Born in England in 1858, she was a prolific composer of operas as well as chamber music, chorals, and instrumental music.
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His new solo effort is similarly dispositioned, and similarly singular, layering distant chorals with answering machine beeps, field recordings of busy streets, affected transit screeching, and other earthly source material that manages to seem otherworldly.
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Chorals is one of the first key college events in the year. In its 50th year in 2011, Grant house were declared the winners. Chorals is a house singing competition where each house forms their own choir from any number of students. Through a period of half a term, each house practises their repertoire of songs.
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The college offers instrumental music lessons. Brighton SC is also home to local youth bands. The school has a concert band and a stage band. The concert band usually plays on chorals and presentation evening.
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The collection was reprinted 1964, with a foreword by Walter Emery.Charles Sanford Terry (editor). The Four-Part Chorals of J. S. Bach: With the German Text of the Hymns and English Translations. Travis and Emery, 2009.
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He later retired to the small village of Kisoroszi, where he acted as the chorister of the local Reformed church (his wife being the pastor there), and continued composing music including chorals, musicals and film soundtracks. He died in 2007 at the age of 64.
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Robertson Girls' High School. The boys’ new campus at Forrest Hill soon developed and traditions like the house competition began. The Depression did not prevent the expansion of the Forrest Hill campus and sporting facilities. Old traditions in music and debating continued, with the addition of house chorals, which is now an important event in the school calendar.
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New traditions emerged, such as a house system, with competition in various sports, debating and, with the strong music tradition of the school, house chorals. A Memorial Hall paid for by past students was a feature of the new school. Just as had occurred in World War I, World War II disrupted the school's proceedings greatly. The school building itself was requisitioned by the Royal Australian Navy.
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The foundation of Josephs' compositions come from his study of Gregorian Chorals, and the masters of church music. He is mostly regarded for his liturgical organ playing and improvisational skills. Through his various posts as an organist and music teacher, Joseph contributed greatly to the Regensburg musical scene. His work in restoring Catholic church music from Palestine, influenced Franz Xaver Witt to founding the Caecilia Society.
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Another important aspect is the use of Baroque rhetoric. The solo instruments accentuate the emotional state of the singing voices using special intervals and special rhythmic patterns. Also the work as a whole is built as a modern passion: solo arias are being varied with instrumental and ensemble parts. These parts, among which the Pessoa poems, are built as baroque chorals and madrigals using polyphonic techniques.
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The brotherhood established its memorial book in 1575, which described its activities until 1949, when the brotherhood perished. The Habsburg Counter-Reformation in Bohemia after 1620 also affected music in the region. Catholic priests performed Gregorian chorals, while the people sang spiritual songs often based on the Protestant tradition. This ended in a new Catholic edition of hymn books such as Capella regia musicalis.
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Also found in the Bethlehem Digital History Project is the following story: Now once upon a time it happened that there lay an inmate of the Single Sisters' House, (the present " Castle " of Nazareth Hall) sick unto death, and it was positively asserted that she was past recovery. Hereupon, our young disciples of Jubal, the son of Lamech, (as they were not in practice) set about preparing themselves to make proclamation of her decease, when she should be deceased, by rehearsing the trio of Chorals prescribed for blowing on the death of an unmarried female. They did this in their room in Nazareth Hall. But it being Summer, as to the season of the year, the windows of their room were open, out of which and over the way into the apartment of the bed-ridden sister were borne the impressive strains of Chorals 151 and 37.
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Josef Popelka. Irena Kosíková now gives organ concerts and is also intensively composing. Her works have been performed in the Czech Republic, Algeria, Bosnia and Herzegovina, Belgium, Bulgaria, Germany, Israel, Poland, Russia, Turkey, Sweden and the United Kingdom. As an organist she specialises in the interpretation of organ works written by Johann Sebastian Bach: including performances of the complete Organ Toccatas, Voluntaries, Leipzig Chorals, The Art of Fugue, Organ Mass.
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"Sing[e]t dem Herrn ein neues Lied" ("Sing unto the Lord a new song") is a Lutheran hymn in four stanzas by Matthäus Apelles von Löwenstern.Singt dem Herrn ein neues Lied, die Gemeine at Johann Sebastian Bach, chorals: sources hymnologiques des mélodies, des textes et des théologies, p. 118, by James Lyon (2005) The text is based on Psalm 149. The hymn was first published in 1644.
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Walter's performance in Leipzig was cancelled due to "threats of violence." Four days later Walter was officially blacklisted when Richard Strauss replaced him at the Berlin Philharmonic Hall. The chamber of commerce eventually purged all orchestras of Jewish members, from local chorals to professional symphonies including the Berlin Philharmonic. This was made possible in April 1933 with the passage of the Law for the Restoration of the Professional Civil Service.
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Stryker also compiled and wrote poetry and hymns. With Hubert Platt Main, he jointly edited The Church Praise Book (1882) and contributed 9 original pieces, and the New Alleluia (1880–86). Stryker also edited Christian Chorals (1885), and Church Song (1889; including 19 original contributions). He also published Hymns and Verses (1883), and Song of Miriam, and Other Hymns and Verses (1888) and College Hymnal (1897, including 27 of his works published 1890-1894).
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Johannes Zahn dedicated himself particularly to the recovery and critical revision of melodies and hymns developed during and after the Reformation, which he started publishing in 1889, in Gütersloh. The classification system he developed is still used by hymnologists worldwide, in the form Zahn ###, where the number represents the location of the melody or hymn in Zahn's anthology.James Lyon. Johann Sebastian Bach, chorals: Sources hymnologiques des mélodies, des textes et des théologies.
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The composer Heinrich Schütz wrote his Musikalische Exequien for this occasion. His elaborately decorated copper outer coffin, with biblical proverbs and evangelical chorals, was transferred from the Salvator Church to the St. John church in 1995. In 2011, it was displayed in an exhibition about funeral practices in the early modern age in the city museum of Gera. It has also been on display in the Museum for Sepulchral Culture in Kassel.
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Vetter's SATB setting, which has a figured bass, is in E-flat major. It is in bar form, with the stollen comprising two lines of text. Its character is rather that of a sacred aria than that of a (church) song or chorale. The soprano's melody of Vetter's setting is a hymn tune known as Zahn No. 6634: File:Zahn 6634, Vetter's hymn tune for "Liebster Gott, wann werd ich sterben" from Terry Chorals II, p 151 (start).
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He used Classical Japanese in the opening theme "Making of a Cyborg". The composition is a mixture of Bulgarian harmony and traditional Japanese notes; the haunting chorals are a wedding song sung to dispel all evil influences. Symphony conductor Sarah Penicka-Smith notes that the song's lyrics are fitting for the union between Kusanagi and Project 2501 at the climax of the movie.Sarah Penicka-Smith, "Cyborg Songs for an Existential Crisis", in Anime and Philosophy: Wide Eyed Wonder, eds.
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For pre-school children, an offer has been set up to introduce boys to singing at an early age. The music education groups at the various primary schools in Göttingen are the mainstay for the promotion of young talents. Singers who have already taken part in these programs can continue to sing in the two pre-chorals, which are also open to newcomers. This is where individual singing lessons and first introductions to music theory take place.
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Non-exhaustive list Jacques Castérède La Cour des miracles, 1956. Orchestre de la RTF, direction: Tony Aubin Germaine Tailleferre La petite sirène (la Reine de la mer) chamber opera in three acts, on 30 September 1960 at Paris, salle Érard, by the Orchestre lyrique de la RTF. Conducting: Pierre-Michel Le Conte. Max Pinchard Trois Chorals Du Signe De La Croix pour 4 voix mixtes, sur des poèmes de Gérard Murail, on 16 March 1961, ORTF Paul Méfano Paraboles, 1965, Domaine musical.
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The novel was started in December 12, 2012 as a Facebook page, where author published 100 words - messages from parallel reality of a future - everyday. The project has been planned as multimedia one. The author recorded several music fragments in concrete music genre for it, using instead of musical instruments sounds of surrounding reality (such as knocks at the washing machine, fridge, radiator, pans, coffee mill electric motor, Serbian orthodox chorals fragments etc.) united in absurd collages to illustrate storyline. Memory's block.
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Apollo Rooms, from NYC Philharmonic Archives After only a dozen public performances and barely four years old, the Philharmonic organized a concert to raise funds to build a new music hall. The centerpiece was the American premiere of Beethoven's Symphony No. 9, to take place at Castle Garden on the southern tip of Manhattan. About 400 instrumental and vocal performers gathered for this premiere, which was conducted by George Loder. The chorals were translated into what would be the first English performance anywhere in the world.
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A further modification was the aeolomelodicon or choraleon, constructed by Fidelis Brunner at Warsaw, about the year 1825, from the design of Professor J. F. Hoffmann in that city. It differed from the æolodion in the fact that brass tubes were affixed to the reeds, much as in the reed-stops of an organ. The instrument was of great power, and was probably intended as a substitute for the organ in small churches, especially in the accompaniment of chorals, whence its second name choraleon. It has taken no permanent place in musical history.
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According to the Law, it can be performed in orchestras, chorals, and in other vocal or instrumental performances. Cases of anthem performance have been identified, such as upon assuming office of the Head of the Komi Republic or the Chairman of the State Council, while the anthem is performed after the national anthem of the Russian Federation. During public performances, those present while standing includes men without wearing any headwear. If the performance of the anthem is accompanied by the raising of the flag, those present turn to face it.
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As well as the House Chorals Award, and Soloist Award, there is an award for the Best House Conductor, or "The Golden Hands Award". As well as the house, and solo singing, staff are invited to perform a piece. In the past, further performances were done by the 'Special Choir' – which in the past involved a smaller choir, performing a set of songs based on a particular theme, often highlighting the spread of talent in the college. In more recent years, the concert band and piano solos have been arranged.
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Griepenkerl founded a singing academy in Braunschweig, which under his direction performed Bach's chorals and his Mass in B minor. He was a co-organizer of the Braunschweig music festivals of 1836, 1839 and 1841. Griepenkerl was in friendly contact with important musicians of his time, such as Carl Friedrich Zelter, Carl Maria von Weber, Gaspare Spontini, Louis Spohr, Giacomo Meyerbeer and Felix Mendelssohn Bartholdy. Together with Ferdinand August Roitzsch (1805-1889), he published a critical edition of J. S. Bach's piano and organ works in the years from 1837.
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In addition to organ symphonies, composers of the day wrote in other forms: Franck wrote eleven other major organ works, including the Prélude, Fugue et Variation and the Trois Chorals; Widor wrote a Suite Latine on various plainsong tunes; Vierne composed 24 pièces de fantaisie, of which the Carillon de Westminster is perhaps the best-known. The influence of these composers has persisted through generations of composers for the organ through history, all the way to the modern-day composers like Olivier Messiaen and Naji Hakim, and modern-day improvisers like Pierre Cochereau and Pierre Pincemaille.
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In order to fill the entire 26-episode run of the anime, new characters, new settings and new relationships between characters were made in order to increase dramatic tension, reinforce themes introduced in the manga, and introduce new themes that were compatible with the manga. While the manga deals more with existential themes, and humanity's relationship with space, the anime further expands the political elements of the story. The music of Planetes is a mixture of traditional orchestral music, supplemented by chorals, several uses of a theremin, and traditional Japanese woodwinds (e.g. Shakuhachi). The music score was composed by Kōtarō Nakagawa and produced by Victor Entertainment.
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A more lukewarm review came from Pitchforks Ryan Schreiber, who felt that: "while undeniably beautiful, Vespertine fails to give electronic music the forward push it received on Björk's preceding albums". However, Pitchfork later named Vespertine the 92nd best album of the 2000s. David Browne of Entertainment Weekly said "her lyrics occasionally dive into the deep end" and "her voice is at times stiff", although he also wrote "when it all comes together, [...] Björk and her electronica collaborators create moving interplanetary chorals". Almost Cool wrote: "if there's one question to be raised with the album, it's that it's all simply so lush and nice that on some levels it fails to excite".
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Buns also studied and practised the Gregorian chorals and chants from two volumes published in Antwerp and Brussels (Plantin Antwerp, 1711) and (Ludovicus de Quantinne Brussels, 1721). He specifically collected these two volumes of Gregorian songs for the liturgical practice in the monastery of Fratrum Beata Virginae Mariae Monte Carmelo Boxmeriensis, first the "Processionale juxta usum Fratrum Beatae Virginae Mariae de Monte Carmelo" and second "Manuale Chori ad usum Fratrum Beatae Virginae Mariae de Monte Carmelo". These two books showing theoretically and musically amendments by Buns. Much of his compositions (voice-books) no scores are available were laid-down and found in libraries of Amsterdam, Utrecht (city), Brussels, Antwerp, Geldern, Boxmeer, Paris, Zürich, Vienna, Uppsala.
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Four Pieces for Mirai (Overture) is an overture to Ferraro's own post-apocalyptic narrative, Four Pieces For Mirai, 'a large body of work that spans across multiple releases', involving Mirai, a malware that turns networked devices running Linux into remotely controlled "bots" that can be used as part of a botnet in large-scale network attacks. Mirai's presence in the narrative is that of a savior, rather than a destructive force. In the Bandcamp description for the release, Ferraro describes Four Pieces For Mirai as 'integrating medieval chorals to baroque to ambient noise to MIDI generated music, and other musical anthropology'. > In this introductory prologue Ferraro reveals a dystopian present, a society > in servitude to its digital network and its savior Mirai a computer virus > with a "denial of service" malware system that attacks "Internet of Things" > devices.
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The choir shot to fame after it won the reality talent show, India's Got Talent (Season 2) in October 2010, on Colors TV, part of the Got Talent franchise, where it performed western chorals, as well as choral-style revamps of Hindi film (Bollywood) classics. The choir under the direction of Nongkynrih, participated in the 6th World Choir Games held at Shaoxing China (Shanghai) in July 2010 and was awarded Gold in all three categories - Musica Sacra, Gospel and Popular. The choir also performed for former US President Barack Obama and the then first lady Michelle Obama during their visit to India in 2010. One of the notable events was when Neil Nongkynrih’s version of ‘Vande Maataram’ sung by the SCC was played on the reputed National Geographic Channel during the live telecast programme of landing of the Indian satellite ‘Chandrayaan – 2’.
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Vigneron is the conductor of the Orchestre de chambre du Marais. He has conducted Brahms' Ein deutsches Requiem, the great lyrical works of Mozart, Berlioz' Symphonie fantastique, Stravinsky's L'Histoire du soldat with Hae Sun Kang, Hae Sun Kang on Opéra de Paris Dimitri Vassilakis, André Isoir, Michel Chapuis, François Castang,François Castang Monique Zanetti, Jérôme Correas, Kun Woo Paik, Sergei Edelmann,Sergei EdelmanSylvie Hue as soloists... He has recorded Vivaldi's Four seasons with Frédéric Pelassy as solo violinist. He has to his credit more than 28 recordings: the complete work with trumpet by Jean Langlais, the complete chorals by Johann Ludwig Krebs, the trumpet concertos by Haydn, Hummel, Telemann, numerous baroque pieces including the Concertos for organ Op. 4 by Haendel with Michel Chapuis. New works are dedicated to him: pieces by Pierre Jansen (Grand Prix symphonique of the Sacem), Antoine Tisné, Pierre- Yves Level,Pierre-Yves Level (BnF) Pierre Lantier.
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Her new governess, Maria Ursula Kolb von Wartenberg, called "the Kolbin", on whom she played some pranks, would also make sure that she should not be caught in "any hatred or prejudice against someone because they belong to a different religion". The last point was quite unusual in its time and was based on the relatively free convictions of her father Charles I Louis, who was a Calvinist himself, but had a built in Mannheim a Concordia church (Konkordienkirche), which the followers of the Calvinist (or Reformed), Lutheran and Catholic denominations could celebrated their rituals. Liselotte benefited from this relatively open religious attitude throughout her life; she had already got to know the Lutheran denomination at court in Hanover and decades later she knew how to sing Lutheran chorals by heart. Before her marriage, she had to convert to the Catholic faith for dynastic reasons; however, throughout her life she remained skeptical of any dogmatism and often expressed herself critically about “the priests”, even if she went to mass every day; she was always convinced of the Calvinist doctrine of predestination; every morning she read a section in the Lutheran Bible and also criticized the veneration of the saints.
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In addition to many symphonic works, including concerts to soloist and orchestra and chorals, Soriano is author of two guitar concerts, (for five and for four guitars), a large collection of chamber music and many pieces for piano. In an environment little prone to local musical creation, and almost hostile to it, Soriano leads a permanent and tenacious fight to make known Latin American music. Thus, in conversations held in Rio de Janeiro with Hector Villa Lobos, Camargo Guarnieri, Radamés Gnatali and the critics Jorge Andrade Murici and Enrico Nogueira France, the idea comes up to do Latin American music festivals, the first of which was held in Caracas in 1954, and then in 1957. In 1958, Soriano undertakes, together with students of different disciplines at the Faculty of Science and Humanities of Montevideo, the Association of American Cultural Relations (ARCA), which had as its motto the Chinese proverb: "Better to light one candle than to curse the darkness" and it is in this spirit that the institution manages to publish an important series of booklets and the first serious collection of recordings dedicated to the works of Uruguayan composers.
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