64 Sentences With "clapperboard" | Random Sentence Generator

To change up the style and transitions, tap the clapperboard icon at the lower left of your screen.

When the clapperboard-wielding villain is vanquished at the end, shoved and stepped on, the victory is hollow.

It's also worth noting that the name of the film as it currently reads on the clapperboard is Star Wars: Red Cup.

The clapperboard enters the frame, clacks, withdraws — taking with it any assumption about what this story will be and how it will be told.

As they circle each other in a damp mating dance, the actor Kyle Beltran sits upstage, marking each scene change with a clack on a clapperboard.

He did not attend film school, instead entering the business at the bottom in 1947, making tea and operating the clapperboard at Marylebone Studios in London.

The fiery Latin dancing her cast does under the lash of the clapperboard looks the same as the dancing the group does after it has rebelled.

The black-and-white picture shows a clapperboard setting up a shot, with actors — including what appears to be Jim Carter, AKA Mr. Carson — in the background.

"Tiburones" ("Sharks"), Ms. Lopez Ochoa's new work for Ballet Hispánico, takes place on a movie set, evoked by lights, camera and a male authority figure snapping a clapperboard imperiously.

Director Chris Miller declared to the world that filming for the movie started today by tweeting out a photo of the film's very first clapperboard, showing that they are on roll one, take one.

Highlighting the illusionism of the endeavor, at times a clapperboard (complete with the name of one of the film's producers, Idéale Audience, legibly written on it) claps onscreen, designating the beginning of a take.

A clapperboard—that iconic, black-and-white sign used by filmmakers to sync up audio and visuals—from Jaws went for £84,000 ($109,326), while one from Star Wars: Episode V—The Empire Strikes Back sold for £783,000 ($42,950).

To likely avoid any spoilers on the highly anticipated project, the news came with a captionless photo of a simple Captain Marvel clapperboard with signatures from the cast and crew on top of a calendar marking the shoot's final days.

Nestled amongst the moans and groans that shake the foundations of every whitewashed house in Van Nuys, and the clapperboard clanks emanating from the area's endless movie studios, is a beguiling blend of library music, cosmic Americana, and sunblushed new age noodling.

There's Ali's infamous yellow top from the very first episode (though it's not the original; they had about 30 made, since Ali had to get buried alive in it more than a few times); those disturbing dolls, which have a permanently happy home in their dollhouse (fun fact: It's King's from childhood); framed photos of Marlene from episodes she's directed, which are gifts from Mitchell; and the clapperboard from the final episode, which reads: Directed by Marlene King.

Most of the songs from previous versions returned, though there are a total of 22 songs that have been removed. Clapperboard marks indicate the songs have full background video playing during the game (instead of characters). Clapperboard marks with (BG) indicate the songs' background video are played in the in-game character stage.

Three people dressed in cardboard costumes as a camcorder, microphone and clapperboard respectively, meet a fourth person with a large cardboard head and arms (seen here in the centre exiting the house) in the Fukme 99 video. A Fukme 99 directed video was included on the DVD version of Rings Around the World on its release in July 2001. The video begins with the phrase "Get real!" in pink letters and features three people, dressed in cardboard costumes as a camcorder, clapperboard and microphone respectively, wandering around the streets of Hammersmith. The camcorder is refused entry into a shop and is taunted by schoolchildren while the clapperboard is told to leave the scene of a film by one of the crew.

Clapperboard A clapperboard is a device used in filmmaking and video production to assist in synchronizing of picture and sound, and to designate and mark the various scenes and takes as they are filmed and audio-recorded. It is operated by the clapper loader. Other names include clapper, clapboard, cue card, clacker, slate, slate board, slapperboard, sync slate, time slate, sticks, board, smart slate, dumb slate and sound marker. When sound and picture are out of synchronization, there is a lip flap occurring.

Another shows the Hood standing in his jungle temple with a clapperboard in front of him. Footage from the Trans American TV Network sequence was later edited into the Joe 90 episode "International Concerto".

During the typical filming of a motion picture, a movie camera captures the image on 35 mm film and a separate audio recorder (such as a Nagra tape recorder or digital hard disk recorder) records the sound on-set. The film negative is developed and printed or telecined so that the images can be viewed on a projector or video monitor. The sound is synched to the film using a clapperboard as a reference. The clapperboard is labeled to identify the scene, shot, and take number for the camera.

Most of the songs from previous versions returned and some songs are moved to the newer version, though there are a total of 22 songs that have been removed. Clapperboard marks indicate the songs have full background video playing during the game (instead of characters).

The clapperboard combines a 'chalkboard slate' or acrylic board with 'filmsticks' or 'clappersticks'. The slate displays the name of the production, the scene and "take" about to be performed, and similar information; a camera assistant holds the clapperboard so the slate is in view of the cameras with the Filmsticks already open, speaks out information for the benefit of the audio recording, then claps the filmsticks shut. The shutting of the filmsticks is easily identified on the visual track, and the sharp "clap" noise is easily identified on the separate audio track. The two tracks can later be precisely synchronised by matching the sound and movement.

In recent years sticks with calibrated color stripes have become available. Digislates are simply clapperboards with inbuilt electronic boxes displaying SMPTE time code. The timecode displayed on the clapperboard will have been jam synced with the internal clock of the camera so it's easy for an editor to pull the timecode metadata from the video file and sound clip and synchronise them together. However, electronic timecode can drift throughout a shoot day so the Filmsticks on the clapperboard still need to be closed together in order to ensure there's a way of manually synchronising the footage and audio if matching the digital timecode fails.

She devised Clapperboard, presented by Chris Kelly, Granada's film magazine show for children. Young was also an occasional panellist on the ATV talent show New Faces. Changing direction again in the mid-1980s, Young made two series of Ladybirds, a Channel 4 programme from Mike Mansfield's independent company.

The number of each take is written or attached to the clapperboard, which is filmed briefly prior to or at the beginning of the actual take. Only those takes which are vetted by the continuity person and/or script supervisor are printed and are sent to the film editor.

Anne Shirley "Willsy" Wills (born 3 October 1944) is an Australian television and radio personality based in Adelaide. Wills holds the record for the most number of Logies won by a person in the history of the awards, winning 19 Most Popular State Personality Logies, and one as producer of Clapperboard.

The clapper, who is already in front of the camera with the clapperboard, calls "marker!" and slaps it shut. If the take involves extras or background action, the AD will cue them ("action background!"), and last is the director, telling the actors "action!". The AD may echo "action" louder on large sets.

Manson removed the distinction between on- and off-stage, with stagehands reapplying the band members' make-up and assisting with wardrobe changes in full-view of the audience. Prior to the commencement of each song, a stagehand would re-appear and signify that a new act had begun by using a clapperboard in front of Manson.

Lamar first hinted at his involvement with the Black Panther soundtrack album in the music video for his song "Love", released on December 22, 2017. In the video, at about 1:54 into the song, a clapperboard is shown with the words "B.Panther Soundtrack Coming Soon". Lamar subsequently announced his involvement on January 4, 2018, along with the release of "All The Stars".

The clapper loader (or 2nd AC) is generally responsible for the maintenance and operation of the clapperboard, while the script supervisor is responsible for determining which system will be used and what numbers a given take should have. While these are usually fairly obvious once a system has been agreed upon, the script supervisor is usually considered the final arbiter in the event of an unclear situation.

Since picture and sound are usually recorded separately, the editor must synchronize them. The editor loads one picture roll onto a film plate and its corresponding magnetic roll onto a sound plate. Then he advances the film to find the frame where the two parts of the Clapperboard came together. The editor repeats the process on the magnetic roll to find the frame with the clap sound.

Clapperboard c. 1953 In the silent era the principal requirement of film stock identification during a day's shoot was the slate. The clapper as two sticks hinged together was invented by F. W. Thring (father of actor Frank Thring), who was head of Efftee Studios in Melbourne, Australia. The clapboard with both the sticks and slate together was a refinement of Leon M. Leon (1903–1998) a pioneer sound engineer.

Amazing Grace, a documentary/concert film directed by Sydney Pollack for Warner Bros., was set to be released as part of a double bill with Super Fly in 1972. However, Pollack was unable to complete the film because he had not used a clapperboard to synchronize the picture and sound at the beginning of each take. The film ended up in the studio vaults for over 38 years.

The song's segment in the Magical Mystery Tour film proved the most problematic during the editing process since McCartney and Dewar had failed to use a clapperboard. The film was broadcast in the UK on BBC1 on 26 December, but in black and white rather than colour. It was the Beatles' first critical failure. As a result of the unfavourable reviews, networks in the US declined to show the film there.

On October 25 production moved to Naples where it remained up to November 4. They donated €7,000 to the local community to thank them for the hospitality, and to fund the construction of a pedestrian plaza. Filming resumed in Berlin later in November, and wrapped on November 12, 2017. A picture of the clapperboard used by the production shows that they consider the special as the twelfth episode of season 2.

In-battle rewards of money were designed to be "ohineri" (paper-wrapped offerings) rewarded to the party for their performance. An early version of the battle transition screen was an "assistant director" using a clapperboard, then offering in-battle commentary. These elements were completely cut from the game. Other elements that were cut included a high amount of camera movement during battles and booing from the audience when the party made mistakes.

These are the lists of songs across the different releases of Dance Dance Revolution X. They are in release order, then sorted as the songs are organized and displayed in game (otherwise grouped by category and alphabetized). The songs with a padlock are not available in-game until certain conditions are met. A clapperboard indicates that the song has its original, or a custom-made music video that can be seen during play.

In cinematography, a take refers to each filmed "version" of a particular shot or "setup". Takes of each shot are generally numbered starting with "take one" and the number of each successive take is increased (with the director calling for "take two" or "take eighteen") until the filming of the shot is completed. Film takes are often designated with the aid of a clapperboard. It is also referred to as the slate.

Another type of false anglicism comes from the shortening of an English name, keeping only the first word (while the important word is the last). For example, a dress suit is designated by the word , borrowed ultimately from 'smoking jacket'. Yet the British use dinner jacket and Americans use tuxedo (or tux); in English, smoking is used only as a participle and as the gerund. Another example is the use of the word for 'clapperboard' used in filmmaking.

A traditional wooden slate clapperboard. Traditional clapperboards consisted of a wooden slate with a hinged filmstick attached to its top. Modern clapperboards generally use a pair of wooden sticks atop either a whiteboard or a translucent acrylic glass slate (the latter being easily legible via the light coming through it from the scene about to be shot). The filmsticks traditionally have diagonally interleaved lines of black and white to ensure a clear visual of the clap in most lighting conditions.

He has been anachronistically claimed to have been the inventor of the clapperboard. Thring Sr. was also a noted film producer (The Sentimental Bloke), and partner in the nationwide Australian theatre circuit Hoyts. Thring Sr. died in July 1936 at the age of 53, when Frank Jnr was 10 years old. Frank said his earliest memory is of his mother standing on a stepladder in the foyer of the Regent Theatre in Melbourne, and arranging gladioli in the vases attached to the pillars.

The only officially released image from the production of the scrapped "Every Day is Exactly the Same" music video. According to The Spiral, the music video for "Every Day Is Exactly the Same", directed by Francis Lawrence, was canceled in post-production. An image of a clapperboard and in the background what appeared to be water tank with a 3-lead ECG appeared on the official Nine Inch Nails website, but was later taken down. There is also a studio cut video for the song.

This is generally not as great a concern with short films, however. A verbal identification of the numbers, known either as "voice slate" or "announcement", occurs after sound has reached speed. At the same time or shortly thereafter, the camera will start running, and the clapperboard is then filmed briefly at the start of the 'take' and the filmsticks are clapped sharply as soon as the camera has reached sync speed. Specific procedures vary depending on the nature of the production (documentary, television, feature, commercial, etc.), and the dominant camera assisting regional conventions.

The couple drive around New York City and attend a party on the top floor of a skyscraper which is enveloped in flames towards the end of the track. An alternative video, directed by Fukme 99, was included on the DVD version of Rings Around the World. This video features three people walking through the streets of Hammersmith, dressed in cardboard costumes as a camcorder, clapperboard and microphone. The characters meet up with a fourth person wearing a large cardboard head and arms and then dance with several other people dressed in cardboard outside a group of warehouse.

In February 2011, Manoj Manchu signed a new film with Anil Krishna, who had directed the films Asadhyudu and Junction, and to be produced by D. S. Rao, who had made several films including Drona and Kalavar King. On 7 March 2011, the film was launched with a ceremonial Puja ceremony, with Paruchuri Brothers who wrote the dialogues for the film, handing over the bounded script to the director. On 21 March 2011, the muhurat was held at Ramanaidu Studios in Hyderabad and shooting began. The chief guest V. V. Vinayak tapped the clapperboard while Ravindranath switched on the camera.

Near the video's end, Dani is seen looking at himself in an antique mirror, which he then spins around and points at the camera operator, revealing that the maid herself was recording the band's activities. In the restroom, the maid looks horrified. We then cut back to the torture room, now vacant and poorly lit, to find the maid alone with the libertine tormentors, and forced into a chair as Dani takes the camera and another band member takes a director's clapperboard labelled "Pandora's Box." The young lady weeps as she is taunted, yelled at, and ridiculed.

Much of the filming took place prior to the 11 September attacks and in the audio commentary, Boyle notes the parallel between the "missing persons" flyers seen at the beginning of the film and similar flyers posted in New York City in the wake of the attacks. Boyle adds that his crew probably would not have been granted permission to close off Whitehall for filming after the terrorist attacks in New York and Washington. A clapperboard seen in one of the DVD extra features shows filming was still taking place on 8 October 2001. The mansion used in the film was Trafalgar Park near Salisbury.

The microphone is shown attempting to hand out flyers alongside a man dressed in a banana costume who is much more successful at getting people to take the leaflets from him. The camcorder, microphone and clapperboard then meet up in a car park before going to the house of a man with a large cardboard head and arms. The four walk towards some warehouses where they dance with several other people dressed in cardboard, including a mobile phone and camera, as well as the man dressed as a banana who appeared earlier in the video. Rhys has described this sequence as a "big dance routine with ... cardboard outsiders".

They were given a souvenir package while entering the theatre, including 20 postcards with photos distinct of the show printed at the front, as well as one of the four pins (Mickey, Minnie, Donald or Goofy holding a clapperboard)of the Golden Mickeys pin series released back in 2010. The audience member of the final performance at 19:15 on July 26, 2015 included 100 Magic Access Members and special guests invited by the park. Original cast members Angela Lam, Andy Au and Regrine Law, who were still performing till the very last day, were honoured during the special farewell moment held right after the performance.

Jackdaw with Crowbar's original line- up was Timothy Ellis, Fergus Durrant, Dave Tibbats and Dan Morrison, with Adam Sindall, Steve Law and Fran Juckes making Super 8mm films which were always present in their live performances.Booth, Vachel (1987) "Clapperboard Clash! Jackdaw With Crowbar in Film Fun", Underground, October 1987 (Issue 7), p. 26 This line-up released the band's first three records, Monarchy, Mayhem and Fishpaste, Sink Sank Sunk and Hot Air.Turner, Simon (17 September 1988). "Crowbar Attack", Melody Maker, 64 (38): 16. The band contributed to the 1988 compilation album Take Five in aid of the charity Shelter.Wilde, John (16 July 1988). "Albums: Take Five (Proceeds to Shelter)", Melody Maker 64 (29): 34.

A clapperboard in use The slate typically includes the date, the production title, the name of the director, the name of the director of photography (DoP) and the scene information — which follows two popular systems: # American: scene number, camera angle and take number; e.g. scene 24, C, take 3; # European: slate number, take number (with the letter of the camera shooting the slate if using multiple-camera setup); e.g. slate 256, take 3C. Often, the European system will also include the scene number; however, a separate continuity sheet that maps the slate number to the scene number, camera angle and take number may be used if the scene number is not included on the slate.

With the rise of commercial filmmaking in the 1920s, most notably the Hollywood studio system, those seeking to learn the technical skills of filmmaking most often started at the bottom of a hierarchical system and apprenticed under a more experienced person to learn the trade. Filmmakers such as Alfred Hitchcock and David Lean started in this way, beginning as a title card designer and clapperboard assistant, respectively, in the early 1920s. The USC School of Cinematic Arts was founded in the midst of this Hollywood system in 1929, and continues to be widely recognized as one of the most prestigious film schools in the world. The University of Southern California was the first university in the country to offer a Bachelor of Arts degree in film.

Hamilton was born in Paris on 16 September 1922, where his English parents were living, and attended school in England. His first exposure to the film industry came in 1938, when he was a clapperboard boy at the Victorine Studios in Nice. At the outbreak of the Second World War in 1939, Hamilton escaped from France by the MV Saltersgate, a collier bound for French North Africa; one of the other 500 refugees aboard was W. Somerset Maugham. Having travelled from Oran to Gibraltar before arriving in London, he worked in the film library at Paramount News before being commissioned in the Royal Navy; he served in the 15th Motor Torpedo Boat 718 Flotilla, a unit that ferried agents into France and brought downed British pilots back to England.

Whiteboard marker on a clapperboard A whiteboard marker, or a dry- erase marker in some locations, uses an erasable ink, made to be used on a slick (or matte-finished), non-porous writing surface, for temporary writing with overhead projectors, whiteboards, and the like. They are designed so that the user is able to easily erase the marks using either a damp cloth, tissue, handkerchief, baby wipe, or other easily cleaned or disposable items. Generally, people use fabrics to do so, but others use items like paper, clothing items, some even use their bare hands to wipe it clear. The erasable ink does not contain the toxic chemical compounds xylene and/or toluene as have been used in permanent markers, being less of a risk to being used as a recreational drug.

A clapper loader or second assistant camera (2nd AC) is part of a film crew whose main functions are that of loading the raw film stock into camera magazines, operating the clapperboard (slate) at the beginning of each take, marking the actors as necessary, and maintaining all records and paperwork for the camera department. The name "clapper loader" tends to be used in the United Kingdom and Commonwealth, while "second assistant camera" tends to be favored in the United States, but the job is essentially the same whichever title is used. The specific responsibilities and division of labor within the department will almost always vary depending on the circumstances of the shoot.Filmproductionroles.com clapper loader Panavision R-200 movie camera (through-the-lens Reflex, 200 degree shutter, hence R-200).

He had his last on-screen role in 1951's Surjani Mulia, directed by Mohammad Said Hamid Junid and produced by Malik's film company Persari. Also in 1951 Lilik had his first experience as a member of a film crew, working the clapperboard and writing scripts for the company's production Dunia Gila. After several years of working menial tasks and learning the production side of the industry, Lilik was tasked as director for Tarmina in 1954. For the film, which followed a young woman named Tarmina who married multiple times before committing suicide, Lilik directed his father, as well as Fifi Young, A Hadi, and Djauhari Effendi. The film was recognised as the Best Film at the inaugural Indonesian Film Festival in 1955, and Lilik was recognised as Best Director.

After a second or two, the sound recordist will confirm that the recording equipment is running at the correct speed by calling "Speed" or "Sound Speed". Hearing this, the clapper loader immediately calls out the "Scene" and "Take" numbers so that these details are on the recording. Simultaneously (or within a very few seconds) the Camera Operator or focus puller will roll the camera, and immediately the camera is confirmed as running at the correct speed, will call for the clapper-loader to "mark it" (or "smack it", "bang it", "tag it", etc.). This is done by showing the slate ("clapperboard") on camera, and bringing the clapper down to make a synchronisation point for audio (the sound of the clapper) and picture (the two parts of the clapper being seen to come together).

The Sad Movies were released as a bonus on the DVD edition of De Fred Haché Show. Van der Linden worked as a camera man as well, for instance on the first full-length movie by Wim Verstappen, De minder gelukkige terugkeer van Joszef Kàtus naar het land van Rembrandt (1966). As a television maker, he is best known as the colleague of Schippers, Gied Jaspars, and Ruud van Hemert, the team that made groundbreaking and controversial shows such as Hoepla (1967), the first show in which a naked woman (model Phil Bloom) appeared, and absurdist comedy shows such as De Fred Haché Show (1971) and Barend is weer bezig. He made a few shows for German television, then moved to Los Angeles where he invented the ScriptBoy, an electronic clapperboard.

The official Twitter account shared a photograph of cast member Elisabeth Dermot Walsh holding a clapperboard stating that her scenes in the episode had been filmed using an iPhone X. Despite fellow BBC soap opera EastEnders announcing plans to return to filming in June 2020, Doctors producer Peter Eryl Lloyd stated: "I wanted to capture the strange times we are experiencing and present it to our audience." He added: "The very specific demands of producing an episode of this nature was a challenge for everyone involved, especially the cast as they were acting straight to camera, with only my voice performing all the other characters, so that certainly required a lot of imaginative work on their part. It was a real team effort." Cast members Elisabeth Dermot Walsh and Sarah Moyle expressed their nervousness at filming the episode.

Filmed on a cold, wet winter night, the video was shot on 35mm film instead of the cheaper videotape prevalent at the time. Sulley claims that Barron was heavily influenced by the cinematography in Ultravox's video for "Vienna" (directed by Russell Mulcahy earlier that year). Barron was also influenced by François Truffaut and his film Day for Night, and, because of that, the clapperboard seen in the video bears the inscription "Le League Humaine" as a tribute to Truffaut. The video is credited for making Oakey, Sulley and Catherall visual icons of the early 1980s, but it became controversial later for a scene involving the murder-mystery film subplot in which Jo Callis appears to shoot Catherall (and later in the video repeated with Oakey shooting Sulley) with a pistol from a car window (a Saab 99 turbo).

As an individual who was always behind the camera, Howard rarely gave televised interviews. However, in the late 1970s, he was featured in an extended two-part interview on the program Clapperboard, hosted by Chris Kelly, where he discussed his experiences in Hollywood and the magic of visual effects. Otherwise, the only other times he could be persuaded to talk about his work were to cine film clubs or to local youth groups; when speaking to the latter he would usually begin by saying "I'm very old so you probably won't have heard of any of the people I've worked with" before going on to name people like Rex Harrison, Richard Burton, Stanley Kubrick, David Lean, etc. At the end of such talks he might show off one of his Oscars, usually transported in a teatowel.

A broadcaster in his own right, Gifford featured in numerous television and radio programmes as an expert in the history of film, radio and comics, as well as appearances in a variety of documentary and news magazine programmes over several decades. Appearances included editions of BBC's On The Braden Beat (1964) commenting on comics, Granada's Clapperboard (1974) and a review of forthcoming horror films for BBC1's Film 1973 (1973), Goon but not Forgotten, a radio history of the Goon Show as part of the Laughter in the Air: The Story of Radio Comedy (1979) and twice as guest panellist for Radio 4 panel show Quote... Unquote (1985). Gifford and Monkhouse reprised their partnership with BBC radio programmes on the history of the comics, Sixpence for a Superman (1999) on British comics and the two-part A Hundred Laughs for a Ha'penny (1999), a history of comic papers.

Cleveland also moved to Detroit in the 1960s to take a position as music director at the famed New Bethel Baptist Church where C. L. Franklin, father of the Queen of Soul, Aretha Franklin, was pastor. In 1972, James collaborated with Aretha on her historic Grammy-winning and multi-million selling album Amazing Grace, which is known as the Greatest Gospel Album of All Time. Recorded live at the New Temple Missionary Baptist Church in Watts, California with his Southern California Community Choir, his feature on the album and Aretha's success as a pop artist made the album an historic landmark in Gospel, and is still selling to this day, with a special CD re-release of "The Complete Recordings" (the unedited album recording session of the Amazing Grace project). This historic recording was also filmed by director Sydney Pollack for possible documentary release, but due to a technical issue of not using a clapperboard to synchronize the audio with the video, the film was unusable, and was left shelved for the next 47 years.