The psychological descent into classicalism is always a strong possibility.
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Our oil paintings have different styles such as classicalism, impressionism and realism.
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The United States, you imagine, would of all nations be the freest from classicalism.
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From this rigid classicalism he never swerved, unless his successful efforts to popularise Berlioz may be so considered.
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This cosmopolitanism outlook ensured that contemporary cultural concerns like classicalism and romanticism influenced debate in Belfast's clubs and societies.
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Flaxman, to his credit, in spite of his classicalism, was one of the first to draw attention 32to the work.
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Due to Syria's education in MSA and global communication, DA is experiencing changes towards classicalism, pseudo- classicalism, neologisms and journalese; local characteristics are rapidly being abandoned in favour of such uses. For example, the traditional zōzi (my husband) is being replaced by žōzi and the new semi-classical variant zōži emerged. This rapid influence can be considered the main difference between the traditional and contemporary DA versions.
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"15th-17th Century Italian Painters", Museo del Prado, 2012. The use of the three figures as well as the poetic interpretation of the myth is reminiscent of Titian's painting. Annibale crosses the realm of artistic style between realism and ideal classicalism in this painting.Jimenez-Blanco, The Prado Guide, 280.
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The artistic style of this piece seems to vary throughout, particularly in the use of brushstrokes, alternating between loose and finite. This alternation between loose and finite helps reinforce the idea of realistic classicalism that Carracci is well known for. The background is done with loose brushstrokes and a good blending of colors whereas the main figures are very classical and ideal shown through intricate details and realism. The figures all have little elements on them that are incredibly intricate.
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Parallel to krautrock's rockist impulses, across North America and Europe, some musicians sought to reconcile Asian classicalism, austere minimalism and folk music's consonant aspects in the service of spirituality. Among them was Theatre of Eternal Music alumnus Terry Riley, with his 1964 In C.Hugh Wiley Hitchcock, Music in the United States: A Historical Introduction, Prentice-Hall, 1974, , p. 269: "A few others besides Young have pursued similar paths of minimal drone-music, notably Terry Riley (b. 1935) in works like In C for orchestra [...]"Cook & Pople 2004, p.
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Adams's devotion to classical rhetoric shaped his response to public issues, and he would remain inspired by those rhetorical ideals long after the neo-classicalism and deferential politics of the founding generation were eclipsed by the commercial ethos and mass democracy of the Jacksonian Era. Many of Adams's idiosyncratic positions were rooted in his abiding devotion to the Ciceronian ideal of the citizen-orator "speaking well" to promote the welfare of the polis. He was also influenced by the classical republican ideal of civic eloquence espoused by British philosopher David Hume. Adams adapted these classical republican ideals of public oratory to the American debate, viewing its multilevel political structure as ripe for "the renaissance of Demosthenic eloquence".
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Roman Vlad contrasts the "classicism" of Stravinsky, which consists in the external forms and patterns of his works, with the "classicality" of Busoni, which represents an internal disposition and attitude of the artist towards works . Busoni wrote in a letter to Paul Bekker, "By 'Young Classicalism' I mean the mastery, the sifting and the turning to account of all the gains of previous experiments and their inclusion in strong and beautiful forms" . Neoclassicism found a welcome audience in Europe and America, as the school of Nadia Boulanger promulgated ideas about music based on her understanding of Stravinsky's music. Boulanger taught and influenced many notable composers, including Grażyna Bacewicz, Lennox Berkeley, Elliott Carter, Francis Chagrin, Aaron Copland, David Diamond, Irving Fine, Harold Shapero, Jean Françaix, Roy Harris, Igor Markevitch, Darius Milhaud, Astor Piazzolla, Walter Piston, Ned Rorem, and Virgil Thomson.
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