando, at Sadler's Wells Theatre in 2006.Monk (January 2007) Between 1992 and 2000, he was a member of the baroque ensemble, Trio Sonnerie, with whom he performed regularly throughout Europe and the United States.Strini (22 March 1997) Cooper made his Wigmore Hall solo recital debut on 1 December 2000 with a performance of Bach's complete Well-Tempered Clavier,Crankshaw (March 2001) and has frequently appeared as a recitalist both in the UK and in Europe. Several of his performances have been broadcast on BBC Radio 3, including his 22 November 2004 recital at the Cosmo Rodewald Concert Hall in ManchesterBBC Radio 3 (19 December 2004) and his 29 January 2006 Wigmore Hall performance of Mozart's sonatas for piano and violin with violinist Rachel Podger, broadcast live as part of the European Broadcasting Union's Mozart Day.