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"childishness" Definitions
  1. the quality of being typical of a child
  2. (disapproving) the fact in an adult of thinking and behaving in a stupid or silly way synonym immaturity (1)

119 Sentences With "childishness"

How to use childishness in a sentence? Find typical usage patterns (collocations)/phrases/context for "childishness" and check conjugation/comparative form for "childishness". Mastering all the usages of "childishness" from sentence examples published by news publications.

His childishness is like a light that never goes out.
Cuteness represents childishness and girliness, and neither of those are bad things.
It was a stunning display of childishness for the whole world to see.
She isn't clever or cute her childishness insults our American traditions -should be censured.
Now, you might think calling a head of state an asshole smacks of childishness.
The book works toward the achieving of a comic utopia, the lost kingdom of childishness.
And Smith's attraction to trash, angularity, nonsense, fun, religion, horror, sociology, and childishness was eerily similar.
The childishness and ineptitude of the Republican candidates make Obama look good if only in comparison.
A few, in a mind-blowing display of utter childishness, have posted plot spoilers for the game online.
Cuteness represents so many things that have been undermined and undervalued for so long: femininity, childishness, being ourselves.
Andrew Cuomo has an opportunity to rise above this childishness and look like a champion for government transparency.
John Cornyn, a member of Republican leadership, bemoaned "too much childishness" in the shutdown fight between Trump and Pelosi.
There is, as my colleague David Brooks wrote Tuesday, a basic childishness to the man who now occupies the presidency.
The dejected character, though decidedly less kawaii in proportions than a Yoshitomo Nara figure, at times embodies a similarly cognizant childishness.
Ms. Assucena's exaggeratedly wide-eyed faux childishness, Ms. Jaiani's pious graciousness and Mr. Blanco's romantic flamboyance all stayed psychologically two-dimensional.
To Ru, the Vixen is beyond salvation, enveloped by her rage and sporadic bouts of childishness; to Asia, she is simply human.
Marked by childishness, spite and pretension, the objective is to put someone in their place or to defend one's honor, usually dishonorably.
The bizarre tonal shifts between cheery childishness and violent horror, rather than detracting from Dog's Life, probably contribute to its weird charm.
Because so many teens and college kids naturally stay up late and sleep in longer, people associate that pattern with immaturity and childishness.
Aries is a sign that commonly toes the line: between confidence and insecurity; maturity and childishness; independence and codependence; valuing freedom and desiring control.
J.J. Redick says the Clippers turned from a title contender to a teardown project ... 'cause of "DONALD TRUMP-LEVEL" childishness from the team's stars!!
But with childishness also comes a kind of innocence, a base sincerity that makes his sins more understandable and human, if not necessarily forgivable.
" At another point, Kasich seemed genuinely disheartened and baffled by the sheer childishness of his rivals, muttering, "I got to tell ya, this is just crazy.
It is as much a PSA about the childishness of drunkards as it is a testament to the effectiveness of food as a weapon of psychological warfare.
"Like everything else Trump touches, he hijacks it with his chronic dishonesty and childishness," said Mark Salter, a longtime adviser to Senator John McCain, Republican of Arizona.
In Trump's case, of course, the childishness does harm to the country as a whole and, as the case of Tur suggests, poses a real threat to specific individuals.
So the childishness has seen some success, but the fact remains that the thrills these calls provide are definitely cheap, and usually base level, lowest common denominator-type stuff.
Science fiction, long derided for childishness and subcultural irrelevance, is now mainstream Hollywood's primary output: 14 of the top 20 grossing films of all time are science fiction or fantasy.
To fully appreciate the full extent of my childishness, I realized that it's important that I recognize the painful truth of being a person's offspring: everyone is shitty to their moms.
All of this, of course, means that you can relive your childhood in today's techno age, all the while deciding which color corresponds to the level of childishness you're feeling that day.
At the same time, Kidz Bop serves as unintentionally scorching parody: The Kidz' shrill chanting amplifies pop's tropes of lovelorn treacle, monotonous synth and bass and the childishness that dominates the charts.
And then, in an entirely unplanned act of heroism (or childishness, if you ask the Crown Court judge), Omar grabs the pig closest to him from its pen and carries it to freedom.
She's all seductive surfaces and playful poison, and Robbie seems to have a lot of fun with the push-and-pull of playing a dangerous woman who fakes childishness to make people underestimate her.
Aside from threatening nuclear war with a "my button is bigger than your button" childishness, Trump absurdly tried to claim credit for airplanes safely staying in the sky last year across the entire world.
Hers remind me of innocence: not childishness, but the innocence that we have when we are 4 and we don't know what we look like but know what we want to wear and why.
As a grown-ass woman with big aspirations, MJ doesn't have time to coach Peter through the difficult journey of growing out of his man-childishness — regardless of how charming he might carry that immaturity.
The high-fiving and fist-bumping after a speller conquers a hard word, the hugs of consolation when the bell dings someone off the stage – reality show contestants should aspire to this kind of childishness.
But I have to tell you, Alisyn, I'm sort of tired of what I see, the name calling and what I consider to be childishness when we are running for president of the United States.
"Southern whites, threatened by blacks' newfound freedom, responded by making the fruit a symbol of black people's perceived uncleanliness, laziness, childishness, and unwanted public presence," The Atlantic wrote in its exploration of the stereotype's origins.
Conservatives (and Trump allies) seized on the moment as a sign of the petulance and childishness of both Pelosi and her party, still unable to come to grips with the fact that Trump is president.
Ms. Zegerman concludes the play with an open question as to what one of these characters will "tell the children" — the unspoken assumption lingering in the toxic air that childishness has nothing to do with age.
PEOPLE's Pet Vet Has the Answers "Historically, anthropomorphizing has been treated as a sign of childishness or stupidity, but it's actually a natural byproduct of the tendency that makes humans uniquely smart on this planet," Epley said.
Extremes of childishness and obnoxiousness, of narcissism and disastrously poor decision-making, that normally wouldn't fly in a prestige drama can be at least partly finessed because we've been trained to never absolutely trust what we're seeing.
"The childishness, the gratuitous fear-mongering and race baiting has become so consistent that we almost expect it, the bar has been lowered so far," Gregg Popovich, head coach of the San Antonio Spurs basketball team, told reporters.
DAVENPORT, Iowa — Former Vice President Joe Biden had just called President Trump's tweets about Bette Midler ahead of a D-Day memorial ceremony in Normandy "a stunning display of childishness that the whole world watched," when he was interrupted.
Dylan's childishness is the subject of "Talk to Me," a song on "Don Juan's Reckless Daughter": We could talk about Martha We could talk about landscapes I'm not above gossip But I'll sit on a secret where honor is at stake!
Watermelons, especially, have been used for more than a century as a "symbol of black people's perceived uncleanliness, laziness, childishness and unwanted public presence," the historian William R. Black wrote in The Atlantic in 2014, after two highly publicized uses of the stereotype.
" Many of the works included, by women and people of color, voice a sense of marginalization that resonates with Lorde's assertion that "We see ourselves diminished or softened by the falsely benign accusations of childishness, of non-universality, of self-centeredness, of sensuality.
" She was so captivated by the novel that she later wrote three essays about the ways in which James articulates a kind of moral philosophy, revealing the childishness of aspiring to moral perfection, a life of "never doing a wrong, never breaking a rule, never hurting.
The worldlier girl urges her more innocent friend to do something illicit, and then the worldlier girl can bask in her friend's admiration and vicariously reexperience the sense of childishness; meanwhile, the more innocent girl embraces the chance to feel wise and experienced, like her worldlier friend.
By any measure, the principal figures in both works are women, and to label them as girls is to tint them with childishness, as if they were easily cowed by circumstance or stormy feelings, and thus more liable to lash out, or to sink into a sulk, rather than submit their troubles to adult consideration.
Finally, he contrasted Steven's childishness and refusal to completely learn lessons to Adventure Time and Regular Show, where the protagonists of each have taken steps toward maturity.
Andy's crush but she is dismayed by his childishness due to his pranking. It is hinted that she returns Andy's feelings and dislikes Jen because Lori thinks that Jen abuses Andy. She wears a green tank top, blue skirt and sandals. She is known as "Lisa" in the books.
"I think the reason New Options works is it has a particular tone", Satin told one reporter. "It's as idealistic as many of us were in the 1960s, but ... without the childishness". New Options owed its rise to more than just content and tone, however. Positioning was also a factor.
"No front or back, she's just honest and pure." Inu-tan is a very kind and energetic girl. She gets along well with Nya-tan. Although she has a temper that can blow up easily, she is honest with her friends and her aura gives off childishness as well as pureness.
This concerto was first performed in Germany, where it had been composed while Paganini was touring there. The "official" premiere was in Frankfurt am Main 26 April 1830. Spohr said the recently composed work "alternately charms and repels" and was a mix of "genius, childishness, and lack of taste." Paganini closely guarded the manuscript, taking it with him on his travels.
Jose Emilio Fuentes Fonseca (JEFF) is an artist who was born in Cuba in 1974. He came to live in Havana at 7 years old, where he still lives and works today. He is frequently referred to as a "Naïve" or "Outsider" artist, since he principally works on themes such as childhood and childishness with a visible passion for toys and children’s art.
Lawrence Ferlinghetti said of him, "As an editor I was always waiting for Richard to grow up as a writer. It seems to me he was essentially a naïf, and I don't think he cultivated that childishness, I think it came naturally. It was like he was much more in tune with the trout in America than with people."Manso, Peter; McClure, Michael.
Troy and Abed show Annie her new room—a blanket fort. Annie is uncomfortable with it, having been told the apartment has two bedrooms. She discovers the apartment's second bedroom, which Troy and Abed have decorated into a "Dreamatorium". This leads to her finally expressing her unhappiness at Troy and Abed's childishness, and she decides to nix her plans to move in with them.
David Harvey, class 12, time range 20:00–22:00 Karl Marx rejected this explanation as "childishness", instead stating that, in the words of David Harvey, primitive accumulation "entailed taking land, say, enclosing it, and expelling a resident population to create a landless proletariat, and then releasing the land into the privatised mainstream of capital accumulation". This would be accomplished through violence, war, enslavement, and colonialism.
Kitsurubami is named after a light brown traditional Japanese color, which happens to be the color of her skin. Thus, her name could be interpreted as "Lieutenant Brown", although the color Kitsurubami is not the common "brown". She appears to be the only "normal" (or mature) adult in FLCL; however, her apparent dislike of close contact with others adds an element of childishness to her character.
Fast described the stories as "about the general childishness of man, the only form of life that refuses to grow up." James Blish gave the collection an unfavorable review, saying the stories "are all too obvious parables, with all too obvious morals.""Books", F&SF;, September 1970, p. 18-9 Kirkus Reviews, however, gave General a brief four-star review, singling out the title story for praise.
Cathy paints a bit like Peter Blake. I first came across Cathy’s magazine ‘Arty’ a little art fanzine at the Serpentine gallery bookshop ... the energy in her magazine, and the childishness of it, I thought she would be a teenager, she was my age...and she also was running her own gallery ... She’s been a rock... In 2016 Cathy Lomax was announced winner of the inaugural 'Contemporary British Painting Prize' for her painting "Black Venus".
Edward exhibits his childishness and playfulness in many ways, such as performing a little dance while the Pac-Man game plays its theme song. Stratton's personal assistant, Kate Summers (Erin Gray), is often the voice of reason. Kate's role adds tension to the show and provides incentive for Edward to act more maturely (at least sometimes). Edward and Kate's will-they-or- won't-they relationship gives way to a third-season wedding.
The magazine was ground-breaking. The Oxford Encyclopedia of Children's Literature writes, "The calm security of the lives of the children in the stories, the affection they receive, and their childishness were something new in American writing." The writers who contributed to its pages included Eliza Leslie, Catharine Maria Sedgwick, Lydia Huntley Sigourney, Hannah Flagg Gould, Sarah Josepha Hale, Caroline Howard Gilman, and Anna Maria Wells. Child herself contributed as "Aunt Maria".
Ohba said that Near "becomes less likeable" as the story advances, citing Near's plan to take the notebook at an earlier point in the story. Ohba said that a negative reaction originated from the loss of L and "the difference in their attitudes" and that people may have viewed Near as "a cheat". Ohba added that Near's "cheeky behavior", intended to "reinforce his childishness", had been construed as "annoying".Death Note: How to Read 13.
He is one of Japan's top 5 aces, only barely missing the top 3. Bokuto is enthusiastic and very passionate about volleyball. He is called 'simple-minded' by his teammates and is easily delighted by successful spikes and praise, especially from Akaashi, whom he often asks for (and gets) praise from. In spite of his apparent childishness, Bokuto takes volleyball seriously and is known even amongst players from other regions for his immense talent and in-game presence.
In Jump City, the Teen Titans arrive to stop Balloon Man. When he fails to recognize them, the Teen Titans jump into a rap song to introduce themselves ("GO!") and become distracted, forcing the Justice League — Superman, Green Lantern and Wonder Woman — to intervene. They criticize the Titans for their childishness and inability to take their positions as superheroes seriously, while raising the fact that they do not have a feature- length film to prove their legitimacy as superheroes.
He said, it was all vanity and childishness ; and that such > objects were, to those who patronised them, mere mirrors of their own > superiority. 'They had better,' said he, 'furnish the man with good > implements for his trade, than raise subscriptions for his poems. He may > make an excellent shoemaker, but can never make a good poet. A schoolboy's > exercise may be a pretty thing for a schoolboy; but it is no treat for a > man.
In the anime, Taiki and Yaten consider him prone to bouts of childishness (such as when he shows off his basketball skills in front of the school), but generally follow his lead. Seiya develops strong feelings for Usagi; his attempts to forge a bond with her provide the primary romantic tension of the season. Seiya calls Usagi odango, like Mamoru does. The two go on a date at an amusement park, which is interrupted when Sailor Iron Mouse attacks.
Viserys Targaryen is played by British actor Harry Lloyd in the television adaption of the books. Harry Lloyd on Viserys Targaryen: > As soon as I looked into more of the history of the Targaryen family and > actually read the other books, I found out more and pieced together his > backstory, and he became sympathetic. I understood more what motivated him, > and the fear he had, and the responsibility he had, and his childishness. I > mean, he never really had a parent.
Chrigel Glanzmann of Eluveitie, quoted in Wiederhorn 2009, p. 63 The author Ian Christe has also identify Skyclad as the pioneers of pagan metal. In contrast, Heri Joensen credits Bathory as the first pagan metal act instead, noting that Bathory had gotten "tired of the childishness of satanic lyrics, so they added some cultural weight by going to Nordic mythology". Alan A. Nemtheanga of Primordial remarks that one "can see the formation of pagan metal" in Bathory's 1988 album Blood Fire Death.
Kestrel is impulsive and eccentric to the point of childishness, when she wants to be. While she is obviously very intelligent, most of the time she prefers to have fun in every way she can. When asked about this by Shannon, she said "I'm an adult, and fully cognizant of the fact that there is no one around to tell me 'no.'" Easily distracted and easily amused, she frequently makes random comments and puts herself (along with Felix and Shannon) in embarrassing situations.
Neverland is a fictional island featured in the works of J. M. Barrie and those based on them. It is an imaginary faraway place where Peter Pan, Tinker Bell, Captain Hook, the Lost Boys, and some other mythical beings and creatures live. Although not all people who come to Neverland cease to age, its best-known resident famously refused to grow up. Thus, the term is often used as a metaphor for eternal childhood (and childishness), as well as immortality and escapism.
Das look and act young to the point of childishness, go by their first names when talking to their children, Ronny, Bobby, and Tina, and seem selfishly indifferent to the kids. On their trip, when her husband and children get out of the car to sightsee, Mrs. Das sits in the car, eating snacks she offers to no one else, wearing her sunglasses as a barrier, and painting her nails. When Tina asks her to paint her nails as well, Mrs.
" Bernice Kert, author of The Hemingway Women, claims Hadley was "evocative" of the woman whom Hemingway met and fell in love with during his recuperation from injuries during World War I, Agnes von Kurowsky, but in Hadley, Hemingway saw a childishness Agnes lacked. During the winter of 1921, Hadley took up her music again and indulged in outdoor activities. She and Hemingway corresponded during the winter. When she expressed misgivings about their age difference, he "protested that it made no difference at all.
Tchaikovsky himself insisted to his patroness, Nadezhda von Meck, "My wife, whatever she may be, is not to be blamed for my having driven the situation to the point where marriage became necessary. The blame for everything lies on my lack of character, my weakness, impracticality, childishness!"As quoted in Holden, 240-241. He considered his falling in with her, at a time when he had decided to be married simply for the sake of being married, as something to simply attribute to Fate.
She was educated as a prince and taught (and enjoyed) fencing, horse riding and bear hunting. As an adult, it was said that Christina "walked like a man, sat and rode like a man, and could eat and swear like the roughest soldiers". Christina's contemporary John Bargrave described her comportment in a similar fashion but said witnesses ascribed her style more to childishness or madness than masculinity. When she arrived in Rome in 1655, she had shaven her head and wore a big, dark wig.
The natives were so credulous that one father whose entire family had been kidnapped begged to be taken also so that he could share heaven. It was at this time that the reputation of childishness and simplicity became attached to the natives, whom the Spanish called Indios, "Indians." He wrote to de Santángel: "they are so unsuspicious and so generous with what they possess, that no one who had not seen it would believe it." On 21 November the fleet set course for Bohio.
In this famous moment, Austen's narrator acknowledges the hypocrisy in insulting those who read novels. It is also made clear in this text that those who are considered "good" and well-educated read novels, such as Henry and Eleanor Tilney. John Thorpe, for example, who does not read novels, is the cad of the text. Furthermore, there is a distinction made between Catherine's imagination and childishness that encourages her fantasy of a murderous General Tilney, rather than it being a direct fault of the novel genre.
59 (8): 63–64 It is considered a wild, bizarre and comic play, significant for the way it overturns cultural rules, norms, and conventions. To some of those who were in the audience on opening night, including W. B. Yeats and the poet and essayist Catulle Mendès, it seemed an event of revolutionary importance, but many were mystified and outraged by the seeming childishness, obscenity, and disrespect of the piece. It is now seen by some to have opened the door for what became known as modernism in the twentieth century.
Sophie & Magaly in 1980 On the night of the final Sophie & Magaly performed fourth in the running order, following Greece and preceding Morocco. The stage presentation featuring a large man dressed as, and waddling about the stage in the manner of, a penguin was widely ridiculed for its childishness, but remains very well-remembered and frequently features in montages of Eurovision's more absurd moments. At the close of voting "Papa Pingouin" had received 56 points, placing Luxembourg 9th of the 19 entries. The Luxembourgian jury awarded its 12 points to the Netherlands.
Known as one of the best setters in Miyagi Prefecture, he was previously Kageyama's senior when they both played for Kitagawa Daiichi, and as a result is dubbed "The Great King" by Hinata. Despite his popularity, flirtatious nature, and childishness, Oikawa is a hard worker and takes volleyball extremely seriously. He is well- balanced and especially well known for his powerful, accurate jump serves. He is extremely intelligent and cunning; his own teammates joke that they wouldn't want to be his friend because he figures out everyone's weaknesses.
Once assured that they were beyond the reach of the others, Hamsam chides her, saying that though she was grown up enough, her childishness had not lessened, and she were seen trying to embrace the bird, she would be ridiculed. She needn't catch the bird, because it could be trusted. The bird also blessed her to get a King as her husband, who was an ardent lover and her desired sweetheart. The bird earns the trust of Damayanthi by revealing that it lived in the Kingdom of Nalan, tutoring ladies to practice proper gait.
Southern whites, threatened by blacks' newfound freedom, responded by making the fruit a symbol of black people's perceived uncleanliness, laziness, childishness and unwanted public presence. Watermelons have been viewed as a major symbol in the iconography of racism in the United States. The truthfulness of the stereotype has been questioned; one survey conducted from 1994 to 1996 showed that African Americans, at the time 12.5 percent of the country's population, only accounted for 11.1 percent of the United States' watermelon consumption. As of 2018, China is the world's largest producer and consumer of watermelons.
Melissa Fumero Melissa Fumero portrays Sergeant (previously Detective) Amy Santiago, Jake's uptight, by-the-book, rule-following Cuban-American partner, and later wife. A self-acknowledged type A personality and neurotic overachiever, she continually tried to ingratiate herself with Captain Holt, and any authority figure in arm's reach of her. In the pilot, Terry cites Amy's competitiveness to Holt as a result of her having seven brothers. Amy is a stickler for department protocol and is frequently exasperated by Jake's childishness, as well as the ease with which he succeeds as a detective.
Gans, Andrew. " Mozart in the Jungle, Starring Bernadette Peters, Renewed for Third Season", Playbill, February 9, 2016 She was a guest star in the 2014 Bravo television series Girlfriends' Guide to Divorce in the episode "Rule #21: Leave Childishness to Children".Gans, Andrew. "Tony Winner Bernadette Peters Will Guest Star on Bravo Series", Playbill, December 24, 2014 Peters played the recurring role of Lenore Rindell, a financial scammer, in the CBS television series The Good Fight, in 2017 and 2018.Viagas, Robert. "Bernadette Peters Cast in Good Wife Spinoff", Playbill, October 27, 2016Poniewozik, James.
And the three good fairies could be maiden sisters of the misogynistic seven dwarfs." Time harshly wrote that "Even the drawing in Sleeping Beauty is crude: a compromise between sentimental, crayon- book childishness and the sort of cute, commercial cubism that tries to seem daring but is really just square. The hero and heroine are sugar sculpture, and the witch looks like a clumsy tracing from a Charles Addams cartoon. The plot often seems to owe less to the tradition of the fairy tale than to the formula of the monster movie.
While Charles Darwin's work remade the Aristotelian concept of "man, the animal" in the public mind, Jung suggested that human impulses toward breaking social norms were not the product of childishness or ignorance, but rather derived from the essential nature of the human animal. Another major precursor of modernism was Friedrich Nietzsche,Robert Gooding-Williams, "Nietzsche's Pursuit of Modernism" New German Critique, No. 41, Special Issue on the Critiques of the Enlightenment. (Spring - Summer, 1987), pp. 95-108. especially his idea that psychological drives, specifically the "will to power", were more important than facts, or things.
The character's profile on BBC Online states that his most notable moment was "Admitting to Cathy that he'd had a vasectomy without her knowledge." Writer Josephine Monroe thought the "childishness" between Benito and Lou was "hilarious". Jason Herbison of Inside Soap commented that Spartels "brought a welcome bit of Greek flavour to Ramsay Street", while the Alessi family "added much-needed spice" to the show. Writing in Small Screens – Essays on Contemporary Australian Television, David Nichols found Benito's persona was similar to the angry, ethnic father trope, calling him "an easily angered patriarch in conflict with what were presented as everyday 'Australian' mores".
A small film with a gigantic spirit... Encourage this one!" Saibal Chatterjee of NDTV rated it with 3 out of 5 stars and said – "Through the entire first half, the writer- director duo holds the proceedings at a level that is completely in sync with the unpretentious spirit of the film. In the run-up to the climax, however, the film comes precariously close to tying itself up in knots as the child- like aura it builds up begins to teeter on the edge of childishness. Mercifully, it stays on its feet and doesn't topple over.
In contrast, Rosa wrote, Judge LaBuda was interviewed for less than 30 minutes, was not read his rights or recorded, and wrote out his own statement. “This incident is the unfortunate result of arrogance and childishness from the meeting at the coffee shop up to and including the parties’ encounter on Sept. 25, 2016,” Rosa wrote. “All of this because two well-educated, professional, grown men acted like a couple of adolescents. Failure to act one’s age, however, is not a family offense.” Judge LaBuda was on paid leave from the bench for nearly 7 months after the incident.
The White Stripes made exclusive use of a red, white and black color scheme when conducting virtually all professional duties, from album art to the clothes worn during live performances; Meg said that "like a uniform at school, you can just focus on what you're doing because everybody's wearing the same thing." Jack also explained that they aspired to invoke an innocent childishness without any intention of irony or humor. Spin magazine commented that "his songs—about getting married in cathedrals, walking to kindergarten, and guileless companionship—are performed with an almost naive certitude." Other affectations included Jack using two microphones onstage.
Heavy drops of icy water fell in a regular > rhythm on his breast, and when I made him listen to the sound of the drops > of water indeed falling in rhythm on the roof, he denied having heard it. He > was even angry that I should interpret this in terms of imitative sounds. He > protested with all his might – and he was right to – against the > childishness of such aural imitations. His genius was filled with the > mysterious sounds of nature, but transformed into sublime equivalents in > musical thought, and not through slavish imitation of the actual external > sounds.
Act II, Scene VII, features one of Shakespeare's most famous monologues, spoken by Jaques, which begins: > All the world's a stage And all the men and women merely players; They have > their exits and their entrances, And one man in his time plays many parts The arresting imagery and figures of speech in the monologue develop the central metaphor: a person's lifespan is a play in seven acts. These acts, or "seven ages", begin with "the infant/Mewling and puking in the nurse's arms" and work through six further vivid verbal sketches, culminating in "second childishness and mere oblivion,/Sans teeth, sans eyes, sans taste, sans everything".
Following these opportunities, she received several offers in different programs, among them Chiquilladas (Childishness), making her first starring appearance in the series for children, where one of her more popular roles was in a Popeye skit as Olive Oyl. In 1982, she starred her first telenovela, Chispita ("Little Spark"), alternating with great actors such as Enrique Lizalde, Angélica Aragón, among others. Her acting brought her 2 awards, her first TVyNovelas Award and Azteca de Oro Award. From that moment her career was seen as a promising future; curiously enough with the emergence of Lucero as a singer, she did not record the theme song for this telenovela.
North British considered restarting the competition with Conacher writing to Oakley "Although I share to the full your opinion regarding the childishness of the whole business ... I am quite prepared to run another train as much like theirs as possible, when I have no doubt we could again shew our superiority". To achieve the high speeds very few carriages could be pulled and so a second, longer, slower train had to follow on behind. There was no benefit to the public in arriving so very early and, apart from the publicity, it made no financial sense. For all these reasons the racing was not resumed.
The movie plot evolves around Yuriy Detochkin (Smoktunovsky), a humble Soviet insurance agent suffering from a minor mental disorder.(the name hints to his childishness) Detochkin applies great resourcefullness and exceptional driving skill to stealing cars from corrupt Soviet officials in a Robin Hood way, disappointed by the Militsiya (Soviet police) being unable to fight them efficiently. One of the Detochkin's un-innocent victims is Dima Semitsvetov (Mironov), a retail embezzler hilariously trolled, but still tolerated by his colourful father-in-law Sokol- Kruzhkin (Papanov), a retired Soviet Army officer. Detochkin sells the stolen cars and anonymously transfers the money to the accounts of various orphanages.
To learn about his roots, Sharaku must investigate the mysterious ruins that a long lost civilization called the Three-Eyed Ones bequeathed to him. In his worldwide search, which takes both he and Chiyoko Wato to locations like Arizona, Easter Island, and Mexico, Sharaku deciphers ancient scriptures and uses gadgets he invents to help solve (or start) problems and mysteries. Sharaku is frequently bullied for his childishness, and as such the story is also about how he fights back when the x-shaped bandage that covers his third eye is removed. Behind the bandage is hidden Sharaku's malicious third eye, and the boy's hidden evil genius emerges when it can see.
In Sikkim's capital of Gangtok, the team assembled a 50-mule caravan and searched for porters and Tibetan interpreters. Here, the British official, Sir Basil Gould, observed them, describing Schäfer as "interesting, forceful, volatile, scholarly, vain to the point of childishness, disregardful of social convention," and noted that he was determined to enter Tibet regardless of permission. The team began their journey June 21, 1938, traveling through the Teesta River valley and then heading north. Krause worked light traps to capture insects, Wienert toured the hills making measurements, Geer collected bird species and Beger offered locals medical help in exchange for allowing him to take measurements of them.
Gleeson White wrote of Caldecott: G. K. Chesterton wrote in a Caldecott picture book that he presented to a young friend: :This is the sort of book we like : (For you and I are very small), :With pictures stuck in anyhow, : And hardly any words at all. : . . . :You will not understand a word : Of all the words, including mine; :Never you trouble; you can see, : And all directness is divine— :Stand up and keep your childishness: : Read all the pedants’ screeds and strictures; :But don’t believe in anything : That can’t be told in coloured pictures.Alfred George Gardiner, "Prophets, Priests and Kings", Alston Rivers Ltd.
Rayne eventually takes a liking to his niece, despite a rocky start, and eventually comes to care for her as a surrogate father, with Ashley considering him her favourite Unca. As the comic progressed, Rayne's character developed and has been dealing with increased maturity and vulnerability. It was revealed that much of Rayne's promiscuity and childishness came as a reaction to severe depression caused by his inability to settle down and his fear of change. His promiscuity has become less and less of a theme as the strip has progressed, and as of March 8, 2014, he is in an exclusive relationship with the character Jumpmaster Julie who first appeared on August 23, 2006.
This picture of the so-called "silent lobe" changed in the period after World War I with the production of clinical reports of ex-servicemen who had suffered brain trauma. The refinement of neurosurgical techniques also facilitated increasing attempts to remove brain tumours, treat focal epilepsy in humans and led to more precise experimental neurosurgery in animal studies. Cases were reported where mental symptoms were alleviated following the surgical removal of diseased or damaged brain tissue. The accumulation of medical case studies on behavioural changes following damage to the frontal lobes led to the formulation of the concept of Witzelsucht, which designated a neurological condition characterised by a certain hilarity and childishness in the afflicted.
She is very committed to the ideals of the U.S., in particular the bounds that law places on all citizens including the government. Ziva is sometimes considered a "haunted" figure; she is a skilled assassin and is able to take life without hesitation or remorse when the situation requires, something that has not changed with her new affiliation with NCIS. In spite of this, Ziva is capable of displaying playfulness, nearly childishness at times, such as in "Heartland" when she gleefully races McGee to be the first to tell Tony and Abby about meeting Gibbs' father. She is particularly empathetic towards children, as demonstrated in episodes such as "Dagger" and "Outlaws and In-Laws".
Virginia Woolf mused on the unique quality of a Chekhov story in The Common Reader (1925): While a Professor of Comparative Literature at Princeton University, Michael Goldman presented his view on defining the elusive quality of Chekhov's comedies stating: "Having learned that Chekhov is comic ... Chekhov is comic in a very special, paradoxical way. His plays depend, as comedy does, on the vitality of the actors to make pleasurable what would otherwise be painfully awkward—inappropriate speeches, missed connections, faux pas, stumbles, childishness—but as part of a deeper pathos; the stumbles are not pratfalls but an energized, graceful dissolution of purpose."Michael Goldman, The Actor's Freedom: Towards a Theory of Drama, p72.
Rik Spanjers regards Naruto's childishness as one of his strengths because it gives him a well of resoluteness from which to draw on in his goal to end the ninja wars. A study which looked at if readers could predict character types based on physical cues regarded Naruto as an ENFP (Myers-Briggs) character type, impulsive and spontaneous, finding a foil in the ISTJ-type Sasuke. Analysing Naruto's coming-of-age story, The Lawrentian found that Naruto's development embodies the idea of Bildungsroman, the idea of how importance is Naruto's growth across the narrative needed to move on the arc. Due to lacking parenting as a result of his parents' age during his birth, Naruto's personality starts fragile.
Journalist Katherine Zoepf finds this description emphasising Aisha's childishness despite being married to a man in his fifties can make for "upsetting reading". Jeremy Stangroom and Ophelia Benson argue that Aisha "was much too young to have offered anything like her informed consent, even if it had been sought". Writing that Muhammad's life is considered exemplary for Muslims and one to which all Muslim men should aspire, they quote Kecia Ali: "accepting the rightness of his act raises the question: on what basis can one reject the marriage of young girls today?" They also compare the practice of child marriage to that of colonial slavery, arguing that both practices were legal at the time but are now seen as inherently immoral.
The film opens with the Republic of Singapore apparently being under an immense invasion from a fictional army, with iconic Singaporean landmarks (such as the Merlion and the Esplanade) coming under fire and many civilians killed brutally. It is later revealed that the war was fictitious setting of a war-based role-playing game played by Ken Chow (Joshua Tan), a rich and spoiled child reluctant to enlist into National Service. Ken plans to study abroad with his girlfriend Amy (Qiu Qiu), but his plans are derailed by NS. After being chided by Amy for his childishness, Ken takes it out on a nearby rubbish bin, to be apprehended by two policemen in the vicinity. A disappointed and embarrassed Amy looked very sad and angry.
Horton maintained that a more useful approach would be to compare traditional thought to modern science. The fact that a traditional explanation may be shown to be mistaken in terms of modern science, by no means indicates that the explanation is held by a less intelligent group of people. Horton was not willing to follow Tylor's view that holding theories that were mistaken is evidence of the childishness of traditional thought, pointing out that historians of science have shown that many rationally demonstrated scientific views were subsequently shown to be mistaken and were replaced. He attributes an intellectualist view to religion and rejects the symbolic, Durkeheimian, understanding of religion, as patronising to the so- called "primitives" who have a literal approach to their beliefs.
IGN called it the fourth best Cheers episode, highlighting the witty dialogue and the bonding between characters. An A.V. Club retrospective group review praised the episode, especially for the food fight. The reviewers also highlighted the effective short reference and a toast by the characters to their past colleague and friend, the late Coach Ernie Pantusso, and the setting of much of the episode at Carla's house rather than at the bar. Molly Eichel, one of the reviewers, was especially interested in moments other than the food fight, such as the "childishness" (also described as "devolution") of the characters, Diane's motherliness toward the gang, and Eichel's "favorite part", Vera's long-awaited appearance, even though her face was covered with pumpkin pie.
A contractor eager for social and professional advancement, Sidney will do anything to impress his perceived superiors—at the expense of his marriage. Sidney is socially inept, and shares that innocence with his wife, keeping their marriage together. As the play progresses, he becomes wealthier and wealthier, until eventually the friends he was once desperate to impress are now courting him as their own fortunes sink lower and lower. By the final act success has transformed Sidney's innocence into something approaching macabre sadism: in the earlier acts, the other couples view him with indulgent contempt and tolerate his childishness, but as the play progresses and he acquires money and power, they find themselves compelled to take him much more seriously, until self-preservation dictates they play along with his games.
He opened the week under booing of an hostile audience, with a conference titled "The aesthetic emotion in modern art". Shortly before the "Week", Graça Aranha published in 1921 an influential theoretical essay, "Estética da Vida" (An Aesthetics of Life), where he analysed the relationship of Brazilian soul with nature, a recurrent theme at the time. He argued that the three main races had formed the "soul" or essence of the Brazilian people by adding three basic emotions to culture: the Portuguese's melancholy, African childishness and "cosmic terror", and the Indians' "metaphysics of terror", or the use of ghosts. He proposed that Brazilian culture should strive to achieve a new relationship to nature, based on the incorporation of such feelings into art and by overcoming the ethnic differences by means of an integration between the I and the cosmos.
1; and Gidel, p. 74 In December 1886 the Renaissance presented a three-act comédie by Feydeau, Tailleur pour dames (Tailor for ladies). Les Annales du théâtre et de la musique thought the play insubstantial, but, "what gaiety in the dialogue, what good humour, what pleasing words, what fun in this childishness, what unforeseen things in this madness, what comic invention in this imbroglio, which obtained the most outright success one could wish to a beginner!"Noël and Stoullig (1887), p. 373 The critic of Le Figaro said that the piece was not a comedy at all in the conventional sense of the word: Marie-Anne Carolus-Duran, who married Feydeau in 1889 The critic Jules Prével correctly predicted that the young author would struggle to repeat this early triumph: it was not until 1892 that Feydeau had another success to match Tailleur pour dames.
1971's Histoire de Melody Nelson, a first- person concept album depicting the meeting and eventual seduction of doomed English teenager Melody Nelson, was Gainsbourg's first major success in the LP market and helped form his reputation as a controversial figure. Not one to shy away from controversy, Gainsbourg had formed the nucleus of what would become Vu de l'extérieur when he suffered a heart attack at the age of 45. By the time he was back to health, he resumed composing the songs for the new album, among them one of his biggest hits, "Je suis venu te dire que je m'en vais". While not quite a concept album, especially when compared to other Gainsbourg albums such as Histoire de Melody Nelson, Rock Around the Bunker and L'Homme à tête de chou, certain thematic elements–such as scatology and childishness–do run through the album.
In what Mary Jackson has called the "new child" of the 18th century, she describes "a fondly sentimentalized state of childishness rooted in material and emotional dependency on adults" and she argues that the "new good child seldom made important, real decisions without parental approval ... In short, the new good child was a paragon of dutiful submissiveness, refined virtue, and appropriate sensibility."Jackson, 131. Other scholars, such as Sarah Robbins, have maintained that Barbauld presents images of constraint only to offer images of liberation later in the series: education for Barbauld, in this interpretation, is a progression from restraint to liberation, physically represented by Charles' slow movement from his mother's lap in the opening scene of first book, to a stool next to her in the opening of the subsequent volume, to his detachment from her side in the final book.Robbins, "Teaching Mothers", 140–42.
From the airport, he boards a taxi and starts interacting with the driver who is a Pakistani, named Iqbal Qureshi (Rajesh Khera) and tells the latter, his reason to come to London. In the same city, Siddharth Verma "Sid" (Sanjay Suri) who is a chef in a restaurant lives with his wife Richa Verma (Urmila Matondkar), who is a Science teacher and their son Bobby Verma (Taseen Chowdhary). Sandy then arrives at the hotel where his girlfriend, Sanjana (Tanushree Dutta) is staying and finds her in order to convince her to forget the past and marry him but Sanjana is very angry about Sandy's childishness and says that marriage is not a child's play but Sandy keeps on trying so that she forgives him. Sid then reaches the restaurant he works in but enters a secret office with a hidden back door inside the restaurant and it is then revealed that he is actually a secret agent of MI5.
Although Raknes mostly treated adult patients (Dannevig, 1975), it was the child that Ola Raknes focused on so strongly in his educational efforts to promote values and also as a therapist. The child is the center of focus in the article "Life and Religion", in the book Fri Vokster, in his therapy and in himself the way he was – the child in the adult and the child in itself, in center and teeming with life, the child which is devoid of sentimentality and childishness. His friend and student, Rolf Grønseth said of him that Ola Raknes manifested this child himself in his eagerness and his joy in searching and in pride in himself the way it can be seen in children, but that has been lost in most all adults – but that he combined this with an unusual degree of sober attitude. He saw things simply and straightforwardly and gave them names that all could understand.
Thus, it was both > written and illustrated as though by a small child—which is not as easy to > do as some who have had the misfortune of growing up might think. Week after > week, Mendelsohn described trips to the circus, fishing expeditions, visits > to members of his extended family, and all sorts of other adventures kids > have, in a style simulating that of an actual kid—except, of course, for the > fact that it was professionally rendered in every way. Unfortunately, > professional work is sometimes best recognized by another professional, or > at least by someone who knows what to look for—or at the very least, by > someone who could see that this was a spoof, and that childishness was a > schtick and not a natural state for Mendelsohn. King Features received > complaints from those who didn't "get" it and thought the company was > publishing the work of an actual child—or, in the case of those who noticed > the byline ("by Jacky Mendelsohn, age 32½") by an adult whose abilities > hadn't progressed since childhood.
In a review of Psychedelic Cloud Rap on the InterMedia website, the music critic Alexei Mazhaev wrote that "in Liza's music, stiob is combined with sanity on the verge of cynicism", and "excellent command of words, a sense of language and accurate orientation in the signs of the times are seasoned with charming naivety." According to music journalist Alexander Gorbachev (Meduza), despite the fact that Monetochka started off as an Internet meme, she did not share the formulaic path of short-lived celebrity. Comparing the singer's songs from Psychedelic Cloud Rap to the new songs of Coloring for Adults, Gorbachev notes that "the toylike childishness of Monetochka’s early music has grown into something far more complex in this album." The poet Vera Polozkova spoke about Monetochka's success in the following way: “This is absolutely a child telling you about what is happening around you, with such irreconcilability which you would never have dared to use yourself." Maria Engström claims that "Monetochka’s album [Coloring for Adults] today is the only intelligible manifesto of the aesthetics of Putin’s fourth term in office.

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